College Road in Madikeri wore a deserted look following the voluntary lockdown after 2 pm.
The call given by the Kodagu district Chamber of Commerce and Industry for a voluntary lockdown to check the spread of Covid-19 has evoked good response in the district.
A majority of the shops remained open on Saturday from 6 am to 2 pm.
People started arriving at the shops early in the morning in Madikeri to carry out the business.
About 50% of the shops had voluntarily closed after 2 pm. By 3 pm, 90% of the shops downed their shutters. Even the movement of people in Madikeri town to reduced after 2 pm. Bus stands, Indira Gandhi Circle, Thimmayya Circle, and Mahadevapete road wore a deserted look.
A trader said, “We have already incurred loss following the lockdown for the last three months. However, Covid-19 could not be controlled. There has been a surge in Covid cases in the district. In the interest of the safety of the public, the shops have been closed”.
Kodagu JD(S) unit president K M Ganesh has urged the authorities to supply necessary ration items to the areas that have been sealed down. People in the sealed down areas are facing hardships, he added.
He said the rise in Covid cases in the district had led to panic among people. With the closure of shops in sealed down areas, people are struggling to procure essential commodities. Officials should visit the restricted areas and look into the needs of the people.
4 new cases in Kodagu
Four new Covid-19 cases were reported in the district on Saturday. With this, the active cases have risen to 37 in Kodagu.
According to Deputy Commissioner Annies Kanmani Joy, of the four, one has inter-district travel history to Bengaluru while two others are primary contacts of the infected persons. One of the infected is a health worker.
A 33-year-old woman, who has travel history to Bengaluru, has been tested positive. A health worker from Subhash Nagara in Murnadu, a 14-year-old girl, who was the primary contact of an infected man from Shirangala and an eight-year-old boy, who was who was also a primary contact of an infected man from Huluse have been tested positive for Covid-19, Annies added.
The total recorded Covid cases in the district is 40. The containment zones in the district have increased to 19.
source: http://www.deccanherald.com / Deccan Herald / Home> State> Mangaluru / by DHNS, Madikeri / June 27th, 2020
Confidence steered Jwala and Ashwini, and in turn India, towards their first-ever doubles World Championship medal for badminton in 2011 at Wembley and kicked off a decade in which singles stars PV Sindhu and Saina Nehwal would follow the trailblazing duo onto the Worlds podiums every single Championship year.
Jwala Gutta and Ashwini Ponnappa won their first-ever doubles World Championship medal for badminton in 2011 at Wembley (Source: PTI)
Everyone knows Jwala Gutta loves to fire the opening salvo. It comes entirely from her playing credo: “You can’t be a good doubles player if you can’t serve well.” The first shot sets the tone.
After she split with Shruthi Kurien at the start of 2009, Jwala was scouting around for potential partners to play with. Her mixed doubles career with V Diju was going swimmingly well as they’d beaten the Korean World No. 1s that year and entered the Top 10.
But before she zeroed in on Ashwini Ponnappa, she sprung a thunderbolt on her mother by almost sending the daughter-mother entry for the Nationals that year. Her mother ticked the only box that Jwala sniffed around for, when deciding partners: “I didn’t really have to think a lot. Mom’s serve was very good.” Jwala knew she could mop up the rest.
This confidence steered Jwala and Ashwini, and in turn India, towards their first-ever doubles World Championship medal for badminton in 2011 at Wembley in London, and kicked off a decade in which singles stars PV Sindhu and Saina Nehwal would follow the trailblazing duo onto the Worlds podiums every single Championship year. Jwala-Ashwini’s was the first medal since Prakash Padukone won in the 1980s.
“When I decided to play with Ashwini, she wasn’t even a Top 4 in India. I just saw in her that no fear of losing, and knew I could mentor her,” Jwala says.
Ashwini wasn’t pickled in the ways of doubles, where plenty of mental disintegration gets induced. (Source: Express Photo by Ravi Kanojia)
Doubles was Jwala’s battlefield where she needed only an ally. “I really could combine well with anyone – Diju of course, Chetan, Vidyadhar, Gopi also, Shruthi,” she explains. “Only this – the partner should be able to serve properly.”
So when a friend and batchmate pointed out the whiplashing Ashwini to her at the nationals, Jwala wasn’t distracted by what was Ashwini’s very-noticeable big booming smash. “My friend told me – she smashes really hard. I immediately asked, but how’s her serve. I don’t care about the smash as long as it’s hit at the right time and right place. I’m not bothered by how hard she hits. I watched her at the start of the rally – her serve was fine. She was still young.” The pair was good to go.
More than callow, Ashwini – a fearless, formidable, free-spirited hitter – wasn’t pickled in the ways of doubles, where plenty of mental disintegration gets induced.
“At the start of the rally, that’s where you put pressure on the opponents. Top pairs understand the importance of a good serve that opponents struggle to return. I always got my points when I served well,” Jwala says.
Those incisive all-noticing eyes analysed the scene before her like a computer processor when Jwala served.
“I was observant even as a junior. Where is the receiver’s foot facing? How’s he holding the racquet? Which weakness must I attack….” there were a dozen cues that Jwala would factor in when she set out to serve.
Ashwini reckons they combined seamlessly and beyond the obvious advantage of being a left-right combo.
“She had a great serve. And I focused on what I had to do,” Ashwini says. A part of the reassurance that Ashwini brought to the court for Jwala came from Ashwini’s unalloyed conviction in her own smash. Polite and always soft-spoken, Ashwini though takes blazing pride in her smashing where the hissing thwack could well be pronounced as “but of course”.
The bite to the smash comes from Ashwini’s total rejection of breaking it down. The Ashwini smash is just one Macbethian uninterrupted striking down of the axe in one fell swoop.
At the start of this decade, the young and agile Ashwini could rain down 15-20 smashes one after another. She didn’t just eschew nuance in that shot – she chewed and spat out violently any notions of prettying up her whippy welt.
“I just know one smash – that’s my smash,” she says with rare curtness, if one asks her to dissect her favourite flogging action with a badminton racquet. “There’s very little touches there,” she says shredding all pretensions to artistry. “It’s like a hockey whack,” the proud Coorgi raises the violence meter, “it’s a lot about power and just doing it. No thinking. When I’m smashing well, I’m just flying on court.” It’s never not good – the Ashwini smash.
“I’m not apprehensive about what’ll happen after I smash. I’m not scared of losing.”
Out of this fiery pair of prides – Jwala: unquestionable of her serve and Ashwini: unrepentant of her smash – was forged India’s first and hitherto only doubles medal in the World Championship.
But first came the dazzling of Delhi.
***
Jwala Gutta and Ashwini paired for the first time together in 2009. (Source: PTI)
When they got together in 2009, India was racing towards hosting of the 2010 Commonwealth Games, an event that singlehandedly provided the impetus to unearth and groom a bunch of medallists across sports.
The budgeting had changed immediately after the 2006 bronze at the Melbourne CWG, four years after India lost the team bronze in Manchester. “Melbourne was our first mixed team medal. It put us in the ‘A’ list of priority sports. Exposure trips increased from 2008-9 to prepare for the CWG. Dedicated doubles training started and I was on the court nearly 8-9 hours a day morning and evening,” Jwala recalls.
In came the Indonesian Master Shifu, Indonesian Atik Jauhari, who smiled compulsively and cracked the whip in training with even more gnashing teeth. “He brought in positivity and believed in me,” Jwala says.
Her frequent disagreements with coach Pullela Gopichand over how much to train and how much to compete (an intractable problem that persists with players to this day), had unsettled her from the task at hand though she and Diju emerged as the cleverest pairing on the circuit in 2009 when they made the year-end Super Series Finals. “We’d won Chinese Taipei and Bitburger. But the whole perception changed after CWG for badminton and I was happy to be part of it,” she says.
Though it started with a bout of sneezing and allergy as Delhi’s dust and heat got to her that October, and she was bed-ridden. But the Commonwealth Games had been a jet booster to many Indian athletes, who revelled in being prioritised and taken care of for the first time ever.
“For the first time, I’d play in front of my family because they couldn’t afford to travel. I really enjoyed playing on home turf in front of my parents,” Jwala remembers. The belief translated into India’s 33rd gold that helped the hosts level with England on the medal tally.
Jwala had played on all 12 days without a break in front of a packed Siri Fort. “You could hardly hear the shuttle, I told Ashwini ‘let’s just focus on the next point’.”
Like her serve, Jwala tends to look ahead only at Round 1 of any tournament. No muddling the head with conjectures of a semi-final. “That’s a stupid way of looking at tournaments. Always only focus on the next point,” she bosses. Jwala also always fronted the media even when she lost, never disappearing from the backdoor and remained aggressive and animated on and off the court.
The surge took the Indian pair past the Malaysian top team and then she combined with Diju to secure India’s first win over the top English pairing which had Nathan Robertson, till then unsurmountable.
She addresses a long-pending allegation over her questionable fitness – as combatively as ever. “If I wasn’t fit, I wouldn’t have dominated. Yes, I don’t have the athletic body type, but you don’t have to look muscular to be able to hit,” roars the southpaw. “People said I was a slow mover. But i was really tall. I didn’t need to scramble!” she says.
Accustomed to questions being thrown at her because both Diju and a yet inexperienced Ashwini remained soft-spoken, Jwala gleefully stabbed at questions while speaking her mind unfettered.
The gentleness and bottomless patience she reserved for the only one who she believed deserved it: her younger partner Ashwini.
“Not just on court, I decided to take her along through the whole media-training-competing routine. I never referred to any situation as ‘you’ or ‘me’. It was ;us’” always. I’d patiently correct her strokes by telling her not to take stress and be fearless always,” Jwala remembers.
Ashwini was soaking it all up like a sponge. “The programme was structured with coach Atik and specialised coaching. And the 2010 win was a miracle booster. It was our biggest win as a pair,” Ashwini says.
Jwala Gutta and Ashwini Ponnappa at a felicitation program of Badminton 45 Silver Jubilee at Bombay Gymkhana (Express photo by Prashant Nadkar)
It was the beginning of Ashwini learning a very important drill from Jwala, something that suited her own unhassled temperament. “I remember starting this at the Sudirman Cup where I could really switch on and switch off. We’d do well in a match and relax,” she recalls of the thriller against the Thais that the Indians won 21-19 in the third. Indian doubles was taking its infant steps and Ashwini remembers learning something as basic as where to stand on court and what worked and what didn’t. In the lead-up to the Korean Open that year, Jwala-Ashwini had eked out a 22-20 in the decider against Hong Kong and another confidence-enhancing three-game win against the Japanese.
London was only the pair’s second World Championship together and they’d strung up some good results at the French Open in the run-up. Her trainer Declan had travelled that year and Ashwini recalls a rare time when playing well coincided with having fun. “Sometimes you don’t enjoy the journey and the wins and losses don’t matter. But I remember being able to switch off the pressure and just having a lot of fun playing that one. I loved being in the stadium,” she says of a happier time.
Declan not only put her mind at ease about recovery but also pointed out something that the painfully shy woman shrugged off like a jumper.
“Declan told me I should not look down on the floor and always walk with chin up and head high. I remember doing it all consciously and how it helped my confidence and I walked tall,” Ashwini remembers.
The fidgety nervousness that comes with being impatient on court and in finishing points (botching them) was left behind at home, as Ashwini distinctly recalls walking slowly and calmly on court and not scurrying about cluelessly.
The Indians started against the Americans where Wembley’s unique atmosphere had to be internalised. “It’s a different atmosphere at Wembley because the crowd there is always blackened out so the spotlight is on the shuttle. Courts tend to appear brighter and you have to adjust to the visibility,” Jwala recalls. Indians would win 9, 18 against the Americans.
Unseeded and running into World No. 2 was familiar as was being pipped in the opener 21-19 – the result against Room Lok Yan and Tse Ying Suet, wasn’t. “We were prepared because their serves weren’t as good though they were good at defence,” Jwala sensed her opportunity to pounce. “Even after losing the first game, I was confident.” They won 19-21, 21-10, 21-17.
Jwala-Ashwini’s was the first medal since Prakash Padukone won in the 1980s. (Express Photo by Vasant Prabhu)
Up next were the Indonesians who seemed to have taken the Indians lightly and combined that with their own iffy confidence levels. Jwala is quick to acknowledge that Vita Marissa is a bit of a mixed doubles legend, but on the brink of her retirement and a reputation to guard, the Indonesian was under pressure.
It wouldn’t have helped her that Jwala had x-rayed her defence down: “On the brink of retirement, Vita wasn’t a great mover. She could smash hard but couldn’t hit as many times. Tiring her out was the plan.”
Feeding her drops bringing her to the net, the weakening limbs and the under-confidence saw Jwala preying on her tiredness. And while Ashwini peppered her from the back with smashes, Jwala would use the big boomer to soften her for a further bag of deceptions: her wicked serve.
The garden variety backhand serves in doubles don’t offer much variety for the Serve Queen. “Vita not being confident enough to return my serve made me even more adventurous.
“Even the low serves have variety. There are 5-6 variations even to that width so you keep opponents guessing,” Jwala says with glee of a web she weaves at the outset that eclipses the rest of the rally. Her antennae were buzzing even as Ashwini had to stay in front because the shuttle was coming back very fast.
Typically, Jwala takes 2-3 rallies to get a complete read on her opponent: “I focus on movements. I just remember how I lost my last point. If I win a point, I try to win on the same strategy. But you can’t think too much or brood over a lost point.”
Receiver’s styles got 3D imprinted on her mind, and her superior anticipation that afforded just 2-3 chances even when she played singles, helped her give clear succinct serving instructions to Ashwini. The Indian duo chipped away at the 17-21 first set reversal for a 17-21, 21-10, 21-17 win.
She remembers feeling a shiver of excitement on the podium thinking of her parents. “I showed emotion that day though after reaching semis, where we were assured of the medal, we did nothing unusual. Same things – though we might have eaten at a Chinese restaurant.” After the semis against the Chinese including the legend Zhao Yunlei was lost – 14, 16, it struck her that something historic had been achieved by the really unheralded pairing.
Ashwini remembers a happy time. “We dealt with pressure well against the Indonesians and knew we had created history because only Prakash Sir had a Worlds medal before us from India. Always being compared to singles used to be maddening,” she laughs.
She doesn’t remember any rancour associated with the Worlds medal. “We were in a good space. We had good meals, we laughed a lot,” she says.
Reactions to Jwala-Ashwini’s World medal were underwhelming. (Express Photo by Vasant Prabhu)
Reactions in India were underwhelming – the duo reckon out of ignorance. “There was no reception and now I think that was strange. Later, the way Sindhu was received was wow. Ours was no big deal for anyone. There were no questions about why doubles wasn’t doing well, so no celebration of when we did well either,” she says.
Ashwini says the bronze ought to be put into perspective. “Maybe, doubles was not as decorated as singles. But ours was historic, right? The first one for women. Kids can look up to us. If you’re comparing, we had little support, no endorsements. But not being received when we came back hurt a little.”
Doubles itself changed a lot – faster and tougher to get points. “We worked hard, nobody can fault us on effort. We were smart on court. We played quite often to prove ourselves in what weren’t the easiest of times,” she says.
It was when her support system – parents, brother, then boyfriend-now husband huddled around her. “Getting into the zone was tough playing doubles back then. We would get bogged down with one loss. And people would be questioning us. I’m grateful my family understood what I was going through,” she says. One of the reasons the medal sits in her parents’ home.
Finding an oasis of good form, a good vibe and success amidst the storm became doubly challenging when London itself threw up one giant tantrum. “There were riots raging in London that time. It used to be an adventure just going to the stadium. They started after we landed. We would go under shuttered restaurants for our meals. We even got out once through the backdoor. Having never been in such a situation, it was erm… different,” Ashwini says. Young and adventurous, they even afforded themselves a tingling of excitement finding beauty in breakdown.
Jwala remembers an incident opposite Wembley. “We witnessed some rioting from across the street. It was quite disturbing. But you know what happens right in such situations – after every match, we would just forget about the match, look for food, enjoy every morsel and be grateful for the basics. So effectively, we didn’t let a win settle into our system. We hardly discussed the match. It was about playing – going to a nice place to eat – walking a lot and only ensuring we were safe.” In other words, living in the moment – with all its warts and all.
A year on, London would give Jwala-Ashwini another heartbreak at the Olympics. “It was unfair and disappointing that some teams tried to fix the draws and jeopardised our chances. We had gone there well prepared. But that Japan / India / Chinese Taipei situation – it was just sad.”
It’s a scab best reserved for dark moments. But London for Ashwini will always be about India’s least-known World Championship medal and finding her heroic moment of glory and pride amidst chaos of the famous city up in flames. They can almost remember it all in slow motion, such was the drama of the bronze that came out of fire.
source: http://www.indianexpress.com / The Indian Express / Home> Sports> Badminton / by Shivani Naik / June 25th, 2020
People watch solar eclipse using goggles in government high school in Soorlabbi near Madapura on Sunday. DH Photo
The first ‘ring of fire’ annular solar eclipse of the year 2020 could not be witnessed in Kodagu, as the sky remained overcast disappointing a majority of eclipse watchers.
In Madikeri, the eclipse was witnessed between 11 am and 12 noon, amidst clouds. People preferred to remain inside their houses. The astronomical incident had its impact on commercial activities too.
The previous solar eclipse to be seen in Kodagu was on December 26.
Talacauvery, Bhagamandala, Omkareshwara and Igguthappa temples remained closed after offering prayers in the morning. Entry of devotees to the temples were restricted during the solar eclipse. The temples were reopened after 5 pm for cleansing.
source: http://www.deccanherald.com / Deccan Herald / Home> State> Karnataka Districts / by DHNS, Madikeri / June 21s, 2020
A file photo of the Makkandoor Somwarpet road after a landslip near Madikeri in 2018. | Photo Credit: G_P_Sampath Kumar
IISc. study finds built-up area rose from 1.55% to 2.69% from 2016 to 2019
The latest landslip in Madikeri town last week, following which the Kodagu district administration decided to shift 13 families to safety, brings the focus back on the ecological sensitivity of the region which has been ignored.
This is the third consecutive year that the district is witnessing landslip and experts say this calls for urgent long-term environment mitigation policy initiatives, besides a halt on wanton destruction of the local environment.
A study by a team of experts from the Indian Institute of Science (IISc.), Bengaluru, has highlighted the dangers of increased landslip, if the current development trend is allowed to continue.
The findings are by T.V. Ramachandra, S. Vinay and S. Bharat of Energy and Wetlands Research Group, Centre for Ecological Sciences, IISc.. It has been published in a paper titled ‘Urban Dynamics in Coorg District, Karnataka’ in the ENVIS Technical Report.
The study assessed the land use dynamics of the district and the results indicated that the built-up area has increased from 1.55% to 2.69% in three years from 2016 to 2019.
Besides, the native vegetation cover including forest, scrub jungles, sacred groves have declined from 45.44% of the land area to 44.46%.
The other findings of the study also has environmental implications and it points out that the interior forest cover of the district had declined from 24% to 22.23%.
The proposal of new layouts, resorts, highway expansions and linear projects will encourage higher land use changes, according to the study.
It stated that the urbanisation process has led to chaotic growth in the region and called for determining the rate and trend of land use conversion for devising a rational land use policy. Based on the land use pattern for 2016 and 2019, the authors of the study predicted the landscape dynamics for 2031, which indicated increase in the built-up areas in Madikeri, Kushalnagar, Virajpet, Gonikoppal, and Somwarpet.
Also, the influence of road networks and tourism will encourage urbanisation along highways and identified Kodilpet, Suntikoppa, Hebbale, Maadapura, Napoklu, Ammathi etc, as per the study.
source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by R Krishna Kumar / Mysuru – June 22nd, 2020
MLA Appachu Ranjan and Deputy Commissioner Annies Kanmani Joy distribute immunity booster medicine to Corona warriors in Madikeri on Friday. DH Photo
Corona warriors should build their immunity in order to take care of others’ health, said Deputy Commissioner Annies Kanmani Joy.
She was speaking at a programme organised by the district administration, Zilla Panchayat and the district AYUSH Department, at her office in Madikeri on Friday.
Immunity boosting medicines provided by the AYUSH Department was distributed to Corona warriors on the occasion.
MLA Appachu Ranjan, District Health and Family Welfare Officer Dr K Mohan and District Ayush officer Dr Ramachandra were present.
source: http://www.deccanherald.com / Deccan Herald / Home> State> Karnataka Districts / by DHNS, Madikeri / June 19th, 2020
Though the body announced a long term goal of ‘Vision 2030’, officials will focus on development of the sport and players during their tenure of four years. Indian tennis star Rohan Bopanna (Photo | PTI)
Bengaluru :
The executive committee of Karnataka State Lawn Tennis Association (KSLTA) formed in mid-February, finally met for the first time on Thursday with Tennis star Rohan Bopanna assuming his role as vice-president and head of development committee.
“Rohan brings in a lot of expertise and value, which is good for KSLTA. He also wants to catch the players young and work on them. The development committee will look into how players can emerge from the state. They will see what needs to be done. It could be camps, competition etc. The committee will create a blueprint,” said Sunil Yajaman, KSLTA joint-secretary.
Though the body announced a long term goal of ‘Vision 2030’, officials will focus on development of the sport and players during their tenure of four years and will reach out at the school level to try and encourage more children to play the sport and provide them enough space to do so.
The KSLTA also wants to have set up state and regional camps and are open to rendering financial support to promising players. In terms of infrastructure, they want to create a tennis complex in Bengaluru as well.
“We are going to talk to the education and sports departments and try to ensure that there are tennis courts in rural places, allowing tennis to grow in these areas. We want more public courts. Once kids start playing, we are going to have our eyes everywhere and hunt for talent. We are looking to establish this from the grassroots so that we have a solid set-up,” added Yajaman.
Besides, the state body also aims to have a high performance centre, where select players will be provided training. Their education will also be looked after. These players will also be sent for tournaments with coaches.
source: http://www.newindianexpress.com / The New Indian Express / Home> Sport> Tennis / by Express News Service / June 20th, 2020
Dr Afreen Amir, a native of Kodagu, is now part of a research team in London that is already working towards finding a vaccine for Covid-19 pandemic.The research team has been researching on ‘Dexamethasone’, a steroid, which has given a new hope by possibly being a potent vaccine against the Covid-19.
After completing her MBBS in Mangaluru, Dr Afreen pursued her higher education in London and has been working as a doctor there. Her husband Mushir too, is a doctor in London. Afreen’s father S I Amiruddin is currently based in Dubai. He is the elder brother of Kodagu Zilla Janapada Parishat General Secretary Munir Ahmed.
“Afreen completed her SSLC from St Joseph School in Madikeri. She had emerged as the second topper in the district, in the Class 10 board exams. Currently, she is one of the seven experts who are working on the Covid-19 vaccine in London. She always had an inclination towards research in medicine”, Munir Ahmed said.
‘Dexamethasone’, the possible vaccine for the Covid-19, has been subjected to laboratory experiments. The researchers are of the opinion that with the use of the Dexamethasone, about one third of the death rate of the Covid-19 patients can been reduced. A report in this regard is expected to be out soon.
source: http://www.deccanherald.com / Deccan Herald / Home> State> Mangaluru / by DHNS, Madikeri / June 19th, 2020
When Rudresh Mahanthappa recorded Bird Calls, the alto saxophonist wanted to pay tribute to one of his heroes who was probably the greatest alto saxophonist of all time, but he didn’t want to make a straight-up Charlie Parker covers record. Instead, he re-cast Parker tunes to the extent that they became Mahanthappa originals. Five years later, he crosses completely over into playing covers of Parker and other sources for his inspiration.
Hero Trio is that ‘all-covers’ record, which is about the only thing this boundary-pushing composer, bandleader and ace reedman hadn’t yet attempted in one of the most creative jazz careers since the turn of the 21st century. And far from being just an exercise in his interpretive skills (which are unique and stimulating), here is a large window into what makes Rudresh Mahanthappa tick, what lights his fire, what shaped him into the artist he is today. It reaches across generations and genres, but ‘Bird’ still looms large.
The Hero Trio band is a pared down version of the quintet that made Bird Calls. Drummer Rudy Royston and Mahanthappa’s longtime acoustic bassist François Moutin are all who’s needed for Mahanthappa to flesh out these songs in meaningful ways because the saxophonist is so good at fully sketching out the melody and harmony of a song without chordal support and his rhythm section is so good at taking these songs into fresh new places.
“Red Cross” is what I’d call the track that perfectly bridges us from Bird Calls to Hero Trio, mainly because it’s a Charlie Parker song. The trio puts its own stamp on the tune, never fully playing out the head before diving into improv and there’s even a new bridge. “Barbados/26-2” has a funky interlude tacked on front and only after that is done we hear Parker’s 12-bar blues. Moutin gets first dibs on soloing, and when Rudresh Mahanthappa does his thing next, he stretches bebop out to its logical limits. From there, the trio transitions into John Coltrane’s “26-2”, where Trane did what Mahanthappa did on Bird Calls and built a song around the chord changes of Parker’s “Confirmation,” but that, too, is puckish and livelier than the original.
There are other vintage jazz standards on Hero Trio and none of these are treated in ways they’ve been treated ever before. For instance, Mahanthappa chose “I’ll Remember April” because he was thinking about Sonny Rollins’ performance of it on Live at the Village Vanguard from 1957 as well as Lee Konitz’s 1961 rendition. But it’s hard not to notice the crazy, contemporary rhythm Moutin and Royston keeps slipping underneath it and at one point they spill over into the leader’s space. It sounds like irresistible fun, and they do it again for yet one more Parker classic, “Dewey Square.” For an anguished take on “I Can’t Get Started,” Moutin devises a bass line that matches Mahanthappa’s sentiment instead of Vernon Duke’s melody and Royston plays to the mood as well.
A couple of jazz songs from the post-bop era show up in creative renderings. For Keith Jarrett’s 70s tune “The Windup,” Moutin undertakes Jarrett’s role in the song while Mahanthappa is playing Jan Garbarek. Moutin later is fast, dexterous and lyrical for his aside. Moutin saws with sorrow just as David Izenzon did on Ornette Coleman’s “Sadness”, and Mahanthappa wavers his notes perfectly just as Coleman did but still within his own language.
The Hero Trio finds ways to liven up old and familiar songs outside the realm of jazz, too. Rudresh Mahanthappa covers all the harmonic touch points of Stevie Wonder’s “Overjoyed” so that there’s no mistaken what song this is, but judiciously avoids adding unnecessary notes that would clutter it up. Mahanthappa exploits the phrasing irregularities in the Johnny Cash hit “Ring of Fire” as a springboard for freedom. Plus, it’s a great melody, a common trait of all of the songs chosen for this album.
Just because Rudresh Mahanthappa took a break from composing for this project doesn’t mean he took a break from creating. Hero Trio has just as many delightful surprises and audacious musicianship as any other Mahanthappa record.
Hero Trio will release on June 19, 2020 from Whirlwind Recordings.
source: http://www.somethingelsereview.com / Some Thing Else ‘ / by S Victor Aaron / June 11th, 2020
Deputy Commissioner Annies Kanmani Joy said that the compensation for fruit and vegetable growers, affected by Covid-19 lockdown, would be distributed as per the eligibility and through direct benefit transfer.
Banana, papaya, fig, pineapple, watermelon, muskmelon, green chilly, tomato, cabbage, pumpkin, ash gourd, carrot, onion and capsicum crops are included under the compensation scheme.
Every beneficiary will be provided with a maximum compensation of Rs 15,000 per hectare, where the fruits or vegetables were cultivated. Minimum compensation is fixed at Rs 2,000, Annies said.
The farmers, who enrolled under Crop Survey 2019-20, will be eligible for the compensation. The list of the names of farmers enrolled in the survey will be displayed at Raitha Samparka Kendra of the taluk Horticulture department.
Two weeks time will be provided to file objections if any. The farmers need not submit any documents with the application to claim compensation for the above mentioned fruit and vegetable crops.
However, the farmers, who are not enrolled in the Crop Survey, should submit the original copy of RTC, letter of consent (in case of joint RTC), self-declaration certificate, details of bank account, IFSC code and the photocopy of the first page of bank passbook indicating name and address clearly and other necessary documents if the RTC holders have expired.
The application formats are available at the office of the taluk Horticulture departments and at all Nadakatcheri offices.
The last date to submit the application is June 17.
The filled application should be submitted, along with relevant documents, to Senior Assistant Director, Horticulture department (Zilla Panchayat), Madikeri (Phone: 9448336863) and Senior Assistant Director, Horticulture department (Zilla Panchayat), Somwarpet (Phone:855393335) and Senior Assistant Director, Horticulture department (Zilla Panchayat), Ponnampet (Phone:9448049020).
source: http://www.deccanherald.com / Deccan Herald / Home> State> Mangaluru / by DHNS, Madikeri / June 12th, 2020
The Kodava Koota of North America has instituted a scholarship for the year 2020 to recognise and reward meritorious Kodava students studying in India.
Kodava Koota is a non-profit organisation founded in 2017 by like-minded Kodavas living in North America under the leadership of Gina Konganda, an entrepreneur based out of Dallas, Texas. She constituted a Board of 8 members (Appachu Ballachanda, Phoenix, AZ – Vice-President, Appanna Chottera, New Jersey – Secretary, Avinash Chottangada, Atlanta, GA – Treasurer, Nithan Monnanda, Philadelphia, PA – Kodagu Initiatives, Nalini Kuliyakanda, Goldsboro, NC – Culture and Traditions, Priya Pattada, San Francisco, CA – Membership and Subbaiah Cherumandanda, Los Angeles, CA – Career and Entrepreneurship), who are undertaking several initiatives both in North America and Kodagu.
In the year 2020, Kodava Koota is institutionalising multiple scholarships amounting to $10,000 (about Rs.7.5 lakh) for Kodava students in India. Kodava Koota has allocated $3,000 (about Rs. 2.2 lakh) from its membership fund and one of its members Jyothi and Pavan Pattada have donated $7,000 (about Rs. 5.3 lakh) for this initiative.
The objective of this initiative is to encourage Kodava students and reward them with scholarships as a token of appreciation towards their accomplishments and encourage other students to follow suit.
CATEGORIES: Medicine Studies (2 students pursuing under-graduate or post-graduate); Ph.D (1 pursuing Ph.D in the area of Science, Engineering or Technology); Engineering (2 under-graduate or post-graduates); Dental Sciences (1 under-graduate or post-graduate); Agricultural Science (1 under-graduate or post-graduate) and 2 students pursuing Master’s in Science and Mathematics.
ELIGIBILITY: Kodava students studying anywhere in India are eligible to apply for these scholarships. Awards will be adjudicated by Kodava Koota Board or a Committee constituted by it. The scholarships will be administered through its partners Coorg Education Fund (coorgeducationfund.com).
LAST DATE TO APPLY: Applications should reach Kodava Koota before July 31, 2020. Signature and seal of the educational institution is mandatory on the supporting documents like marks cards and letter of recommendation.
Students who are going to start 1st year of the course in 2020 are eligible to apply but will have to attach documents that confirm admission in addition to Grade 12 (or 2nd PUC marks sheet); First year students of courses like MBBS, BDS, BE where CET/NEET are applicable, applicants should upload a copy of the CET/NEET allotment order.
Fill the application forms and upload the supporting documents via: https://forms.gle/jcxPQDJMBZiNhJrQA
For more details, reach out to: kodavakoota.na@gmail.com or coorgedufund@gmail.com, according to a press release from the Kodava Koota.
source: http://www.starofmysore.com / Star of Mysore / Home> News / June 12th, 2020
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