Category Archives: Arts, Culture & Entertainment

‘My first reaction was disbelief ,’ fashion and textile curator Prasad Bidapa on Rajyotsava Award

Prasad Bidapa

Having received the Kannada Rajyotsava Award this year, fashion and textile curator Prasad Bidapa reflects on his journey in reviving traditional textiles.

“A decorative mirror work covering made for a camel’s hump, sarees for my mother, block printing, mirror work, a lot of lehariya dyeing and bandhini – I picked up small, not very consequential pieces but I still treasure them,” says fashion and textile curator Prasad Bidapa, remembering how his love for traditional textiles began as a 17-year-old studying at the National Institute of Design. For someone who had grown up as an Army kid, the richness of the art he was encountering was instantly captivating. What followed was a career as a fashion stylist and choreographer that repeatedly pulled him into working with handloom textiles and reviving them, which the Karnataka government recently recognised by conferring Bidapa the Rajyotsava Award. “My first reaction was disbelief. It only truly sank in when I saw the government gazette notification,” says Bidapa, adding, “For me, this award is not personal, it represents recognition for Karnataka’s artisans and textile heritage.”

While most may know him for discovering and training top model-actors like Deepika Padukone, Anushka Sharma, Lara Dutta and more, one of Bidapa’s first major projects was for Mysore Silks in the 1980s, starting his long and continuing relationship with Karnataka’s coveted fabric. “The government sent me to Delhi to put up a fashion show showcasing all the diverse beauty of Mysore silks, and that’s when I realised how much promotion was needed. Later on, I worked on the same project with the former Maharaja and Maharani who were very interested in reviving silk and especially the Gandaberunda motif. Weavers of Mysuru were specially commissioned to make these very beautiful ombre-dyed sarees with the gold motif,” he recalls.

Since then, Bidapa has worked with several states, putting together the Rajasthan Heritage Week for five years, connecting top designers with artisans to breathe new life into traditional designs. Recently, he recreated a similar concept with Ashtalakshmi, an initiative by the Ministry of Development of the North Eastern Region (DoNER), showcasing the region’s diverse textiles

“Top designers like Tarun Tahiliani, Abraham & Thakore and Rohit Bal chose a particular textile in Rajasthan and worked directly with artisans to create something new. It started a movement which continues till today, a lot of contemporary designs in Kota Doria were invented because artisans started creating new designs themselves. Sarees which used to be sold at ₹8,000 are going for ₹80,000 today – their real worth,” he says.

Right here in Bengaluru, Bidapa curated the Festival of Handmade. Being in the fashion space since the ’80s, Bidapa notes that the awareness and use of handloom has grown drastically but more could be done, and the answer, for him, lies in tourism. “Individuals and organisations like The Crafts Council of Karnataka, people like Pavithra Muddaya and Prasanna Heggodu have done stellar work. But you cannot expect the private sector to shoulder this responsibility entirely. The government must charge the textile and tourism departments to revive and create a tourism attraction with these awesome products. Textiles represent Indian luxury, rarity and centuries-old skills. We need to monetise and promote this heritage,” he says.

With this award, he hopes to push for a project weaving travel and Karnataka’s silk production process together to further draw attention to the craft. He shares, “Something I would very much like to create is a travel experience down Karnataka’s silk route (Ramanagara, Channapatna, Srirangapatna and Mandya), bringing tourists to see how silk is farmed, spun, woven, dyed and embellished. So many people would come from all over the world!”

Weaves of wonder

When it comes to Karnataka’s diverse textiles, Bidapa has three recommendations for pieces that every woman should own: the Ilkal saree, Molakalmuru saree and Dharwad cotton saree. He says, “An Ilkal saree is woven using a three-shutter loom. The body is made of cotton and the pallu of silk; it looks so beautiful. One of the unsung textiles of Karnataka is the Molakalmuru, similar to Kanjivaram but different, having an extremely heavy weave. Finally, the cotton sarees of North Karnataka are soft and lovely for summer.”

source: http://www.newindianexpress.com / The New Indian Express / Home> Bengaluru / by Mahima Nagarajan / November 02nd, 2026


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Madikeri Dasara Waste Falls 25% After Plastic Bottle Ban

Madikeri recorded a 25% drop in waste generated during this year’s Dasara, with municipal officials attributing the reduction partly to the city’s ban on the sale and use of plastic bottles below two litres.

The cleanup operation was completed in one and a half days, compared with five days last year, according to Madikeri city municipal commissioner Ramesh.

source: http://www.urbanacres.com / Urban Acres / Home / by Maria Dsouza / October 29th, 2026

Exclusive | Julian Lennon’s ‘Love The Earth’ Animated Series Secures UK–India Production Partners

Julian Lennon with ‘Love the Earth’ book

Created and written by British filmmaker Jean-Paul Mertinez and produced by Meena Khera, the series adapts Julian Lennon’s illustrated children’s books into a hybrid animation.

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Julian Lennon’s animated series Love The Earth, inspired by his bestselling book trilogy, secures a UK-India production partnership. The project, blending nature, cultural diversity, and mindfulness, features Lennon as executive producer, narrator, and music creator. Announced at EDS 2026, it aims to inspire families globally while celebrating creativity and environmental advocacy.

An India-UK financing partnership has been secured for Love The Earth with Julian Lennon & Friends, an upcoming animated series based on Julian Lennon and Bart Davis’s New York Times bestselling Touch the Earth book trilogy.

Announced at the inaugural Experience Design Summit (EDS) 2026 in Jaipur on October 23, the partnership will see E-Factor Experiences Ltd provide production finance for the Compassionate Studios-led series. Samit Garg, Co-Founder and Managing Director of E-Factor Experiences Ltd, joins the project as an executive producer.

Created and written by British filmmaker Jean-Paul Mertinez and produced by Meena Khera, the series adapts Julian Lennon’s illustrated books into a hybrid animation format. Julian, son of legendary musician John Lennon, serves as executive producer, narrator, co-writer and creator of original music for the series. The adaptation will feature new characters and adventures centred on nature, discovery, cultural diversity and mindfulness. The project draws on Lennon’s environmental advocacy through his White Feather Foundation.

Indigenous Lakota actor Mo Brings Plenty, known for his roles in Yellowstone and Marshals, lends his voice to an animated character in the series. 

“We’re delighted to join Julian, Jean-Paul, Meena and the wider team in bringing Love The Earth to life through this production partnership,” said Garg. “Our intention is to help build more than a series. We want to create a much-loved global entertainment brand that inspires families, honours the natural world, celebrates creativity and brings cultures together.”

The partnership was unveiled alongside an India-focused debut experience at EDS. The opening-night programme featured a 30-minute segment called Love The Earth Experience, with exclusive previews introducing the characters Lilly-Lou and the Strawberry Tiger from Assam. Contemporary folk-fusion duo Maati Baani performed at the event, while folk musician and producer Poonacha, from Karnataka’s Kodagu (Coorg) community, opened proceedings with a traditional song honouring the River Kaveri.

A special India-focused episode is in development for the series.

“Love The Earth is about creating a new storytelling world for children and families to immerse themselves in, filled with delightful, funny and engaging characters, and a healthy dose of joy, original music, imagination, purpose and adventure,” said Mertinez. “We’re thrilled to be bringing together Indigenous storytellers and creative voices from around the world to create something really special, with many wonderful stories to come in the first season.”

Khera expressed excitement for bringing the narrative to the animation format. “We want to spread the message: love yourself, love each other and love the Earth. By combining music, storytelling and beautiful animation with simple, effective mindfulness techniques, we hope to help children and families connect with themselves, one another and our beautiful planet in a joyous, hopeful way.”

The project was first unveiled internationally at SXSW London. The India announcement marks the next phase of development for the show’s first season.

Love The Earth with Julian Lennon & Friends is a Compassionate Studios production in association with E-Factor Experiences Ltd. Executive producers are Julian Lennon, Bart Davis, Samit Garg, Lyndon Haviland, Rebecca Warfield, and Forest Trends. Screen rights were brokered by Erica Spellman Silverman for Robert Gottlieb on behalf of Trident Media Group.

source: http://www.hollywoodreporterindia.com / The Hollywood Reporter, India / Home> Insight / by Shilajit Mitra / October 24th, 2026

Who is Kalanithi Maran Wife Kavery Kalanithi? The Quiet Powerhouse Behind Sun TV Network

Kalanithi Maran built one of India’s biggest media empires. Yet the woman standing beside him has shaped much of its success from the start. Kavery Kalanithi (also known as Kaveri Maran) is far more than the wife of the Sun Group chairman. She is Executive Director of Sun TV Network, the force behind its content strategy, and one of the highest-paid executives in Indian corporate history.

Here’s a clear, up-to-date look at her life, work, and family.

Table of Contents

Early Life and Marriage to Kalanithi Maran

Kavery hails from Kodagu (Coorg) in Karnataka. She married Kalanithi Maran in 1991. At the time, Kalanithi was still shaping his vision after returning from an MBA at the University of Scranton in the United States. He had seen the explosion of television channels there and wanted to bring something similar to South India.

Kavery joined the journey almost immediately. When Sun TV launched in 1993, she stepped into a hands-on role. What began as a single Tamil channel grew under the couple’s combined leadership into a network of more than 30 channels across Tamil, Telugu, Kannada, Malayalam, Bengali, and Marathi. In 2024 the group even entered the Hindi market with Sun Neo.

Their partnership has always been professional as well as personal. Both ranked among India’s highest-paid executives, each drawing packages in the tens of crores in earlier years. Kavery’s remuneration has consistently been reported around ₹87 crore in recent financial years.

Her Role in Building the Sun Empire

Kavery oversees content across the network. She watches competing channels closely and believes feedback is essential—something her husband instilled early. Under her watch the group expanded beyond South India and strengthened its overseas presence among the Tamil diaspora.

Key contributions include:

  • Driving content that keeps Sun TV dominant in Tamil Nadu (often around 40% viewership share).
  • Expanding into Marathi and Bengali markets.
  • Supporting the group’s move into digital streaming through Sun NXT.
  • Helping maintain the network’s strong film production arm, Sun Pictures.

She rarely seeks the spotlight. Colleagues and industry watchers describe her as focused, detail-oriented, and quietly decisive. While Kalanithi handles the broader business vision, Kavery has long owned the creative and content side.

Family Life and the Next Generation

The couple has one daughter, Kavya (also spelled Kaviya) Kalanithi Maran, born in the early 1990s. Kavya is Executive Director at Sun TV Network and heads the group’s cricket interests—Sunrisers Hyderabad in the IPL, Sunrisers Eastern Cape in South Africa’s SA20, and Sunrisers Leeds in England’s The Hundred.

As of October 2026, Kavya is preparing to marry music composer Anirudh Ravichander. The wedding reception is scheduled for 21 November 2026 in Chennai. Kalanithi and Kavery have already begun inviting political leaders, including meetings with Telangana Chief Minister A. Revanth Reddy and Tamil Nadu Chief Minister.

The family maintains a relatively private profile despite their public business roles and political connections (Kalanithi is the grand-nephew of the late M. Karunanidhi and son of former Union Minister Murasoli Maran).

Quick Facts Table

DetailInformation
Full NameKavery Kalanithi Maran (Kaveri Maran)
HometownKodagu (Coorg), Karnataka
Marriage1991 to Kalanithi Maran
ProfessionExecutive Director, Sun TV Network
Key ResponsibilityContent strategy across 30+ channels
DaughterKavya Kalanithi Maran (SRH CEO)
Notable Salary (reports)Around ₹87 crore in recent years
Current Focus (2026)Content, digital growth, family milestones

Why Kavery Matters in Indian Media

Kavery represents a quieter style of leadership. She entered the business at its foundation and stayed through every expansion, from a single channel to a multi-language powerhouse that reaches over 140 million households. Her consistent presence has given Sun TV stability and a strong content identity.

In an industry often dominated by louder personalities, her approach—watch the product closely, expand carefully, and let results speak—has proven effective for more than three decades.

Conclusion

Kavery Kalanithi is not just Kalanithi Maran’s wife. She is a co-architect of one of India’s most successful regional media groups. From the early days of Sun TV in 1993 to the network’s current scale and the family’s next chapter with their daughter’s wedding in November 2026, she has remained a steady, influential presence. Her story shows how behind-the-scenes leadership can shape an entire industry.

source: http://www.gmdcalibration.in / GMD Calibration / Home / by gopalkumarjha111991@gmail.com / October 18th, 2026

Dr. K.P. Lalitha selected for Kodagina Gowramma Award

Mysuru:

 Dr. K.P. Lalitha (Rashmi Nanjappa Kallichanda) has been selected for the 24th Kodagina Gowramma Endowment Award of the Kodagu District Kannada Sahitya Parishat for her book ‘Kodagina Janapada Kathegalu’ (Kodagu Folk Tales).

The award has been instituted by B.G. Vasanth, son of writer Kodagina Gowramma, to honour outstanding works by women writers of Kodagu. So far, 23 women writers have received the award.

Dr.Lalitha has worked extensively in translation research and folklore studies. She has served as Head of the Kannada Department at BMS Women’s College, Bengaluru and as Deputy Director of Mysore University’s Prasaranga. She is currently the Executive Editor of Prasaranga.

A native of Kodagu, Dr.Lalitha graduated from Mangalore University and secured a gold medal in her postgraduate studies at the University of Mysore.

Her doctoral thesis on Kodagu place names was subsequently published by the Sahitya Akademi.

Her research works include ‘Vivaksha’, ‘Vivechane’, ‘Jeevantha Paleyulikegalu’ (On Living Relics), ‘Kodagina Bhashe Mathu Samskruthi’ (Kodagu’s Language and Culture), ‘Kodagina Janapada Kathegalu’ and ‘Shodhaneya Haadiyalli’ (On the Path of Research). She has also authored ‘Oororme,’ a collection of research essays in English.

Her play, ‘Pommodeera Ponnappa,’ based on the history and folklore of Kodagu, was staged 11 times to full houses at Rangashankara in Bengaluru. It was later translated into English and performed in New York, Sydney and New South Wales.

Dr.Lalitha has published 29 research papers in reputed international journals and has presented papers at State, National and International Seminars. Her research work has also earned her the Abdul Kalam National Award from NITI Aayog.

source: http://www.starofmysore.com / Star of Mysore / Home> News / October 04th, 2026

Wins ‘Mrs. India Women of Substance-Season 9’

Karthamada Shama Appanna, wife of Karthamada Dicky Appanna and a resident of Trendz Apartment in Bogadi, Mysuru, has won ‘Amritha Cinecrafts – Mrs. India Women of Substance-Season 9’ held at Sheraton Grand Hotel at Brigade Gateway, Bengaluru, on Sept. 27.

Originally from Ponnampet, Kodagu, she is the daughter of Chowrira Bopaiah and Sharada.

source: http://www.starofmysore.com / Star of Mysore / Home> Photo News / September 30th,2026

Annual Kodava Convention at US

Mysuru: 

The Annual Kodava Convention of North America brought together more than 500 guests in Houston, Texas, from Sept. 4 to 6, with 141 Kodava families from 116 cities and three countries taking part.

This was the third time Texas hosted the event, following earlier gatherings in Austin and Dallas. Preparations began more than 14 months ago, with Kodava families from the Greater Houston area involved.

The Convention opened on Sept. 4 with a ‘Meet the Hosts’ gathering, allowing participants to reconnect with friends and families from across North America and overseas.

The celebrations on Sept. 5 had a distinct Texas flavour, with optional morning run/walk and shooting range activities, followed by a pre-convention celebration at a ranch-style venue. The programme featured Bollywood and Western line dance performances by Houston hosts and a Mexican folk dance by guest artistes.

On Sept. 6, participants visited NASA’s Johnson Space Centre before attending the Main Convention programme centred on the theme, ‘What does it mean to be a Kodava today?’

Kodagu brought to Houston

The Convention venue featured a Kodava heritage exhibition displaying traditional jewellery, clothing, household and cookware items, along with storyboards on Kodava history and identity. Tables were named after villages in Kodagu, while traditional Kodava proverbs were used for an interactive quiz.

The décor also reflected Kodagu’s landscape, incorporating coffee beans, paddy, anthuriums, banana stems and flowers.

The main programme began with a traditional prayer song and ceremonial lamp lighting by members of the Baduvamanda and Gummatira families. Traditional ‘Ummathat’ by Kodava women and ‘Bolkaat’, the martial dance performed by Kodava men, were among the highlights. A contemporary dance by Kodava women and a children’s skit, ‘Two Boots, One Beat’, exploring the cultural similarities and contrasts between Texas and Kodagu, were also presented.

Tradition takes centre stage

A multigenerational panel discussion, ‘One Heritage, Many Journeys: Being Kodava Today’, brought together five Kodavas from different generations to discuss identity, traditions and the challenges of preserving their heritage while living away from Kodagu. Live polling also allowed the audience to share their views.

The convention also saw the introduction of ‘arivāme’, a Kodava heritage and language app aimed at supporting the preservation and teaching of Kodava Thakk.

The programme concluded with an update from Kodava Koota on its activities and plans, followed by dinner featuring Kodava and Indian cuisine. The evening ended with music and Kodava Vaalaga, with guests joining the celebrations on the dance floor.

source: http://www.starofmysore.com / Star of Mysore / Home> News / September 30th, 2026

Book on Kodava traditions, culture, heritage released

Mysuru: 

‘Kodava Veera Janangada Antaratma Part-1’, written by Iythichanda Ramesh Uthappa, was released recently at the Kodava Samaja in Ponnampet. The event was organised by Jabbhoomi Charitable Trust.

Virajpet MLA and Chief Minister’s Legal Advisor Ajjikuttira S. Ponnanna released the book and stressed the need for Kodavas to preserve their inherited customs and values without being influenced by external forces.

The book focuses on the uniqueness and nuances of Kodava culture and seeks to highlight the importance of preserving traditional values.

It also attempts to challenge colonial historical narratives through researched accounts, references and documentation of Kodagu’s oral traditions.

The author examines the underlying meanings of various Kodava customs, heritage and regional practices, besides highlighting the spiritual and cultural ties the community has historically maintained with its ‘Guru Karonas’.

Speaking after releasing the book, Ponnanna said Kodavas should never forget their authentic traditions and practices. He appreciated the author’s efforts in preparing the comprehensive volume and said documentation was vital to the community’s ongoing demand for inclusion in the Scheduled Tribes list.

Jabbhoomi Trust’s Chottekmada Rajiv Bopaiah said the book was the outcome of more than two years of collecting records and historical material relating to Kodava attire, rituals and traditions.

“This is the first step in recording our culture in a way that allows us to proudly claim it as our own,” he said.

Author Ramesh Uthappa said the book was an effort to pass Kodava practices on to the next generation by documenting what he had learnt from elders. He said the work avoided distorted history and instead presented factual accounts of Kodava life. “Such works will play a crucial role in legally documenting Kodava rights and existence,” he said.

The author also interacted with the audience and explained various aspects of the book, citing examples of the uniqueness and nuances of Kodava culture.

source: http://www.starofmysore.com / Star of Mysore / Home> Articles / September 24th, 2026

Kodava weddings: Keeping Coorg’s warrior legacy alive

Centuries-old customs preserved through attire, weapons and ancestral rituals.

The peeche kathi and odikathi are traditional symbols of Kodava identity, worn as part of ceremonial dress (Photo: Yana Kaveramma/Wikkimedia Commons)

Held against the green hills of Coorg in Karnataka, Kodava weddings are distinctive for the Kodava community’s warrior heritage, ancestral traditions and close-knit social customs. From the bride and groom’s traditional attire and ceremonial weapons to rituals honouring ancestors and community participation, these weddings preserve a cultural identity shaped over generations.

Away from the better-known coffee plantations and mist-covered landscapes of Coorg, or Kodagu, in Karnataka, the weddings of the Kodava community offer a glimpse into a distinctive cultural tradition where marriage is closely connected with ancestry, family and martial heritage. Traditional attire, ceremonial weapons, ancestral homes, music and community rituals come together to create a celebration that reflects the history and identity of the Kodavas.

The customs surrounding a Kodava wedding have evolved over generations, shaped by the community’s distinctive social organisation and its long association with military service. While contemporary weddings may incorporate modern venues and practices, several traditional elements continue to connect families with their ancestral past.

A community shaped by warrior heritage

Kodagu has long been associated with the Kodavas, a community whose history includes a strong martial tradition. Kodava men traditionally served as soldiers and were known for their association with weapons, while military service remained an important part of the community’s identity.

This heritage is particularly visible during weddings, where ceremonial weapons form an important part of the groom’s traditional appearance. The peeche kathi, a small ceremonial dagger, and the odikathi, a traditional weapon carried as part of Kodava ceremonial dress, are among the symbols associated with Kodava identity.

Rather than serving a practical purpose during the wedding, these weapons represent values such as courage, honour and the community’s warrior past. Their presence also reflects the importance of family possessions and traditions passed from one generation to another.

Where wedding clothes reflect a community’s past

The clothing worn by the bride and groom are among the most recognisable features of a Kodava wedding. The bride traditionally wears a sari in the distinctive Kodava style, with the pleats tucked at the back. The sari is accompanied by traditional jewellery that forms an important part of the community’s visual identity.

Kodava ainmanes, or ancestral homes, are closely tied to family lineage, ancestral memory and important community gatherings (Photo: Raqesh Thimmaiah/Wikkimedia Commons)

The groom traditionally wears a kupya, a long, knee-length garment, with a chele, a traditional waist sash. The ceremonial dagger is worn with the sash, bringing together the community’s traditions of dress and martial heritage.

The attire is not simply wedding clothing. It carries elements of identity that distinguish Kodava customs from other wedding traditions found across Karnataka and the wider region.

Ancestral homes at the heart of tradition

For Kodava families, the ainmane, or ancestral home, occupies an important place in community life. These traditional family homes are closely associated with lineage and the memory of ancestors and have historically served as gathering places for important family occasions.

Ancestral customs remain an important part of Kodava social traditions. Weddings can therefore become occasions to reconnect with the family’s lineage and acknowledge the generations that came before the couple.

The role of the ainmane also highlights the collective nature of Kodava identity. Marriage is not viewed only as a union between two individuals but as an occasion involving two families and their wider social networks.

Ancestral customs at the heart of the celebration

Kodava wedding customs include ceremonies that reflect the community’s relationship with its ancestors. Karanang Kodpo is one such traditional ceremony associated with honouring and invoking ancestral spirits.

The rituals surrounding marriage have traditionally involved members of the extended family, reinforcing the idea that the wedding is a community occasion rather than a private ceremony involving only the bride and groom.

Unlike weddings where religious priests and elaborate rituals dominate the proceedings, traditional Kodava marriage customs have historically placed considerable emphasis on family participation, ancestral traditions and community practices.

A wedding celebrated by the community

Community participation is one of the defining features of a traditional Kodava wedding. Relatives and members of the wider community come together to assist with preparations, participate in ceremonies and share meals.

Music, traditional songs and dances can form part of the celebrations, helping preserve elements of Kodava oral culture. Such gatherings also provide an opportunity for younger generations to encounter customs that may otherwise be less visible in everyday life.

Food is another important part of the occasion. Traditional Kodava cuisine, known for its distinctive use of local ingredients and meat preparations, forms an important part of wedding feasts and brings families and guests together.

Weapons that carry memory

The ceremonial weapons seen during Kodava weddings are among the most distinctive symbols of the tradition. Their significance extends beyond the wedding itself, as weapons have historically been closely associated with Kodava family identity.

The peeche kathi is generally worn by the groom as part of his traditional attire, while the odikathi has a ceremonial association with Kodava traditions. In some families, such objects may be inherited, giving them an additional connection to family history.

Their presence at weddings therefore serves as a reminder of a time when martial traditions played a much greater role in the social life of the community. Today, they function primarily as cultural symbols, preserving that history within a contemporary celebration.

Kodava weddings adapt to a changing world

Like many traditional ceremonies across India, Kodava weddings have evolved as lifestyles and social circumstances have changed. Families increasingly hold celebrations in marriage halls, hotels and other modern venues, while some incorporate elements of contemporary Indian weddings.

Yet the changes have not necessarily removed the community’s traditional identity. Kodava attire, ceremonial weapons, ancestral customs, traditional cuisine and community participation continue to feature in many celebrations.

For Kodavas living outside Coorg, weddings can also become occasions to return to their ancestral homes and reconnect with relatives and community traditions. This has given the ceremony an additional role as a means of cultural transmission.

A living heritage of Coorg

A Kodava wedding offers more than a glimpse into a community’s marriage customs. As modern lifestyles reshape the way weddings are organised, these customs are also being adapted to new settings. Yet their continued presence ensures that the history of the Kodavas remains visible not only in Coorg’s landscapes and ancestral homes, but also in the ceremonies through which each new generation celebrates family and community. 

source: http://www.mediaindia.eu / Media India Group / Home> Tourism / by Ananya Karn / September 20th, 2026

India International Coffee Festival 2027: the national coffee championships prelims arrive in Mumbai

From 2nd to 5th October 2026, Nexus Seawoods in Navi Mumbai will host the regional qualifying rounds for the National Barista Championship, Brewers’ Cup and Latte Art Championship ahead of the Bengaluru finals.

Mumbai Prelims

Navi Mumbai :

The India International Coffee Festival (IICF) 2027 is making its way across the country, and Mumbai is next. Presented by the Speciality Coffee Association of India (SCAI) and the Coffee Board of India, the regional prelims of India’s national coffee championships arrive at Nexus Seawoods, Navi Mumbai, from 2nd to 5th October. These are qualifying rounds, not the main festival. Winners earn a place at the National Finals, held at the flagship IICF event in Bengaluru in February 2027. Mumbai is one of three prelim cities on the national circuit, alongside Delhi and Bengaluru.

Over four days, India’s most accomplished coffee professionals compete across three disciplines. The National Barista Championship prelims, sponsored by Kaapi Solutions, open the stage on 2nd and 3rd October, where technical mastery and consistency separate contenders from champions.

On 4th October, the National Brewers’ Cup celebrates precision and technique across a range of manual brewing methods.

The competition concludes on 5th October with the National Latte Art Championship prelims, sponsored by Kaapi Machines, where espresso, milk and craft converge in a display of skill and artistry.

While these are qualifying rounds rather than the main festival, the experience extends well beyond competition. Leading coffee brands, roasters and equipment makers will be on hand making it a compelling stop for café professionals, home brewers and anyone serious about speciality coffee.

Dates: 2nd – 5th October 2026

Venue: Nexus Seawoods, Navi Mumbai

source: http://www.communicafe.com / International Communicafe / Home> Coffee > News> Trade Shows / September 15th,2026