Category Archives: World Opinion

NCoV: Info sought from foreign visitors to Kodagu

Madikeri on Friday. DHO K. Mohan is seen.   | Photo Credit: SPECIAL ARRANGEMENT
Madikeri on Friday. DHO K. Mohan is seen. | Photo Credit: SPECIAL ARRANGEMENT

The Kodagu Health Department on Friday said it will keep information shared by visitors from China and other countries affected by 2019 Novel Coronavirus (nCoV) to the district about their health status and symptoms confidential.

District Health Officer K. Mohan said the department had takenprecautions for the prevention and control of the disease. The visitors can provide information, in case they are suffering from any of the symptoms in the wake of the virus scare, on their own in a prescribed format.

The District Surveillance Officer, Shivakumar, can be contacted on 94498 43263 besides the taluk health officers from Madikeri, Somwarpet and Virajpet. The health authorities from Kushalnagar and Gonikoppa can also be contacted. Other contact persons are Srinivas on 94498 43203 and Yathiraj on 94484 48481, the release added.

Meanwhile, posters for spreading awareness about the 2019 nCoV were released in Madikeri on Friday by Deputy Commissioner Annies Kanmani Joy. The DHO was present. Surveillance had been stepped up in the border towns of Karike, Kutta and Makutta with Kerala confirming three positive cases. The banners would be pasted in these towns for educating the public.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Special Correspondent / Mysuru – February 07th, 2020

CAP UCLA Will Present CHARLIE PARKER AT 100

UCLA’s Center for the Art of Performance (CAP UCLA) presents Fly Higher: Charlie Parker At 100 on Thursday, March 26 at 8 p.m. at Royce Hall. Tickets starting at $28 are available now at cap.ucla.edu, 310-825-2101 and the Royce Hall box office.

Charlie “Bird” Parker was a legendary Grammy Award-winning jazz saxophonist who, with Dizzy Gillespie, invented bebop. This year marks the 100th year since the legend’s birth and therefore is cause for celebration. Acclaimed co-musical directors Rudresh Mahanthappa and Terri Lyne Carrington honor Charlie Parker’s centennial year by showcasing his uncompromising musical joy, humor and beauty, mining his deep repertoire and showcasing new, modern compositions.

Hailed by Pitchfork as “jaw-dropping” and saxophonist of the year for seven years running in Downbeat, Rudresh Mahanthappa is a 21st-century voice of jazz. Since his emergence in the late ’90s, Mahanthappa harnesses the power of the horn to create a rhythmic urgency and showcases an astonishing facility. In addition to creating Fly Higher with Carrington, Mahanthappa is the Director of Jazz at Princeton University.

Carrington returns to the Royce Hall stage for the second CAP UCLA season in a row. A three-time Grammy Award-winning drummer, Carrington has performed on over 100 recordings and just released Waiting Game this past November with her band Social Science. Last year, Carrington was acknowledged for her contributions to jazz with the Doris Duke Artist Award. Fly Higher is no exception as a significant contribution.

This performance concludes CAP UCLA’s Jazz series for the 2019-20 season. For more shows, please visit cap.ucla.edu/calendar.

CAP UCLA presents

Fly Higher: Charlie Parker at 100

Thursday, March 26 at 8 p.m.

Royce Hall, UCLA

10745 Dickson Court, Los Angeles, CA 90095

Program:
Fly Higher: Charlie Parker at 100 celebrates one of the most innovative and influential artists in modern musical history and examines his impact on pop, hip hop, rap, rock and jazz. Rather than imitating the original, Fly Higher strives to forward the art form by developing new perspectives on tradition.

Credits:
Fly Higher: Charlie Parker At 100 features:

Rudresh Mahanthappa – Alto Saxophone

Terri Lyne Carrington – Drums

Charenee Wade – Vocals

Adam O’Farrill – Trumpet

Kris Davis – Piano

Larry Grenadier – Bass

Kassa Overall – DJ

Co-Musical Directors Rudresh Mahanthappa & Terri Lyne Carrington

We are grateful for the endorsement of the Parker Estate in this centennial celebration.

Tickets:
Tickets starting at $28

Online: cap.ucla.edu

Phone: 310-825-2101

UCLA Central Ticket Office: 310-825-2101, Monday through Friday from 10 a.m. to 4 p.m.

Royce Hall box office: open 90 minutes prior to the event start time.

source: http://www.broadwayworld.com / Broadway World / Home> Classical Musical> Classical Regions / by BWW News Desk / February 04th, 2020

Princess Victoria Gowramma: The Lost Princess Of Coorg | #IndianWomenInHistory

PrincessGowramma01KF31jan2020

The days of March 1841 spent at Chikka Veerarajendra’s modest haveli in Benares were glazed thick with warmth, summer mangoes, and the colored rice flour that danced in the air in celebration of Holi. And for the first time in a long time, the unseated Rajah of Coorg felt a semblance of pride, after a degrading conflict with the British, while observing his favorite daughter Gowramma gurgling in the courtyard. As the mansion’s entrance gates unexpectedly rusted open, interrupting festivities, Veerarajendra was reconnected with Alamanda Somayya, an old ally to his family, who came with word of anglicized Coorg. When introduced to six-month old Gowramma, Somayya studied her tiny paint-smudged palms, prophesizing that ‘this Rajkumari will one day cross the seas’.

Although Princess Victoria Gowramma and her father were the first Indians to reach British turf in 1852, her somewhat diasporic narrative is little-known, forgotten within a bulky history of colonisation and foreign affairs. Perhaps the most articulate source on the royal is C.P. Belliapa’s novel Victoria Gowramma: The Lost Princess of Coorg, which constructs a meticulous timeline that draws on the prospective importance she held in Britain’s colonial system and the Indian religious landscape.

Being christened as the ‘lost princess’ seems fitting in respect to Gowramma’s position in contemporary Kodagu cultural dialogue – she bears our name, a rather ambiguous notability, and a beauty considered ‘exotic’ by outsiders, but upon closer exploration, was alienated from her people and heritage having been raised under the wing of Queen Victoria, and may even be considered a paradigm of what the British hoped for India.

From Benares To Britain

Gowramma’s journey begins with her father’s loss of Kodagu to the East India Company, leaving him bitter and distrusting of the ferenghis (foreigners). The pastoral simplicity of a kingdom fleshed out by generations of his ancestors now seemed fragile in the hands of the British. After being exiled to Benares, Veerarajendra began nurturing a pipe dream of his own, wherein he could restore himself to affluence by filing a legal suit against the East India Company, which would require his physical presence in London.

PERSISTENT COLOURISM SEALED GOWRAMMA’S FUTURE AS A BRITISH ROYAL – A FAIR COMPLEXION DISTINGUISHED HER FROM VEERARAJENDRA’S OTHER CHILDREN.

With the help of British doctor and close friend Dr. William Jeaffreson, Veerarajendra began crafting a trip to world’s most powerful social, economic, and technological center, under the desirable pretense of enabling a Christian education for his daughter. According to the Illustrated London News report in July 1852, persistent colourism sealed Gowramma’s future as a British royal – a fair complexion distinguished her from Veerarajendra’s other children, seeing as he’d dubbed her a “pigeon among crows”.

Image Source: Wikiwand
Image Source: Wikiwand

Grooming Of The Princess

Before their arrival, Dr. Jeaffreson offered a piece of advice to an anxious Veerarajendra saying, “Don’t be too hasty in taking up the legal issue on reaching London. Wait until Gowramma is well accepted by British society. A favorable public opinion is very important. I have received intelligence that the queen herself is eager to meet you and your daughter”. Governor-General at the time, Lord Dalhousie, also hoped for a publicised conversion of Princess Gowramma, which could possibly rescue the British regime’s stagnating reputation among its people.

Another motivating factor was young, recently-deposed Maharaja of Punjab Duleep Singh, who had expressed compliance in converting to Christianity after his state was annexed. The belief that a future marital alliance between Gowramma and Singh, two Christian Indian royals, could be a tool for proselytising the Indian population, had already begun gaining momentum within the monarchy. According to Belliappa, the Logins, guardians to Duleep Singh, were champions of this mentality, strongly believing in the European responsibility to spread the word of the Bible among pagan worshippers of India.

Queen Victoria, a spokeswoman for familial values, industrialisation, and social welfare herself, showed interest in Princess Gowramma’s story of passage from one of the humblest provinces of the British colony in India. Gowramma’s baptism on 30th June 1852 is remembered as an elegant occasion in which the young princess showed poise and grace.

On that day, Queen Victoria gifted Gowramma with her name, and a leather-bound bible with gold embellishments. She then entrusted the newly-christened Princess Victoria to the care of Major and Mrs. Drummond, who were to groom her in Western thought. From learning curtsying to using cutlery, Victoria grew into English ideals, and her consequent popularity in social circles and overall joie de vivre has been heavily-recorded.

Final Years

Overtime, the prospect of marriage between Duleep Singh and Victoria Gowramma began to fall out of the works, due to a lack of attraction, although they remained close friends. It was at this point in Gowramma’s timeline that royal disillusionment began to swell, as she realised her nights spent at royal balls with glasses of wine and attractive Englishmen weren’t the answer to what she wanted: a family and home to call her own.

SHE REALISED HER NIGHTS SPENT AT ROYAL BALLS WITH GLASSES OF WINE AND ATTRACTIVE ENGLISHMEN WEREN’T THE ANSWER TO WHAT SHE WANTED.

An obstacle that came in the way of Gowramma and eligible suitors was actually her father, who’d begun to earn himself the reputation of an ‘old reprobate’ in high society. It’s reasonable to conclude that Victoria’s consistent fear of upsetting the queen and consort contributed to her sad lack of autonomy, and also a naïve willingness. She ultimately married the nearly fifty-year-old Colonel Campbell, a charming friend of Duleep Singh, who was mostly attracted to her fine jewelry and 400-pound sterling allowance.

On 2nd July 1861, Gowramma gave birth to a baby girl, christened Edith Victoria Gowramma Campbell. However, this was only followed by a life of isolation in London, as Campbell was an indifferent husband, often only making contact to ask her for money – but Gowramma was not without great strength, and kept a brave face as a single mother.

In March 1864, Princess Victoria Gowramma succumbed to tuberculosis, just a few months before her 23rd birthday. Unsurprisingly, it’s suspected that Campbell disappeared shortly after her death, but not without her jewels.

Ultimately, Duleep Singh and Victoria Gowramma fell short of the grand scheme envisioned by the queen and British royalty. Perhaps India’s religious history would have shifted if a successful marriage between the Christian Indians had been fulfilled, as historians have realised the greater importance of religious propaganda as a tool of control for those colonised, rather than plain force. In respect to Gowramma herself, it’s impossible to trace her intricate lifetime of tragedy and romance without understanding the people and politics that governed her fate and sense of self.

References
1.Victoria Gowramma – The Lost Princess of Coorg by C.P. Belliappa
2. The Hindu
3. Coorg Jewellry
4. Evolve Back
5. Uk Asian

Featured Image Source: UK Asian

source: http://www.feminisminindia.com / Feminism In India – FII / Home> History / by Anoushka / December 12th, 2018

Unbound: Visionary Women Collecting Textiles

Two Temple Place, London

Phulkari (detail; early 20th century), unknown maker. Photo: Paul Tucker; © Bradford Museums and Galleries
Phulkari (detail; early 20th century), unknown maker. Photo: Paul Tucker; © Bradford Museums and Galleries

Seven women who collected textiles during the 20th century are the focus of this exhibition, which considers how the collections they formed – ranging from Balkan costumes to South Asian saris – helped to assert the status of these materials as works of art. Find out more from Two Temple Place’s website.

Preview the exhibition below | View Apollo’s Art Diary here

Giubba (19th century), Albania. Photo: Calderdale Museums Collection, Halifax
Giubba (19th century), Albania. Photo: Calderdale Museums Collection, Halifax

The artist and writer Edith Durham (1863–1944) travelled widely across the Balkans in early 20th century, becoming renowned for her anthropological reports on life in Serbia, Albania and Kosovo. In 1935, her collection of Balkan costume and jewellery – including this giubba, a traditional robe worn by Albanian women – was donated in 1935 to the Bankfield Museum in Halifax, where it remains to this day.

Brocade shoe without clog (1735–45), unknown maker. Photo: John Chase Photography/The Olive Matthews Collection, Chertsey Museum
Brocade shoe without clog (1735–45), unknown maker. Photo: John Chase Photography/The Olive Matthews Collection, Chertsey Museum

Drawn to historic fashion from a young age, Olive Matthews built up a significant collection of more than 4,000 objects over the course of her lifetime – being careful always to stick to a budget of no more than £5 per item. She focused particularly on delicate needlework and embroidery – as seen on this shoe of brocaded silk from the 18th century.

Curtain with jungle repeat pattern (n.d.), Enid Marx. Photo: Harminder Judge/Compton Verney
Curtain with jungle repeat pattern (n.d.), Enid Marx. Photo: Harminder Judge/Compton Verney

Along with her friend Margaret Lambert, Enid Marx amassed a major collection of English folk art after 1932, although by this time she was already a renowned textile artist in her own right, having studied alongside Eric Ravilious and Edward Bawden at the Royal College of Art in the 1920s. In the exhibition, examples of her own work – such as this repeating pattern, reminiscent of animal hide – are on show alongside objects from her collection.

Phulkari (early 20th century), unknown maker. Photo: Paul Tucker; © Bradford Museums and Galleries
Phulkari (early 20th century), unknown maker. Photo: Paul Tucker; © Bradford Museums and Galleries

From 1985–98, Nima Poovaya-Smith was senior keeper of international arts at Bradford Art Galleries and Museums, during which time she established the transcultural gallery at Cartwright Hall. She built up a collection at the gallery that reflected Bradford’s history of textile manufacture and explored the influence on it of fabrics from across the world – in particular southern Asia. This colourful cloth is an example of phulkari (‘floral work’ in Punjabi), so-called because of the embroidered patterns that extend over every inch of the fabric.

Event website

source: http://www.apollo-magazine.com / Apollo / Home> Whats On / January 25th – April 19th, 2020

Who was Field Marshal KM Cariappa?

CariappaKF22jan2020

KM Cariappa is a man known for many firsts, but most importantly, he is known as the man who took charge of the Indian Army from its last British Commander in Chief, General Sir Roy Bucher. Born on January 28, 1899, in Coorg, Cariappa completed his education at Central High School at Madikeri and went on to study at the Presidency College in Madras.

However, Cariappa began his Army stint under the British and was among the few selected for the first batch of KCIOs (King’s Commissioned Indian Officers) at the Daly Cadet College in Indore and was commissioned in the Carnatic Infantry. He was in active service with the 37 (Prince of Wales) Dogra in Mesopotamia (present-day Iraq) and then posted to the 2nd Rajput Light Infantry (Queen Victoria’s Own). Cariappa went on to become the first Indian officer to undergo the course at Staff College, Quetta in 1933. In 1946, he got promoted as the Brigadier of the Frontier Brigade Group.

By Indian independence, Cariappa saw action in Iraq, Syria, Iran and Burma and became the first Indian Officer to be given command of a unit in 1942. He went on to receive many awards and accolades in his career spanning three decades. He received the prestigious Order of the British Empire (OBE) for his role in Burma against the Japanese during the Second World War.

In 1947, Cariappa became the first Indian to be selected to undergo a training course at Imperial Defence College, Camberly, UK. His role during the Partition is rarely mentioned, during which he oversaw the division of the Army. Cariappa also led the Indian forces on the Western Front during the Indo-Pak War of 1947 and successfully recaptured Zojila, Drass and Kargil and established a linkup with Leh.

On January 15, 1949, Cariappa became the first Commander-in-Chief of the Indian Army. He held the five-star rank of field marshal, the highest honour in the Indian Army, which Sam Manekshaw is the only other officer to have held.

source: http://www.defenceaviationpost.com / Defence Aviation Post / Home> Defence> Indian Army / source: Indian Express / January 20th, 2020

Rohan Bopanna-Wesley Koolhof Win Qatar Open Title

Veteran tennis star Rohan Bopanna won the $1,465,260 Qatar Open with men’s doubles partner Wesley Koolhof.

Veteran tennis star Rohan Bopanna won the $1,465,260 Qatar Open with men’s doubles partner Wesley Koolhof of the Netherlands with a come from behind win in the final on Friday. The pair beat British-Mexican pair of Luke Bambridge and Santiago Gonzalez 3-6, 6-2, 10-6 to clinch the title.

Third-seeded pair Bopanna and Koolhof had reached the final earlier after beating second seeds Henri Kontinen and Franco Skugor 7-5, 6-2. The title win hands them 250 ATP points and a prize money of $76,870.

Unseeded Bambridge and Gonzalez, on the other hand, had got the better of Denmark’s Frederik Nielsen and Tim Puetz of Germany 2-6 6-2 10-4 in the semis to get to the final themselves.

source: http://www.sports.ndtv.com / NDTV Sports / Home> Tennis> News / by Indo-Asian News Service / January 11h, 2020

India’s First World Coffee Conference In Bengaluru From Sept. 7

Three-day event at Bangalore Palace to be organised by London-based International Coffee Organisation

IndiasFirstKF02jan2020

Madikeri:

Bengaluru will host the fifth edition of the World Coffee Conference (WCC), a high-profile international event, between Sept. 7 and 9 in 2020. Earlier editions were held in the UK, Brazil, Guatemala and Ethiopia.

The three-day event that will be held at the sprawling Bangalore Palace will be put together by London-based International Coffee Organization (ICO), Ministry of Commerce and Industries, Coffee Board of India and India Coffee Trust (ICT), which is a forum for coffee growers and exporters.

The event is themed ‘Sustainability Through Consumption’ and will celebrate all things of coffee in an immersive experience with the conference addressed by international speakers, coffee exhibition, buyer-seller meets, competitions and awards, skill building workshops, amongst many others.

ICT President Anil Kumar Bhandari told reporters in Madikeri yesterday that the prestigious WCC coming to India for the first time means huge international recognition for Indian coffee. The Who’s Who from the world of coffee will be descending on Bengaluru for this event. This will give a fillip to the Indian cuppa in the global market. Over Rs. 15 crore is being spent to organise the conference, he added.

The participants will include the world’s leading coffee brands and café chains, retailers, roasters, equipment manufacturers, coffee organisations from round the globe, policy makers, industry captains, exporters, manufacturers and a whole host of players associated with the commodity.

Conference attendees

Around 3,000 international delegates from 80 countries, 2,000 Indian delegates, over 1,00,000 coffee growers and exporters, representatives of HORECA (Hotel/Restaurant/Café sector) and hundreds of coffee connoisseurs are expected. There will be more than 100 speakers, 150 exhibitors and over 300 business-to-business and business-to-consumer meeting.

Coffee being the world’s most favourite beverage with 2.5 billion cups consumed every single day is produced in about 70 countries most of them belonging to the developing countries like Africa, Latin America and Asia. India is the sixth largest producer of coffee in the world, accounting for about 5 percent of world coffee production.

Innovation to conference

At the conference, the Coffee Board of India and the International Coffee Organisation (ICO) will bring in innovation to the conference and expo by crowd-sourcing ideas from citizens. They will look at ways that will make Indian coffee a brand that is recognised worldwide and formulate ways to make India a sustainable destination for coffee.

Methods will be explored to make coffee farmers stakeholders in the value chain as this will have a positive impact on the 25 million families who depend on coffee cultivation the world over. “This is a great opportunity that India has got and the organisers will welcome to India participants from more than 80 countries for the expo and conference,” Bhandari said.

Connecting with growers

India is also emerging as the major coffee consuming country. The Government of India has also a strong focus on increasing coffee plantation and the global community also desires to connect with coffee growers in India and Asia and WCC-2020 offers an opportunity to explore India and Asia to the global coffee community.

Bengaluru is the coffee capital of India and produces nearly 70 percent of India’s coffee that is produced in Kodagu, Malnad, Hassan and Chikkamagalur. As the theme of WCC-2020 is sustainably through consumption because the world coffee production is increasing and having a negative impact on coffee prices, this can be offset by increasing consumption, therefore consumption is the key to sustainability. The focus will be on economic, agriculture, commercial, environmental, social and cultural impact.

source: http://www.starofmysore.com / Star of Mysore / Home> News / December 31st, 2019

IBM brings weather forecasting model for governments, industries, farmers

IBM has launched a global high-resolution atmospheric forecasting system, IBM GRAF, saying more accurate weather forecasting can help governments and companies greatly improve their operations. IBM said GRAF can help bridge the gap between Indian …

New Delhi :

As many as 94% of top Indian business leaders believe climate change and adverse weather conditions have had a negative impact on business operations while around 72% believe they disrupt local economy, a study by IBM and The Weather Company shows.

The report released on Thursday also said a significant number of Indian citizens said they were not confident about the local weather forecasts.

IBM has launched a global high-resolution atmospheric forecasting system, IBM GRAF, saying more accurate weather forecasting can help governments and companies greatly improve their operations.

“We work with 168 different governments today around the world, and we are in touch with Indian government as well,” said Cameron Clayton, general manager at IBM Watson Media and Weather. “We want to work on providing accurate forecasts as it has a massive impact on the GDP.”

IBM said GRAF can help bridge the gap between Indian forecasting system and global models.

The 15-day weather forecasts released in India start from 80% accuracy and by the end of the 13th day the accuracy percentage falls to 50%, Cameron said. IBM GRAF claims to keep the accuracy levels consistent throughout the 15-day.

“In the tests we ran, our model is around 30% more accurate (than Indian system) and we have so far designed to issue 12 million pieces of forecast information through IBM GRAF, which will improve the forecast quality massively in India,” Cameron said. “While we have collaborated with various governments across the country, we believe that the only way to get there is through public-private partnership.”

IBM is keen to present its forecasting models to India through a publicprivate partnership agreement.

IBM said its weather forecasting models have helped farmers in Kenya receive crop insurance in less than three days.

The company has received some interests from private insurers in India, too.

“Insurance companies are slowly consuming our data, mostly historic and advisory, to make better decisions,” said Himanshu Goyal, India sales and alliances lead at IBM. Two insurance companies in the country are using its models, he said without naming them.

Several businesses in sectors ranging from aviation to agriculture, have welcomed IBM GRAF.

Tata Coffee is leveraging IBM weather prediction products to receive accurate forecasts, soil moisture and soil temperature information for better results.

“In the aviation industry, our models have helped bring down turbulence by 50%, and the same capability is being brought to India,” Cameron said.

source: http://www.economictimes.indiatimes.com / The Econonmic Times / Home> Business News> News> Economic News> Agriculture / by Bhavya Dilipkumar, ET Bureau / December 13th, 2019

Decathlon Champion, Sports Achiever: Dr. C.M. Muthaiah No More

DrMuthaiahKF25dec2019

One of India’s leading Sports Administrators, five-time National Decathlon Champion, senior sports achiever in National and International arena and the first person in Kodava community to secure a Doctoral degree in Sports, Dr. C.M. Muthaiah passed away in Bengaluru on Dec. 5. He was 87.

Dr. Codanda Madappa Muthaiah was born in Madikeri on April 30, 1932 and had secured gold medal (first rank) in M.Sc. Biomechanics from Germany. Despite his education in Science, he had deep interest in sports and Muthaiah was involved in Decathlon, Long Jump and High Jump and had achieved National and International-level recognitions.

From 1956 till 1960, Dr. Muthaiah had won National-level and Asian-level championships. He had won the National Championship crown five times and recognising his achievements, he was bestowed the title “Golden Shoe” in 1977. One of his biggest regret was his narrowly missing the Decathlon Medal in the Tokyo Asian Games in 1958. Dr. Muthaiah was instrumental in bringing the Sports Authority of India, South Centre, to Bengaluru.

After dedicating his youth to the cause of sports, Codanda Muthaiah served the field as a Coach and Sports Officer. He went on to become a Senior First Grade Coach at Netaji Subhas National Institute of Sports commonly known as National Institute of Sports (NIS), the Sports Training Centre at Patiala in 1962. He later served as the chief of NIS, an Academic Wing of Sports Authority of India and Asia’s largest Sports Institute in Patiala, Punjab.

Dr. Muthaiah had also served as the Director General of the Sports Department of the Union Government and in 1982, he was conferred the ‘Asiad Vishist Jyothi’ for his contribution to Asian Games and Rajyotsava Award in 2013.

He was appointed as the Technical Advisor when the Asian Games was organised in New Delhi in 1982 and had served as Technical Director to various other National and International Games.

He also served as the Secretary General of Asian Track and Field Research Centre. After retirement, he was residing at Jayamahal Extension in Bengaluru. He is survived by wife Parvathi and a daughter.

source: http://www.starofmysore.com / Star of Mysore / Home> Sports / December 13th, 2019

Joshna Chinappa Nominated For Sportstar ACES Awards – 2020

JoshnaChinnappaKF22dec2019

The International Squash player Joshna Chinappa from Kodagu has been nominated for the Sportstar ACES Awards – 2020.

Joshna is nominated for the ‘Sportswoman of the Year’ award in the Racquet Sports category along with P.V. Sindhu (Badminton) and Archana Kamath (Table Tennis).

Nominees for ‘Sportsman of the Year’ award in the Racquet Sports category are G. Sathiyan (Table Tennis), G. Prajnesh (Tennis) and Saurav Ghosal (Squash).

The top two contenders from each category, based on popular vote, will be sent to a jury panel, which will then decide the winner.

To vote, log on: sportstar.the hindu.com/aces-awards or give a missed call to 044-71055000.

Joshna Chinappa, who reached a career-high world ranking of World No.10 in July 2016, was the first Indian to win the British Squash Championship title in 2003 in the U-19 category and was also the youngest Indian women’s national champion.

At the 2014 Commonwealth Games, Joshna, along with Dipika Pallikal Karthik, won the Squash Women’s Doubles Gold Medal, making it India’s first ever Commonwealth Games medal in the sport.

Currently training at the Indian Squash Academy, Chennai, Joshna is the daughter of Kuttanda Anjan Chinappa and Sunitha of Pollibetta, Kodagu.

source: http://www.starofmysore.com / Star of Mysore / Home> Sports / December 21st, 2019