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Coorg beekeepers rue decline in honey trade, seek govt hand-holding for revival

The beekeepers and producers of ‘Coorg Honey’ said they want the authorities concerned to take their brand across the country and beyond and bring back the halcyon days when the hill district used to be the country’s top honey producer.

Nagesh, an apiarist in Bittangala village in South Coorg. (Express Photo by Darshan Devaiah)

Be sweet with Coorg Honey. Those were the words of Sri Shambhavananda Swamiji from Sri Ramakrishna Mission who developed a unique method of bee-keeping known as ‘Coorg Standard Hive’ in the hilly district of south Karnataka-Coorg (Kodagu). Now, the beekeepers want the state government to not only make the practice sustainable but also go big on promoting brand ‘Coorg Honey’.

Citing a recent investigation by the Centre for Science and Environment (CSE), which found that honey sold by major brands in India was laced with modified sugar syrup, the beekeepers and producers of ‘Coorg Honey’ said they want the authorities concerned to take their brand across the country and beyond and bring back the halcyon days when the hill district used to be the country’s top honey producer.

After becoming the first president of Sri Ramakrishna Saradashrama in Coorg way back in 1928, Swami Shambhavananda initiated a bee-keeping project in the district knowing that the lush, hilly terrain presented an ideal setting for the practice which could also contribute to the local economy. In 1936, Swamiji set up the ‘Coorg Honey and Wax Producers Co-operative Society Ltd’, which, in time, became the first honey producers’ co-operative in the country.

Coorg Honey society building in Virajpet. (Express Photo by Darshan Devaiah BP)

Over the last few years, the practice of bee-keeping and honey collection in the district has declined, to the extent that the Coorg Honey and Wax Producers Co-operative Society Ltd is now forced to procure honey from North Indian states just to keep their brand alive.

Speaking to indianexpress.com , Kodira Praveen Chengappa, former president of Coorg Honey and Wax Producers Co-operative Society Ltd, said, “Everyone who comes to Coorg, which is one of the country’s top tourist destinations, wants to take home a pot of ‘Coorg Honey’. However, the beekeepers in the district are not producing honey now like they used to. Since the production has reduced, our society has little option but to buy honey from beekeepers in Chikamagaluru, Karnataka, Bihar, Punjab and other places, who collect pure and original honey. We do a strict quality check then if the honey meets our standards, we sell it under the ‘Coorg Honey’ brand name.”

Kodira Praveen Chengappa taking honey from his honey bee box. (Express Photo Darshan Devaiah BP)

Apis Cerana bees, known as the honey bees of Coorg, still flock around the colourful indigenous flowers, lining the Western Ghats, drawing nectar. However, the practice of beekeeping has been severely hit.

“Earlier, many trees were planted and wildflowers, including coffee blossoms, paddy, ragi, were cultivated, drawing bees by the droves. However, honey collection has been severely dented as the use of pesticides these days is killing the bees,” Chengappa said.

Apiculture or beekeeping used to be one of the important farming activities in Coorg and contributed substantially to the income of local farmers. “In 1936, Shambhavananda Swamiji started the first honey producers’ co-operative in India at Virajpet in Coorg district. Later, in 1938, he founded the Ramakrishna Ashram and started to impart beekeeping lessons to local youth, who took an interest in the practice, at his office and a honey processing unit. He also sent local enthusiasts to beekeeping training centres in Pune and Coimbatore. He also marketed ‘Coorg Honey’ in Mumbai and other cities,” Chengappa said.

Though the production of ‘Coorg Honey’ has declined drastically, the former boss of the co-operative said the demand for the brand remains undiminished and with a bit of hand-holding from the government and other authorities concerned, the district could return to its glory days of honey making.

Bee hive boxes kept inside a coffee estate in Coorg. (Express Photo by Darshan Devaiah BP)

Traditional beekeepers, who have been harvesting honey since ages, are struggling these days as the honey bees of Coorg are declining in number, largely because of the use of pesticides. They said that radiations from mobile towers in the district are proving fatal for the bees.

Nagesh, an apiarist at Bittangala village in South Coorg who has been into beekeeping for three decades, told indianexpress.com, “I request our farmers not to use pesticides as it is because of these chemicals that the honey bees are dying. I have also seen the bees dying because of radiation from mobile towers. As much as 30 to 50 per cent of bees are dying due to mobile tower radiation and another 80 per cent because of the use of pesticides.”

Nestled in the midst of rolling hills and dense forests, Coorg experiences periodic shifts in climate and temperature, making it a favourable haunt for four major species of honey bees. According to Nagesh, a Coorgi, the honey tastes different as seasons roll and also at time of crop cultivation. “During the harvesting of coffee beans, the honey tastes very different compared to the season when paddy is cultivated,” Nagesh said, adding that the main four species of honey bees found in Coorg are Ponn thene (Apis dorsate) in forest areas, Potti thene (Apis cerena), Kaddi thene (Apis floria) and M ooli thene(Apis trigona), which are domesticated.

Beekeepers in Coorg keep around 30 to 50 bee boxes within an area of one to one-and-a-half kilometres, depending on the source of bee forage, in their coffee estate or areca nut farms. Nagesh said bee colonies, these days, is very hard to find as they are facing the risk of a colony collapse disorder where the majority of worker bees in a colony disappear.

Coorg honey. (Express Photo Darshan Devaiah BP)

A beekeeper in Coorg can harvest 2-3 kgs of honey from one box. “Earlier we used to harvest 10 to 20 kgs of honey from one box. During the peak time, honey can be extracted once in 15 days from one box if there are strengthened colonies. However, that is not possible now,” Nagesh said.

The horticulture department has started providing Bee Hive Boxes and training to interested people at the beekeeping training centre in Bhagamandala, North Coorg. Founded in 1953, the centre provides three months of training, where students are taken through the basics of bee collecting, bee hiving and honey collecting or extraction, among other practices.

Prakash Mandanna, a beekeeper who took his lessons in the practice at Bhagamandala training centre, said, “After enrolling for a training course 10 years ago, I started beekeeping. However, six years later, the bees were afflicted with diseases such as Thai sac brood. Planting of exotic trees such as Silver Oak, Eucalyptus and Acacia Auriculiformis in the coffee estates affected pollinators and altered the native flora of Coorg.”

“The loss of forest cover and native trees is also an important reason for less honey bee production in Coorg. The government should focus on revival of bee production through the expansion of forest cover and forage plants in the district,” Mandanna told indianexpress.com.

He said the need of the hour is for the state horticulture department to promote beekeeping among the youth in the district. “Our government has undertaken various initiatives to promote beekeeping but the problem is that people are losing interest in the practice as the bees are not available in plantations and forests now. The horticulture department should come forward and support beekeeping in Coorg,” he said.

Officials in the horticulture department said various initiatives have been taken up in recent years to increase production of honey and provide subsidy to farmers interested in Apiculture.

Speaking to indianexpress.com, Dr Hemalatha, senior assistant director, Horticulture (Apiculture), said, “We have three different schemes at central, state and district levels to help farmers who are interested in apiculture. As part of the state sector, we are giving a budget for beekeeping development and under the central sector scheme, we are providing pollination support. We are also giving residential beekeeping training at the Bhagamandala centre in Coorg where approximately 15 to 20 interested farmers can take a training in beekeeping every year and earn a stipend.”

She said the horticulture department is also reaching out to farmers across the state, who are interested in beekeeping. “Our schemes are aimed at helping farmers interested in Apiculture and we are spreading the word through local newspapers and grama sabha meetings. Honey Mela is also organised every year in Bengaluru to promote Apiculture,” Hemalatha said.

source: http://www.indianexpress.com / The Indian Express / Home> Cities> Bangalore / by Darshan Devaiah BP, Coorg, Madikeri / February 15th, 2021

How To Grow Coffee In Your Balcony: Bengaluru Lady Shares Expert Tips

Indira Ashok Shah, a Bengaluru terrace gardener, shares tips on how to grow and care for a coffee plant at home.

For my parents, the day begins only after that first sip of filter coffee makes its way into their bodies. I’ve heard people refer to filter coffee as the elixir that gives them the energy to take on the day.

For all the coffee fanatics out there -what if there was a way to grow your own coffee plant, perhaps in your terrace or even balcony. You need not be living in Coorg, or Chikmagalur for this – you can grow them anywhere, says Indira Ashok Shah, an avid terrace gardener based in Bengaluru has successfully been nurturing a coffee plant on her terrace and in this article, she shall show you how you can do the same.

Indira’s coffee plant is almost ten feet tall from the ground and is lush with coffee berries. She also mentions that it has been with her for almost six years now. “I get about one kilogram of coffee powder annually thanks to my plant,” she says.

Things You Will Need To Grow Coffee Plant

Coffee plant in Indira’s terrace.

  • A 20-litre bucket (Indira has used a regular paint bucket)
  • Compost
  • Cocopeat
  • Soil
  • Stones
  • A well shaded area

Step 1

  • You will need to make three holes in the bucket you are using. This is for drainage and is extremely important that you do this. Once you make the holes place a small slab or piece of stone over the holes.
  • Do not cover the hole completely; it is important that when there is excess water in the bucket, it is able to drain out comfortably.
  • Fill the bucket with two parts of soil, two parts of cocopeat, and two parts of compost.

Click here to read up on how to make your own compost at home.

Step 2

The coffee cherries after being harvested

  • Find a semi-shaded place to keep your coffee plant.
  • Do make note that coffee plant does not need direct harsh sunlight so find a good place for it to grow well.
  • It can also be kept indoors as long as they get some amount of sunlight each day.

Step 3

  • The coffee plant likes moisture and therefore you must ensure that the soil is always slightly moist and does not get dry.
  • The test to check whether the soil is adequately damp is to insert a stick in the soil. If it goes into the soil easily, then the soil moisture content is good.
  • While the soil must be moist there must not be any stagnant water on the surface.
  • Cocopeat is added to the soil to help it retain moisture.

How To Propagate Coffee Bean

  • Allow the coffee bean to ripen well. Once it is dried up, sow the bean into the same pot that you have made.
  • Once sown, ensure that the plant is kept under indirect sunlight.
  • Air Layering is another method that is used to propagate
  • Click here to watch the video about following the air layering technique.

Things To Know

Coffee growing in a bucket.

 Once every 10 or 15 days, do add more compost
2. Do not add any chemical fertiliser, pesticide, or anything additional to the plant
3. If you have a pest attack, just use a neem spray or make a mixture of Ginger-Garlic-Green Chilli (GGG)
4. To make the GGG mixture, take equal quantities of all three, make a paste, strain it and use that solution on plants, which have been attacked by pests.
5. Once the berries start turning brown, you can harvest them.
6. This can then be taken to a local coffee blender.
7. To add richness to the coffee, Indira adds chicory to the coffee powder and says her blends are usually 80 per cent coffee and 20 per cent chicory.
8. You can grow coffee across India, and Indira says that all one needs to keep in mind is to provide it with a shaded area to grow.
9. There is no particular season in which one needs to start growing coffee, just make sure that it is placed in a shaded area.
10. Coffee beans may be available at your local nursery and if you are unable to find it you can reach out to Indira as well.
11. If you get a graft and grow it, the plant will take about two years to grow and fruit.
12. Whereas if you start from scratch and sow the seeds then a minimum of five to six years is needed. So patience is the key.
13. Ensure that you water the plant every day and if the soil surface feels dry then twice a day as well.
14. You could also consider making your own cocopeat, which is nothing but the dried husk of the coconut churned in a mixie to get a good powder-like consistency. This, when sprinkled on the plant surface, helps to retain moisture for longer.

How And When To Harvest Coffee Berries

  • Wait for the berries to ripen and turn brown.
  • Pluck the ripened berries and remove the skin off the seed/bean.
  • Immerse all the seeds/beans into water and let it be until the skin and pulp completely leaves the seed/beans.
  • Sun dry the seeds/beans well to remove all water and moisture.
  • Once done, you can take the seeds/beans and get the coffee ground or do it at home.

You can click on the video below for a better understanding of how to grow coffee and care for the plant.Prom

“Please grow it by yourself and just refrain from using chemical fertilisers. Collect all your wet waste and make your own compost,” she says in conclusion.

If you want to reach out to Indira and get coffee seeds from her to grow your coffee then you can reach out to her via this Whatsapp group or through her Facebook group.

(Edited by Vinayak Hegde)

source: http://www.thebetterindia.com / The Better India / Home> The Better Home / by Vidya Raja / October 06th, 2020

Boundaries and borders are imaginary lines: Priya Belliappa on her short film Frayed Lines

The film won the best short film award in the Karnataka competition section of the Bengaluru International Short Film Festival 2020

Set in Kodagu or Coorg, Karnataka, Priya Belliappa’s short film explores the lives of migrant labourers who come from across the country to work on coffee plantations. 

A young man from a poor family in Kodagu, Kalappa (Avinash Muddappa) is one of the many educated unemployed Indians vying for just a handful of jobs. Despite having a doctorate, he finds that life in the city is not as lucrative as he had imagined and decides to join the workers on the coffee estates.

He meets Tabu (Geetanjali Thapa), a migrant worker from Assam who has travelled over 2,000 miles from her home to find a means of livelihood in the estates. But her name has not been included in the updated draft of the National Register of Citizens (NRC).

The film was conceptualised by Belliappa when she saw the influx of people travelling from Assam to work on the estates for a couple of months during the coffee season. The lives of the labourers who uproot themselves and their entire family for a few months for work made her curious, and the political and economic issues in the country formed the backdrop against which her story plays out.

Belliappa said, “The film is questioning a lot of things and these are questions that I do not have answers to but they nag me.”

The layered film questions lines and borders that define country, religion, language and caste; lines that become blurred in the struggle of life. 

Speaking about how much of the film was shaped by the debates around the NRC and Citizenship Amendment Act (CAA), she said, “The film was shot before the NRC and CAA became a national debate. It was not a topic that everyone really knew about. If you look at the larger picture [in the film], it’s about belonging…I also put in the idea that boundaries and borders are imaginary lines for states or districts, and you sit back and you think about questions of humanity.”

The character of the young man too is a reflection of the status of youth in the country, who are increasingly finding themselves with a bagful of degrees but no jobs and was shaped by a newspaper article that reported that people who with a PhD degree were standing in line for a peon’s job. The filmmaker wondered, “It really hit me hard because everything grows up thinking that if they get a certain education, they are guaranteed a certain job…but we look at what is the education system today where you cannot assure somebody who has done a PhD a job…Everybody needs a certain income to survive, but if it [education] cannot guarantee you a job, what is it that one needs?” 

The short film format allowed the filmmaker to delve into certain spaces with greater creative freedom and she said, “The reason that I made this into a short film was that I did not want to be bogged down by the commercial aspects of it. When you make a feature film, you need to think much more about economic aspects like what is going to happen to the film, how are you going to get the money back…So I chose to go with a short as it would give me a certain creative freedom to explore this subject in the way that I wanted using the silences and the spaces that I create. In a short film, you can use your creative freedom with a lot fewer restrictions as opposed to a feature.” 

The film won the Best Short Film Award in the Karnataka competition section of the Bengaluru International Short Film Festival (BISFF) 2020. Responding to the recognition that the film has received the filmmaker said, “As a creative person, I want there to be a conversation [about this] and I hope that it reaches as many people as possible…if somebody thinks about this [the film], it’s good enough for me.”

She added, “The world over, there is a conversation about migrants moving, working…and we need to address it.”

Belliappa is planning to develop Frayed Lines into a feature. 

source: http://www.cinestaan.com / Cinestaan / Home> Interview / by Sukhpreet Kahlon / New Delhi – October 08th, 2020

On the Actor’s Trail – Here’s what Gulshan Devaiah is doing about being ‘underrated and underutilised’

First off is the Amazon Prime Video series ‘Afsos’, in which he plays a suicidal writer who is simply unable to die.

Gulshan Devaiah
Gulshan Devaiah

Gulshan Devaiah moved to Mumbai from Bangalore more than a decade ago to become a “good leading man who’s also a good actor, or even a great and legendary leading man, who’s a great and legendary actor”. Will he get there, as he hopes?

Devaiah’s latest effort is Amazon Prime Video’s series Afsos, which is out on February 7. Written by Dibya Chatterjee and Anirban Dasgupta, Afsos follows Devaiah’s Nakul, a clinically depressed writer who hires an assassin (Heeba Shah) to kill him after 11 failed suicide attempts. Things go awry when Nakul wants to abort the mission after developing feelings for his therapist (Anjali Patil).

“Sometimes, you suffer more in your imagination than reality,” the 41-year-old actor said about Nakul. The insecure, middle-class writer is similar to his sexually obsessed character Mandar Ponkshe in Harshvardhan Kulkarni’s Hunterrr (2015). Both are what he calls the “average Ramu”. Devaiah added, “What made Mandar special was him sleeping around to feel good about himself. What makes Nakul special are the circumstances he gets into for his glum outlook on life.”

Afsos (2020).

Devaiah is coming straight off from praise for his role of a village strongman-turned-alpha zombie in Dibakar Banerjee’s installment in Netflix’s anthology horror film Ghost Stories. Despite being in the movies since 2011, the 10-minute role, of which nine minutes are spent under unrecognisable make-up, has earned him some of the best reviews of his career. Devaiah had no expectations from the film and wasn’t sure he would be recognised at all, but he now wonders why the role has drawn so much attention.

“Perhaps, though everything seems very sudden, what I had been doing for so many years created a positive impression in people’s minds, so the effect was cumulative,” he said. “I would keep getting messages from my audience, that I am underrated and underutilised. Perhaps, with Ghost Stories, people thought I have got what I deserve.”

Off the top of his head, Devaiah remembers Karan Johar and Reema Kagti praising him for his ghoulish act. At least one of those handshakes materialised in a role: Devaiah is playing a policeman in Kagti’s Rajasthan-set web series Fallen, alongside Sohum Shah and Sonakshi Sinha.

Gulshan Devaiah in Ghost Stories (2020). Courtesy Netflix.
Gulshan Devaiah in Ghost Stories (2020). Courtesy Netflix.

Devaiah’s career began with morally grey or outright negative roles in low-to-mid-budget productions such as That Girl in Yellow Boots (2011), Dum Maaro Dum (2011), Shaitan (2011), and Hate Story (2012). He played similar roles in commercial projects such as Goliyon Ki Raasleela Ram-Leela (2013) and Commando 3 (2019).

In between, he played diverse characters, including the double role of a don and a martial arts teacher in Vasan Bala’s Mard Ko Dard Nahi Hota (2018) and a serial womaniser in Hunterrr, a role that his fans still keep talking about.

Despite leading-man ambitions and an impressive resume, he didn’t quite hit the sweet star-actor spot. Devaiah attributes this to being clueless about converting the attention he received “between 2011 and 2013” to “hustle”.

“The only thing I knew to do was good work,” Devaiah said. “The others after me were better at hustling like Ayushmann Khurrana, Vicky Kaushal, Rajkummar Rao. I am learning from them.”

Is being good not good enough? “Idealism has its place but you also have to be practical,” Devaiah explained. “I don’t want to be dragged down thinking I am so good and hardworking but I didn’t get the chances I deserve. I see disappointment and disillusionment in veteran actors who’ve been around for 30-40 years. I constantly think about what am I not doing, where am I missing out. Sometimes, in an interview, I might have the right answers, but not the right attitude. That might be enough for someone to not choose me for a role. I keep these things in mind.”

Gulshan Devaiah as Jimmy and Karate Mani in Mard Ko Dard Nahi Hota (2019).

Unlike his Afsos character, Devaiah is neither overtly bogged down by missed opportunities nor is he chasing big-banner productions. Most of his films have been made on limited budgets.

“Small banner, big banner is secondary for me,” Devaiah said. “My goal in life is to do roles through which I can challenge myself, surprise audiences. I don’t look for validation from a big director or big production house. The legacy I want to leave behind is of me being a versatile actor. Hunterrr or Mard were not big banner projects. But the connection I made with the audience with those roles is what I aim for.”

Some of Devaiah’s projects have either not been released or have gone straight to streaming platforms, which are not the best places for small movies to find audiences. There’s still no release date for Bala’s eight-year-old Peddlers. Kanishk Varma’s Hindi-Marathi bilingual thriller Daav/Haadsa, which stars Devaiah as a policeman, remains in the cans. The much-delayed Cabaret went straight to Zee5, while CandyFlip was released on Netflix.

But he cannot pick films based on the ability or willingness of their makers to release them, Devaiah said. He cited the example of Tarun Mansukhani’s Drive. “Did anyone expect a Dharma film to go straight to OTT?” he said. “Shit happens man, I can’t worry about it. I can’t even put it in my contract that the film must be released. I can only tackle things I have control of, like my film choices or performances.”

Gulshan Devaiah in Goliyon Ki Raasleela Ram-Leela (2013). Courtesy Bhansali Productions/Eros International.
Gulshan Devaiah in Goliyon Ki Raasleela Ram-Leela (2013). Courtesy Bhansali Productions/Eros International.

Besides Fallen, Devaiah has nothing on his plate that he can talk about except a thriller Hinterland, announced long ago but yet to be shot. The film, also starring Manoj Bajpayee, “is about a man chasing another man, and how the system is rigged in a way that a conflict between two parties helps a third party”, he said.

Devaiah prefers to work on one project at a time. “Be it a three-day shoot or a 300-day shoot, if I can, I only eat, sleep, think one thing at a time,” he said. “I would say my work ethic of putting 100% attention to something is my biggest strength.”

Many acclaimed roles, a few commercial successes, and yet his best role didn’t even make a blip on the radar. “Hunterrr is the only brand value I have actually,” he said. “People were attracted to the nostalgia of the film. Everyone had one friend, brother, or cousin, who was like Mandar. Everyone, post-puberty, tried the sort of things Mandar did in the film. I definitely related to the things happening in his life, if not him exactly. Many women told me that they also related to the events in the film.”

Chori Chori, Hunterrr (2015).

source: http://www.scroll.in / Scroll.in / Home> The Reel> On the Actor’s Trail / by Devarshi Ghosh / February 05th, 2020

Ashwini Nachappa Outran PT Usha Twice, But Left The Sport Due To No Future. She Certainly Deserved Better

The name PT Usha is sure to ring a bell for us. Of course, why not, she pretty much put us on the map in athletics once again after Milkha Singh had quit. But now take the name of Ashwini Nachappa, most people shall draw a blank.

This is the lady who outran Usha not once but twice and yet very few of us actually know who she is. Though that is the case with many athletes who have been forgotten by the country and lost in the sands of time. So let’s find out a little more about Ashwini.

DNA / THE BRIDGE
DNA / THE BRIDGE

Her name shot to prominence in the 1980s when she outran Usha on two separate occasions. That certainly made the world sit up and take notice of her. The lady was quick and had a lot of speed under her.

In 1984 she won 2 silver medals at the South Asian Federation Games. Ashwini followed it up with 2 silvers and 3 gold medals in the 1986 and 1988 editions respectively. Another highlight was the 1990 silver medal at the Asian Games.

But sadly, due to lack of support and infrastructure and seeing no positive future in the sport, Ashwini quit athletics and turned to acting. She acted in her own biopic but her movie career did not last long in regional cinema.

She is currently the president of the Bangalore Urban District Athletics Association, but living a life away from the public eye. She is just another name in the list of forgotten Indian athletes who are hardly known to us. Ashwini certainly deserved better. They all did.

source: http://www.indiatimes.com / India Times / Home> Sports / by Somak Adhikari / October 22nd, 2019

Gulshan Devaiah: Web-series Smoke looks at greed and power from different perspectives

The Mard Ko Dard Nahin Hota (2018) actor speaks about his upcoming roles in Eros Now’s Smoke and Commando 3.

Gushan01KF29oct2018

More and more actors and actresses are being drawn to web-series these days. From Amazon’s Inside Edge to Netflix’s Sacred Games, all have boasted of versatile ensemble casts. Now it is the turn of Eros Now to unveil its latest online series, Smoke.

The show, which take a look at the drug mafia in Goa, stars Jim Sarbh, Kalki Koechlin, Mandira Bedi, Gulshan Devaiah, Amit Sial, Satyadeep Mishra, Neil Bhoopalam, Prakash Belawadi, and the late Tom Alter.

Actor Gulshan Devaiah spoke to Cinestaan.com about why he took on the role of gangster Jairam Jha in the web-series.

Gushan02KF29oct2018
“When the producers came to me, they offered me the character of Jairam Jha who is from Bihar. Being a proper South Indian, I thought it was pretty gutsy of them to offer me a role of a Bihari,” he recalled.

He told the producers he would need time to prepare. But he later agreed to the part, saying, “I take a lot of confidence in people having a lot of confidence in me.” That person was producer Faisal Malik, who had faith in Gulshan Devaiah’s abilities.

“I don’t buckle under such pressure, I thrive,” the actor continued. “I want to try and I do believe that I am a versatile and diverse artiste. These are opportunities that I jump upon when they come to me. This is an opportunity where I can actually put my money where my mouth is. So I was really happy. That’s one of the main reasons why I wanted to do this.”

Further, he believed in the producers and directors on the web-series who wanted to raise the digital content being produced in India.

“I think we suffer from not paying enough attention to quality,” he said. “These people that I was working with, they seemed like they had their hearts and minds in the place where they would say that we want to make something entertaining, that people will like, but we want to make a good product at the end of the day which will take this genre forward in a positive direction. I was in agreement with that.”

source: http://www.youtube.com
SMOKE Trailer | An Eros Now Original Series | All Episodes Streaming Now

Smoke’s impressive cast was another strong selling point. Asked if he knew who was working on the project before he signed up for it, the actor replied in the affirmative.

“I knew everybody that I was working with,” he said. “I didn’t know them personally. It was the first time I was working with Mr Tom Alter, who was such a fine actor and a thespian. We will surely miss him. Mandira Bedi is also a proven actor and it was fantastic to work with her. Kalki and Neil are friends, so it was easy with them.

“Amit Sial, whom I have always admired, he is a fabulous actor and it was a great opportunity for me to work with him and another gentleman from Bangalore called Prakash Belawadi who is a very prominent theatre person,” he continued. “They put together an interesting and diverse cast so that was also an incentive to see how it would be.”

The web-series, directed by Neel Guha, examines characters through the lens of greed and power.

“It looks at greed and power from different perspectives, of all these characters. They are all after the same thing. Everything is in grey and there are different shades of grey depending on the situation and on who they are and what they want. So it looks at that, which is an advantage in the case of Smoke, because in a film it would be a much more narrowed down point of view, and greed and power are things which are very common and we are suffering the effects of that as we speak.”

Besides Smoke and his double role in Vasan Bala’s Mard Ko Dard Nahin Hota (2018), Gulshan Devaiah has also signed on to play the antagonist to Vidyut Jammwal’s lead character for the third Commando film, for which shooting has begun. The actor joked that he did not require any training for the film as he already knows karate after training for Mard Ko Dard Nahin Hota.

“My attempt is always to try and do something different, try and see how I can create and contribute,” he said. “This, to put it simply, would be an out-and-out commercial film. I also feel that I don’t restrict my sensibilities as an artiste to certain kinds of films. Sometimes, you have to do as many films as possible.”

He sat down with the film’s producer and director to work out how his character would take shape.

“We play villains like villains. That’s exactly what I’m not trying to do. For the sake of everybody understanding how exactly I fit in, it’s the antagonist, but from my point of view, I’m not playing it as the antagonist. I would completely disagree and say I’m not the antagonist, I am the protagonist,” he said.

With his approach he hopes to give fans of the Commando franchise something exciting to look forward to. The third Commando film is scheduled for release in 2019 while the 11-episode web-series Smoke was made available for streaming on Eros Now on 26 October.

source: http://www.cinestaan.com / Cinestaan / Home> Interview> Hindi / by Sonal Pandya / Mumbai – October 28th, 2018

Doubles In India Is Growing- Ashwini Ponnappa

Doubles star Ashwini Ponnappa, who moved from the Delhi Dashers to the Awadh Warriors for a whopping amount of Rs 32 Lakh, is happy with the importance and the pricing the doubles players have attracted during the recently concluded Premier Badminton League auctions.

Ponnappa believes doubles game is growing in India and there is awareness among the fans.

source: http://www.youtube.com / NNIS Sports News / Home> Category – Sports / October 17th, 2018

‘Let Kaveri Flow’: This short film’s take on the Cauvery water dispute explores the debate in a new light

The allegory in the film underlines that the present actions of man — be it deforestations or mining — have led to the return of the demon Shoorapadma that once turned the basin dry and left it without water and jeopardised life.

With a aim to promote afforestation and let the river thrive, this short film tries to highlight the environmental issues shawdowed by the Cauvery water dispute. (Source: Early Man Film/ Vimeo)
With a aim to promote afforestation and let the river thrive, this short film tries to highlight the environmental issues shawdowed by the Cauvery water dispute. (Source: Early Man Film/ Vimeo)

As the historic verdict of the Cauvery water dispute was given out by the Supreme Court of India on February 16, it was started a new debate and discussion. The age-old dispute between Karnataka, the state where the river originates and Tamil Nadu, where it is the largest river — is all about ‘unfair’ use of the total water. The modern-day water-war that has often been marred by protests, violence and even death. While Karnataka claims the verdict as a “victory” and TN as a “disappointment”, political leaders seem to be missing a fact how many actions in the war has been killing the river slowly. Damaging its ecological balance and aid to global warming and climate change.

Amid all the mathematical calculations and discussions about the long-term benefit of the verdict to both the states, a film on the ‘Holy Ganga of South’ is going viral. The film made in Kodava, the native language of Kodava-speaking communities in the Kodagu region where the river originates, narrates the tale of the River Cauvery. From the ancient history of his mythological existence of how it was created by Lord Shiva’s blessing to the modern-day harmful impacts of mining in the basin — the film captures the entire trajectory of the river. The film highlights the plight of the river, which is referred to as Goddess Kaveri Amman, and how she is dying a slow death as her children continue to water they ignore her death.

The allegory underlines that the present actions of man — be it deforestations or mining have led to the return of the demon Shoorapadma that once turned the basin dry and left it without water and jeopardised life.

The SC verdict is significant as for the first time took cognizance of the availability of groundwater, in determining the quantum of water sharing, is expected to create ripple effects in inter-basin and inter-state water disputes. The apex court raised Karnataka’s share of the Cauvery waters by 14.75 thousand million cubic feet to 284.75 TMC ft and reduced Tamil Nadu’s share from 419 TMC ft to 404.25 TMC ft.

source: http://www.indianexpress.com / The Indian Express / Home> Trending> Viral Videos / by Shreya Das / New Delhi – February 18th, 2018

Augmenting Black Pepper Production – A Success Story From Kodagu

Published by ICAR-Indian Institute of Spices Research Kozhikode

An 11 minute documentary film on success of black pepper farmers in Kodagu district of Karnataka who has been successfully adopted the high production technologies developed by the Cardamom Research Centre of Indian Institute of Spices Research, Calicut in Kerala. The documentary is produced under the NAIP Sub Project, Mobilizing Mass Media Support for Sharing Agro-Information.

Category
People & Blogs
License
Standard YouTube License
Music
“Beckoning Hills” by Ronu Majumdar (iTunes)

source: http://www.youtube.com / by ICAR – Indian Institute of Spice Research / May 31st, 2011