The book constantly reminds you why we need coffee in our lives
Harish Bhat’s new book takes readers on an adventurous journey from the coffee plantations of Coorg to graveyards in Japan—to remind them of the joy a hot cuppa brings.
An Extreme Love Of Coffee is an adventure story running on a caffeine kick. It’s simple, fast paced and constantly reminds you why we need coffee in our lives, every day, maybe even every hour.
It’s also a tribute to Indian coffee blends.
After writing two books on business, marketing and consumer behaviour—The Curious Marketer: Expeditions In Branding And Consumer Behaviour and Tatalog: Eight Modern Stories From A Timeless Institution—Harish Bhat, the brand custodian of Tata Sons Pvt. Ltd and a Mint columnist, has published his first novel that blends coffee and magic, with enough servings of adventure and travel.
It follows a young couple, Rahul and Neha, who, after drinking a cup of “magic” coffee, are entrusted with a quest that promises to end in treasure. As they race from the lush green coffee plantations of Coorg to strange graveyards in coffee-loving Japan in search of the prize, they find Japanese assailants trailing them with swords, a friendly ghost and their passion for warm frothy concoctions and each other. A part of a poem by Neha sums up the spirit of the book: “Coffee love, do you rise like steam. Warm aromas that make my dream? With delicious magic by your side. On what carpet am I astride?”
The book reminds coffee-drinkers why they love the drink and gives non-drinkers enough reason to give it a try.
Write to us at businessoflife@livemint.compooja singh
source: http://www.livemint.com / LiveMint / Home> Explore / by Pooja Singh / December 17th, 2019
Kodava men perform ‘Huthari Kolata’ on the premises of the Old Fort in Madikeri on Thursday.
Celebrations of Huthari continued with ‘Kolata’ and various sports events on the very next day of Huthari festival in the district on Thursday.
The Pandira family and the management committee of the Omkareshwara Temple organised the ‘Huthari Kolata’ on the premises of the Old Fort in Madikeri.
‘Ummattat’, ‘Bolakkat’, ‘Kolat’, ‘Pariya Kali’, ‘Chowli Aat’ and ‘Kattiyat’ were performed by teams from the Kodava Samaja, the Pandira family and the Pommakkada Koota.
Children added sheen to the Kolata by tapping their feet to the music of the traditional Kodava Valaga, which came as the icing on the cake.
Speaking on the occasion, MLA K G Bopaiah said that Kolata is celebrated soon after Huthari festival in Kodagu. Kolata was performed on the premises of Old Fort since generations, he said.
Stating that a week-long Huthari Kolata will be celebrated in ‘Uru Mand’ and ‘Naad Mand’, the MLA stressed on the need to cherish and preserve the tradition.
Since 2008, Kodagu has been enjoying holiday for Huthari and Kaveri Sankramana, after the government recognised the festivals, he added.
History
The Pandira family members of Hebbettageri village have been performing ‘Huthari Kolata’ or Puttari Kolata, on the premises of Old Fort, since the time of the reign of royal kingdoms in Kodagu.
The paddy is harvested during the festival and brought to homes.
The Puttari Aramane Kolu was held in high regard in the palace in older days and the same is continued today.
‘Will accept minister’s post if offered’
Speaking to reporters, Bopaiah said that he is not in the race for a minister’s position. However, if offered, he will accept the same with humility and work with conviction and handle with responsibility.
He meanwhile stated that he is an honest member of the party and does not believe in lobbying. He denied pressuring any leader to give him the minister’s post. “I have fetched a lot of grants to Kodagu and will continue to strive to solve people’s problems,” Bopaiah added.
source: http://www.deccanherald.com / Deccan Herald / Home> State> Mangaluru / by DH News Service, Madikeri / December 12th, 2019
The upcoming Indian Premier League 2020 is going to be a massive event for obvious reasons. A lot of star cricketers, who skipped IPL 2019 are going to involve in the IPL 2020 auction, which certainly draws the attention of the franchise owners and the fans. In the latest development, the officials revealed the list of players with their base price for the IPL 2020 Auction. The right-handed Robin Uthappa is the only Indian with INR 1.5 Crores Base price alongside nine overseas players.
The Karnataka Batsman Robin Uthappa is one of the few players who have featured consistently across all the years of the Indian Premier League. And also, he is one of the highest run-scorers in IPL with 4411 runs in 170 games. Despite having enormous experience in this format, Robin Uthappa failed to gain the trust of Kolkata Knight Riders, who released him from the team.
Jaydev Unadkat, Yusuf Pathan placed in INR 1 Crore Bracket:
He was retained for INR 6.4 crores before going into the IPL 2019 edition, but unfortunately, couldn’t deliver the required goods. Robin scored 282 runs off his 12 games for KKR, which came at a strike rate of 115. Alongside Robin Uthappa, nine other overseas players are placed in the same amount.
Other Indian stars, Piyush Chawla, Yusuf Pathan and Jaydev Unadkat, have set their base price at INR 1 crore. In total 23 players are listed under that category. Leaving out three Indians, a total of 20 overseas players named in the chart. Surprisingly, none of the Indian players listed in the INR 2 Crores category.
With INR 2 crore as the highest reserve price, seven overseas players – Pat Cummins, Josh Hazlewood, Chris Lynn, Mitchell Marsh, Glenn Maxwell, Dale Steyn & Angelo Mathews have opted to be slotted in the highest bracket. A total of 186 Indian players, 143 overseas players & 3 players from Associate Nations will be up for grabs in the VIVO IPL 2020 Player Auction in Kolkata.
List of Capped Players as per their base price:
A survey conducted in 2019 revealed women in India are paid 19% less than men. While the participation of women in the workforce is only 26%, with merely 9% being in any kind of leadership position, the practices of sex-based bias and stereotypes at formal and informal workplaces gravitate from structural violence over their bodies to seeking organisation’s permission to be under wedlock as in the case of the first Indian woman Ambassador: C B Muthamma.
Image source : Twitter
Early life
Chonira Belliappa Muthamma, the first woman to clear the Indian Civil Services examinations, the first woman Indian Foreign Service (IFS) officer, the first Indian woman diplomat, later the first Indian woman Ambassador (or High Commissioner), was born in Virajpet in Karnataka’s Kodagu (then Coorg), a coffee-growing district in southern India on January 24, 1924. Muthamma’s father, who was a forest officer, passed away when C B Muthamma was nine years old. Being a single parent raising four children, her mother made it a priority to give them the best possible education. She did her schooling in St Joseph`s Girl School in Madikeri. Later, she moved to Chennai to pursue her undergrad from the Women’s Christian College and her Master of Arts degree in English Literature from Presidency College, Chennai.
IN THE END, SHE WAS GIVEN ABYSMALLY LOW MARKS, IN SPITE OF WHICH SHE TOPPED THE FOREIGN SERVICE LIST AND BECAME THE FIRST WOMAN IFS OFFICER IN 1949. WHEN SHE ENTERED THE SERVICE, MUTHAMMA WAS MADE TO SIGN AN UNDERTAKING THAT SHE MAY BE REQUIRED TO RESIGN FROM HER JOB ONCE SHE GOT MARRIED.
In 1948, a year after independence, C B Muthamma cleared the UPSC examination, becoming the first woman to join the Indian Civil Services. Her struggles started with the UPSC Board interview where the Board members tried to persuade her to change her first option for the IFS. In the end, she was given abysmally low marks, in spite of which she topped the Foreign Service list and became the first woman IFS officer in 1949. When she entered the service, Muthamma was made to sign an undertaking that she may be required to resign from her job once she got married. “This was clearly against the Constitution, but in those early days, it did not occur to me to challenge that rule…there was an attitude of vengefulness on the part of the men—a feeling that should be kept in their places, and that they should be encouraged to leave,” she cited this incident in her collection of essays, aptly entitled, Slain by the System.
Muthamma Vs Union of India
With this bizarre rule intact at the Ministry of External Affairs, Mira Sinha Bhattacharjea and Rama Mehta were among those who had to leave the service, points out Kishen Rana in the Indian Foreign Affairs Journal. In addition to facing everyday prejudices against women in Indian society, which got reflected in the ministry, Muthamma was not accepted by several Ambassadors citing various reasons as to why it was inappropriate to send a woman to the station. Finally, she was first posted to the Indian Embassy in Paris. It was there she understood that it is not only Indian diplomats who had problems with a female colleague, but also her peers in other Embassies who were equally not at ease in dealing with a woman in workplace. She then served in Rangoon, London, and on the Pakistan and America Desks in the Ministry of External Affairs in New Delhi.
SHE WAS FIRST POSTED TO THE INDIAN EMBASSY IN PARIS. IT WAS THERE SHE UNDERSTOOD THAT IT IS NOT ONLY INDIAN DIPLOMATS WHO HAD PROBLEMS WITH A FEMALE COLLEAGUE, BUT ALSO HER PEERS IN OTHER EMBASSIES WHO WERE EQUALLY NOT AT EASE IN DEALING WITH A WOMAN IN WORKPLACE.
The tipping point for her was when she was overlooked for promotion to Grade I, the highest level of Secretary to Government of India, of the IFS. In 1979, she brought the petition against the government, the Appointments Committee of Cabinet (ACC) and Ministry of External Affairs, on the grounds of professional gender bias and discrimination contradicting Article 14 (equality before the law) and Article 16 (equality of opportunity in matters of public employment) of the Constitution.
She further challenged Rule 8(2) of IFS (Conduct & Discipline) Rules, 1961 which stated that, “a woman member of the service shall obtain the permission of the Government in writing before her marriage is solemnised. At any time after the marriage, a woman member of the Service may be required to resign from service, if the government is satisfied that her family and domestic commitments are likely to come in the way of the due and efficient discharge of her duties as a member of the service,” and Rule 18(4) of IFS (RCSP) Rules, 1961 which noted that, “no married woman shall be entitled as of right to be appointed to the service.”
The Supreme Court Bench headed by Justice V.R. Krishna Iyer commented that this, “…bespeaks a story which makes one wonder whether Articles 14 and 16 belong to myth or reality.” Solicitor General, Soli Sorabjee opposed the petition saying that the rule overlooking women for ambassadorship was justified. He argued that the chances of leakage of confidential information of strategic significance were a dangerous risk, and so Muthamma’s case to be made an ambassador was rightly rejected.
Though C B Muthamma was promoted to Grade I and posted as India’s Ambassador to Hungary while the trail was ongoing, the Court struck down the blatant prejudice against women’s rights in India by the iconic judgement of the Bench headed by Justice V.R. Krishna Iyer.
Expert Judgements
“That on numerous occasions the petitioner had to face the consequences of being a woman and thus suffered discrimination though the Constitution specifically under Article 15 prohibits discrimination on grounds of religion, race caste, sex or place of birth and Article 14 of the Constitution provides the principles of equality before law….”
“If a fragment of these assertions were true, unconstitutionality is writ large in the administrative psyche and masculine hubris. If there be such gender injustice in action, it deserves scrupulous attention from the summit…“
“If a woman member shall obtain the permission of the government before she marries, the same risk is run by the government if a male member contracts a marriage. If the family and domestic commitments of a woman member of the Service is likely to come in the way of efficient discharge of duties, a similar situation may well arise in the case of a male member. In these days of nuclear families, inter-continental marriages and unconventional behaviour, one fails to understand the naked bias against the gentler of the species.”
“If a married man has a right, a married woman, other things being equal, stands on no worse footing. This misogynous posture is a hangover of the masculine culture of manacling the weaker sex forgetting how our struggle for national freedom was also a battle against woman’s thraldom.”
“Freedom is indivisible, so is Justice. That our founding faith enshrined in Articles 14 and 16 should have been tragically ignored vis-a-vis half of India’s humanity, viz., our women, is a sad reflection on the distance between Constitution in the book and Law in Action.”
“In the rat race of Indian official life, seniority appears to be acquiring a religious reverence. We have had the advantage of the presence of the learned Solicitor-General, appearing for the Union of India. With characteristic fair-ness he has persuaded his client to agree to what we regard as a just gesture, viz., that the Respondent-Union of India will shortly review the seniority of the petitioner, her merit having been discovered and her seniority to Grade II being recognised.”
The Court dismissed the petition but directed the Government to review the petitioner’s case in light of the only remaining element of her complaint—that relating to the promotion of people junior to her. The Court emphasised the need to overhaul all service rules to remove discrimination.
This ruling served as an aid at many women’s meeting in support of their struggle for equality. She thus became the first woman from within the service to be appointed Ambassador. Later, she served as ambassador in Accra in Ghana, and afterwards, she was made the Indian Ambassador to The Hague in the Netherlands. She retired as one in 1982 after 32 years of service.
A Trailblazer For Working Women
Foreign Secretary Nirupama Rao recalls C. B. Muthamma as someone who’d waive away references to being the ‘first woman diplomat’ by saying, “Someone’s got to be first—I was old enough to have been there first.” Arundhuti Ghosh, the fiery diplomat who fought for India’s concerns on nuclear issues in Geneva, remembers her as a formidable personality and feminist who always showed consideration for people who worked below her. “For example, once she pointed out that Joint Secretaries have two air conditioners in their office rooms while non officer-grade staff had none and she gladly gave up her own A/C to share with other staff. That was Muthu for you,” Gosh said.
After retiring, she continued to be an activist. C B Muthamma was nominated as the Indian member of the independent Palme Commission, a non-governmental Commission on Disarmament and Security Issues, which reported directly to the United Nations. The spinster remained active in social movements, helping riot victims and citizen groups, her philanthropy knew no bounds. In her book the Slain by the System (2003), a collection of essays criticising of the Indian political system and its political class, she writes, “Looking back, I cannot help but conclude that my tenure with the external affairs ministry was one long tussle with the anti-women bias.” She also co-authored The Essential Kodava Cookbook (2000), compiling forgotten recipes from Coorg for the culinary enthusiast inside her. She passed away on October 14, 2009 in Bangalore at the age of 85.
C B Muthamma proved that as long as social justice is an integral part of our constitutional fundamentals, gender justice will remain a non-negotiable article of faith. She not just managed to get the Supreme Court agree that gender discrimination did exist in the foreign office but also broke many visible and invisible barriers to set a level playing field for women in IFS, women in civil service and women in all workforce.
References
1) The Better India
2) Ministry of External Affairs
3) Indian Kanoon
4) The SOP
source: http://www.feminisminindia.com / Feminism in India / Home> History / by Nivedita Jayakumar / December 16th, 2019
Coffee cherries and flowers. Photos by Author and Adithya K A
Coffee pervades the lives of people in Hassan, Chikkamagaluru and Kodagu districts. From the decades-old jaggery coffee to the current flavoured ones, coffee as a product has seen a huge transformation. What has remained unchanged is its association with almost anything momentous in our lives.
The journey of coffee to India is well- documented and etched in our memories through the story of Arab traveller Bababudan bringing seven coffee beans to Chikkamagaluru in 1670 AD. He sowed these seven seeds in Chikkamagaluru’s Bababudangiri hills (Chandradrona Parvatha). Today, India is world’s third-largest producer of coffee.
The earliest and most prominent coffee planters of the yesteryears in the country were the British. They introduced the system of check-rolls which is an attendance register of the labour. They maintained a diary which explained the daily activities in the estate to which the owner signed every day. These rather important systems are intact and in place even today, and any estate that you visit here will show you daily records from as back as 50 years ago!
These documents serve as important pieces of information for future generations. The British were particular about closing the accounts by the end of March wherein the savings and loans availed by the labourers were tallied. This tradition continues to this day.
Other customs that we have inherited are the practices of maintaining lush green and colourful gardens at our homes, rearing about half a dozen hunting dogs and possessing rifles and pistols for safety from wildlife.
Blossom shower
Coffee plantations receive blossom shower (rains) around March every year. Coffee estates that blossom with white flowers are a sight to behold. While this is a visual treat for us, this also guarantees a good crop for the coming year.The joyous mood is also seen before coffee picking when the entire family thanks god and prays before picking the berries.
Cherries being dried
The book Bettadindha Battaligey by H N Nagegowda beautifully traces the history of coffee in India and also the culture associated with it.
Coffee estates coexist with thick and lush green forests in these Western Ghats districts. These estates are also home to a rich variety of endangered flora and fauna. Each year, hundreds of varieties of birds migrate to coffee estates. These plantations nurture forest species which act as nesting grounds for these birds.
Estate owners take an active interest in increasing the number of trees that they have on their lands. Artificial lakes and tanks in the estates quench the thirst of animals including elephants and tigers.
The vibrant culture of coffee land in the state could also be traced to the presence of major rivers such as Cauvery, Tunga, Bhadra, Nethravathi and Hemavathi.
A majority of the labour force in Karnataka’s coffee estates hails from Dakshina Kannada. Of late, a healthy influx of migrant labourers from Assam can be seen in the estates. The estate owners provide accommodation and healthcare facilities to the labourers.
The monsoons of 2018 and 2019 played unimaginable havoc in the lives of growers in the core coffee zones of Kodagu and Chikkamagaluru.
They lost all their lands overnight to mudslides and torrential rainfalls. Despite this, they are trying hard and not giving up in their quest to rebuild everything that they lost.
However, their spirit to endure and rebuild is shattered due to the failure of markets. Coffee growers are going through their worst crisis ever where they are not able to make ends meet because coffee prices have crashed to record lows.
Prices have collapsed to as low as what it was 26 years ago while the cost of inputs like fertilisers and machinery has skyrocketed.
Also, the price of spices like pepper which are grown as intercrops has fallen to 60% lower than the price received half a decade ago. As a result, the growers are saddled with neck-deep debts.
Key driver
There is a misconception that the consumption of coffee leads to health problems such as gastritis. This problem arises when one consumes coffee that is blended with a high quantity of chicory.
As per the Coffee Board of India statistics, coffee is grown in 4,00,000 hectares of land in the country. Karnataka grows 70% of the country’s total coffee production, with its annual production of up to 2.75 lakh metric tonnes. About 65% is robusta variety while 35% is of the arabica variety. The country exports 75% of the yield. India is home to 2,20,825 coffee growers of which 98.5% are small-scale growers. The economy of Kodagu, Chikkamagaluru and Malnad regions of Hassan district is heavily influenced and dependent on the coffee industry. It is the key driver of the economic activities of these regions.
Karnataka Growers’ Federation (KGF)which was formed in 1985 brings the coffee growers in one platform and works towards their welfare while also representing them in international platforms. This apex organisation is well networked with 21 regional organisations. KGF is headquartered at Sakaleshapura, Hassan district with a membership of 50,000 women and men.
U M Thirthamallesh, president of Karnataka Growers’ Federation said that the coffee price crash is mainly due to the surplus supply of coffee into India from international markets. Southeast Asia, he claims, has unfair market practices, low labour standards and excessive state subsidy which are all in violation to World Trade Organization norms while Indian Coffee growers follow all international norms by the book.
Coupled with this is excessive addition of the additive chicory into coffee which results in the substandard taste of the coffee. Labour shortage and disease are other problems that have affected the coffee industry.
Value addition
In an effort to overcome challenges, the coffee community is also paying attention towards the value addition of coffee. In the process, some brands have become popular. They’re involved in the preparation, marketing and sales of coffee powder; garlands made using coffee beans; coffee chocolates and coffee-based wine. In some areas, specialised coffees, like organic coffee and tribal coffee are also being tried.
Copsy Coffee Powder which is produced at Arehalli Co-operative Society and 7 to 7 Coffee which is produced by a group of women at Women’s Coffee Promotion Council, Sakaleshpura are some well-known local brands.
Another brand which has caught the attention of coffee connoisseurs is Talacauvery Eco-Coffee Works which is based out of Kodagu. This coffee is produced by an all-women self-help group called Sri Rajarajeshwari Self Help Group in Kargunda.
A vibrant culture has evolved around coffee in the last three centuries in the coffee land of the state rooted in self-reliance and innovation.
source: http://www.deccanherald.com / Deccan Herald / Home> Spectrum> Spectrum Top Stories / by Poornima Kanahalli / December 14th, 2019
Attributed to Ozias Humphry (British, 1742–1810), Dodda Vira Raja (or, Vira Rajendra Wodeyar), Ruler of Coorg 1780-1809, c. 1787. Watercolor on ivory. Gift of Shirley Latter Kaufmann in memory of Harry and Anna Latter, 74.649.
New Orleans, LA :
The New Orleans Museum of Art (NOMA) presents the museum’s Latter-Schlesinger Collection of Portrait Miniatures. Cradled in the palm of the hand or worn close to the heart, portrait miniatures were never intended for public consumption, but rather, functioned as personal tokens of affection, love, or memorial. Drawing from NOMA’s permanent collection, the installation of more than 100 portrait miniatures is now on view in the Lupin Foundation Decorative Arts Galleries on the museum’s second floor.
“NOMA’s Latter-Schlesinger Collection of Portrait Miniatures, given in 1974 by Shirley Latter Kaufmann in honor of her parents, Harry and Anna Latter, is one of the singularly important collections at this museum,” said Susan Taylor, NOMA’s Montine McDaniel Freeman Director. “Ranging from the court of Henry VIII to Napoleonic France, the collection includes masterful examples of the important artists and techniques used in the art of miniature portraits.”
Andrew Plimer (British, 1763–1837), Henrietta Ponsonby, Countess of Bessborough, c. 1795. Watercolor on ivory, frame with pearls. Gift of Shirley Latter Kaufmann in memory of Harry and Anna Latter, 74.654.
Portrait miniatures were the passion of New Orleans collectors Harry and Anna Latter. In 1957, the Latters traveled to London to oversee a government project and dedicated the trip to the pursuit of English portrait miniatures. After her parent’s passing, Kaufmann gifted the comprehensive collection to NOMA, where she was a trustee for more than twenty years and board president in 1978. The family continues Kaufmann’s tradition of supporting the museum through the Milton H. Latter Educational and Charitable Foundation, which sponsored the design and fabrication of a custom cabinet for the magnificent collection.
Nicholas Hilliard (English, 1547–1619), Portrait of an Elizabethan Court Lady, c. 1590. Watercolor on parchment. Gift of Shirley Latter Kaufmann in memory of Harry and Anna Latter, 74.337.
Portrait miniatures feature details of historic lace, jewelry, ornate hairstyles, royal adornments and military regalia, all executed by the artist sometimes using a single hair as a brush. The earliest 16th-century miniatures were painted with watercolor onto vellum (animal skin) or cardstock, but by the 18th-century heyday of portrait miniatures, artists painted on thin sheets of ivory for a natural luminescence to the watercolor portraits. NOMA’s collection includes master miniature artists Nicholas Hilliard (English, 1547-1619), John Hoskins the Elder (English, c.1590-1665), Samuel Cooper (English, 1609-1672), Richard Cosway (British, 1742-1821), and George Engleheart (British, 1752-1829). On view are examples of portraits framed with the sitter’s hair, intricately arranged and braided, and two “lover’s eye” miniatures, capturing just an intimate close-up of the sitter’s eye, recognizable only to her dearest confidants.
A tablet produced by NOMA details the stories behind these portrait miniatures, with the stories of royalty and historic celebrities, the highly-skilled craft of miniature painting, and the Latter family collection.
NOMA’s installation was made possible with the support of the Milton H. Latter Educational and Charitable Foundation.
source: http://www.artandobject.com / Art & Object / Home> Museum / December 11th, 2019
Huthri or Puthari festival was celebrated with grandeur and traditional fervour in Mysuru and Kodagu districts yesterday. It is a festival of harvest and getting the harvested paddy crop home.
Kodavas and members of Kodagu Gowda community visited paddy fields in their traditional attire and harvested the new crop after offering prayers.
The festival is observed either in the month of November or December on full moon day of Rohini Nakshatra. Before harvesting, they chanted ‘Poli Poli Deva,’ fired three times in the air and burst crackers.
In Mysuru, the celebrations were organised by Mysuru Kodava Samaja at Sree Cauvery Educational Institutions premises in Kuvempunagar while members of Kodagu Gowda community celebrated the fest at their Samaja premises in Vijayanagar.
Kodagu Gowda Samaja members after harvesting the new paddy
The celebrations started at Cauvery School at 5.30 pm with performance of traditional Kodava dances by both men and women including small children.
‘Nere kattuva’ ritual was held at 7.35 pm followed by reaping of new paddy crop at 8.35 pm and distribution of thambutt prasada (a unique pudding made of ripe banana, coconut, jaggery/sugar, sesame, cardamom, ghee and roasted boiled rice flour) at 9.35 pm.
The menfolk, wearing their traditional attire complete with Kuppiya – Chele, Mande Thuni and Peeche Kathi and the saree-clad women accompanied by girl children holding Thaliathakki Bolcha (a bronze tray with rice, betel leaves, arecanut and a lamp) marched to the nearby fields to reap the paddy crop. The festival marks bringing home the new paddy crop from the fields, symbolic of welcome to Goddess Lakshmi, who is the presiding deity of wealth.
A festival primarily confined to Kodagu in the past is now being celebrated in cities too where there is a considerable population of Kodavas. And Mysuru Kodava Samaja has been striving to keep the tradition alive by hosting the Puthari Eedu and Festival get-together annually.
Puthari Eedu was held for five days from Dec.6 to Dec.10 daily at 6 pm at the Kodava Samaja premises in Vijayanagar where traditional Kodava dances are practiced with the cultural troupe members and new-comers, according to Kekada M. Belliappa, President and Malachira M. Ponnappa, Hon. Secretary of Kodava Samaja, Mysuru. Hundreds of Kodavas attended the celebrations in city last evening. On the occasion, the Samaja felicitated the men’s cultural troupe that won prize in the competition held at Balugodu Samaja recently.
source: http://www.starofmysore.com / Star of Mysore / Home> News / December 12th, 2019
From setting up his own business to embracing different cultures and understanding spirituality — Marc Tormo tells CE that India has helped him…
Marc is a travel and nature enthusiast
How far can one go in search of coffee? Apparently, from Spain to India. Marc Tormo did exactly that in 1997 when he moved to Auroville in Puducherry. CE talks to Tormo, the founder of Marc’s Coffee in Auroville, about his love for coffee, opening up to spirituality and raising kids in India
What brought you to India?
I come from a place called Catalonia in Spain. I was into the business of coffee there where I had a speciality coffee shop. I came to India a few times when I was 19 years old to understand about coffee and I found out about coffee plantations in the southern part of India. People were not aware of the entire process of coffee-making. I understood this method and helped people trace the journey of the coffee they were drinking. Finally, in 2008, we launched Marc’s coffee here in Auroville. Before setting up the coffee place, I had to put in a lot of research on not just coffee but the farmers, their psyche among other things. After setting it up, it took us five years to pick up speed. But it was a pleasant cultural change. Europe is more materialistic. People here are spiritual. Auroville allows me to explore that part as well. My children were born and raised here. India is now second home. Plus, we have a cosmopolitan environment here at Auroville. There are Koreans and Spaniards and many others here.
How do you keep in touch with your roots?
My children can speak Catalan very well which is the dialect from the region I come from. They have learned Tamil, French, Catalan, Spanish and English. We make it a point to visit Spain every year. I like to keep all the goodness of the Spanish culture. People from my region are adventurous and entrepreneurial. I would like to retain all that. But spirituality is something I understood after living in India.
How do you and your family spend time together?
I love to cook, especially for my family. We all spend time cooking. I like making paneer butter masala, khichdis and chapatis. We make a mix of Spanish and Indian cuisines at home. We travel a lot. I take them on my trips to coffee plantations. But this is not just so that they understand coffee but also they understand people and cultural diversity wherever they go. I like to spend time gardening with my children.
What are your interests apart from coffee?
I love to sing, I love to listen to music and be with nature. Life in Auroville lets me enjoy all of this. I can work and be in the midst of nature and pursue my interests.
Auroville is considered to have deep spiritual roots. What is your experience of spirituality?
Auroville has taught me the concept of unity with diversity. We have people from different cultures living here. It has helped me understand the inner meanings. One of the things living in Auroville has helped me with is understand myself and have a holistic view of anything.
One half of India is populated with tea lovers. Have you ever thought of shifting your beverage loyalties?
I have nothing against tea. But I feel coffee has not been studied enough. I chose to focus on coffee. Coffee needs a lot of support to reach everybody so that everyone understands coffee. That is why I chose coffee.
What are your favourite destinations in India?
I love the Western Ghats. Wayanad, Coorg, Mysuru and Chikmaglur are some of my favourite destinations. I am a coffee lover and a nature lover. I like to see wildlife.
Marc will be conducting a Coffee workshop till December 9 at Old Kents Estate, Coorg
source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Veena Mani / Express News Service / December 07th, 2019
This year, the marathon was completely eco-friendly and trash-free, with water being served in coconut shells, food in banana leaves and plates made out of areca leaves.
Nikki Ponnappa (left) along with Milind Soman (in grey) and members of The Coorg Wellness Foundation
Bengaluru :
Bengaluru-based golfer Cheppudira Nikki Ponnappa can never decide what she is passionate about more – her love for sports or working towards saving the ecology of her hometown, Kodagu. The international-level golfer recently arranged the fifth edition of Barefoot Marathon, which happened on Sunday in Kodagu. The marathon was an initiative by her organisation, The Coorg Wellness Foundation, in association with avid marathon runner and her friend, Milind Soman.
This year, the marathon was completely eco-friendly and trash-free, with water being served in coconut shells, food in banana leaves and plates made out of areca leaves. The warm-up exercise before most marathons is usually Zumba, but keeping up with local traditions, Valaga music, which is traditional Kodava music, pumped up the participants. The highest prize being `42,000 for 42 km, the marathon had some interesting rules for the prizes that were distributed.
The cash prize went to runners from the neighbourhood area, while the non-local runners got to bring home produce by local farmers, which included rice, coffee, spices etc. All the funds collected from this event will go towards betterment of the families who lost everything in the landslide that hit Coorg in 2018.
More than 400 people participated in this marathon. Ponnappa says the main objective of the run was to bring people closer to nature. “When you run barefoot and feel the soil, it makes you feel closer to Mother Nature. Barefoot is a symbolic way to do something auspicious, plus it has lot of scientific benefits too. We have many nerve points in our feet and these runs work wonders for them.
It was great to see so many people travelling to Coorg, especially from Bengaluru, to participate in this marathon,” says Ponnappa, who was first introduced to golf at the age of 14-15 by her father, who was then serving in the Indian Army. She is also a certified coach and a social activist. Ponnappa’s organisation, the Coorg Wellness Foundation, which was set up in 2014, works towards the development of the people of Kodagu and its eco-system. Along with free education and boarding, they also provide training to join the Army.
source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Monika Monalisa / Express News Service / December 10th, 2019
Rasaja Foundation, in collaboration with Business & Community Foundation (BCF) will organise a discussion ”Merging Border” with artists Lata Pada (Sampradaya Dance Creations, Canada), Dr I Wayan Dibia (scholar, author and dance choreographer, Indonesia), Shila Mehta (Nupur Zankar Academy of Performing Arts, New Jersey, Belgium and Mumbai) and Hema Rajagopalan (Natya Dance Theatre, Chicago) followed by ”Nimitta” a solo kathak performance by Shila Mehta, portraying “Shikhandi” from Mahabharat on December 12 at Sri Aurobindo Society in New Delhi.
”PRALAYA”, a collaboration in Bharatanatyam and Baliness dance by Sampradaya Dance Creations, Canada, a modern retelling of the Mahabharata with special focus on the game of dice between the Pandavas and the Kauravas will be staged on December 13 at Kamani Auditorium in the capital.
The presentation, conceptulised and directed by Lata Pada, includes choreography by Lata Pada & I Wayan Dibia, music by Praveen D. Rao, costume Design by Sandhya Raman, visual Design by Jacques Collin and lighting design by Deepa Dharmadhikari.
Their IndoBalinese collaboration that premiered in Toronto in November 2016 and went on to do an eight-city tour in Canada, has now begun its international tour across seven cities in India and a stint in South East Asia-Indonesia.
–IANS / Sukant/prs
source: http://www.outlookindia.com / Outlook / Home> The News Scroll / December 10th, 2019
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