Category Archives: Famous Personalities of Kodagu / Coorg

A cookbook with stories

I was recently invited to Kaveri Ponnapa’s book launch that I had been looking forward to.

 Many in Mysuru may not recognise her name, but anyone who has even a passing interest in Coorg or the culture of small, distinct communities of this land would certainly know her remarkable work, ‘The Vanishing Kodavas.’

Just like her previous book, which was rich with history, culture and stunning imagery, her latest work, ‘Coorg: The Cookbook — Recipes and Stories from a Golden Land,’ is both beautiful to look at and deeply satisfying to read.

This book nourishes not just the appetite but jogs the memory, too.

‘Coorg: The Cookbook’ has been in the making since 2012 and the patience shows. It is thoughtfully structured into sections such as rice-based dishes, meats, seafood, vegetarian dishes, foraged foods, pickles, sweets and beverages.

Each section opens with a gentle historical introduction explaining how and why these foods became part of the Coorg dining table. It tells us why it is not just about how to cook, but also about understanding why Kodavas cook the way they do.

The book also includes sections on foundational pantry ingredients and the spices and herbs that define Coorg cuisine. For readers unfamiliar with some ingredients, the author thoughtfully offers alternatives.

There is even a section explaining how to use the book, making it as accessible to an outsider who may not be familiar with Coorg cuisine at all. That said, even a Kodava like me had some surprise discoveries.

The first surprise I encountered in the book was that while modern Coorg is synonymous with coffee plantations, it was earlier primarily a land of paddy farmers.

No wonder rice sits at the centre of not only Kodava cuisine but also culture. Appropriately, the first dish the book introduces is the humble yet iconic ‘Akki Otti’ or rice roti.

Another delightful revelation is the long-held myth that Coorg cuisine is dominated by pork. Yes, Coorg is famous for its pork dishes, but the book reminds us that Coorg food is far more diverse.

Of the 132 recipes in the book, just 36 are non-vegetarian dishes and only 6 of them are pork! The remaining dishes feature chicken, mutton, fish and crab.

Meanwhile, there are 45 vegetarian recipes! which include an array of ‘pallyas’ & ‘chutneys.’

So, the notion that Coorg cuisine is dominated by the hog is hogwash.

What also struck me personally were the dishes I had never heard of before. There are recipes such as ‘Miniature Jackfruit Pancakes’ (Coorg name: ‘Chatti Puttu’) and the intriguingly named ‘Steamed Rice Parcels with Hitchhiker Elephant Ear Leaves’! (Coorg name: ‘Mara Kembe Puttu’).

But what truly elevates this book beyond the realm of a cookbook are the stories quietly interwoven along with the recipes. Food, after all, is rarely just about taste; it is about people, places and memories.

Reading about the ‘Nende Kari’ or the ‘Crab Curry,’ transported me back to my childhood in Coorg. I remembered being sent to the paddy fields with my cousin to catch crabs for dinner. We would return with a small mug full, often with bleeding fingers. Crabs can put up quite a fight.

While our grandmother prepared the ‘Nende Kari’ (Crab Curry), we sat near the fireplace listening to her tell stories of elephants straying into plantations, of wild boar hunts and town gossip, all while the aroma of spices slowly filled the kitchen.

This is the kind of book that eventually becomes an heirloom, something to be preserved, treasured and passed down through generations. Kaveri Ponnapa herself writes, “Recipes are cultural inheritances.”

This is why ‘Coorg: The Cookbook’ feels more than just pages of recipes. It takes you on a journey down memory lane.

For many Kodavas living far from their homeland, the book may well feel like a bridge back to traditions that are slowly fading. That alone is reason enough to own a copy.

In many ways, to use a culinary euphemism, this book pairs beautifully with Kaveri’s earlier work, ‘The Vanishing Kodavas.’

One documents the culture, the other documents the cuisine. Culture and cuisine, the two pillars that define every community.

Kaveri Ponnapa observed that “Kodavas are vanishing,” but with her books, she has made sure they will not be forgotten.

P.S. : You can order your copy athttps://kaveriponnapa.com/coorg-the-cookbook/coorg-the-cookbook/

e-mail:  vikram@starofmysore.com

source: http://www.starofmysore.com / Star of Mysore / Home> Columns in Black & White> Top Stories / by Vikram Muthanna / March 03rd, 2026

Kodagu road reconstruction, health sector receive boost in state budget

The state budget has sanctioned Rs 20 crore for the reconstruction of damaged roads and bridges following incessant rainfall in regions including Virajpet, Madikeri and Ponnampet.

Madikeri :

Road connectivity and the health sector in Kodagu have received a boost in the state budget presented by Chief Minister Siddaramaiah. While Congress members termed it a progressive budget, BJP leaders criticised it as a “useless budget” with no special consideration for the district.

The state budget has sanctioned Rs 20 crore for the reconstruction of damaged roads and bridges following incessant rainfall in regions including Virajpet, Madikeri and Ponnampet.

Developmental projects for the Kodava Development Board, funds for the welfare of tribes who form a significant population in the district, and the health sector have also received support in the budget.

Virajpet Hospital will be upgraded from a 200 bed capacity to 400 beds, the budget assures funds for the upgradation of Kushalnagar Community Hospital. (File photo)

While Virajpet Hospital will be upgraded from a 200 bed capacity to 400 beds, the budget assures funds for the upgradation of Kushalnagar Community Hospital. Ponnampet will also get a new community hospital.

However, stakeholders in the tourism sector said the budget does not mention any special funds for tourism development.

Nagendra Prasad, president of the Kodagu District Chamber of Commerce and Industry Association, said that although Kodagu generates increased revenue for the state through tourism and liquor sales, no funds have been sanctioned for tourism infrastructure in the district.

“From property tax of hospitality facilities to GST, the tourism sector contributes immensely to the state revenue. But unfortunately, this revenue is not being invested back to further improve the sector,” he opined.

Meanwhile, former BJP MLA K. G. Bopaiah criticised the budget as a “useless” one and a “record budget of complete failure”. He said the budget is not people friendly and added that for the 17th time the Chief Minister has made “only promises, declarations and vague plans without any absolute focus”.

He recalled that the BJP government had sanctioned special funds to the district as per the Nanjundappa report due to heavy rainfall and said, “We used to sanction up to Rs 100 crore as a special package for the district. But for the past three years, the state has neglected Kodagu,” he alleged.

He further alleged that there is no plan or precision in the sanctioning of funds for mitigation projects to curb wildlife conflict.

Dharmaja Uthappa, district president of the Congress party, said the budget is progressive and that the Kodava Development Board, road connectivity and the health sector have received a boost.

“Even the issue of wildlife conflict is addressed and it is overall a pro development budget,” he opined.

source: http://www.newindianexpress.com / The New Indian Express / Home> Karnataka / by Express News Service / March 06th, 2026

Who Is Madan Mandanna? Meet the Supportive Father of Rashmika Mandanna

Madan Mandanna, father of Rashmika Mandanna, has stayed away from the spotlight but has always supported her. Here’s everything you need to know about her father and the role he played in her journey.

Image Credit : Instagram

A Pillar of Support

Madan Mandanna, father of actress Rashmika Mandanna, has mostly stayed away from the public eye, but he has been a strong support for his daughter throughout her journey. Born in a Kodava Hindu family in Virajpet, Kodagu, Karnataka, he played a key role in shaping Rashmika’s values and career.

Image Credit : Instagram

Entrepreneurial Roots

Madan is a successful businessman who runs a coffee estate and owns a function hall called Serenity in Virajpet. His work shows the family’s entrepreneurial spirit, long before Rashmika became a household name in films.

image credit : X

Family First

Though he avoids the limelight, Rashmika often credits her father for teaching her important life lessons like hard work, humility, and determination. These values have helped her navigate the challenges of the entertainment industry successfully.

image credit : Instagram

Close-Knit Family

Madan is married to Suman Mandanna, a homemaker. Together, they raised Rashmika and her much younger sister, Shiman Mandanna. Rashmika occasionally shares glimpses of her parents on social media, showing the love and close bond in their family.

From Humble Beginnings to Stardom

Despite her fame as a pan-India actress, Rashmika often reflects on her modest upbringing. Her family faced financial struggles, but Madan’s guidance and support were crucial in helping her rise from Virajpet to becoming one of India’s most popular and loved stars.

source: http://www.newsable.asianetnews.com / Asianet News / Home> English> Entertainment / by Nancy Tiwari / March 05th, 2026

Traditional Coorgi rituals at Rashmika Mandanna, Vijay Deverakonda’s second ceremony explained: All about Kodava wedding

Inside Vijay Deverakonda and Rashmika Mandanna’s Kodava wedding: traditional Coorgi outfits to groom’s ritual shave and bath and bride’s ‘bale iduva’ ceremony.

Rashmika Mandanna and Vijay Deverakonda’s second wedding ceremony was all about traditional Coorgi rituals. (Couple in a still from Dear Comrade)

Following a morning ceremony steeped in Telugu traditions, actors Rashmika Mandanna and Vijay Deverakonda chose to celebrate the second leg of their wedding on February 26 by honouring Rashmika’s heritage with a traditional Kodava wedding. 

While the morning belonged to the groom’s culture, the afternoon and evening shifted to the lush wedding traditions of Coorg (Kodagu). Distinct from typical Hindu ceremonies, a Kodava wedding is a unique cultural experience centred around ancestors, nature, and community rather than Vedic rituals or a priest.

The preparation: Oorkuduvo

As per Kodavaclan.com’s blog, the festivities begin with the Oorkuduvo, where both families gather to prepare the wedding venue. This involves the ritualistic cutting of vegetables and pork — a staple of Kodava feasts — and the construction of the five-legged pandhaal (pendal). Interestingly, one pillar of this structure must come from a ‘milk-producing tree’, topped with jackfruit leaves and adorned with mango leaf swags. This structure remains standing for several days following the nuptials as a symbol of the new union.

Wedding attire of Coorgi ceremony

The couple look striking in traditional Coorgi garb: the groom dons a white kupya (a long tunic-style coat), cinched with a red-and-gold silk chele (waistband). He carries the peeche kathi (traditional dagger) and wears a peta (turban). The bride wears a vibrant silk saree, draped in the famous Kodava style — pleats tucked at the back and the vastra (headscarf) elegantly tied at the nape of her neck.

Key rituals: From bales to baale kethuvadh

The ceremony features several deeply symbolic rituals that define the warrior-tribe heritage of the Kodava

1. Before the main event, the groom undergoes a ritual shave where milk is applied to his face using blades of grass. Following this, he is given a ritual bath by his mother and two married women, symbolising purification.

2. The bride participates in the bale iduva, where a traditional bangle seller places coloured glass bangles on her wrists. Per custom, at least one pair of black bangles is included to ward off the evil eye.

3. In one of the most spirited displays of the day, the maternal uncles of the couple perform the baale kethuvadh. This involves cutting through nine banana stems with a single stroke of the odikathi (warrior knife), followed by a joyful dance to the beats of the valaga (traditional music).

The main wedding ceremony

The core of the wedding, the dampathi muhurtha, takes place on a decorated dais. Unlike most Indian weddings, there is no agni (fire) or pheras. Instead the couple sit on mukkalis (three-legged stools). Elders and family members shower them with rice and blessings. The groom offers his bride a sip of milk and presents her with cheela pana (a bag of coins). The ceremony concludes with the exchange of garlands and the groom helping his bride to her feet.

The final rituals

The celebration isn’t without a bit of drama and humour. During the batte thadpo, the bride’s cousin playfully blocks the couple’s path, jokingly claiming the groom should have married her. They can pass only after the groom’s side offers a gold coin as a guarantee of her well-being.

The day concludes with the Ganga pooje (Neer Edpo). The bride carries pots of water from a well while balancing on a thombuda (head-rest), taking small, rhythmic steps as the groom’s family dance around her. This symbolises her integration into her new household and her strength in managing her future responsibilities.The double-ceremony day ends with the kombarek kootuvo, where the groom officially welcomes the bride to their private quarters, gifts her a gold wedding band, and the two seek final blessings as a wedded couple.

Note to readers: This report is based on user-generated content. HT.com has not independently verified the claims and does not endorse them.

This article is for informational purposes only.

source: http://www.hindustantimes.com / Hindustan Times / Home / by Sanya Panwar / February 26th, 2026

CNC demands inclusion of Kodava language in 8th Schedule

Inclusion of Kodava language in the Eighth Schedule will provide legal, cultural, and educational benefits to the Kodava community.

CNC members stage a protest in front of the deputy commissioner’s office in Madikeri on Saturday. / Credit: DH Photo

Madikeri: 

Marking International Mother Language Day, leaders of the Codava National Council (CNC) staged a protest in front of the Deputy Commissioner’s office here on Saturday, demanding that Kodava language be included in the Eighth Schedule of the Constitution.

CNC President N U Nachappa placed several demands, including the inclusion of Kodava Thakk in the Eighth Schedule as recommended in the report of the Commission headed by noted linguist Pandit Dr Sitakant Mahapatra.

He urged that on the lines of Konkani language model and similar to the proposal for Tulu, Kodava be declared an official language of the state under Articles 345 and 347 of the Constitution, and implemented in administration and education under Article 350.

Inclusion of Kodava language in the Eighth Schedule will provide legal, cultural, and educational benefits to the Kodava community. Official recognition by the Central government will enhance the language’s prestige and prevent it from being treated merely as a dialect. It would also facilitate the introduction of Kodava as a medium of instruction in school curricula.

He also alleged that the names of local Kodava folk villages, hamlets, and even festivals have been altered into Kannada, distorting them. This, he said, reflects disregard for Kodava heritage and uniqueness and amounts to a violation of human rights.

A memorandum was submitted to the government through DC S J Somashekar on the occasion.

source: http://www.deccanherald.com / Deccan Herald / Home> India> Karnataka / by DHNS / February 22nd, 2026

Olympic Medallist Boxer Vijender, Tennis Ace Rohan Bopanna To Flag Off New Delhi Marathon On Sunday

Olympic medallist Vijender Singh and tennis star Rohan Bopanna will flag off the 11th Cognizant New Delhi Marathon at Jawaharlal Nehru Stadium on Sunday. Over 30,000 runners from 31 countries are expected to participate across full, half, 10K and 5K categories. The event, recognised by AFI and World Athletics, also serves as an Asian Games qualifier.

Olympic medallist boxer Vijender Singh (L) &tennis player Rohan Bopanna (R) | File Pic

New Delhi: 

Olympic medallist boxer Vijender Singh and the country’s ace tennis player Rohan Bopanna will flag off the 11th edition of the Cognizant New Delhi Marathon from the Jawaharlal Nehru Stadium here on Sunday.

With over 30,000 participants expected to take part, the marathon is set to be one of the largest sporting events in the country.

Certified as a National Marathon by the Athletics Federation of India (AFI), recognised by the Association of International Marathons and Distance Races (AIMS), and acknowledged by World Athletics, the event continues to strengthen its position on the global athletic calendar.

This edition of the event has attracted participants from 31 countries, 490 cities, and 32 states and Union Territories of India.

The event will be held in four categories — full marathon, half marathon, 10K and 5K.

India will be represented by an elite contingent, which includes Anish Thapa, A.B. Belliappa, Man Singh, Akshay Saini, T. Gopi, Bhagirathi Bisht, Nirmaben Thakor Bharatjee, Ashwini Madan Jadhav, Disket Dolma, and Stanzin Dolkar.

The marathon also serves as a qualifying race for the upcoming Asian Games.

Inclusivity and Social Impact

In a step towards greater inclusivity, the marathon will host approximately 20 visually-impaired athletes, reaffirming its commitment to creating an accessible and empowering sporting platform.

The event has also raised Rs 10 lakh, which has been contributed to the AFI as support for its junior development programs to help in strengthening grassroots athletics in the country.

“The New Delhi Marathon is not just a race; it’s a celebration of human spirit, perseverance, and unity. We are proud to witness such incredible global participation and to continue fostering an inclusive and inspiring event. Our goal is to create a platform where every runner — from elite athletes to first-timers — can push their limits and be part of something much larger than themselves,” said Nagaraj Adiga, Race Director & CMD, NEB Sports.

Rajesh Varrier, President – Global Operations and Chairman and Managing Director of Cognizant India added: “The participation of elite runners at the New Delhi Marathon reinforces its stature as one of the leading long-distance events in Asia and inspires every runner to push their limits.

AFI treasurer, Stanley Jones said the event is a perfect platform for country’s long-distance runners to make a mark.

“The National Marathon serves as a premier platform for India’s elite long-distance runners. With only the highest-performing athletes qualifying to represent the nation at events such as the Asian Games, competitions of this stature play a crucial role in identifying and preparing top talent,” he said.

Sustainability Initiatives

The marathon continues its strong focus on environmental responsibility by implementing comprehensive waste segregation, promoting recycling across the venue, partnering with environmental organisations and local authorities and encouraging greener practices among participants.

(Except for the headline, this article has not been edited by FPJ’s editorial team and auto-generated from an agency feed.)

source: http://www.freepressjournal.in / The Free Press Journal / Home> Sports / by PTI / February 20th, 2026

Gulshan Devaiah Strikes Gold With ‘Duranga’, 7 Times He Nailed His Characters With Perfection

Gulshan Devaiah began his career in Bollywood, like the majority of newcomers from outside the industry, with few roles. Nevertheless, Gulshan’s performance was recognised by the audience as well as the critics.

Image credit : Telegraph India

Gulshan Devaiah began his career in Bollywood, like the majority of newcomers from outside the industry, with few roles. Nevertheless, Gulshan’s performance was well-received by the audience as well as the critics. And he once again enchanted his fans with his most recent part in the web series ‘Duranga’.

Duranga is a suspense series that warrants your attention, and we’ll explain why. One of the most well-liked genres of television shows and films today is a thriller. Who doesn’t love the suspense and terrifying anticipation of what will happen next? The unfolding of the events keep you on the edge of your seat. Without further ado, let’s dive right into it!

Reasons Why Duranga Is Worth Your Time!

Image credit : Duranga Poster

The Duranga Plot Will Keep You Hooked Until The End

It is based on Sammit Patel and Ira’s story. Ira starts looking into several killings committed by a person she believes to be a serial killer’s accomplice, and as a result, she learns some shocking information about her husband’s dark background.

One is kept fairly engrossed in the story and on the edge of their seat by the writing and plot. The length of the episode is critical because thrillers frequently suffer from the risk of being stretched out a little too much, the duration of Duranga is just right for you to keeping yourself interested.

The series avoids trying anything new and succeeds in producing the same impression as the original with a compelling narrative and a crisp screenplay.

The Interesting Choice Of Cast

Gulshan Devaiah As Sammit Patel

Gulshan Devaiah gives his greatest effort yet in Duranga. Gulshan gives a convincing performance as a reserved character who doesn’t experience love, happiness, or grief and uses online courses to learn to grin or cry. He has aced his acting skills with each project he has done and is such an underestimated actor who deserves your time.

Drashti Dhami As Ira

Image credit : Duranga/Screengrab

Drashti Dhami, who plays a cop alongside Gulshan, has established herself in Hindi television dramas, and this is the first time she has performed such an intense and badass part of a cop, carrying a very strong character brilliantly; she has never been seen portraying a role this harsh.

The relationship between Drashti and Gulshan is not particularly endearing, but given the diametrically opposed nature of their characters, it nevertheless manages to explain the lack of blandness.

It is difficult to develop and maintain a career in the film industry, which may be ruthless at times. Gulshan, who has been a part of Bollywood for over a decade, believes that ‘being good is not enough.’

The idea that hard effort helps you sustain and that being competent at your craft is enough is appealing, but it is fiction. Gulshan believes that as an actor, one must learn to build relationships and be in the right place at the right moment.

Here are some characters played by Gulshan that need your attention

1. Ghost Stories

Image credit : Indiatimes

Despite having only 10 minutes of screen time and wearing unrecognisable make-up, the actor received some of the greatest accolades of his career for the character of a village strongman who transforms into the alpha zombie in the horror film Ghost Stories. Devaiah recalls Karan Johar and Reema Kagti complimenting Gulshan for his spooky act. Gulshan had no expectations from the movie and wasn’t sure he would be recognised at all.

Most performers would have turned down the role owing to the limited screen time or unrecognisable makeup. However, we are confident that Gulshan chose craft over fame in this role.

Watch It On Netflix

2. Afsos

Image credit : Prime video/Screengrab

In Afsos, Gulshan plays Nakul, a writer with chronic depression who hires an assassin to kill him after 11 unsuccessful suicide attempts. The plot is unusual; for example, have you heard of someone who is sick of trying to commit suicide hiring a hitman to help them? Anyways, things go wrong when Nakul decides to cancel the assignment after falling in love with his therapist.

Watch It On Amazon Prime Video

3. Goliyon Ki Raasleela Ram-Leela

Image credit : Goliyon Ki Raasleela Ram-Leela/Screengrab

For Sanjay Leela Bhansali’s “Ram Leela,” Gulshan appears in a brand-new appearance. In the film, the gifted actor plays the adversary. The character played by Gulshan is a famous member of the Jadeja clan, a group of Chandrivanshi Rajputs who currently reside in Kutch, Gujarat.

Watch It On Jio Cinema

4. Footfairy

Image credit : Footfairy/screengrab

A monster who suffocates young girls and slices off their exquisite feet to keep as his mementos is the subject of the psychological thriller. Gulshan Devaiah portrays CBI officer Vivaan Deshmukh, who trusts his intuition over anything else. He presents himself as an assured police officer. It was incredible that a film made in 2020 captured people’s attention in 2022 with an OTT distribution on Netflix.

Watch It On Netflix

5. Badhaai Do

Image credit : Badhaai Do/Screengrab

The unexpected component of Badhaai Do is Gulshan Devaiah. The actor who portrays Rajkummar Rao’s love interest in the movie, Guru Narayan, is a lawyer. His character is such a fantastic representation of the LGBTQIA population that is not ashamed to be ‘Gay.’ Though Guru’s character appears for a little moment, he plays an important role in the film.

Watch It On Netflix

6. Mard Ko Dard Nahi Hota

Image credit : Movietalkies

In Mard Ko Dard Nahi Hota, Gulshan plays the character of Karate Mani and Jimmy and is a laughing stock. It was pure joy to witness him flawlessly portray two utterly different personalities in a double role.

Watch It On Netflix

7. Shaitaan

Image credit : Shaitaan/Screengrab

Shaitan was one of the first projects to bring Gulshan the attention he deserved. It was a crime thriller, which was highly opposite of what Bollywood thought of these genres. He portrays the slightly insane, affluent brat Karan ‘KC’ Chaudhary, and his diabolical intensity in the part drew many fans.

Watch it On Netflix
Since making his acting debut in That Girl in Yellow Boots in 2010, Gulshan Devaiah has advanced significantly while consistently raising the bar with his films and web series

source: http://www.indiatimes.com / India Times / Home / by Tanishk Juneja / September 01st, 2022

Field Marshal K.M. Cariappa’s 127th birth anniversary celebrated

Mysore/Mysuru:

Kodava Samaja, Mysuru, along with the Field Marshal Kodandera M. Cariappa Fans’ Association, Mysuru, celebrated the 127th birth anniversary of Field Marshal K.M. Cariappa.

The programme was organised in front of the statue of Field Marshal Cariappa at the Field Marshal K.M. Cariappa Circle (Metropole Circle) on Vinoba Road this morning.

Former MP Prathap Simha offered floral tributes to the statue and said that celebrating the 127th birth anniversary of Field Marshal Cariappa is a matter of great pride for society. His contributions and valour have earned him immense respect across the nation. Kodagu’s contribution to the country is unparalleled.

He added that no other land could produce patriots and warriors like those from Kodagu. “Patriotism has grown there as a tradition. Though the Kodava community is small, its service to the Armed Forces is immense. It is a privilege for our land to cherish the memory of a leader like Field Marshal Cariappa, born in such a tradition,” he said.

World War II, freedom struggle

Field Marshal Cariappa’s service during World War II and the freedom struggle was exemplary to the world. The rank of Field Marshal is the highest in the Indian Army and it is a matter of pride not only for the Kodava community but also for Karnataka.

“He may not have received the Bharat Ratna, but he was honoured with the rank of Field Marshal,” Simha remarked. He further noted that Cariappa, along with General Kodandera S. Thimayya, gave democratic India a strong shape and direction.

“Even today, the Kodava community has contributed more than 30 Lieutenant Colonels to the Indian Army, five captains to Indian hockey and over 60 players to the sport. “For this, the community must feel proud and continue to grow. As the community grows, so will the nation and  patriotism,” he said.

Former MLA L. Nagendra noted that it was Field Marshal Cariappa who made the entire world turn its attention towards India.

“He must be remembered every single day. When his statue was to be installed at Metropole Circle, many obstacles arose, but all were overcome and today the statue stands tall, and this is a matter of immense pride. In the coming years, thousands from the community should gather together to celebrate Cariappa’s birth anniversary on a grand scale,” Nagendra said.

The event was attended by former Mayors M.J. Ravikumar & H.N. Srikantaiah, former Corporators Pramila Bharath & Maletira U. Subbaiah, Mysuru Kodava Samaja President Ponjanda A. Ganapathy, Kodava Samaja Cultural and Sports Club President Mukkatira C. Ashok and Field Marshal K.M. Cariappa Fans’ Association President Nayakanda Thimmaiah among others.

source: http://www.starofmysore.com / Star of Mysore / Home> News / January 28th, 2026

127th birth anniversary of Field Marshal K.M. Cariappa tomorrow

Kodava Samaja, Mysuru and Field Marshal K.M. Cariappa Fans Club, Mysuru, will celebrate the 127th birth anniversary of Field Marshal K.M. Cariappa at Field Marshal K.M. Cariappa Circle (Metropole Circle) in city on Jan. 28 at 8.30 am.

Mysuru-Kodagu MP Yaduveer Wadiyar, MLAs K. Harishgowda, G.T. Devegowda, T.S. Srivatsa and G.D. Harish Gowda, MLCs C.N. Manjegowda and K.Vivekananda, former MP Prathap Simha, former MLA L. Nagendra, former Mayors M.J. Ravikumar and H.N. Srikantaiah, former Corporators Maletira U. Subbaiah and Pramila Bharath will be the chief guests.

Kodava Samaja President Ponjanda A. Ganapathy, Kodava Samaja Cultural and Sports Club President Mukkatira C. Ashok, Field Marshal K.M. Cariappa Fans Club President Nayakanda Thimmaiah and others will  be present on the occasion.

source: http://www.starofmysore.com / Star of Mysore / Home> In Briefs / January 27th, 2026

Lives lived between shame and sunrise

The hamlet of Kesarugattu is evoked with tender fidelity: dusty lanes, temple bells, the drawing of water from wells, gossip thick as humidity, and the invisible yet unbreakable lines of caste that arrange bodies and destinies.

Rising Sons

There is something compelling about Indian fiction that returns to the soil — its memory, its violence, and its stubborn hierarchies — placing ordinary lives against the tremors of national transformation. When such fiction is also shaped by a supple, idiomatic use of language, as in Kavery Nambisan, the result is especially resonant: “No fighting the British. We must ask them gently-gently to leave.” “If a robber enters your home, and you request him to leave, by gently-gently leading him to the door, will he go, leaving behind the bag he just filled with your provisions?” The prose carries the cadence and rhythm of Indian speech, anchoring the novel firmly in its linguistic and cultural terrain.

Kavery Nambisan’s Rising Sons, set in a small village near Mysuru between the 1920s and 1940s, is a quiet yet searing account of the making of modern India — not through the grand speeches of history, but through the fragile interiors of a family trapped between caste, patriarchy, shame, and awakening. At the centre is Devaraya, a Brahmin patriarch whose pursuit of wealth and respectability masks deep fragility. His carefully curated identity begins to fissure from the opening line, when he announces — half-proud, half-playful — that he has “two sons and one-and-a-half daughters.” The “half” is Chinni, the adopted daughter whose presence inside a caste-sanctified household is both an affront to orthodoxy and a reminder that affection in such worlds is always conditional. Nambisan builds her narrative on this foundational crack.

The hamlet of Kesarugattu is evoked with tender fidelity: dusty lanes, temple bells, the drawing of water from wells, gossip thick as humidity, and the invisible yet unbreakable lines of caste that arrange bodies and destinies. Colonial rule hums in the background, but the more immediate and intimate oppressor is caste itself. Ancestral dominance and the fear of social humiliation govern every gesture inside and outside Devaraya’s house. Working in a bank as a peon in Mysuru while running a modest money-lending shop back home, Devaraya embodies the dangerous intersection of caste pride and capitalist ambition. His public face projects ritual purity; his private life is riddled with moral compromise. In a paraphrased confrontation, his younger son Anna articulates the novel’s central fracture: you speak of purity, but conceal your own stains — what kind of honour demands lies? It is a quiet but devastating rebellion, marking the first collapse of the old order.

The revelation of Devaraya’s hidden past — one that undermines the very caste purity he venerates — shatters the world he has built. The family collapses under the weight of shame; one son disappears; Devaraya is disgraced and imprisoned; the village that once deferred to him turns away with vindictive satisfaction. Inside the house, silence becomes a weapon. In another paraphrased exchange, Gowru, his long-suffering wife, speaks with restrained fury accumulated over decades: a home built on fear cannot survive a single gust of truth. The line is quiet on the page but detonates through the moral architecture of the novel.

From the family’s ruins, a new consciousness emerges. Anna is drawn into the freedom struggle. His rebellion is both political and personal — a rejection of shame as a mechanism of control. In a moment that captures the novel’s fusion of private and national liberation, Anna tells his father that if the nation must free itself, individuals must first confront older chains than those imposed by the British. Chinni, meanwhile, becomes the emotional heart of the story. Experiencing progressive hearing loss, dismissed by society and bound by deep affection to Anna, she embodies the resilience of the marginalised. Her silence is not weakness; it is resistance.

One of the novel’s notable achievements is its portrayal of how colonial capitalism intersects with caste hierarchy. In a sharply staged scene, a village priest — the former custodian of ritual prestige — visits the lending shop to deposit his money, bargaining for interest with head bowed. Devaraya’s paraphrased reflection is telling: even gods have begun to bow before Mammon. With this, Nambisan captures an India shifting uneasily from spiritual hierarchy to monetary hierarchy, neither offering dignity to the powerless.

Nambisan writes with felicity and restraint. Some readers may find the pace measured, but the emotional intelligence and historical density more than compensate. At a time when conversations around caste are often flattened into slogans or denial, Rising Sons insists on remembering.

source: http://www.deccanherald.com / Deccan Herald / Home> Features> Books / by Gurucharan Gollerkeri / January 18th, 2026