India’s forest estates are redefining the way we experience coffee and travel. For those seeking renewal, these sanctuaries serve as gentle invitations to slow down and reconnect.

India’s forest coffee estates offer immersive, sensory-rich experiences.

For travellers craving a gentler rhythm, India’s forest-backed coffee estates offer a chance to exchange hurried itineraries for meaningful, sensory-rich experiences. Here, mornings begin with mist rolling through ancient canopies, days unfold in unhurried conversations with nature, and every cup of coffee tells the story of the land it came from. These retreats are not merely stays. They are immersive journeys into India’s most soulful coffee heartlands, where wilderness, community, and craft brew a deeper connection to place.

1. Beforest, Poomaale Forest Collective, Coorg

Tucked within dense, wildlife-rich forests, the Poomaale Collective offers an intimate window into forest-grown, shade-nurtured coffee. Its community-led model protects native biodiversity while cultivating Bewild coffee, celebrated for its terroir shaped entirely by natural forest systems. Long nature walks, streamside quiet time, and unhurried mornings with freshly brewed estate coffee define the experience. Curated meals made from local produce elevate the stay further, making this a sanctuary where sustainability, artisanal craft, and serene luxury coexist effortlessly.

2. Tata Coffee Plantation Trails, Chikmagalur

These heritage bungalows pair colonial-era charm with expansive, thriving coffee plantations. Guests can join guided estate walks, explore traditional shade-grown practices, and enjoy green, undulating slopes while sipping aromatic brews. Evenings unfold on vintage verandas overlooking hills washed in golden light. Restored bungalows with old-world interiors offer comfort steeped in history, turning coffee into a narrative – one that honours the legacy of India’s earliest plantations.

3. Kerehaklu, Aldur

A quiet eco-retreat nestled in the Western Ghats, Kerehaklu embraces conservation, small-batch farming, and slow living. Its forest cottages, birding trails, and mindfulness-led experiences invite visitors to disconnect from noise and reconnect with nature’s subtler textures. Whether it’s engaging with local communities, understanding regenerative farming, or discovering hidden reading nooks under the trees, Kerehaklu appeals to travellers seeking off-the-grid immersion and authentic, nature-first living.

4. Evolve Back Coffee Trails, Coorg

Offering luxury without distancing travellers from the land, Evolve Back blends curated indulgence with a deep-rooted sense of place. Private pool villas, guided plantation tours, and bean-to-cup sessions turn coffee into a multisensory experience. Stories of heritage and ecosystem harmony are woven into every activity, from lakeside walks to immersive tastings, making it an ideal retreat for slow travel enthusiasts who appreciate refinement but value grounded, nature-led exploration.

5. Old Kent Estates, Suntikoppa

Spread across 200 acres of forests and coffee slopes, Old Kent Estates brings British-era heritage together with contemporary comfort. Guests can wander through quiet trails, explore traditional roasting practices, or simply soak in panoramic views of the plantation. With its curated wellness experiences, gourmet dining, and calming landscapes, Old Kent offers a deeply restorative retreat, perfect for those wanting forest serenity without giving up modern luxury.

source: http://www.news18.com / News18.com / Home> Lifestyle> Travel / by Snighda Oreva / November 25th, 2025

Mysore/Mysuru:

Maletira B. Thimmaiah, (83) former Attorney at Law, Federal Court of America, originally from Kukloor Village, Virajapet Taluk, Kodagu, passed away at his residence in New York, the United States of America (USA), at 9.30 am (IST) yesterday.

He leaves behind his wife, Chondu Chondamma (Machamada), and sons, Pavan and Ashwin, residents of New York.

Maletira B. Thimmaiah was the author of a book on Kodavas titled, ‘Who are we Kodavas?’ (English) and ‘Navyaaru Kodavaru?’ (Kannada).

The book was released in Mysuru on Nov. 25, 2018 and it traces the origin of Kodavas, their customs, the rich history of more than 5,000 years and how a land of such uniqueness was being systematically ravaged by invaders, modern laws and urbanisation.

A memorial service for Thimmaiah will take place on Tuesday (Nov. 25) in the late afternoon into the early evening at the Matthew Funeral Home in Staten Island, New York.

The cremation will take place on Wednesday morning (Nov. 26) at the Rosehill crematory in         New Jersey.

source: http://www.starofmysore.com / Star of Mysore / Home> News / November 24th, 2025

N.S. Boseraju said the State government is committed to protecting the Kannada language and culture and would extend full cooperation for the construction of the building. | Photo Credit: File photo

Kodagu district in-charge Minister N.S. Boseraju has promised funds for the construction of the Kodagu District Kannada Sahitya Parishat (KSP) building.

Speaking in Madikeri on Saturday (November 22), the Minister said the State government is committed to protecting the Kannada language and culture and would extend full cooperation for the construction of the building.

Mr. Boseraju said he would soon meet Chief Minister Siddaramaiah along with the MLAs of the district and secure grants for the purpose. In addition, efforts will also be made to obtain financial assistance from the Agricultural Produce Market Committee, City Municipal Council, Town Municipal Council, and gram panchayats of the district, he added.

A.S. Ponnanna, Virajpet MLA and patron of the building construction committee, announced a contribution to the building from the MLA Local Area Development Fund, apart from making personal contributions.

Similarly, Dr. Mantar Gowda, MLA from the Madikeri constituency, promised that he will allocate ₹25 lakh from his MLA grants this year and ₹25 lakh next year.

T.P. Ramesh, former president of the Kodagu KSP, spoke at length on the 50 years of KSP’s service in Kodagu. He recalled that 0.6 acres of land were allotted during the tenure of then Chief Minister S. Bangarappa. In 2014, Akhila Bharata Kannada Sahitya Sammelan was conducted in Kodagu and out of the total grants allotted for hosting it, ₹10 lakh was deposited for the construction of the building.

M.P. Keshav, president of the Kodagu KSP, said that after a long wait, the construction of the building in Kodagu is set to commence.

Kodagu Deputy Commissioner Venkataraja, Kodagu Zilla Panchayat CEO Anand Prakash Meena, and other officials were present.

source: http://www.thehindu.com / The Hindu / Home> News> India> Karnataka / by The Hindu Bureau / November 23rd, 2025

The Task is a brisk, well-meant chase thriller, constantly running even when unsure of where it wants to arrive

The Task Movie Review

Director Raghu Shivamogga’s The Task opens like a procedural. An awards-stage interview is shown, that has the anchor (Tanisha Kuppanda) questioning a retired police officer (Achyuth Kumar) and a lawyer (Sangeetha Bhat) about their ‘celebrity status.’ The irony is clear. Those who became popular for serving the public are now remembered more by social media than by society. The film tries to maintain this half-truth, half-theatre tone, with mixed results.

At its core, the story springs from speculation that rose during the post-Covid confusion. Were covert medical experiments conducted on unsuspecting citizens? Raghu builds his narrative around the growing chatter on post-Covid cardiac issues. Instead of a slow-burn investigation, the film often feels like scattered footnotes stitched into a chase thriller.

Director: Raghu Shivamogga

Cast: Raghu Shivamogga, Shree Lakshmi, Jaya Surya R Azad, Sagar Ram, Achyuth Kumar, Sangeetha Bhat

The plot moves like a relay race. Siri (Shrilakshmi Bhat), a Kodagu-based schoolgirl raised by middle-class parents (Gopalkrishna Deshpande and Harini Sundarraj), suddenly becomes the center of unwanted attention. The girl, still in Class 10, believes it carries some strange importance. One side insists she must stay away from Bengaluru, while another demands she be brought there immediately. This tug-of-war forms the story’s moral hinge.

Vishnu (Sagar Ram) and Kanthi (Jaya Surya R Azad) take up the task of bringing Siri (Shree Lakshmi) to the city on instructions from the retired officer. The intervention is sought by the lawyers. They come from a place where idealism survives on borrowed time. Kanthi, an orphan raised by Vishnu’s parents, has seen the inside of jail. Both youngsters are martial arts enthusiasts and social workers who try to do good without documenting it online. Every family sees doctors as gods during a crisis. When those same people turn into a threat, the ground shifts violently. These two young men rise to confront those who exploit the system. Their camaraderie works, but the writing rarely gives them room to breathe, keeping them constantly on the run.

Once the narrative enters Kodagu, the film becomes a non-stop chase, and that is where the cracks appear. Boys run with the girl, villains run after them, police chase the villains, and a corporate doctor (Balaji Manohar) pulls invisible strings. Raghu wants the terrain’s winding roads to mirror the narrative’s twists, but many of these turns feel engineered rather than earned. Some moments land, especially when the film slows and lets fear gather in the silences. Many others feel like detours added merely to sustain tension.

Balaji Manohar exudes cold corporate menace in the film. Achyuth Kumar lends weary moral weight to the retired-cop role. Sangeetha Bhat complements him with quiet resolve. Shree Lakshmi, stays grounded, even while most of her scenes bring with loud emotions and rush. The young actors, Jaya Surya Azad and Ram Sagar, follow the director’s instructions with discipline. Raghu Shivamogga’s own performance as Burmappa, a deranged hunter with a gaze that curdles the frame, slices through the film. A chilling encounter with Siri stands out, raw, uncomfortable, and brutal. In that moment, the actor overtakes the filmmaker in him.

The final reveal about Siri’s kidnapping links the post-Covid medical conspiracy to the film’s social concerns. But the explanation comes too neatly, softening the tension built through the first half. Thrillers must earn their truth. Here, the truth feels narrated rather than uncovered.

Technically, the film moves with confidence. Arjun Raj’s stunt design gives the action its muscle. Pradeep’s cinematography uses Kodagu’s canopy with intent. Judah Sandy’s background score tries to keep the trail alive.

The Task is a brisk, well-meant chase thriller, constantly running even when unsure of where it wants to arrive. Raghu Shivamogga’s ambition is clear, the intent is honest, and the social concern is timely. The real question is this: do films like The Task show us the cracks in society, or do they let us run alongside the story without ever catching up? The film wants to warn, question, and provoke, yet its impact depends on how much the audience chooses to carry home.

source: http://www.cinemaexpress.com / Cinema Express / Home> Reviews / by A Shradhaaaa / November 22nd, 2025