Category Archives: Inspiration / Positive News and Features

Meghalaya in Coorg? How this Delhi couple dreamed it to life

For the Nambiars, this home in the village of Bittangala is a way to get away from pollution, get closer to nature, and savour the sounds of silence.

Meghalaya in Coorg How this Delhi couple dreamed it to life

The village of Bittangala is so far removed from the dust, heat and pollution of Delhi that it can sometimes feel like another planet. When you compare the national capital’s dry, arid plains with the lush hillside on which the Nambiar home perches, the contrast is even greater. “In the mornings, we are very often above the clouds,” says Padmini Nambiar, one half of the cheerful septuagenarian couple to whom this home belongs. The Nambiars have named this home ‘Meghalaya’ for its more constant, less corporeal residents (i.e., the clouds), but the house was built primarily as a second home they could spend time in once they retired. “After living in Delhi for so many years, my husband and I were keen to go to a place with less pollution and more nature,” Padmini says.

Designing Meghalaya in Coorg
Meghalaya was built, perhaps surprisingly, by a Gurgaon-based firm called SAKA Studio. Founded by architect Swanzal Kak Kapoor, the firm believes in design that is “deeply responsive to site context (physical, cultural, and historical), and client needs (both stated and perceived).” The Nambiars’ earthy, charming little home, is the result of these two principles manifesting all the way down in Coorg, halfway up a hill. 

It’s so beautiful, I feel that even if you don’t believe in a god, you start believing in at least a creator.

The 2,500 sq ft structure is built on a level strip on the slope, with views of the valley to the south and west. The living room, three bedrooms and the kitchen are on the lower floor, and an attic space accommodates an additional children’s bedroom and store. The highlight of the home is a deck that wraps around the southern and western sides of the house, giving residents the perfect place from where to take in views of the valley. “It is my husband’s favourite place to be,” Padmini points out. Her favourite place in the house is by the large bay window in the master bedroom. “For me, it’s like a painting. You can see three or four mountain ranges and the view is ever changing,” Padmini says, adding, “and it’s so beautiful, I feel that even if you don’t believe in a god, you start believing in at least a creator.”

Meghalaya in Coorg How this Delhi couple dreamed it to life
Meghalaya in Coorg How this Delhi couple dreamed it to life
Meghalaya in Coorg How this Delhi couple dreamed it to life
Meghalaya in Coorg How this Delhi couple dreamed it to life
Meghalaya in Coorg How this Delhi couple dreamed it to life
Meghalaya in Coorg How this Delhi couple dreamed it to life
Meghalaya in Coorg How this Delhi couple dreamed it to life
Meghalaya in Coorg How this Delhi couple dreamed it to life
Meghalaya in Coorg How this Delhi couple dreamed it to life

Materially too, the house is true to its context and uses local laterite stone, honne and nandi wood, terracotta roof tiles and Sadarahalli granite columns. “There is only one concrete wall in the whole house,” says Padmini, an interior designer by training. 

When the Nambiars are in Meghalaya, they usually just stay home, with outings limited to pottering around on their three-acre property. “It’s so different from our lives in Delhi that we just enjoy being here, in a quiet place,” Padmini says. Sometimes friends and family come to stay with them, as do their children and grandchildren—those times, the silences are replaced by the sounds of cheerful conversations and the children’s excited laughter. 

Is Bittangala for you?
While the village is fairly easily accessible by road, its remoteness means that medical facilities are limited, because of which the Nambiars only come to Bittangala for short visits. The monsoons are beautiful, but can also be harsh and Padmini recounts a particularly heavy one around three years ago that caused a lot of landslides. “And sometimes the clouds actually pass through the house and everything gets cold and wet—the bed sheets and everything!” The Nambiars prefer to spend time here in the months between December and June. “It’s beautiful, and we don’t even need the AC,” Padmini says. 

When they have friends and family over, they make short sightseeing trips to Madikeri, or hop over to the Amritara Ambatty Green Resort where the kids can splash about in the pool, and the grown ups can get in a few rounds of golf at the greens next to the resort. 

For those used to more activity than soaking in Bittangala’s peace and quiet, Coorg offers a number of options in terms of wildlife (Nagarhole National Park and the Pushpagiri Wildlife Sanctuary); nature (the Iruppu and Abbey Falls); innumerable tea, coffee and spice plantations; and surprisingly, white water rafting on the Barapole river.

Meghalaya in Coorg How this Delhi couple dreamed it to life

An almost religious reverence for nature is part of life here, and while the land is fertile enough to grow almost anything, if you plant fruit trees, you can expect frequent run-ins with monkeys (and less frequent ones with elephants). Swanzal advises minimal external lighting in keeping with the local Coorg belief that gardens return to the forest at night. For people looking to build homes in the region, she also advises choosing materials and finishes that are high on visual appeal and very low maintenance. “From the aesthetic point of view, creating a sense of timelessness and repose is extremely important,” she says.

source: http://www.cntraveller.in / Conde Nast Traveller / Home> People & Culture/ by Divya Mishra / Photography Justin Sebastian / September 02nd, 2022

Kodagu women to pad up for ‘first of a kind’ cricket tournament

The women’s cricket tournament will be organized on September 24 at Chettalli High School Grounds.

Ready for the match: Some members of the Chettalli Ours Club.

Madikeri :

‘Kail Podh’ festival in Kodagu is synonymous with a sports fest in the district. Following the ritualistic observation of the festival on September 3, numerous sports tournaments unfurl and enthrall sports enthusiasts. This year, in the first of its kind attempt, a cricket league will be hosted as part of the festivities and is being organized exclusively for women.

‘Ours Club’ – a women’s club established in Chettalli of Madikeri taluk – has taken the initiative of organizing a women’s cricket tournament that has already recorded enthusiastic registrations.

“The club was established in 2010 with 13 members and we have been hosting small sports tournaments for women since then. However, a casual discussion this time ended up becoming a big plan with the instant support received from the club office bearers and members,” explained Shoba Chengappa, the founding president of the club.

She explained that she discussed her plan of organizing cricket with all the women enthusiasts in the district and the club was open to her suggestion.

The club has a total of 64 women members and each one has made personal donations and the women’s cricket tournament will be organized on September 24 at Chettalli High School Grounds.

“Once we finalized the plan, we invited several other women’s clubs and a total of 16 teams have registered for the tourney. There are more who want to join but we have restricted the numbers this time as this is the first year,” she added.

However, once the tournament takes a successful start, the members are open to organizing the event annually. “Once this is successful, we plan to host the tournament in a bigger manner and it will likely be held for two to three days,” she said.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Karnataka / by Prajna GR, Express News Service / August 30th, 2022

Kodava Clan’s Attempt To Set A World Record

Largest ever Family reunion in Virajpet on Dec. 24, 2022

Kodava Clan is hoping to establish a World Record by organising the largest ever Family reunion in Virajpet on Dec. 24, 2022 with more than 10,000 Kodavas inter-related to each other meeting at one location. This will be the first-of-its-kind attempt across the world to beat the existing world record of 4,514 people/family members meeting in France documented in the Guinness Book of World Records.

Kodava Clan, the company organising this event, is the first ever, one-of-its-kind interactive, crowd sourced virtual museum that has created the largest online family tree of the Kodava community or going back at least 15-16 generations in some cases and recognised by the Indian Book of Records.

Founded by Gummattira Kishoo Uthappa, the portal is the first online museum cataloguing data, statistics, history, culture and festivals, heritage, language of the Kodavas dating back from the 16th Century.

The Kodavas are a small but illustrious community that has contributed to the Indian Armed Forces, Government, Judiciary, Sports, Medical profession and many more across India and the world. The justification for this can be seen on the portal www.kodavaclan.com.

Kodava Clan is also a social networking site for the Kodava community to find or establish their familial association with other Kodavas, irrespective of the generation he/she maybe a part of, from any part of the world. Founder Kishoo states, “This is possible only due to the extensive research undertaken by our dedicated team in the last 5 years which includes collecting and verifying data from almost 750 Okkas we connected with.

Kodavas are proud of their culture and that is clearly exhibited in the information shared in the heritage section of the portal. The heritage section is a virtual museum with 10 categories, with over 2,500 articles in all, with achievers across sectors, Ainmanes or traditional family homes, cuisines, eminent people from the community, entrepreneurs, festival and customs, flora and fauna, history, Kodava Thakk (Kodava dialect), sports, statistics and tourism.

The Section is a ready reckoner for those requiring information on its history, unique traditional customs and rituals. Recognising the huge value in cataloguing its rich and unique heritage, scores of families have given contributions of articles, information and rare photographs to this site.

Kodava Clan has exciting and dynamic future plans for this virtual portal to make it more interactive and dynamic portal to keep any one engaged on the portal for any of his interest as it has covered the subjects of every walk of life.

As its community grows, Kodava Clan has also included an advertising feature to promote business houses and make it self-sustainable for the portal in the days to come.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / August 26th, 2022

Kodagu women success story of empowerment started nursery support of this central government scheme

Kodagu:

It is said that we can achieve anything if we have determination and nothing can hinder our growth. You don’t have to go somewhere, you don’t have to study a degree to achieve such an achievement. No need for money. Even so, the women of Makkandur village of Kodagu district have shown that success story can be done! Not only that. The CEO of Kodagu Zilla Panchayat has also made a fuss. This is the story of rural women who never dreamed of promotion (Kodagu Success Story) who suddenly became famous!

Holy Women Shakti Sangh

Yes, the women who were home, doing their house work, garden work had formed the Holy Women Shakti Sangh a few years ago. Leelavati, who was a member of the same association, was selected as the agricultural sakhi of Makkandur Sanjeevini Union.

In-workshop training

Under the Mahatma Gandhi National Employment Guarantee Scheme, a training workshop was given to the selected G.P. Sanjeevini Unions in Watekadu Ilakha Planta Kshetra Social Forest Zone of Hoddur G.P. in collaboration with Horticulture and Forestry Department. Makkandur Sanjeevini Union’s Krishi Sakhi Leelavati also participated in the workshop. Practically got information about making nursery.

Nursery Planning

Later, a group of nature producers was formed by Makkandur Gram Panchayat. A total of 12 members, including 8 members from Pavitra Stri Shakti Sangha and 4 members from other Sangha, proceeded to the nursery work.

Appreciation for women’s achievements

Thus the central government’s NRML scheme to promote women’s empowerment and economic empowerment is progressing successfully in Kodagu. G.P.M.CEO Bhamwar Singh Meena, who personally visited the place, expressed his appreciation for the women’s achievements. He promised to provide all kinds of cooperation and stood in support of the development of the first nursery in the district.

Lilavati of Pavitra Streeshakti Sangh contact number: 9483242533

Variety Plant Nursery
Nut, 3 types of coffee, kachampuli, lemon, butter fruit and black pepper plants have been planted in the nursery. There are already about 15 thousand plants and in the near future there is a plan to make a nursery for cardamom and various fruit plants.

A good plant

In addition, Leelavati’s half acre land was taken on lease through a group of producers and a nursery was made in that place. Plant nutrition is done by mixing good quality soil, sand, organic manure, sowing seeds of good variety, planting vines, providing water, spraying medicine.

70 thousand spent so far

In the beginning, the women paid for the facilities of the nursery at their own expense, and recently an installment of money has come. 70 thousand has been spent so far including salary.

Everyone has cooperated in this work of women and they are eager to develop the nursery further. Soon Makkandur Gram Panchayat is ready to sell plants at a discount price.
The women in the group will also be paid by the government.

The road to self-reliance

All the members are actively involved in the work activities and contribute to the achievement of the association. The Sanjeevini Union was started in order to show the path of self-reliance to the women of the village, and the women of Makkandur village have benefited from it.

Necessary loan facility is also available from the association. Rural women have shown that if you put your mind to it, you can achieve anything. This is the first nursery in Kodagu district and recognized at the state level as well. Apart from benefiting from the central government scheme, she is also a role model for other women.

Report: Stanley. D. give

source: http://www.irishivideo.com / I V News / Home> Latest News & Updates>Technology / by Stanley D / August 25th, 2022

Karnataka’s Ankita, kicking high with karate

It is no secret that India is a cricket-crazy nation and it won’t be an exaggeration to say that life comes to a standstill when the Men in Blue are out on the field.

 Ankita with her coach Shihan Keerti.
Ankita with her coach Shihan Keerti.

Madikeri :

It is no secret that India is a cricket-crazy nation and it won’t be an exaggeration to say that life comes to a standstill when the Men in Blue are out on the field. But there are other sportspersons, too, who are trying to carve out a niche for themselves. India’s success in the recent Commonwealth Games at Birmingham when the Indian Tricolour was hoisted scores of times in less-popular sports is a testimony to this.

Opting for such sport is Ankita BT from Madikeri, who is kicking high with karate. Already a junior black belt holder, this 21-year-old has bigger dreams, not just for her, but for the entire nation. Her tryst with karate began as a nine-year-old. “Karate always seemed challenging and I started training,” she recalls. She says there were not many takers for karate among girls and felt the need to break the stereotype.

Ankita, who has been training at Phoenix Academy India in Bengaluru, made her debut at the national championship when she was in Class 8 and craved to achieve more. Since then, she has participated in the All-Indian Independence Cup in 2015, Bangalore Open Karate Championship in 2016, All-India Independence Cup in Goa in in 2016, All-Independence Cup, All-Indian Sports Extravaganza VIE  in 2017, Intercollegiate Karate Championship in 2017, KAI Nationals, Indian Seiko Kai Karate Championship and more. She has won several gold and silver medals in many of these competitions.

“Karate is recognised by the International Olympic Committee, but not by the Indian Olympic Association. Though the Karate India Organisation supports athletes to take part in the World Championships and other Asian Championships that help us attain the World Karate Federation ranking, it does not fund the players. Expenses are covered only for the Olympics and Asian Games and we have to spend our own money to take part in other international events,” she adds. A South zone and a state medallist, she is also the vice-chairperson of Women’s Sports Commission of Akhila Karnataka Sports Karate Association.

She is now in Thailand participating in the Open Karate-Do Championship that started from August 19. “I have been training regularly and my ambition is to take part in more challenging championships. I also look forward to participating in the Karate 1 Series A at Kocaeli in Turkey and Karate 1 Series A Jakarta Indonesia Championships in September,” she says.

But sourcing funds has been the biggest challenge and seeks support from the state and sponsors to achieve her goal of representing India and Karnataka at these championships. She says she wants to educate girls on the need for self-defence and motivate more women to join the sport.

source: http://www.newindianexpress.com / The New Indian Express / Home> Good News / by Prajna GR, Express News Service / August 21st, 2022

Know why Field Marshal KM Cariappa said during the 1965 war not to return my prisoner of war son!

KM Cariappa was the first Field Marshal of the Indian Army in independent India who was made the Chief of Army Staff on 15 January 1949. He started his job with the appointment of a Second Lieutenant in the Rajput Regiment of the Indian-British Army. Along with being the first army chief, Cariappa was the first five star rank officer of the Indian Army. KM Cariappa served the country by serving in the army for 30 years and retired in 1953. But it was not at all that after retirement he stopped his service. Even after retiring, he continued to contribute to the army in one form or the other. On 15 May 1993, KM Cariappa merged with the Panchatattvas.

There is a very popular story about KM Cariappa when he told Pakistan not to release his son and treat him like other prisoners of war. But why did he say this, let us know. The talk is about the 1965 war when it was the last day of the Indo-Pak war. On this day Squadron Leaders KC Cariappa, AS Sehgal and Kukke Suresh were given orders to bomb Pakistani positions. But in the first round of bombing, Pakistani soldiers attacked the aircraft of AS Sehdal with anti-aircraft guns. Although AS Sehgal survived the attack, he had to go back to the base camp.

After his departure, KC Cariappa and Kukke remained in the field and were busy destroying the positions of their enemies. But in the meantime Cariappa’s plane became a victim of continuous Pakistani bullets. Cariappa’s plane got damaged and landed like a ball of fire in Indian territory but Cariappa’s body fell on Pakistan side. After falling, Pakistani soldiers surrounded him and took him into custody. When KC Cariappa was caught, he was asked if he was a relative of KM Cariappa, he told the Pakistanis only his name and rank.

As soon as the President of Pakistan Ayub Khan came to know that KM Cariappa’s son had been taken into custody by Pakistan, he immediately made an announcement over the radio that KM Cariappa’s son had been taken into custody. He conveyed information to KM Cariappa through the Pakistani High Commissioner in India that his son could be released if he wanted, but KM Cariappa, a firm believer in his principles, refused. He said that KC Cariappa is not only his son but the whole country, so he should also be treated like other prisoners of war, but if he wants to leave then other prisoners of war will also have to be released. Other prisoners of war are also like my sons. KC Cariappa remained in the custody of Pakistan for several days and was later released along with other prisoners.

source: http://www.newsdayexpress.com / Newsday Express / Home> Career / by Bhagyashree / August 17th, 2022

Entries Invited For Kodava Samaja Scholarship And Felicitation

Kail-Poldh get-together on Sept. 11

Mysore/Mysuru:

The Annual Kail-Poldh Festival get-together will be held on Sept. 11 (Sunday) from 9 am to 5 pm at Kodava Samaja premises in Vijayanagar 1st Stage here.

The day-long programme comprises Ayudha Puja, Sports and Games, Lucky Dip, Honouring eminent Kodavas and distribution of Scholarship to meritorious children.  In all, 42 scholarships will be awarded to Kodava students who have studied in Mysuru and passed the respective exams.

Details of Scholarship:

Highest scorers in final exam of 7th Std., SSLC (English), SSLC (CBSE), SSLC (Economically Weaker Section), PUC, BA, B.Com., B.Sc. (Computer Science/Maths), BBM, MBA, Law, MA, M.Com., M.Sc., (PCM/CBZ); BE, BE (Mech), BE (Arch), BE (Computer Science), BDS, MBBS, B.Sc./M.Sc. (Ag.), Diploma in Commercial (Secretarial) Practice,
Best sports students in PUC; CBSE XI & XII and ICSE I & II; SSLC (CBSE)

Highest marks in Science; PG in Medicine, MD or MS;

Achievers in Sports at State-level, Graduation in Home Science or Hotel Management; Highest marks in SSLC for Kodava Police Family, Sportsperson in Kodava Police Family representing University of Mysore, must be Kodava Samaja Members.

Applications for the award of Scholarship and Honouring of eminent Kodava Members of Samaja for their achievements in various fields should be sent to  Hon. Secretary, Kodava Samaja, Mysuru, to reach before Sept. 2 by 5 pm along with Xerox copies of relevant marks card, certificates, family name and contact phone/mobile number.

source: http://www.starofmysore.com / Star of Mysore / Home> News / August 17th, 2022

Saving Kodava takkë

A new bilingual title of 21 poems deep-dives into the culture and literature of Coorg, hoping to become a tool to revive their language after UNESCO listed it as a Definitely Endangered Language.

Saving Kodava takkë
Duditaptkaras, bards of Kodagu, singing traditional songs of the land

“Come and see the ainmanes of old where our ancestors lived as one.”

This line is extracted from Ainmane, a poem in A Place Apart: Poems from Kodagu, by Bacharanianda P Appanna, is dedicated to one’s ancestral home and sums up the core of this seminal literary project. For the first time, poetry by this authority on Kodava takkë (language of the Kodavas) has been translated and transliterated into English by cultural researcher Kaveri Ponnnapa. Apart from home, family, culture and tradition, forest and prayer are the other subjects from everyday life that find their way here.  

The language spoken by an estimated 1.25 lakh Kodavas, it was listed by UNESCO as a Definitely Endangered Language. With her studied knowledge, Ponnapa swung into action to resurrect the language of her community. She collaborated with Appanna and his wife Ranu, an educator and poet, and together they released this ode.
In the transliterations that appear in the third section of the book, Ponnapa uses the Roman script to relay Appanna’s poetry and creates an exhaustive glossary, thereby paving the way to familiarise it to the larger audience. This was after she realised that it was easy to read for Kodava speakers like her and those with limited or no knowledge of the Kannada script. The accompanying illustrations by Rupesh Nanaiah act as cultural markers of identity and though they are not directly illustrative, the essence of what it means to be Kodava reflects through this seamless symphony of poetry and art, making each poem read like a love letter about the land and its people.

Edited excerpts from an interview with Ponnapa.

What led to Kodava takkë being identified as one of UNESCO’s listed Definitely Endangered Languages of the world? 
There are multiple, complex reasons why our language finds itself in this position today, including the lack of good educational facilities and economic opportunities for Kodagu [Coorg], its people. The young continue to migrate out of the district. When this happens, there are far greater pressures for them to learn and use a dominant language such as English to secure their place in a new environment. Historically, the Kodava population has been extremely small. This kind of migration for an already small population implies that ultimately, we have an even smaller number of speakers.

The second contributing factor is that ours was an oral tradition. The historical method of oral transmission broke down to be replaced with formal education using the Kannada script, which was then also used to write Kodava takkë. It has limited the expansion of the language to those with access to a Kannada education. The diaspora in particular, who do not have the opportunity to learn Kannada, have no access to written works in their language which would enrich and expand their knowledge of Kodava takkë and encourage them to keep up with their mother tongue.

A woman carrying poliya, a basket of assorted food items which seals a new relationship between two clans at a marriage ceremony; (right) Stag horn dance of Kodagu. Hunting, a sacred activity, was once an integral part of life. These dances exist to this day. Pics courtesy/Kaveri Ponnapa

A woman carrying poliya, a basket of assorted food items which seals a new relationship between two clans at a marriage ceremony; (right) Stag horn dance of Kodagu. Hunting, a sacred activity, was once an integral part of life. These dances exist to this day. Pics courtesy/Kaveri Ponnapa

What did you discover while working on the project?
I was deeply struck by how the language ideally expressed our specific experiences as a people, and like so many aspects of our culture, was embedded in the landscape, which we hold sacred. Appanna was born and lived in Kodagu when it was still an independent state, when our cultural identity was more strongly defined. His understanding and knowledge of the Kodava language, culture and landscape makes him an invaluable repository of our heritage, a great deal of which has passed into history, but needs to be documented for our future.

Since we were dealing with poetry and song—the traditional ways in which all our cultural knowledge was transmitted across generations—it was fascinating to explore the rhythms of unfamiliar poetic expressions spun out of familiar words, which, in the simplest of ways, became capable of expressing a great deal of meaning and emotion.

Ross Perlin of the Endangered Languages Alliance, had observed: “It’s hard to maintain the full richness, depth and complexity of a culture without its languages.” This depth and richness was revealed while writing the book.

All of Bacharanianda P Appanna’s writing projects are collaborative efforts with his wife Ranu Appanna

All of Bacharanianda P Appanna’s writing projects are collaborative efforts with his wife Ranu Appanna

How did you overcome challenges of translations and transliterations?
The use of the Kannada script for Kodava takkë comes with a series of compromises and challenges, reflected in a loss of linguistic nuance, loss of vocabulary as well as distinct changes in pronunciation and speech for the Kodava language. 

While transcribing the words of the poems, many of them sounded different from the original. People habituated to viewing Kodava takkë through the lens of Kannada find it difficult to make a shift, and are content to stay with inaccurate renderings, until the nature of the language itself changes. It took repeated readings, clarifications, and consultations with the Appannas, as well as other native speakers and elders before setting anything down on paper.

Creating audio recordings—which will soon be accessible on my website—was another important way to access the linguistic sounds and rhythms that are lost when written in a script that cannot encompass many of its sounds.

Kaveri Ponnapa
Kaveri Ponnapa

How can Kodava takkë stay alive?
One of the ways is to provide a more universally accessible script that is available to the greatest number of speakers. This is where Romanisation comes in. The idea of the transliteration came from my personal experience of being part of the diaspora, and despite being a fluent speaker, having no means to enter into the written works in my language to be able to expand my cultural and linguistic knowledge.

To order a copy : www.coorg.com

source: http://www.mid-day.com / mid-day / Home> Sunday Mid-Day News / by Fiona Fernandez, Mumbai / May 22nd, 2022

‘Amara Sullia Uprising’: 20 years before Sepoy Mutiny, coastal Karnataka revolted against British

Amara Sullia Uprising: 20 years before Sepoy Mutiny, coastal Karnataka revolted against British
The troops and peasants controlled the Amara Sullia region, Puttur, Bantwal and Mangaluru for nearly 13 days. (Photo credit: Twitter/ @girishalva)

Historians say the foundation for the Amara Sullia Uprising was laid in the early 1830s.

Highlights

  • In 1834, Chikka Veera Rajendra of the Haleri dynasty, the king of Kodagu, was deposed by the British
  • After capturing the entire Mangalore city, the British Union Jack was lowered and the rebel flag was hoisted
  • Many are unaware of Coastal Karnataka’s role in the fight against the British: Dayananda Kathalsar

Bengaluru:

In 1837, 20 years before the 1857 Sepoy Mutiny – the First War of Indian Independence – and nearly a hundred years prior to the Civil Disobedience Movement, the people of coastal Karnataka and Kodagu led an armed rebellion against the British and were successful in holding the port city of Mangalore (now Mangaluru) and other regions for nearly 13 days before the rebellion was crushed.

Dr Peter Wilson Prabhakar, a renowned historian from Dakshina Kannada, who narrated the timeline of events of the Amara Sullia Uprising to News9 opines that the foundation for the uprising against the British was built in the early 1830s.

In 1834, Kodagu king Chikka Veera Rajendra of the Haleri dynasty was deposed by the British leading to an immediate revolt in the region. (The British controlled Dakshina Kannada – South Canara – after Tipu Sultan’s death in 1799, while Kodagu was an independent state until 1834).

Swamy Aparampara started the revolt in Kodagu along with Hulikaadida (the one who killed a tiger) Nanjayya. But within two weeks, Aparampara was arrested in Manjarabad and hanged.

Another revolt led by Kalyanaswamy in 1835, who claimed to be a descendant of the former king of Kodagu, was crushed by the British. He was imprisoned and hanged to death in 1836.

This is when soldiers, who belonged to the army of Chikka Veera Rajendra, chose one among them named Putta Basappa and presented him as Kalyanaswamy to the people. They needed a figurehead as the real Kalyanaswamy was dead.

The soldiers trained Putta Basappa at a hill in Kodagu and presented him to the public as Kalyanaswamy.

Varying reasons for rebellion in South Canara-Kodagu

While the invasion of Kodagu resulted in a rebellion in the region, for the people of Sullia and Puttur in Dakshina Kannada the administration and revenue changes made by the British lit the fire.

“Earlier the Amara Sullia and Puttur Magane (revenue divisions) were under the control of the king of Kodagu. In 1834, it was separated from Kodagu and added into the Canara district,” Prabhakar told News9.

Earlier, in 1830-31, the British had made a major change to tax collection.

“Up to the 1830s, the revenue tax was in kind (payment in the form of goods like pepper etc). But in 1830-31, the people were asked to pay tax in cash and not in kind,” the historian said.

The high tax was a burden on the people, which sparked agitation.

“Separation of Sullia and Puttur from Kodagu, high taxes and payment in cash instead of kind, were the main reasons,” he added.

Before the rebellion in Kodagu in 1834, due to the imposition of these high taxes and change in the revenue system, there was a rebellion in South Canara.

It was popularly called “Koots” – meaning a group – rebellion. Almost the present Kasaragod, Dakshina Kannada and Udupi revolted against the British in 1830-31.

“While the Civil Disobedience Movement by Mahatma Gandhiji began in 1930, a hundred years before in South Canara, the no tax movement was started,” Prabhakar said.

1837 – The Amara Sullia Dange (Uprising)

In 1837, when the soldiers of Chikka Veera Rajendra, led by Kalyanaswamy (Putta Basappa) along with the people of Kodagu started moving towards Sullia. They travelled through the Bisle Ghat and not through the present route of Sampaje.

Through the ghats, the troops first entered Bellare and destroyed the British Treasury in Bangle Gudde.

The British Treasury in Bellare. (Photo credit: Anindith Gowda Kochi Baarike through a special arrangement)
The British Treasury in Bellare. (Photo credit: Anindith Gowda Kochi Baarike through a special arrangement)

After that, the troops were divided into three divisions. One was sent to Dharmasthala and Uppinangady. Another was sent to Kasaragod and Kumble.

The third division was sent to Puttur, through Bellare and Kumbra.

The first battle between the troops of Kalyanaswamy and the British took place on March 30, 1837, on the outskirts of Puttur.

The British were defeated. Those who survived retreated to Mangalore (presently known as Mangaluru) – it was where the British Collector was seated.

On March 31, the British Treasury in Puttur and the entire city were under the control of the peasants and soldiers led by Kalyanaswamy.

On April 5, the troops, who had gained military aid from the kings of Vittla and Belthangady, entered the port city of Mangalore and started capturing the city.

At the time the district headquarters of the British was located at the present-day Balmatta. After destroying the British buildings and plundering the district treasury, the entire Mangalore city area was captured.

The troops controlled the Amara Sullia region, Puttur, Bantwal and Mangalore for nearly 13 days. The British Union Jack was lowered and the rebel flag was hoisted in Bavuta Gudde – the hill with the flag – in Mangaluru.

This is also noted in the Dakshina Kannada District Gazetteer. Many believe the flag to be of the Haleri dynasty since the troops belonged to the Kodagu king Chikka Veera Rajendra.

Rebellion crushed by the British

The rebellion angered the British, who brought in reinforcements from Bombay and Madras Presidency.

The British then crushed the rebellion led by Kalyanaswamy and the peasants of the Amara Sullia and the surrounding regions. The movement was labelled by the British as the loot of Kalyanappa – Kalyanappana Katakayi – to lower its significance in the region.

“Kalyanaswamy, Beeranna Banta, Guddemane Appayya and Laxmappa Banga Arasa – the king of Nadavara – were hanged to death in present-day Bikarnakatte in Mangaluru,” historian Prabhakar said.

The others, who were captured, were deported to Singapore and other islands.

Anindith Gowda Kochi Baarike, who has authored the book on the uprising titled Recalling Amara Sulya that will be published soon, told News9 that not many know that in May-July 1837, a court marshall took place and the people who led the uprising were charged with treason.

“It was not a mutiny. It was a mass movement led by the people of the region,” he added.

Rich history forgotten

Many are unaware of the rich history of coastal Karnataka and its role in the fight against the British, says Dayananda Kathalsar, the president of the Karnataka Tulu Sahitya Academy.

“All the youth should love their mother tongue. Tulu, the ancient Dravidian language spoken by people in coastal Karnataka, should be included in the 8th schedule of the Constitution of India,” Kathalsar told News9.

Now, a ‘youth revolution’ for the Tulu language, Kathalsar added, is underway in Mangaluru.

“Nearly 25,000 people in Mangaluru have learned Tulu and its script after a ‘revolutionary’ effort by youth of the region,” he added.

“This shows that when the youth are led in the right directions, the impossible can be achieved.”

Kochi Baarike, the author of Recalling Amara Sulya, said that several areas in present coastal Karnataka could be called the “cradle of the Indian freedom movement”.

“Despite a mass movement, they were charged with treason. And till we got independence in 1947 – 110 years after the uprising – there was no avenue to discuss this,” Kochi Baarike said.

“The least we could do now is document what happened,” he added.

(Note: The timeline of the events of the Amara Sullia Uprising has been reported in this feature as narrated by historian Peter Wilson Prabhakar)

source: http://www.news9live.com / News Nine / Home> State> Karnataka / by Prajwal D’Souza / August 14th, 2022

Rudresh Mahanthappa’s Hero Trio Will Make NYC Debut In August

Saxophonist Rudresh Mahanthappa’s Hero Trio will make their NYC Debut this August to celebrate Charlie Parker’s Birthday at Smoke Jazz.

Located at the junction of 106th and Broadway (aka Duke Ellington Boulevard), Smoke Jazz Club is one of New York City’s premier live music venues. Renowned for offering top-notch programming of accessible, timeless jazz featuring legendary performers, modern masters, and rising stars, Smoke stands apart with its candlelit dining room, stellar acoustics, and classic American cuisine.

Rudresh Mahanthappa’s Hero Trio also includes bassist Harish Raghavan and drummer Rudy Royston. Their performance will set on Thursday and Sunday at 7 and 9 p.m., and on Friday and Saturday at 7, 9 and 10:30 p.m.

Hero Trio earned high praise for its eclectic 2020 self-titled debut and the 2022 follow-up Animal Crossing.  Animal Crossing is a digital-only EP featuring four new songs, each an unlikely addition to the canon of jazz standards which is also the titular theme from the wildly popular video game.

At Smoke, Mahanthappa will explore Parker’s compositions, classic standards, and modern covers with the Raghavan and Royston. “The idea behind Hero Trio was to turn the idea of playing a set of standards on its ear and freshen up the idea,” the saxophonist explains.

Rudresh Mahanthappa is widely known as one of the premier voices in jazz of the 21st century as well known for his exellent alto saxphone performances. He has been recognized by multiple jazz magazines including DownBeat Magazine, Jazz Journalists’ Association,and  JazzTimes Magazine. He has also received the Guggenheim Fellowship and the Doris Duke Performing Artist Award, and is currently the Anthony H. P. Lee ’79 Director of Jazz at Princeton University.

For information visit https://www.smokejazz.com/calendar/.

source: http://www.nysmusic.com / NYS Music / Home> Blues-Jazz> NYC Metro> Upcoming Shows / by Savanna Tong / August 07th, 2022