Category Archives: Famous Personalities of Kodagu / Coorg

Exclusive | ‘Reaching World No 1 was special’: Indian tennis icon Rohan Bopanna reflects on incredible journey

Indian tennis legend Rohan Bopanna reflects on his journey in the sport from a late start in Coorg to Grand Slam success and becoming World No.1 in doubles at the age of 43.

Rohan Bopanna officially retired from tennis in November 2025 at the age of 45. Image: Reuters

In an interview with ATP Tour last year after his retirement announcement, Rohan Bopanna had this to say when asked about his career – “I think my career is a story of patience, discipline and self-belief.”

He wasn’t exaggerating. Ask any sports psychologist worth his or her salt and they will tell you that Rohan Bopanna’s tennis career can be a case study in those three simple and yet absolutely invaluable qualities – patience, discipline and self-belief. After all, he went from almost quitting the sport in 2021 to enjoying the best phase of his career in which he won the Australian Open men’s doubles title in 2024 and became the oldest man to climb to the very pinnacle of the ATP doubles rankings.

With Bopanna bringing the curtain down on his tennis career last year, Indian tennis bid adieu to the last of the “Fab-Four” who conquered the Grand Slams. A look back at his incredible journey in which he truly peaked past the age of 35 and continued to play at the highest level despite “no cartilage” in his knees due to “severe long-term wear and tear”, makes for fascinating reading.

The tennis journey, for Rohan, began later than most others who take up the sport professionally. Studies have shown that most tennis pros pick up the sport between the ages of four and seven. Rohan was 11 when he started playing tennis – an age when most of his peers were already mastering tactical and technical skills. Most coaches will tell you that it is very, very difficult for someone to start playing tennis at 11 and then go on to become a professional player on the Tour. It takes significant talent, training, investment and also mental toughness. In his case it was the challenges that drove him to excel.

“I started playing tennis relatively late at age 11, though sports were always central to my life in Coorg. Initially driven by curiosity and competition, I quickly fell in love with the individual challenge of being on court and figuring things out on my own,” Bopanna told Firstpost in an exclusive interview.

Rohan Bopanna won the Australian Open men’s doubles title in 2024 at the age of 44. Image: Reuters

Bopanna on forming Indo-Pak Express with Aisam 

Bopanna was born and grew up in picturesque Coorg. Dubbed “the Scotland of India”, Coorg is of course famous for its coffee plantations, moss-covered hills and stunning Western Ghats landscapes. What it is not known for are tennis academies. His father played a pivotal role in helping him pursue his passion, including building a tennis court on their coffee plantation estate in Coorg. That gave him the wings he needed to fly. He moved to an academy in Pune when he was 14 and had to go through quite the grind. Though he turned professional in 2003 and played both singles and doubles (reached a world ranking of 213 in singles in 2007), it wasn’t until 2010 that he really understood the path he needed to exclusively follow – the path of the doubles game. In 2010 Bopanna reached the final of the US Open men’s doubles with Aisam-ul-Haq Qureshi, the other half of the famous “Indo-Pak Express”. And that was what convinced Bopanna that he needed to focus on the doubles game.

“Reaching the 2010 US Open final with Aisam was a major turning point. It gave me the clarity that I could compete consistently at the highest level in doubles. I decided to commit fully to the format to maximize my strengths,” Bopanna further told Firstpost.

The Indo-Pak Express followed up that US Open success with the 2011 Paris Masters title. The duo in fact, went on to win titles on all three surfaces (grass, clay and hard) and the list includes the 2011 Stockholm Open, the 2011 Halle Open, the 2010 South Africa Tennis Open, and the 2014 Dubai Tennis Championships. Bopanna and Aisam subsequently also reunited in 2021 after a seven-year split. Overall, across doubles and mixed doubles (in which he won the 2017 French Open title) the list of Bopanna’s tennis partners makes for very impressive reading. It includes Mahesh Bhupathi (played with him in the 2012 London Olympics), Leander Paes (played with him in the 2016 Rio Olympics), Divij Sharan (won the 2018 Asian Games men’s doubles gold medal with him), Edouard Roger-Vasselin (reached the 2013 Wimbledon semi-finals with him), Matthew Ebden (won the 2024 Australian Open with him), Aisam, along with Ivan Dodig, Denis Shapovalov, Pablo Cuevas, Florin Mergea, and N Sriram Balaji. In the mixed doubles he played alongside the likes of Gabriela Dabrowski (won the 2017 French Open title with her), Sania Mirza (reached the 2023 Australian Open final and the semi-finals of the 2016 Rio Olympics), Timea Babos (reached the 2018 Australian Open final) and Rutuja Bhosale (won the 2022 Asian Games mixed doubles gold medal with her).

Aisam-Ul-Haq Qureshi of Pakistan and a young Rohan Bopanna celebrate a win in 2011. Image: Reuters

“I shared a natural chemistry with Mahesh Bhupathi and Aisam-ul-Haq Qureshi that translated into great results. In mixed doubles, playing with Sania Mirza was special because our deep friendship built a foundation of trust on the big stages,” Bopanna further shared with Firstpost.

Notably, Rohan and Aisam launched the “Stop War, Start Tennis” peace campaign and were conferred with the 2010 Arthur Ashe Humanitarian of the Year award for promoting peace through tennis.

When Bopanna came close to quitting tennis

Like any other professional sports career, Bopanna’s too, saw some real dark lows. He came very close to quitting the sport twice – once in 2019 and then again in 2021. The first was after he discovered that he had “no cartilage” left in his knees, which of course severely affected his mobility and left him in a lot of pain. Bopanna in fact has gone on record in the past to say that he was having two to three painkillers a day. What really helped was Iyengar yoga – something he began practising during the Covid pandemic, doing one and half hour sessions, four times a week. The second really low phase was when he just wasn’t managing to win matches post Covid. The “hard quarantine” he was under in Melbourne was beginning to take its toll. After the Covid lockdowns were lifted and he went back to pro tennis, Bopanna lost his opening seven tour-level matches, going five months without a win. The then 41-year-old seriously contemplated retirement at the time. It is famously documented how a conversation with his wife, Supriya, who asked him to treat this as “a new challenge rather than a limitation” made him change his mind. What followed was the best phase of his career. It was then that Bopanna, as he told ATPTour.com- “started playing my best tennis.”

“Tennis has made me mentally resilient, teaching me to stay grounded through both success and failure. Beyond the court, I am grateful for the global community I’ve built; I have friends in nearly 50 countries who offer a perspective on the world that goes far beyond the tour,” Bopanna further told Firstpost.

Anyone who has tracked Bopanna’s career will, of course, be curious to know just how it felt to have that incredible second wind, where he found himself as the oldest first-time world number one in men’s doubles, at 43 – something that he ensured for himself when he and Ebden beat Argentina’s Maximo Gonzalez and Andres Molteni in straight sets at the 2024 Australian Open. So, what did that mean to him? I had to ask him that.

“Reaching World No. 1 was special because it represented longevity and the belief that age is not a limitation if you take care of your body and stay hungry for success,” was Rohan’s answer – something that can well be a mantra for youngsters who are just picking up the sport.

Of course, Bopanna and Ebden didn’t just stop there – they went on to win the whole thing, beating Simone Bolelli and Andrea Vavassori in the final. He was 43 years, 10 months, and 24 days old. This was a significant achievement for Bopanna, who in 17 previous appearances at the Australian Open had never progressed beyond the third round in the men’s doubles draw. It was also yet another indicator of just how successful the late blooming phase, if one can call it that, was for one of Indian tennis’ biggest legends. The cherry on the cake (though technically the announcement was made one day before the final) was Bops being conferred with India’s fourth-highest civilian honour – the Padma Shri. He had come a long way from deciding to focus on the doubles game in 2010. A few smart decisions yielded great returns in ensuring that he continued to remain a force to be reckoned with well into his 40s.

“The 2010 US Open gave me the initial belief. The second turning point came much later when I invested in a full-time physio. Prioritizing recovery and smarter scheduling allowed me to extend my career and play my best tennis into my 40s,” Bopanna further told Firstpost.

Bopanna reveals his sweetest victory

Apart from his achievements on the Tour, Bopanna has served Indian tennis diligently over many, many years. Apart from winning two Asian Games gold medals – one each in the men’s doubles and mixed doubles – he has represented the country in three editions of the Olympics (2012, 2016, 2024) and also played Davis Cup for India over two decades – from 2002 to 2023, collecting the Arjuna Award (2018) and of course the Padma Shri (2024).

So, I asked him – “You have two Grand Slam titles under your belt, but you also have two Asian Games gold medals and won multiple Davis Cup matches. Looking back at your career, if you had to pick the sweetest victory of them all, which one would it be?”

This is Bopanna, who famously told the chair umpire that a ball that had been ruled out when struck by his opponents in a crucial phase of the final of the 2023 US Open men’s doubles had actually touched his elbow. No one saw that happen and the point had already been awarded to Bopanna and Ebden. So, I was of course expecting an honest answer.

“The Australian Open title is a career highlight as the culmination of years of effort. However, representing India in the Davis Cup or Asian Games always carries a unique emotional value,” the two-time Grand Slam champion said.

Bopanna and Australia’s Matthew Ebden celebrate the men’s doubles final win at Australian Open. Image: Reuters

Post retirement, Bopanna’s biggest focus now is to help Indian tennis as best as possible. The Rohan Bopanna tennis academy is doing some great work, targeting structured coaching pathways for youngsters that fuels holistic development and high-performance training and mentorship. And you can bet that three of the core personal values being taught there are – patience, discipline and self-belief.

source: http://www.firstpost.com / FirstPost. / Home / by Akaash Dasgupta / April 27th, 2026

‘I’m married to a Coorgi woman!’: Vijay Deverakonda’s sweet tribute to Rashmika Mandanna at Kodagu reception

Rashmika Mandanna and Vijay Deverakonda’s intimate Kodagu reception goes viral, with unseen moments, a heartfelt speech, and her traditional Coorgi look stealing the spotlight.

Rashmika Mandanna and Vijay Deverakonda’s wedding reception in Kodagu. (Photo: X/Rashmikadelhifc)

Rashmika Mandanna and Vijay Deverakonda’s wedding celebrations are far from over. After tying the knot in Udaipur on February 26 and hosting a reception in Hyderabad on March 4, the couple held an intimate gathering in Kodagu on April 6.

The reception was held at the Serenity Convention Hall in Virajpet, Kodagu, a day after Rashmika celebrated her 30th birthday with close friends and family. It also marked the couple’s first visit to Coorg after their wedding.

Pictures from the ceremony show the couple walking hand-in-hand, smiling warmly as they greeted guests in an intimate setting attended only by their inner circle. In one moment, Rashmika was seen affectionately styling Vijay’s hair on stage, framed against elegant white floral décor.

Rashmika Mandanna’s father reportedly gifted her the family’s Coorg bungalow, Serenity, located in Kukloor village near Virajpet, a home tied closely to her roots.

Rashmika Mandanna embraces her heritage, Vijay Deverakonda channels retro charm

For the reception, Rashmika Mandanna embraced her heritage in a pink and olive-green silk saree draped in the traditional Kodava style. The pleats were tucked at the back, with the pallu brought over the right shoulder and secured in place, an authentic Coorgi touch.

She paired the look with layered gold jewellery, including stacked bangles, classic jhumkas, and statement necklaces. Her hair was styled in a sleek bun adorned with gajra.

Vijay Deverakonda, meanwhile, channelled retro charm in black flared trousers, a white open-collar shirt, and a blazer with silver detailing, finishing the look with white shoes.

Vijay Deverakonda’s heartfelt speech in Coorg

During the reception, Vijay Deverakonda delivered an emotional speech, talking about his growing connection with Kodagu and his personal memories tied to the region.

“Next time I come I’d like to go around and see her childhood and life here. This is the third time I am here. The first time was before I even knew her, with my school friends – Coorg was our first holiday destination. I found out later that I had stayed in one of her friend’s house (who was not there at the event),” he was quoted as saying by India Today.

Speaking fondly about the place and its people, he added, “I’ve become so fond of this place, such a beautiful place. I always thought that women from here (Kodagu) are super beautiful, even before I met her. I think coorgi women are very beautiful, and I’m married to one, and I’m very happy. Lovely meeting and seeing you all here.”

Rashmika Mandanna-Vijay Deverakonda wedding

Rashmika Mandanna and Vijay Deverakonda tied the knot on February 26 at ITC Momentos in Udaipur in a grand three-day celebration that included haldi, sangeet, and ceremonies honouring both Telugu and Kodava traditions.

They later hosted a star-studded reception in Hyderabad on March 4, followed by an intimate lunch for fans. In a unique gesture, the couple also arranged for sweets to be distributed across multiple cities, sharing their joy with people across the country.

On the work front

On the work front, Rashmika Mandanna and Vijay Deverakonda have resumed shooting for their third on-screen collaboration, Ranabaali, directed by Rahul Sankrityan, which is slated for release on September 11.

source: http://www.indianexpress.com / The Indian Express / Home> SCREEN> News> Entertainment> Telugu / by Entertainment Desk / April 07th, 2026

Exhibition to Honour Legacy of C.M. Poonacha, Constituent Assembly Member at the Constitution Museum in JGU

Sonipat :

As a part of its commitment in honouring the legacy of the framers of the Constitution of India, The Constitution Museum & The Rights and Freedoms Academy, O.P. Jindal Global University commemorates the 115th Birth Anniversary of Shri C.M. Poonacha by curating an exhibition in his memory. Shri Poonacha, a Member of the Constituent Assembly, served independent India as the Chief Minister of Coorg, the Union Minister of Railways and as the Governor of Madhya Pradesh and later Odisha.

The exhibition displays original photographs capturing various moments of Shri Poonacha’s life, epistles, books, constitutional and other official documents, and other memorabilia belonging to Shri Poonacha. The exhibition also features a historically significant ampoule containing the ashes of Mahatma Gandhi, which Shri Poonacha received and kept in reverence throughout his life.

In the Constituent Assembly Shri Poonacha made impactful contributions in the Provincial Constitution Committee and the Committee on Chief Commissioners’ Provinces. In the Assembly Debates, Sri Poonacha articulated the significance of the Coorg Province in the emerging federal structure of India. He also advocated for a measured degree of autonomy to the provinces, emphasizing the importance of preserving the cultural and political identity of Coorg while remaining firmly anchored in the unity of India.

Inaugurating the exhibition, Prof. (Dr.) C. Raj Kumar, Vice Chancellor, O.P. Jindal Global University stated that, “The Constitution Museum and the Rights and Freedoms Academy—India’s first museum dedicated to the constitution—remain deeply committed to honouring the legacies of each of the 300 members of the Constituent Assembly. Entering the fourth quarter of the century leading up to 100 years of Indian Independence, we carry a moral responsibility to contribute to nation-building. Through these exhibitions, we strive to continually remind the people of India about the dreams of a bygone generation—their unwavering dedication to the nation and profound commitment to justice and liberty. In doing so, the Constitution Museum at JGU fulfils its purpose as vital educational space for cultivating constitutional morality”. In April 2025, the Museum hosted a similar exhibition in memory of Shri R. Sankar, the member of the Constituent Assembly from Travancore-Cochin. The present exhibition will remain open for the public from 15th to 18th October 2025.

The exhibition commenced, with an engaging panel discussion titled “C.M. Poonacha: A Constitutional Exemplar: In the Words of His Children” which set the tone for an insightful exploration of Shri Poonacha’s legacy.

Speaking in the panel discussion inaugurating the exhibition, and remembering their father’s legacy, Mr. C.P. Belliappa, son of Shri Poonacha, and Mrs. Vijaya Muthanna and Dr. Kaveri Nambisan, daughters of Shri Poonacha, observed that “Our father upheld constitutional values in all aspects of life. He was a man of principles who never compromised his ethics for his personal gains—he left his education to participate in the national movement heeding to Mahatma Gandhi’s call. Throughout his life he remained a true Gandhian—he believed in the power of satyagraha, ahimsa, and social upliftment of masses. He held Coorg close to his heart yet not forgetting his primary allegiance to the nation”.

The exhibition will close on the 18th October 2025.

(Disclaimer: The above press release comes to you under an arrangement with O.P. Jindal Global University and PTI takes no editorial responsibility for the same.). PTI PWR

This is an auto-published feed from PTI with no editorial input from The Wire.

source: http://www.thewire.in / The Wire / Home> English / by PTI PRNEWS / October 16th,2025

Sachi Ponnamma Memorial Hockey Cup at MYCAS: St. Joseph’s University bags top honours

Mysore/Mysuru:

St. Joseph’s University, Bengaluru, won the Sachi Ponnamma Memorial Hockey Cup organised by MYCAS College in city recently.

The final match was played between Coorg Institute of Technology (CIT Team: Agni), Ponnampet and St. Joseph’s University, Bengaluru. Displaying remarkable teamwork and determination, St. Joseph’s University emerged as champions followed by CIT (second) and  Cauvery College (Team: Commando), Virajpet (third position).

Winners were awarded a cash prize of Rs. 15,000 while 1st runners-up received Rs.10,000 and 2nd runners-up Rs. 5,000 along with medals and certificates.

Best Player of the Tournament was awarded to Nanamanda Sathvik from CIT and Best Goalkeeper to Koothanda Gyan from St. Joseph University.

Mukkatira Karthik Nachappa, Director of Hockey Mysore, witnessed the tournament held under the guidance of Harshith Gowda and MYCAS Sports Wing. Dr. G. Ramacharan, Director (Operations), UG College Principal Dr. J. Thekkade Ramya, PU College Principal C. Archana, teaching and non-teaching staff were present  at the valedictory event.

source: http://www.starofmysore.com / Star of Mysore / Home> Sports / March 24th, 2026

Know Your City: From hosting Queen Elizabeth to reviving lost saris, how Chimy Nanjappa shaped Karnataka’s craft heritage

In the early days, says Muddaya, several dignitaries visited Cauvery Handicrafts Emporium and were hosted by Chimy—from Prime Minister Jawaharlal Nehru to Sri Lankan premier Sirimavo Bandaranaike, and even a young Queen Elizabeth.

Chimy Nanjappa’s passion for Karnataka’s textiles and crafts lives on at the Vimor Museum of Living Textiles in Bengaluru.

When one speaks of textiles and fine crafts in Karnataka, the Cauvery Handicrafts Emporium on MG Road in Bengaluru is one of the first places that comes to mind. The shelves of the state-owned emporium are packed with a vast array of the traditional crafts of Karnataka—from intricate silver-based Bidriware items to charming Channapatna toys. However, this wasn’t always so. And one of the people who painstakingly worked to transform the emporium into a showcase of the state’s finest creations was the late Chimy Nanjappa.

Chimy was selected to head the emporium in the late 1950s—then known as Mysore Arts and Crafts Emporium—by its governing board, which included many women, including Sudha Reddy, a proponent of Indian handicrafts.

“It was not a cakewalk for her. In those days, women did not work and close up a place as huge as Cauvery and then walk home at 8 pm,” Chimy’s daughter, Pavithra Muddaya, recalls.

Born in 1928 in Madikeri, Chimy did not have an easy childhood as she lost both parents by the age of nine. She went on to pursue higher education in Chennai, securing a BCom degree, and later settled in Bengaluru after marrying advocate A C Nanjappa. With the family facing financial difficulties in the early days, she began working as an assistant manager at Cauvery Handicrafts Emporium, before being promoted to manager.

“She had nothing by way of a background in the field and had previously done accounts work…but life forces you to take up opportunities,” says Muddaya, adding that her mother always said that women need to work and be financially independent. She also credits her father’s role in encouraging and supporting Chimy, recalling him as a person who held views that would be considered progressive even today.

In the early days, says Muddaya, several dignitaries visited Cauvery Handicrafts Emporium and were hosted by Chimy—from Prime Minister Jawaharlal Nehru to Sri Lankan premier Sirimavo Bandaranaike, and even a young Queen Elizabeth.

In 1963, cultural activist and author Pupul Jayakar, a major mover in the revival of traditional crafts and culture, recruited Chimy to represent Indian textiles at the New York World Fair the next year. It turned out to be a success, says Muddaya, recounting what an IAS officer familiar with the event told her. “Good lord, nobody could go past her without buying something!”

Later, Chimy was offered an opportunity to head an outlet anywhere in the world under the Handicrafts and Handlooms Export Corporation, but declined, refusing to be a “second-class citizen” in a foreign country.

After A C Nanjappa passed away in 1974, Chimy went on to start the Vimor Handlooms, a home store specialising in handloom sarees and textiles. Muddaya remembers, “No one who came to her for help was sent away…she would give weavers’ addresses to people. Freedom fighter and social reformer Kamala Devi Chattopadhyay would say that anyone coming to the Regional Design Centre (on Church Street) without a recommendation could ask my mother for one.” Vimor would go on to revive many traditional sari styles, such as one dubbed the ‘Cubbonpete’ sari.

Those interested in Chimy Nanjappa’s legacy in textiles may visit Vimor Museum of Living Textiles after making an appointment. The exhibits on display include saris up to a century old, in styles that are not often seen today.

source: http://www.indianexpress.com / The Indian Express / Home> News> Cities> Bangalore / by Express News Service / March 13th, 2026

A cookbook with stories

I was recently invited to Kaveri Ponnapa’s book launch that I had been looking forward to.

 Many in Mysuru may not recognise her name, but anyone who has even a passing interest in Coorg or the culture of small, distinct communities of this land would certainly know her remarkable work, ‘The Vanishing Kodavas.’

Just like her previous book, which was rich with history, culture and stunning imagery, her latest work, ‘Coorg: The Cookbook — Recipes and Stories from a Golden Land,’ is both beautiful to look at and deeply satisfying to read.

This book nourishes not just the appetite but jogs the memory, too.

‘Coorg: The Cookbook’ has been in the making since 2012 and the patience shows. It is thoughtfully structured into sections such as rice-based dishes, meats, seafood, vegetarian dishes, foraged foods, pickles, sweets and beverages.

Each section opens with a gentle historical introduction explaining how and why these foods became part of the Coorg dining table. It tells us why it is not just about how to cook, but also about understanding why Kodavas cook the way they do.

The book also includes sections on foundational pantry ingredients and the spices and herbs that define Coorg cuisine. For readers unfamiliar with some ingredients, the author thoughtfully offers alternatives.

There is even a section explaining how to use the book, making it as accessible to an outsider who may not be familiar with Coorg cuisine at all. That said, even a Kodava like me had some surprise discoveries.

The first surprise I encountered in the book was that while modern Coorg is synonymous with coffee plantations, it was earlier primarily a land of paddy farmers.

No wonder rice sits at the centre of not only Kodava cuisine but also culture. Appropriately, the first dish the book introduces is the humble yet iconic ‘Akki Otti’ or rice roti.

Another delightful revelation is the long-held myth that Coorg cuisine is dominated by pork. Yes, Coorg is famous for its pork dishes, but the book reminds us that Coorg food is far more diverse.

Of the 132 recipes in the book, just 36 are non-vegetarian dishes and only 6 of them are pork! The remaining dishes feature chicken, mutton, fish and crab.

Meanwhile, there are 45 vegetarian recipes! which include an array of ‘pallyas’ ‘chutneys.’

So, the notion that Coorg cuisine is dominated by the hog is hogwash.

What also struck me personally were the dishes I had never heard of before. There are recipes such as ‘Miniature Jackfruit Pancakes’ (Coorg name: ‘Chatti Puttu’) and the intriguingly named ‘Steamed Rice Parcels with Hitchhiker Elephant Ear Leaves’! (Coorg name: ‘Mara Kembe Puttu’).

But what truly elevates this book beyond the realm of a cookbook are the stories quietly interwoven along with the recipes. Food, after all, is rarely just about taste; it is about people, places and memories.

Reading about the ‘Nende Kari’ or the ‘Crab Curry,’ transported me back to my childhood in Coorg. I remembered being sent to the paddy fields with my cousin to catch crabs for dinner. We would return with a small mug full, often with bleeding fingers. Crabs can put up quite a fight.

While our grandmother prepared the ‘Nende Kari’ (Crab Curry), we sat near the fireplace listening to her tell stories of elephants straying into plantations, of wild boar hunts and town gossip, all while the aroma of spices slowly filled the kitchen.

This is the kind of book that eventually becomes an heirloom, something to be preserved, treasured and passed down through generations. Kaveri Ponnapa herself writes, “Recipes are cultural inheritances.”

This is why ‘Coorg: The Cookbook’ feels more than just pages of recipes. It takes you on a journey down memory lane.

For many Kodavas living far from their homeland, the book may well feel like a bridge back to traditions that are slowly fading. That alone is reason enough to own a copy.

In many ways, to use a culinary euphemism, this book pairs beautifully with Kaveri’s earlier work, ‘The Vanishing Kodavas.’

One documents the culture, the other documents the cuisine. Culture and cuisine, the two pillars that define every community.

Kaveri Ponnapa observed that “Kodavas are vanishing,” but with her books, she has made sure they will not be forgotten.

P.S. : You can order your copy athttps://kaveriponnapa.com/coorg-the-cookbook/coorg-the-cookbook/

e-mail:  vikram@starofmysore.com

source: http://www.starofmysore.com / Star of Mysore / Home> Columns in Black & White> Top Stories / by Vikram Muthanna / March 03rd, 2026

Kodagu road reconstruction, health sector receive boost in state budget

The state budget has sanctioned Rs 20 crore for the reconstruction of damaged roads and bridges following incessant rainfall in regions including Virajpet, Madikeri and Ponnampet.

Madikeri :

Road connectivity and the health sector in Kodagu have received a boost in the state budget presented by Chief Minister Siddaramaiah. While Congress members termed it a progressive budget, BJP leaders criticised it as a “useless budget” with no special consideration for the district.

The state budget has sanctioned Rs 20 crore for the reconstruction of damaged roads and bridges following incessant rainfall in regions including Virajpet, Madikeri and Ponnampet.

Developmental projects for the Kodava Development Board, funds for the welfare of tribes who form a significant population in the district, and the health sector have also received support in the budget.

Virajpet Hospital will be upgraded from a 200 bed capacity to 400 beds, the budget assures funds for the upgradation of Kushalnagar Community Hospital. (File photo)

While Virajpet Hospital will be upgraded from a 200 bed capacity to 400 beds, the budget assures funds for the upgradation of Kushalnagar Community Hospital. Ponnampet will also get a new community hospital.

However, stakeholders in the tourism sector said the budget does not mention any special funds for tourism development.

Nagendra Prasad, president of the Kodagu District Chamber of Commerce and Industry Association, said that although Kodagu generates increased revenue for the state through tourism and liquor sales, no funds have been sanctioned for tourism infrastructure in the district.

“From property tax of hospitality facilities to GST, the tourism sector contributes immensely to the state revenue. But unfortunately, this revenue is not being invested back to further improve the sector,” he opined.

Meanwhile, former BJP MLA K. G. Bopaiah criticised the budget as a “useless” one and a “record budget of complete failure”. He said the budget is not people friendly and added that for the 17th time the Chief Minister has made “only promises, declarations and vague plans without any absolute focus”.

He recalled that the BJP government had sanctioned special funds to the district as per the Nanjundappa report due to heavy rainfall and said, “We used to sanction up to Rs 100 crore as a special package for the district. But for the past three years, the state has neglected Kodagu,” he alleged.

He further alleged that there is no plan or precision in the sanctioning of funds for mitigation projects to curb wildlife conflict.

Dharmaja Uthappa, district president of the Congress party, said the budget is progressive and that the Kodava Development Board, road connectivity and the health sector have received a boost.

“Even the issue of wildlife conflict is addressed and it is overall a pro development budget,” he opined.

source: http://www.newindianexpress.com / The New Indian Express / Home> Karnataka / by Express News Service / March 06th, 2026

Who Is Madan Mandanna? Meet the Supportive Father of Rashmika Mandanna

Madan Mandanna, father of Rashmika Mandanna, has stayed away from the spotlight but has always supported her. Here’s everything you need to know about her father and the role he played in her journey.

Image Credit : Instagram

A Pillar of Support

Madan Mandanna, father of actress Rashmika Mandanna, has mostly stayed away from the public eye, but he has been a strong support for his daughter throughout her journey. Born in a Kodava Hindu family in Virajpet, Kodagu, Karnataka, he played a key role in shaping Rashmika’s values and career.

Image Credit : Instagram

Entrepreneurial Roots

Madan is a successful businessman who runs a coffee estate and owns a function hall called Serenity in Virajpet. His work shows the family’s entrepreneurial spirit, long before Rashmika became a household name in films.

image credit : X

Family First

Though he avoids the limelight, Rashmika often credits her father for teaching her important life lessons like hard work, humility, and determination. These values have helped her navigate the challenges of the entertainment industry successfully.

image credit : Instagram

Close-Knit Family

Madan is married to Suman Mandanna, a homemaker. Together, they raised Rashmika and her much younger sister, Shiman Mandanna. Rashmika occasionally shares glimpses of her parents on social media, showing the love and close bond in their family.

From Humble Beginnings to Stardom

Despite her fame as a pan-India actress, Rashmika often reflects on her modest upbringing. Her family faced financial struggles, but Madan’s guidance and support were crucial in helping her rise from Virajpet to becoming one of India’s most popular and loved stars.

source: http://www.newsable.asianetnews.com / Asianet News / Home> English> Entertainment / by Nancy Tiwari / March 05th, 2026

Traditional Coorgi rituals at Rashmika Mandanna, Vijay Deverakonda’s second ceremony explained: All about Kodava wedding

Inside Vijay Deverakonda and Rashmika Mandanna’s Kodava wedding: traditional Coorgi outfits to groom’s ritual shave and bath and bride’s ‘bale iduva’ ceremony.

Rashmika Mandanna and Vijay Deverakonda’s second wedding ceremony was all about traditional Coorgi rituals. (Couple in a still from Dear Comrade)

Following a morning ceremony steeped in Telugu traditions, actors Rashmika Mandanna and Vijay Deverakonda chose to celebrate the second leg of their wedding on February 26 by honouring Rashmika’s heritage with a traditional Kodava wedding. 

While the morning belonged to the groom’s culture, the afternoon and evening shifted to the lush wedding traditions of Coorg (Kodagu). Distinct from typical Hindu ceremonies, a Kodava wedding is a unique cultural experience centred around ancestors, nature, and community rather than Vedic rituals or a priest.

The preparation: Oorkuduvo

As per Kodavaclan.com’s blog, the festivities begin with the Oorkuduvo, where both families gather to prepare the wedding venue. This involves the ritualistic cutting of vegetables and pork — a staple of Kodava feasts — and the construction of the five-legged pandhaal (pendal). Interestingly, one pillar of this structure must come from a ‘milk-producing tree’, topped with jackfruit leaves and adorned with mango leaf swags. This structure remains standing for several days following the nuptials as a symbol of the new union.

Wedding attire of Coorgi ceremony

The couple look striking in traditional Coorgi garb: the groom dons a white kupya (a long tunic-style coat), cinched with a red-and-gold silk chele (waistband). He carries the peeche kathi (traditional dagger) and wears a peta (turban). The bride wears a vibrant silk saree, draped in the famous Kodava style — pleats tucked at the back and the vastra (headscarf) elegantly tied at the nape of her neck.

Key rituals: From bales to baale kethuvadh

The ceremony features several deeply symbolic rituals that define the warrior-tribe heritage of the Kodava

1. Before the main event, the groom undergoes a ritual shave where milk is applied to his face using blades of grass. Following this, he is given a ritual bath by his mother and two married women, symbolising purification.

2. The bride participates in the bale iduva, where a traditional bangle seller places coloured glass bangles on her wrists. Per custom, at least one pair of black bangles is included to ward off the evil eye.

3. In one of the most spirited displays of the day, the maternal uncles of the couple perform the baale kethuvadh. This involves cutting through nine banana stems with a single stroke of the odikathi (warrior knife), followed by a joyful dance to the beats of the valaga (traditional music).

The main wedding ceremony

The core of the wedding, the dampathi muhurtha, takes place on a decorated dais. Unlike most Indian weddings, there is no agni (fire) or pheras. Instead the couple sit on mukkalis (three-legged stools). Elders and family members shower them with rice and blessings. The groom offers his bride a sip of milk and presents her with cheela pana (a bag of coins). The ceremony concludes with the exchange of garlands and the groom helping his bride to her feet.

The final rituals

The celebration isn’t without a bit of drama and humour. During the batte thadpo, the bride’s cousin playfully blocks the couple’s path, jokingly claiming the groom should have married her. They can pass only after the groom’s side offers a gold coin as a guarantee of her well-being.

The day concludes with the Ganga pooje (Neer Edpo). The bride carries pots of water from a well while balancing on a thombuda (head-rest), taking small, rhythmic steps as the groom’s family dance around her. This symbolises her integration into her new household and her strength in managing her future responsibilities.The double-ceremony day ends with the kombarek kootuvo, where the groom officially welcomes the bride to their private quarters, gifts her a gold wedding band, and the two seek final blessings as a wedded couple.

Note to readers: This report is based on user-generated content. HT.com has not independently verified the claims and does not endorse them.

This article is for informational purposes only.

source: http://www.hindustantimes.com / Hindustan Times / Home / by Sanya Panwar / February 26th, 2026

CNC demands inclusion of Kodava language in 8th Schedule

Inclusion of Kodava language in the Eighth Schedule will provide legal, cultural, and educational benefits to the Kodava community.

CNC members stage a protest in front of the deputy commissioner’s office in Madikeri on Saturday. / Credit: DH Photo

Madikeri: 

Marking International Mother Language Day, leaders of the Codava National Council (CNC) staged a protest in front of the Deputy Commissioner’s office here on Saturday, demanding that Kodava language be included in the Eighth Schedule of the Constitution.

CNC President N U Nachappa placed several demands, including the inclusion of Kodava Thakk in the Eighth Schedule as recommended in the report of the Commission headed by noted linguist Pandit Dr Sitakant Mahapatra.

He urged that on the lines of Konkani language model and similar to the proposal for Tulu, Kodava be declared an official language of the state under Articles 345 and 347 of the Constitution, and implemented in administration and education under Article 350.

Inclusion of Kodava language in the Eighth Schedule will provide legal, cultural, and educational benefits to the Kodava community. Official recognition by the Central government will enhance the language’s prestige and prevent it from being treated merely as a dialect. It would also facilitate the introduction of Kodava as a medium of instruction in school curricula.

He also alleged that the names of local Kodava folk villages, hamlets, and even festivals have been altered into Kannada, distorting them. This, he said, reflects disregard for Kodava heritage and uniqueness and amounts to a violation of human rights.

A memorandum was submitted to the government through DC S J Somashekar on the occasion.

source: http://www.deccanherald.com / Deccan Herald / Home> India> Karnataka / by DHNS / February 22nd, 2026