Category Archives: Famous Personalities of Kodagu / Coorg

Bhupathi & Bopanna cruise to victory


India’s Mahesh Bhupathi and Rohan Bopanna advanced to the second round of the men’s doubles event at the Wimbledon here today. File photo. / The Hindu
Mahesh Bhupathi and Rohan Bopanna advanced to the second round of the men’s doubles, defeating Uruguay’s Marcel Felder and Tunisia’sMalek Jaziri 6-0, 7-6(1), 6-2 in an hour and 36 minutes.

The Indians couldn’t have begun better: the first set featured 17 minutes of solid serves, angled returns, from Bopanna in the deuce court and Bhupathi in the ad court, and sharp volley exchanges. Especially impressive was the co-ordination in movement.

Felder and Jaziri, who didn’t know what hit them, were able to push the seventh seeds to a breaker in the second set, even endangering Bopanna’s serve in the fifth game.

But Bhupathi and Bopanna recovered to get the job done. “We really worked hard these past six months to get where we are, very pleased, and we’re hoping to continue our good form here and doing well this week,” said Bopanna.

Understandably there were questions about the incidents surroundingthe selection of India’s representatives to the Olympics.

Not true

“You know things couldn’t have got uglier for us in Indian tennis the last week,” said Bhupathi. “Everyone seems to think that I’m the one manipulating and pulling the strings for all these extremely individual and successful tennis players like Rohan and Sania. It’s not true.”

Bhupathi said he understood Sania Mirza’s criticism of the system,including him. “I obviously sympathise with Sania,” he said, before addressing Mirza’s comment about Bhupathi sacrificing his commitment to her. “As far as I am concerned, I am committed to her. We’re playing here, and if we get a chance to, we’ll play the Olympics.”

source: http://www.TheHindu.com / Home> Sport> Tennis / by Special Correspondent / London, June 27th, 2012

Rajshri Ponnappa is excited for playing a nun

Bangalore-based actress Rajshri Ponnappa is excited about her Mollywood outing, even though she will be seen in one of her most deglamourised avatar.

“I play a nun in Pithavinum Putranum Parishudhathmavinum, and quite naturally, it is a performance driven role,” she says.While this is Rajshri’s first time in the Malayalam film industry, she tells us, “From the Kannada film industry, actress Prema was the only Coorgi to have been part of Mollywood. So my debut will mark the second person from my clan here.”

The actress also informs us that she will be dubbing for her role in this film which also stars director VK Prakash and art director Sabu Cyril who plays the role of Jesus Christ. “I have always been good with picking up languages. In fact, my father was born in Kerala, so there is some sort of a connection. My mother helped me get the right pronunciations during shoot. I hope to be able to do a good job on the dubbing shortly,” she says.

source: http://www.articles.timesofindia.indiatimes.com / Home> Entertainment> Regional> Malayalam> Film Industry / by Kavya Christopher, TNN / June 20th, 2012

Muneer is Madikeri tq KSP chief

E Muneer Ahmed has been elected as the president in the elections to Madikeri Taluk Kannada Sahitya Parishat held on Thursday. K M Venkatesh and Sujatha Talavar of Madikeri Akashavani will be honorary secretaries.

Mandreera Mohandas is treasurer, Neyyane Hemalatha is women’s representative, B N Rangappa SC/ST representative and Taluk Teachers’ Association president K T Baby Mathew will be the association representative. Tirumala Sona (Sampaje), A A Shaila (Murnad), D N Harsha (Bhagamandala), K S Ramesh (Madikeri), Indumati (Madikeri), B P Sudha (Madikeri) are the working committee members.

Harish Kumar (Murnadu), G V Ganapati (Chembu), N U Anantha (Cherambane), Sahana (Kanthabailu), K M Ganesh (Madikeri), N K Prabhu (Napoklu), Chumi Devaiah (Madikeri), Kishnan Poovaiah (Madikeri), A Shridhar, G M P School (Bhagamandala), Mohammad Ali (Indira Nagar), P S Vignesh (Moornadu), Palangada Appanna (Moornadu), Kukkera A Changappa (Arekadu), M K Subramani( Madikeri), K E Mathew (Madikeri) will be the special invitees.

source: http://www.deccanherald.com / Home> District / DHNS, Madikeri, June 14th, 2012

Captivating coorgs

Nidhi Subbaiah
Harshika Poonacha, Nidhi Subbaiah, Prajwal Poovaiah and Deepika Kamaiah are not just the leading ladies of Sandalwood that are striding ahead of their contemporaries. Interestingly, a common link between the awesome foursome cannot be missed — the Coorg connection. With promising projects in their kitty and hits in the past, these beautiful lasses have their hands full right now.

The land of Kodagu or Coorg has given Sandalwood some fresh faces. Call it coincidence or sheer timing, these lovely ladies are making their way towards the top leagues in the industry. Nidhi Subbaiah, who was the industry hudugi, recently moved to Bollywood and will be making her debut with Jacky Bhagnani in the film Ajab Gazabb Love. “After Coorg actress Prema there was no one.

Then Nidhi (Subbaiah) and I entered the industry. I think other than Mangaloreans, Coorgs are known to be beautiful and that is one of the reasons for us to be here,” says actor Harshika Poonacha. “The other reason is that we Coorg girls are not afraid of stunts and shooting at risky locations. Whether dancing close to a creek or climbing hills, I prefer to do my dance sequences and don’t want a junior dancer to do it. I have heard producers say that Coorgs are a brave lot,” smiles the actor.

Not just films, television audiences too seem to favour Coorg beauties. Actor Swetha Changappa, has a cult following among women of Karnataka, as the popular host of Yariguntu Yarigilla, reality show. Her lead role in Arundhati too is much appreciated. “Television is a challenging medium. Every day we shoot for at least 10-15 scenes. I guess it is the will to put in continuous hours and still stay fresh and energetic that helps us make the cut,” says Swetha.

Harshika’s soon too be released Crazy Loka stars another Coorg actress, Daisy Bopanna. Daisy was a model before getting into acting. Director Kavita Lankesh who has seen Daisy grow in the industry says, “Coorg girls are blessed with looks and it works in their favour. Our audience is obsessed with fair skin and most of them are cast in films for looks and fairness. When it comes to acting, they are impulsive but on sets they are relaxed and are fun to work with.”

And another Coorg actress Deepika Kamaiah who’s first film was Chingari with Darshan, agrees, “I think it is a combination of hard work, ambition and the potential we have that has helped us climb the ladder of success. But above all, it is our family support. If not for their encouragement then I wouldn’t have been here.” Many of them are busy working on major projects. Prajwal Poovaiah was last seen in Bheema Thirdalli and is now working in four Tamil projects. A state level hockey player and a national level dancer on a reality show, Prajwal has a long way to go. “Hardwork, a bold attitude and progressive nature makes filmmakers choose us. People say we are beautiful women, I just take it as a compliment,” says Prajwal.

Meanwhile directors who have worked with them seemed impressed with their dedication and hardwork. “The ‘will do it’ attitude and approach to work matters a lot and that is one of the reasons for them to go a long way. Additionally, they are multi-talented too. While working on various film projects Harshika has even managed to complete her engineering, what do you say about that?” asks director Ghanshyam.

source: http://www.DeccanChronicle.com / Home> Tabloid> Bengaluru / DC, by Ayesha Tabassum / June 05th, 2012

An evening of fashion and glamour at Orion Mall

It was an evening of fashion and glamour at one of the city malls recently. The event, that took place on one of the week days, saw the members of the fashion frat turn up for it.

Gracing the event was fashion guru, Prasad Bidappa, who was seen socialising with the party peeps present and also sharing a fashion tip or two.
Rakesh and Prasanna

The ramp was lined up with models strutting and showcasing the hottest new trends of the season. Walking down the ramp among the many models were Carun, Neha, Rakesh and Hari. The fashion showcase continued for around an hour after which the models and audience headed over to relax at the lounge. Seen having fun at this do were models Priya, Lavanya, Prasanna, Zoheb and budding actor Surya.

BT spotted models Parto and Nisha who were seen sporting a similar floral top and was busy posing for the lensman.

Contributed by Disha Mangsuli

source: http://www.articles.timesofindia.indiatimes.com / Home> Life & Style> Parties> Bangalore / TNN / June 03rd, 2012

Not quite the king’s man!

HISTORY

Chepudira Ponnappa was one of the four dewans in the court of Chikka Veerarajendra, the last raja of Kodagu. During his later years, he was no longer the king’s favourite counsel. However, when the British marched into Madikeri, they chose to continue the services of Ponnappa and other officials, writes C P Belliappa.

Chepudira Ponnappa was one of the four dewans in the court of the last raja of Kodagu, Chikka Veerarajendra. The other three were Dewan Apparanda Bopanna, Dewan Laxminarayana and Dewan Basavanna.

Dewan Ponnappa was a colourful personality. As a teenager, he attracted the attention of Chikka Veerarajendra’s grandfather Lingaraja, when he accompanied the raja on a hunting expedition. They were camping by the side of a stream and the raja was in a relaxed mood. At a distance, a herd of buffaloes was grazing. A crow sat on the back of one of the buffaloes. Lingaraja asked if anyone could shoot the crow without hurting the buffalo. Young Ponnappa took the challenge and impressed the raja with his marksmanship. He was immediately inducted into the army and rose rapidly in the ranks.
He was appointed an army commander during the end of Dodda Veerarajendra’s reign. When Lingarajendra succeeded his brother, Ponnappa was elevated as a dewan.

Ponnappa married Cheyyavva from the Kodendera family. By 1800, they had three sons and four daughters. Ponnappa had additional responsibilities of collecting land revenue and in enforcing law and order. For this task, he had to be away from home for long periods of time. Cheyyavva, a formidable lady, took on the responsibilities of looking after their vast paddy fields during her husband’s absence. Ponnappa had built a large house in Kirgoor, and at the time it was one of the best constructions. There is an interesting story about the carpenter who built the house. The same carpenter carried out substantial work at the raja’s palace. After settling his dues, the raja gave him a paltry bonus. The carpenter supposedly commented later, “What kind of a raja is this. His official: Ponnappa tipped me with double the number of gold coins.” The raja was furious when he heard this, but by then, the carpenter had safely returned to Kerala!

During one of Ponnappa’s extended tours, he camped in a remote village for a week. He was the guest of the village headman who belonged to the Manjera family. The headman’s beautiful young daughter Somavva was serving food to the important visitor; and Ponnappa was smitten by the attractive damsel. Ponnappa, then in his 30s, mustered all his courage to ask the headman for his daughter’s hand in marriage.
Somavva’s father and Manjera family members were elated at this offer from the powerful and prosperous Ponnappa even though their daughter would be his second wife. The village elders insisted on the marriage taking place immediately, and Somavva gave her much feigned coy assent. Ponnappa extended his stay and the villagers enthusiastically started preparations for the wedding. There was excitement all round. Their new influential ‘son-in-law of the village’ was heartily felicitated.

A week later, it dawned on Ponnappa that he now had the delicate task of facing his first wife along with his new bride! As he approached his house in Kirgoor, an unsuspecting Cheyyavva came out to greet her husband who had been away for over a month. When Cheyyavva saw Ponnappa with a demure Somavva still in her bridal finery by his side, she flew into a rage. She brandished an odi katthi (sword) and stood menacingly near the entrance. Ponnappa had to retreat, and he soon undertook construction of another house, identical to the one built earlier, to start a family with Somavva. He had four sons and three daughters with Somavva.

Disillusioned dewan

By 1830, Ponnappa was disillusioned with the erratic and despotic rule of Chikka Veerarajendra. By then, he was 66 years old and distanced himself from playing an active part in the administration though he continued as a dewan. Chikka Veerarajendra listened more to the uncouth Dewan Basavanna who was his childhood companion and a kennel-keeper. Basavanna was intensely disliked by the citizens who referred to him as Kunta Basava since he had a limp.

The young raja had gone on a collision course with the British who were well-entrenched in the neighbouring areas of Karnataka and Kerala. In 1833, Chikka Veerarajendra angered the British by taking Kulpally Karunakara Menon, an emissary of the British East India Company, as hostage. Karunakara Menon warned the raja not to antagonise the British. In Menon’s famous words: “The British had the capacity to raise troops which could outnumber the trees in Kodagu! Ill advised by Dewan Basavanna, Chikka Veerarajendra remained defiant and demanded the British to hand over his brother-in-law and sister who had been given asylum in Mysore. Chikka Veerarajendra accused his brother-in-law of hatching a plot to overthrow him. By early 1834, the British decided to attack Kodagu. British troops encircled Kodagu from Mysore, Kodlipet, Kannur and Mangalore. A besieged raja called Dewan Ponnappa for advice. Dewan Ponnappa’s counsel was to immediately and unconditionally release Karunakara Menon. He was candid that the British could not be countered militarily. This enraged Dewan Basavanna who suddenly struck Dewan Ponnappa. Seventy-year-old Ponnappa momentarily lost consciousness but soon recovered. Without uttering another word, he walked out of Madikeri fort. This was a defining moment in the history of Kodagu. Dewan Bopanna and other Kodava elders were appalled and they agreed it would be better if the administration of Kodagu was taken over by the British. They decided not to resist the impending British intervention. On April 10, 1834, the East India Company under Colonel J S Fraser marched into Madikeri fort and announced the ouster of Chikka Veerarajendra. Kodagu was annexed and the raja was permanently exiled from his kingdom.

The British very diplomatically continued the services of Dewan Ponnappa, Dewan Bopanna and many other Kodava officials. Dewan Ponnappa lived to a ripe-old age of eighty-four. Before he died in 1847, his first wife Cheyyavva extracted a promise from him and her sons. Cheyyavva wanted to be buried closer to Ponnappa’s grave than her bête noire Somavva! This wish was fulfilled. The graves of Ponnappa’s two wives are located on either side of his tomb with that of Cheyyavva being closer by a foot!

His legacy

One of Ponnappa’s sons, Madayya was very influential, and in 1866, he renamed a small hamlet known as Balelesanthe (a place famous for selling banana leaves – an important commodity those days) as: Ponnappanapete after his illustrious father. Over the years, it transformed to Ponnampet and is currently a flourishing town in Kodagu. Chepudira family members installed a statue of Dewan Ponnappa in Ponnampet when the clan hosted the Kodava Hockey Festival in the town in 2000. Not to be forgotten, of course, is the fact that in 1957, Dewan Ponnappa’s great-great-granddaughter’s son, K S Thimayya, took charge as the Chief of Army Staff of India!

source: http://www.DeccanHerald.com / Home> Supplements> Spectrum / 25th, May 2012

A new Kannada star rises in Bollywood

Nidhi Subbaiah
After her foray into Bollywood with yet-to-be-released ‘Oh My God’, Sandalwood actress Nidhi Subbaiah is striving to gain a foothold in the Hindi film industry with her second film to be directed by Sanjay Gadhvi of ‘Dhoom’ fame.

As she shoots for ‘Ajab Gazabb Love’ opposite Jackky Bhagnani, Nidhi is loving every moment in Mumbai. “This is my fourth month in the city. I am enjoying the fast-paced life of Mumbai. I am at the right place at the right time. I’m not missing Bangalore or Coorg as of now, except for the food and weather,” she adds.

Elaborating on her current project, Nidhi says, “It’s a remake of a romcom flick in Telugu, Seema Tapakai. Presently, 60 per cent of the shoot is complete and we’ll be flying abroad soon for rest of the shoot.”

Nidhi has completed shoot for her first film, ‘Oh My God’, and is now busy with workshops and costume fittings. The doe-eyed beauty is loving every moment of it as she basks in the glory of a big break. “Any girl who wants to be a heroine would like to take a shot at Bollywood for its wide reach,” she says.

Ask about her current favourite in Bollywood, and she says Arjun Rampal. He plays an important role in ‘Ajab Gazabb Love’, along with Arshad Warsi. “I have just finished one schedule with him. He’s so hot and has an amazing screen presence. We have a lot of female crew members who, when he dashes into the sets, become speechless,” says Nidhi.

Although a new face in Mumbai industry, she claims she didn’t face any casting couch issues. “It might have been in the nineties. This is a new age and conducive for talent. Casting couch exists even in the corporate world. It is how you look at it and achieve your goals by taking the hard route.”

The Kannada actress is staying all alone in Mumbai and says she is comfortable with the space she is in now. “My mother keeps coming and going. I have lot of cousins and friends residing here. Jackky is my only friend in the industry. Soon, I will be making more friends,” she says.

Nidhi has not worked in any other south Indian film before heading to Bollywood. “Probably, I was destined to be here and I took it with both hands,” she says, adding, “My experience in Sandalwood has really helped me to reach this far.”
Comparing the current remuneration in Sandalwood with that of Bollywood, Nidhi says, “I have come here with a few years of experience in Kannada films. This is my second film in Hindi, so, right now, I am a nobody. Once I become somebody, I will talk about money.”

Back home in Sandalwood, her latest film, Anna Bond, released to a good opening. “I have not yet watched the film, but some fans didn’t like me dying in the film. They said: ‘We felt like leaving the movie hall that very moment.’ I have done justice to my role, but the saddest part was that they had to kill my character,” says Nidhi.

From now on, she will be seen in Kannada films only if some good projects come her way. “For a while, I will be busy shooting and promoting my Hindi film. I would always love to be part of a good film, especially if Yograj Bhat makes a Pancharangi sequel or Puneeth wants me in a future project,” she says.

For this ambitious actress, it’s a new place with new projects, but Nidhi is yet to find a life companion. “Mumbai is a new home and for a heroine, being single is good,” she signs off.

source: http://www.expressbuzz.com / Expressbuzz> Showbuzz> Kannada / by A Sharadhaa / Express News Service / May 27th, 2012

Modelling is fun — Ashwini

“It all began after our doubles triumph at the Delhi Commonwealth Games. Jwala (Gutta) and I did a shoot for a magazine supplement, with makeup on and much prompting from photographers. Jwala moved far more freely, while I was more guarded,” recalls Ashwini of the quiet and reserved traits she typifies. By A. Joseph Antony.
K. RAMESH BABU

Ashwini Ponnappa could well be the Ferrari of Indian badminton, all feline flair, yet packing punch and panache, carried over easily to the ramp. She may not launch a thousand ships, but should make a mark in modelling, where non-cricket sportspersons are rarely sighted.

“During a game, a fall needs only dusting off, but on the catwalk it spells disaster. Mercifully, there have been no awkward moments on either stage. While modelling for me is fun, to the professional it’s a lot more serious,” observes the 2011 badminton World Championship women’s doubles bronze medallist.

“It all began after our doubles triumph at the Delhi Commonwealth Games. Jwala (Gutta) and I did a shoot for a magazine supplement, with makeup on and much prompting from photographers. Jwala moved far more freely, while I was more guarded,” recalls Ashwini of the quiet and reserved traits she typifies.

An audio-visual TV commercial shoot for a Delhi real estate firm came next. “Dialogue delivery in English was a cakewalk, but tough in Hindi,” says the Bangalore-born lass, harking to her totally south Indian roots in breathtakingly beautiful Coorg, home to the martial race that produced famous Indian warriors, Field Marshall Cariappa and General K. S. Thimayya.

Some still photographs were taken of India’s dominant doubles duo for Li Ning, their sponsor, comprising shadow movements. With no briefing, preparation or rehearsal, Ashwini walked the ramp, dressed elegantly, yet casually, to support People for Ethical Treatment of Animals (PETA).

“I watched the others before me and simply did the same. I walked down till the end of the ramp, paused for a moment and headed back. That stroll was short but sweet,” she says.

From the ferocity of on-court smashes, she’s genteel and gracious off it. “I like it when I can recognise myself. I hate makeup (she doesn’t really need it). It’s a lot easier smiling endlessly, say for a video than appearing serious in a still shoot, which needs a wider range of expressions or innovations,” says the fledgling model.

“Confidence is a must for both, although playing is a lot easier. While I’ll chase more titles in badminton, I won’t pursue modelling offers but instead wait for them to happen. After all, it’s the game that’s made me,” she reflects, leaving little doubt about her priorities.

She doesn’t ‘skirt’ the issue that raged recently in the sport. “It’s smarter wearing attire meant for women rather than appear like men, although some see dressing up well as lack of focus. To each her own, but if skirts in squash or tennis don’t raise eyebrows, why the fuss for badminton,” she asks.

Comfortable with natural light and a cause close to her heart, she kept her cool for a shoot on a Hyderabad terrace, tolerating temperatures well into the fiery forties. Her mother Cauvery launched a designer wear range themed a ‘revival of 70’s’ with Accedo and Manzoor Hussain in Hyderabad recently.

Posing for a professional shoot would be more challenging than say sitting for a family portrait or when taking those fun pictures with cousins in Coorg. “A smile routine is smooth but serious ones needed much guidance, hands shouldn’t dangle awkwardly or come in the way, the head should be turned this way or that and feet should be in their proper place,” says Ashwini.

Unlike badminton where she has no role models, choosing to learn from seniors, contemporaries and juniors, she admires Lakshmi Menon and Lisa Hayden in modelling. Ask her how suited is she to modelling and she replies, “That depends on how others see or judge me.”

Ashwini Ponnappa on the ramp at the All Star Fashion show, conducted by People for the Ethical Treatment of Animals (PETA) to promote adoption of homeless dogs.
Is modelling as taxing, tiring and frustrating as badminton? “Both are fun. Playing comes more naturally but posing needs conscious effort and is very different from what you regularly do,” she thinks.

Does she have a favourite photographer? “I haven’t worked with so many to like them but photography can be fascinating,” she notes. So is there a favourite/ideal location for a shoot? “I’d love to shoot with animals around. I’d also have loved to be a vet, but the studies were quite demanding,” she admits.

When asked whether she would resist/avoid endorsing certain products/brands on any principle(s), as some did of cola drinks, her reply was more pragmatic. “I’ll decide when the offers come but will be quiet till then to keep people guessing,” she says with a twinkle in her eye. “I am glad to have got the best of both worlds,” she says of her badminton career and modelling. To date, the sailing has been smooth and a career in modelling/endorsement is an option Ashwini is open to.

If ‘do unto others what you’d want them to do to you,’ is a credo she abides by, the svelte shuttler is clear she won’t go beyond a point. “Despite a very liberal upbringing, I value self respect immensely,” she stresses. But badminton comes first and in a country where cricket rules the roost, a shuttler need not be the only beneficiary when endorsing, but the sport could well gain too, she concludes.

source: http://www.tssonnet.com / SPORTSTAR / Home> General> Focus / Vol.No. 35, No.23 / June 07th, 2012

Who, what, when, where, why

Who are the two models that have been spotted at all IPL shows in India? Mitali Rannorey and Dayana Erappa are the two local faces who usually sashay down the ramp at Prasad Bidapa’s IPL fashion shows.

What is actor Santosh Kumar doing in New York? He is there for a holiday and has been regularly posting updates too. The NYC bug seems to have bitten Santosh, who has forgotten that he is just a tourist and is happily calling himself a New Yorker.

When were fans spotted going berserk outside the Puma store in Indiranagar? When the Deccan Chargers’ cricketers were there for a promotional event. Fans went crazy clicking pictures of their favourite stars.

Where is our Sandalwood brigade heading to this September? Raghavendra Rajkumar, Diganth, Yogi, Yash, Radhika Pandit, Aindrita Roy, Nidhi Subbaiah, Priyamani, musicians Gurukiran, Harikrishna and a choreographer have accepted invitation from AKKA to entertain NRIs in Atlanta.

Why was choreographer Rahul Dev Shetty attracting attention at the recent RCB versus DC match in the city? He made a fashionably late entry but did not seem to enjoy the match. He was more excited about chatting with other guests, devouring delicacies and glugging alcohol.

source: http://www.DeccanChronicle.com / Home> Tabloid> Talk of the Town / May 11th, 2012

MPs not eager to spend fund on local area

Bangalore:
Community halls, then roads – that’s what tops every MP’s priority list. A study, done by Public Affairs Centre (PAC), tracks what MPs have done for their constituencies after being elected, and how they have used their Member of Parliament Local Area Development fund (MPLAD).

The study says that construction of community halls is a favourite project, with a majority of MPs giving funds freely for it. Next on priority is the development of roads. “The study shows that only 30% of funds given for Rajya Sabha MPs and 57% of MPLAD funds from Lok Sabha members have been used. Underutilization of funds must be questioned, says Samuel Paul, urban expert, PAC. One example is Bangalore South MP, who has utilized only 25% of his MPLAD fund.

Less educated were the go-getters

As per the study, MPs whose educational qualification is only up to Class 12 have been able to get more funds than MPs who are highly qualified. “When MPs with just PU qualification have been able to make use of up to 65%, Tejaswini Gowda, an MP with a PhD, has used only 26.5% of the funds. They are only policy makers and not executive authorities, why should they be given funds? Instead, the government can use these funds for necessary development,” said Paul.

In the 15th Lok Sabha, between 2009-2011, so far, DB Chandregowda used 100% for Bangalore North constituency, whereas Bangalore Central MP PC Mohan has used 28%, followed by Bangalore South MP HN Ananth Kumar who used a mere 25%.

As per data available in public domain, liquor baron Vijay Mallya, a Rajya Sabha member from Karnataka during 2004-09, used just 8.5% funds for local area development, whereas Prema Cariappa made use of a whopping Rs 84.7 crore. Among the 13 Rajya Sabha members, M Rajashekara Reddy used a mere 0.9% of the total fund and scores the lowest.

“The problem with Rajya Sabha members is that they are hardly connected with the local area and thus, there is underutilization of funds,” says Paul.

Former prime minister H D Deve Gowda, MP from Hassan, and Mallikarjuna Gowdar, Davanagere MP, used 100% funds, as against Srikantappa DC from Chikmagalur, who used only 14.1%.

“Overall, experienced MPs showed marginally better utilization than first-timers. Also, first-timers from BJP did better than experienced MPs, while first-timers from Congress did marginally better than experienced MPs,” said Patibandla Srikant, a PAC member who was part of the study.

D V Sadananda used funds quick

In the 14th Lok Sabha (2004-09), D V Sadananda Gowda, then an MP, made use of just 40.9% of funds, but during his second term from 2009, he used 84% just before his resignation, when he became chief minister.

source: http://www.articles.timesofindia.indiatimes.com / Home> City> Bangalore / TNN / May 11th, 2012