Category Archives: Arts, Culture & Entertainment

Rashmika Mandanna is the Bangalore Times Most Desirable Woman 2017

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Karnataka has voted and here’s the winner of the Bangalore Times 30 Most Desirable women. The results of the poll on our website, along with our internal jury, gave us a new person on the throne — actress Rashmika Mandanna. She practically ruled the year, with Kirik Party being the most talked about film in the first half, while the second half had her in two big-ticket releases — Anjaniputhraa and #Chamak. From being the Times Fresh Face National Winner in 2014 to the Most Desirable Woman in 2017, Rashmika finds this surreal.

Excerpts from a chat…


Most Desirable Woman — happy?

Last year, when I made it to the top 25, it felt good. But this time, I was pleasantly surprised that I made it to the top. When you make it to the top, it means that you’ve the support of the entire state. It is very nice and sweet, but it is also very unexpected for me. For me, desirability is having so much support from the people who we work for. As artistes, we want to keep the audience happy and I think this is one of the ways they say we have kept them happy. I’m not big enough to say what desirability is, but I am happy that people think of me as desirable.

The Belageddu song from Kirik Party had you dubbed as the ‘Karnataka Crush’. Your reaction to that?

I need to ask people why, because I don’t know what it is in me that people like so much. Even if I wasn’t in the industry and was doing something else, I’d be the same girl. I don’t know what it is, there are times when it doesn’t feel real and I wonder if it is all a dream and I must wake up sometime. I had the same feeling when I was crowned the Fresh Face. Till date, I can’t call myself the Fresh Face of India. And now, I can’t even believe I’m the most desirable woman.

As for Kirik Party, it is something that I hadn’t seen coming. When you’re destined to be somewhere, you will reach there, no matter what. I met some of the most amazing human beings while shooting for the film. To me, Kirik Party means everything, because it is the reason I am what I am today.

Three big releases and another biggie lined up next — does the Next Big Thing tag given to you feel overwhelming?

Honestly, right now everything scares me. But I don’t really see myself as the Next Big Thing. I just think of myself as someone who does good work. I’ve not let myself to think that I am the next star. If someone sees the real me running across the streets barefoot, they would definitely be in disbelief. I’m still that little girl inside.

What do you find desirable in a man?

If a man cares about the people around him, he is truly desirable. This caring quality is important in a man for anything, be it for work or keeping his family happy — this is the most desirable quality for me. Apart from this, respecting people and remaining down to earth is equally important. And I find my man, Rakshit Shetty, the most desirable.

In the film industry, traditionally, the ‘taken’ tag equals women being written off. Here you are, with this title! A sign of changing times?

I do think that times have changed, most definitely. Though, I’d like to also point out, even now when I talk to some of my friends, they are still scared to reveal their relationship status. It is almost like people are scared to live with the truth. This is totally unnecessary. Now that I’m engaged, two years from now I’d be married. If not the film industry, I’ve many things to go back home to and it isn’t the end of the world. But I’m still taking my chances. Times have changed, but there are people who still ask me — ‘why did you get engaged when you had such a good future ahead’. It is almost as if a heroine has to remain single forever or get married late; this doesn’t make sense one bit.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> News> Entertainment> Kannada> Movies> News / by Sunayana Suresh / TNN / March 03rd, 2018

It’s a girl! VJ Nikhil Chinapa and wife DJ Pearl blessed with daughter

NikhilKF28feb2018

VJ Nikhil Chinapa, who is right now judging MTV Roadies Xtreme, has become a proud father. Nikhil Chinapa and his wife DJ Pearl were blessed with a baby girl on February 24. Nikhil took to Instagram to announce this beautiful news. He captioned the snap, “She’s fully Coorg + fully Sardarni. #wahecoorg .#Repost @pearls.world”

Pearl too shared a beautiful picture on Instagram and captioned it as, “Our princess is here! Daddy got away easy with just one whack during labour! Baby and Mama are having a giggle watching him recover @nikhilchinapa.”

Well, earlier, Nikhil had told Mumbai Mirror, “I kept thinking about it all these months, wondering how I would react. When it finally happened, it was overwhelming. My friends who are already parents tell me about how your life changes completely but nothing can prepare you for this!”

He further said, “My job gives me freedom in terms of when I can work. Every time I look at my daughter I want to pick her up and play, I’m making the most of these moments.”

Nikhil and DJ Pearl got married in 2006 after dating for 6 years. Congrats to both!

source: http://www.freepressjournal.in / The Free Press Journal / Home> Entertainment / by Sumit Rajguru / February 27th, 2018

Works of Bharatisuta termed ‘encyclopaedia’ of Kodagu

Traditional: Critic Narahalli Balasubramanya inaugurating a seminar on ‘Bharatisutara kadambarigalu mathu samajika sandarbha’ in Madikeri on Friday.
Traditional: Critic Narahalli Balasubramanya inaugurating a seminar on ‘Bharatisutara kadambarigalu mathu samajika sandarbha’ in Madikeri on Friday.

Reprint of Bharatisuta’s Edakallu Guddada Mele released

Madikeri:

Critic Narahalli Balasubramanya on Friday stressed the need for re-writing the “literary history” of Kannada works and authors, stating that debates on them confined to a few writers.

He was speaking after inaugurating a State-level seminar on “Bharatisutara kadambarigalu mathu samajika sandarbha” at the Kodagu Patrika Bhavan hall here organised under the auspices of the Kodagu District Kannada Sahitya Parishat and the Karnataka Sahitya Parishat, Bangalore.

Works of many Kannada writers had been neglected. Bharatisuta, who had to his credit 61 works, including novels, was one of them, Mr. Balasubramanya said.

He said most of the “navya” writers hailed from the academic background. A writer had to self-analyse his work instead of waiting for someone to view it critically. Bharatisuta was a Gandhian, but leftist ideals had profound influence on him.

Mr. Balasubramanya said that Bharatisuta’s works reflected the flavour of Waynad in Kerala and Kodagu where he lived. The relationship between man and nature, his penchant for the proletariat class, and man-woman relations were the highlights in the works of Bharatisuta. The candid views of the writer on “instinct and nature” were relevant to all times, Mr. Balasubramanya said.

He released the reprint of Edakallu Guddada Mele, one of the novels of Bharatisuta, on the occasion

M.H. Krishnaiah, president of the Karnataka Sahitya Academy, who presided over the function, termed the works of Bharatisuta the “encyclopaedia” of Kodagu. Bharatisuta reflected the culture of Kodagu in his own inimitable ways. He started writing on the themes of progress much earlier than a movement for progressive writing in Kannada started in the 1940s. Only a few writers wrote about the tribal people and Bharatisuta was one of them.

Mr. Krishnaiah offered to bring out one of the two unpublished works of Bharatisuta on the occasion. The Kannada Book Authority could be approached for publishing the other works, he said. The academy was prepared to associate with the Karnataka Kodava Sahitya Academy with a view to unveil the multi-faceted aspects of Kannada literature through comparative studies, Mr. Krishnaiah said.

President of the Koadgu District Kannada Sahitya Parishat T.P. Ramesh recounted the arduous path Bharatisuta had to tread during his 61 years of illustrious life as a teacher, writer and novelist. Bharatisuta’s son Vijayashankar received a memento. V.N. Mallikarjunaswamy, Registrar of the Karnataka Sahitya Academy, welcomed the gathering. Papers were presented by K.P. Balasubramanya Kanjarpane, Kavita Rai, Thithitra Rekha Vasant and Anil H.T.

source: http://www.thehindu.com / The Hindu / Home> National> Karnataka / October 17th, 2009

Towards fostering Kodava culture

Madikeri :

There are 21 Kodava-speaking communities in Kodagu against the 18 mentioned in a book, Kodava Bhashika Moola Nivasiya, published by the Karnataka Kodava Sahitya Academy here.

These communities speak Kodava and follow the same dress code and food habits, celebrate festivals in a similar manner and consider the “Guru Karona” (ancestor) as their god. They also worship Nature. Each community has a family name. Most of the communities have “Ain Mane” (ancestral house). Though they speak Kodava, they have remained scattered in different groups.

Kodava is the predominant community among them. Kodavas are in the forefront in all spheres. Though there are several attributes to the origin of Kodavas, it is an established fact they have been the principal tribe of Kodagu. There are over 800 Kodava families with a population of two lakh.

Kodava Bhashika Moola Nivasiya mentions about the “Heggade” community, which has 57 families with a population of 11,000. The “Amma Kodava” community has a small population in the district. “Amma Kodavas” are believed to be once the principal “archaks” of Kodagu. “Airi” is the other Kodava-speaking community. “Airis” are known for making Kodava ornaments such as “peechekatti” worn by men. “Kaniyas”, who speak Kodava, are believed to have migrated from Kerala, who specialise in astrology. There are minor differences between Kodavas and Kaniyas in terms of observing rituals. “Kapalas” are the poorest of the Kodava-speaking communities with a population of 300. They do not have family names, but have “Ain Mane”.

There are “Poomale Kudiyas” who have made the hilly areas of the district their homes. The “Kembatti” community comes under the Scheduled Caste category in Kodagu. Though “Kembattis” follow the Kodava culture, they have remained backward. The “Koyuva”; “Koleya”; “Golla”; “Nayar”; “Nayinda” (barbar); “Panika”; “Banna”, which has two groups – “Aat Banna” and “Alak Banna”; “Baaniya”; “Boonepatta”; “Madivala”; “Maliya”, which specialises in herbal medicine; “Marangi”; and “Meda” are the other communities that have adopted the Kodava custom in true spirit.

There have been talks of bringing these Kodava-speaking communities under one umbrella.

The president of the Akhila Kodava Samaja, Matanda C. Monnappa, said the idea was still there and it only had to be expedited. Members of the “Koyuva” community with “Chokira” family name at Srimangala in South Kodagu were taken into the Kodava fold in the 1980s. Similarly, there were applications pending with the samaja from “Airis” and “Bannas” to take them into the Kodava fold, he added.

The idea is to foster the unique Kodava culture followed by these communities. There are instances where Kodava girls marrying non-Kodavas taken into the Kodava fold by giving them new family names.

source: http://www.thehindu.com / The Hindu / The Online Edition / Home> Karnataka / by Jeevan Chinnappa / May 23rd, 2004

Retain sanctity of traditional dance, experts urge Kodavas

Kodava Sahitya Academy makes suggestions on `Ummathat’

Traditional glory : Dancers performing a traditional dance of Kodagu.
Traditional glory : Dancers performing a traditional dance of Kodagu.

Madikeri :

Kodavas have a unique culture and their folklore too is distinct from others. “Ummathat”, a special dance, a mixture of folklore with a dainty touch of medieval and modernity, performed by Kodava women, is a case in point.

Kodava women lag behind in variety of dances vis-a-vis men. Men attired in traditional costumes perform “Bolakkat”, “Peeliyat”, “Chowriyat”, “Kappeyat”, “Pareyakali”, “Kolatt”, and “Kombatt” whereas women dressed in colourful saris perform “Ummathat”.

There was a debate whether these dances should be performed in public or only at Kodava religious and cultural ceremonies.

The Karnataka Kodava Sahitya Academy, which had organised a seminar on “Ummathat” at Devanageri in Virajpet taluk recently, has come up with some suggestions concerning “Ummathat”. A decision was taken to maintain a uniform pattern of “Ummathat” in future.

Some of the suggestions are: Ummathat should not be performed in open or public functions or in front of the tableux as it loses sanctity. The dance shall be performed only in venerable places. Dancers shall remove footwear, wear traditional “bottu podiya” (a grand sari with rich brocade) while performing the dance.

The songs, an assortment of over 12 songs, sung in different tunes, will be retained without giving it a touch of modernity, was another decision taken at the seminar.

The “taleyatakki bolakk”, a brass plate containing a burning lamp sprinkled with rice, will replace the woman dressed up as Goddess Cauvery in the middle. The seminar arrived at a decision to formulate enough programmes in future to foster “Ummathat”.

Pace and rhythm

Akhila Kodava Samaja president Matanda C.Monnappa agrees with most of the suggestions that “Ummathat” must be nurtured. There ought to be a touch of modernity to go with it, he says. Increasing the pace of songs to match the rhythm will make it more attractive. At the same time, changes should not dilute the original nor affect the decorum of the dance. It should not portray women in poor light.

No one is sure of the origin of the songs or the nuances of “Ummathat”. Most people believe the songs were compiled by the late Haradasa Appacha Kavi several decades ago. Certain songs are contained in the book written by Kavishishya Haridasa Mukkatira S. Poovaiah. Late Puggera Karumbaiah, who was instrumental in reviving the “Ummathat” in the early Seventies, too had contributed to the dance form.

Origin of Ummathat

According to Puggera Aiyappa, a senior citizen from Devanageri, Ummathat was practised centuries ago though there are no records available to prove it. Mr. Monnappa says his 95-year-old mother (who passed away recently) used to sing “Ummathat” songs.

Other dances performed by men such as “Bolakkat” have religious sanctity. Bolakkat is offered to the deity unlike “Ummathat”, Mr. Monnappa said.

Similarly, dances such as “Peeliyat”, “Chowriyat” and “Kombatt” are performed at the religious places where the deities are worshipped. “Ummathat” and “Bolakkat” were performed in public in the past even in New Delhi. It had drawn criticism.

source: http://www.thehindu.com / The Hindu / Home> Karnataka> Madikeri / by Staff Correspondent / July 20th, 2005

Mani Ratnam ropes in Miss India contestant Dayana Erappa for Chekka Chivantha Vaanam

Miss India 2011 contestant Dayana Erappa is set to make her acting debut with filmmaker Mani Ratnam’s upcoming Hindi film Nawab, which is also made in Tamil as Chekka Chivantha Vaanam.

Dayana Erappa
Dayana Erappa

Mani Ratnam has roped in Miss India 2011 contestant Dayana Erappa to play a crucial role in his upcoming Hindi film Nawab, which is simultaneously made in Tamil as Chekka Chivantha Vaanam.

Dayana Erappa, who was born in Coorg and brought up in Bangalore, wanted to join the armed forces but ended up becoming a model after her principal encouraged her to pursue modeling. She was trained under fashion guru Prasad Bidappa from Bangalore. Then, she moved to Mumbai to take part in Miss India in 2011. Now, she is all set to make her acting debut with the bilingual movie.

The model is all thrilled to be a part of Nawab. “I was called for an audition by Mani Ratnam’s team. Initially, I thought it was a prank call, but later, I realized that it was genuine and sent my pictures. I even gave two rounds of auditions. But after a couple of months, the team called and told me that I was on board. I just couldn’t believe it,” Dayana Erappa told Deccan Chronicle.

The Miss India contestant feels that getting the chance to work with Mani Ratnam is a dream-come-true moment for her. “I never thought I’d get into films; so the offer means a lot to me. It would be a dream debut and I could not have asked for more,” added Dayana Erappa.

Like every other newbie, Dayana Erappa was also a bit nervous about meeting Mani Ratnam, but the latter kept her at ease by lauding her performance in the audition. Now she is busy preparing for her debut role in Nawab. “I am currently doing workshops with theatre actors to get my expressions right. I have several Tamil films in mind that I will watch to get the role right,” she told Deccan Chronicle.

Chekka Chivantha Vaanam is an action-thriller, which is co-written, directed and co-produced by Mani Ratnam under the banners Madras Talkies and Lyca Productions. The film features an ensemble cast of Arvind Swami, Silambarasan, Vijay Sethupathi, Arun Vijay, Jyothika, Aditi Rao Hydari and Aishwarya Rajesh.

source: http://www.ibtimes.co.in / International Business Times / Home> Entertainment> Movies / by Shekhar H Hooli / February 22nd, 2018

‘Balopat’, ‘Ummathat’ and much more

bonding: The president of Mysore Kodava Samaja, Kattera A. Cariappa, inaugurating the Kodava cultural convention in Mysore recently; (right) Kodava men performing a folk dance at the convention
bonding: The president of Mysore Kodava Samaja, Kattera A. Cariappa, inaugurating the Kodava cultural convention in Mysore recently; (right) Kodava men performing a folk dance at the convention

There was not much of an activity or even talk in public relating to preserving and nurturing the unique Kodava customs before the advent of the Karnataka Kodava Sahitya Academy in the early 1990s. Cultural observations essentially remained within the domains of the Kodava Samaja bodies or during the festivals and feasts. A new epoch had begun almost simultaneously with the coming into being of Kodava news weeklies. And, Kodava literary activities and cultural displays came into the limelight. Identifying those who had achieved laurels in various fields too began, thanks to the activities of the Academy, not just in Kodagu but also outside the district.

The two-day State-level Kodava Sahitya Samskritika Sangama (literary and cultural convention), held in Mysore here on March 1 and 2 was one such programme aimed at taking the Kodava culture to its people spread across the length ad breadth of the State and the country. It provided a platform for various speakers to give a clarion call for preserving and nurturing the Kodava culture for posterity.

The first day of the convention featured competitions involving different Kodava folk dances while on the second day selected speakers presented papers in a seminar with emphasis on arresting the trend of cultural degeneration. Speakers expressed concern at the erosion of Kodava culture and suggested various ways and means to stem the rot of Kodava language, literature and folklore. Traditional ‘Ummathat’ by women, and ‘Bolakkat’, ‘Kathiyat’, ‘Pareyakali’ and ‘Kolat’ by men stole the show.

Special drive

The president of the Mysore Kodava Samaja, Kattera A. Cariappa, observed that all-out efforts were needed to maintain the rich cultural practices of the Kodavas. There was a need to maintain unity among the members of the community. The president of the Karnataka Kodava Sahitya Academy, Rani Machaiah, said the Academy had embarked on a special drive to popularise ‘Kodavaism’ by taking up various programmes. The Academy had also invited three dance troupes from the Karnataka Janapada Academy — ‘Dollu Kunita’, ‘Pattada Kunita’ and ‘Puja Kunita’ — to perform as part of the exchange programme.

The Kodava Academy had organised programmes earlier in collaboration with the Karnataka Beary Academy and Karnataka Tulu Academy as part of the exchange programmes. This move was aimed at enhancing the camaraderie among the different communities. Ms. Machaiah, at the Mysore convention, expressed concern at the migration of Kodava people, particularly youth, from the district in search of greener pastures. Of late, many farmers had sold their land to move out of the district, she said, adding such a development could jeopardise the culture and growth of the Kodava language in Kodagu.

Efforts made by the Academy bodies in the past too are worthy of a mention here. For instance, the Academy took the learning of ‘Balopat’, the traditional folksong of the Kodavas, even to schools under the “Aat-Pat” (Dance and Song) programme. Cultural conventions across Kodagu have turned out to be crowd pullers.

Organising programmes in the rural parts of the district generated more awareness on the need to arrest the decline or dilution in Kodava culture.

Controversies

However, the Academy was not without controversies. Allegations of financial irregularities against certain office-bearers of the Academy had come as a slur on the fair name of the body. Moves to organise a World Kodava Conference in Madikeri had come to a naught as a result. There were controversies over the appointment of members to the Academy. Some were vociferous in demanding nominations to all Kodava-speaking groups and some were against it.

It happened that the political party in power on the day would have the final say in choosing the members to the Academy. At times, political party workers who owed allegiance to the party in power were comfortably accommodated.

A section of the Kodava-speaking groups felt that the Academy remained confined to organising cultural activities. There were more of displays relating to Kodava folk dances and cultural practices rather than literary activities, some still feel.

The talk that literary research works in Kodava should have come about, is also doing the rounds.

The efforts being made by the Kodava Elthkarada Koota, a body of Kodava writers, which had been bringing out books in Kodava every month, needs a mention here. Thanks to the advent of the Kodava weeklies, a number of budding Kodava writers have come to the fore.

This has indeed helped the spread of the Kodava language, though it has adopted the medium of Kannada for the script.

Jeevan Chinnappa

Vigorous efforts are on to preserve and nurture Kodava culture

source: http://www.thehindu.com / The Hindu / Home> Features> District Plus / by Jeevan Cariappa / March 12th, 2011

‘Male habba’ showcases rich culture of Kodavas

MaleHabbaKF28feb2018

45 lakh released for Kodava Sahitya Academy: Appachu Ranjan

MLA dancing to the tune of music of Kodagu, Kodava Sahithya Academy President and ZP members engaged in retransplatation of seedlings, Taluk Panchayat members ploughing the field, running race with a dog, tug of war and marshy field race… These were the scenes at ‘Male habba’ organised by the Karnataka Kodava Sahithya Academy in the field of Mukkodlu Hotteyanda S Thimmaiah in Madikeri Taluk on Sunday.

The habba was inaugurated by MLA M P Appacchu Ranjan. Amidst the greenary of the nature, the villagers actively took part in ‘Male habba.’

Irrespective of caste, creed and age, all took part in the competitions. On a whole, it was reflecting the Kodava culture, tradition and agriculture activities.

MLA M P Appacchu Ranjan, Kodava Sahithya Academy President Rani Machaiah, ZP Member B C Neelamma, TP Member Napanda Ravi Kalappa and others were taken out in a traditional procession.

Speaking on the occasion, the MLA said that it was good to see that Male Habba is being organised by uniting all the villagers. “The tradition and culture of Kodavas should be passed on to the future generation and Male Habba will help in showcasing the rich culture of Kodavas.”

Race, dancing and having meals together was the speciality of the ‘Male habba.’

The MLA said a sum of Rs 45 lakh was released to Kodava Sahithya Academy. Public should join hands with the Academy in preserving the Kodava language, culture, tradition of the land.

Academy President Rani Machaiah said additional grants are being released to the Academy, which helps the Academy in organising several programmes. The Academy will bring out a CD to showcase the rich Kodava culture to the future generation.

source: http://www.deccanherald.com / Deccan Herald / Home> District / Madikeri – DHNS / August 08th, 2010

A barefoot movement to help the poor walk safely

Joyappa Achaiah and Lim Changappa have started a campaign to ensure that the poor are able to walk safely.
Joyappa Achaiah and Lim Changappa have started a campaign to ensure that the poor are able to walk safely.

Bengaluru duo roughs it out to convince people to donate footwear

It was not a barefoot beach holiday. When Joyappa Achaiah and Lim Changappa, both 36, doffed their footwear and walked to work for 100 days from May to August, they were keen to make a point.

A large segment of the population, they say, cannot afford footwear. This, despite India being the second large producer in the world. The Bengaluru-based entrepreneurs came up with the Barefoot India Campaign to drive home the message, that the poor should be able to walk safely. A month-long footwear collection drive has begun in Bengaluru as part of the effort, from September 3.

‘Essential gear’

On what motivates them, Mr. Achaiah said, “We’ve been doing multiple drives to educate the girl child, and on women’s safety and environment protection. But these are initiatives that a lot of other NGOs have also taken up. We thought about the one thing that everyone needs, which is footwear. It’s not just part of attire, but essential protective gear.”

Before launching the campaign, they visited villages and slums and spoke to people about what they needed the most. “More than money, they highlighted the difficulty of walking without cover for feet. More than 10% of the poor in the State cannot afford footwear. We want to help them,” said Mr. Changappa.

The activists decided to convince by example, and took up the 100-day no-footwear challenge.

For the collection drive, cardboard boxes are being kept in public locations like ITPL, Manyata Tech Park, Embassy Golf Links, Forum Mall and Phoenix Mall, and in colleges. “People can drop their used pairs,” he said.

Those in good condition will be distributed directly, and the rest, refurbished.

The entrepreneurs have petitioned the Karnataka government to initiate a ‘Padharaksha Bhagya’ programme to supply footwear to 10 lakh needy people. A marathon in November and a shot at a Guinness record with a 100 ft rangoli of a bare foot are on the cards.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Sarumathi K / Bengaluru – September 03rd, 2017

Traditional dance marks mela opening

GRACEFUL: Kodava women perform Ummathat dance at the Kodava Samskrutika Mela at Napoklu in Kodagu on Monday.
GRACEFUL: Kodava women perform Ummathat dance at the Kodava Samskrutika Mela at Napoklu in Kodagu on Monday.

Karnataka Kodava Sahitya Academy president Rani Machaiah on Monday called upon the Kodava-speaking groups to foster the unique Kodava culture to perpetuate it for posterity.

She was addressing a gathering at the Madikeri taluk Kodava Samskritika Mela (Kodava cultural convention) held at the Napoklu Kodava Samaja premises in Madikeri taluk, an official release said here.

The academy had been doing its best to preserve the unique Kodava culture by organising various cultural programmes across the district, she said. The Virajpet taluk convention would be held in Birunani on February 7 and in Somwarpet taluk in March, Ms. Machaiah said.

The traditional Bolakkat dance was inaugurated by Neriyandammanda Prabhu, Ummathat by Ikolanda Dotty Aiyappa, Kolatt by Mechira Ravishankar Nanaiah and Kodava song competitions by Boppanda Bollamma Nanaiah.

The former president of the Academy Bacharaniyanda P. Appanna presented a paper on the history of Nalnad area, comprising Napoklu and surrounding areas, at a seminar later.

There were five taluks in Kodagu in 1834 and several ‘nads’ (nad is a group of villages), he said. However, they had undergone geographic changes, Mr. Appanna said.

There were 26 villages in the Napoklu nad. The credit of preserving the Kodava culture should go to Napoklu nad, he added.

Mr. Appanna remembered the contributions of Kodavas of the past to nurture Kodava culture such as Appachira Mandanna, Kaliyatanda Ponnappa, writers such as Appaneravanda Appacha and Nadikeriyanda Chinnappa, all of whom hailed from the Nalnad area (Napoklu and surrounding areas).

Biddatanda Ramesh Chengappa, vice-president of the Napoklu Kodava Samaja, presided over the function.

Writer Moovera Rekha Prakash spoke on the history of Cauvery on the occasion.

source: http://www.thehindu.com / The Hindu / Home> National> Karnataka / by Staff Correspondent / Madikeri – February 01st, 2011