Hyderabad:
While she was still studying surgery at the University of Liverpool in England, Kavery Nambisan was informed by her friend that a mission hospital in Bihar was in desperate need of a surgeon, and asked if she would be interested in the offer. She took it up as a challenge and landed in the town of Mokama, a dacoit infested area, where she went on to treat patients who had faced several degrees of violence.
After Mokama, she worked at rural hospitals in Uttar Pradesh, Tamil Nadu and Karnataka, where she presently works in the Coorg district. But in the meanwhile, Kavery found time to write seven novels in the last two decades.
Her last book, The Story That Must Not Be Told was shortlisted for the DSC Prize for South Asian Literature as well as the Man Asian Literary Prize. “I started writing once I had become a doctor; initially it was few flippant pieces here and there, and then I ended up writing two children’s novels. It was a revelation for me, because I don’t have a literary background,” she says.
Kavery soon ventured into writing adult novels because she felt there was more to her imagination that she could put down on paper. Her recently released seventh book A Town Like Ours, chronicles the growth of Pingakshipura, a village that has now become a town. It is a place where the water runs a poisonous black and the hair on every child’s head is white. And all of this is through the eyes of an ageing prostitute who resides at a temple premises.
The central character is borrowed from one of Kavery’s childhood memories. “When my father was transferred to Delhi, there was a temple we used to visit often. Right next to the temple, in a room, I found this scantily clad elderly lady who was smoking a hookah and had several men huddled around her. She had a loud voice, and as a young girl, I was mystified and yet disgusted by her appearance,” she adds. But do most of her memories, or her medical experience find place in her books?
“Not constantly, but since I am a writer, I do observe. I listen to my patients intently when they confide in me about their family problems. Any inclusion is not always intentional but I guess once you have the seed of something, you can always create,” she says.
Kavery, who writes early in the mornings and during weekends, says that she never had a problem juggling her professional expertise with her passion for writing. “Since I have always had it this way, I never have really seen it as a problem. Apart from medicine and writing, I don’t feel the need to socialise because I meet so many people anyway. However, I have discovered that I can write an awful lot in hotel rooms when I am travelling, because there I have no other responsibilities,” she adds.
In the present times, when bookstores are stocked with new authors writing about college romances and urban life, there are barely a handful of voices which document the rural facets of our country. The author adds, “It’s not their fault that most of these young authors did not have any rural experience to write about. On my part, I am deeply saddened by injustice which plagues our society. When I have the opportunity of education and upbringing, someone else is continuously being denied it. I constantly think of it, but I haven’t been able to come up with an answer. But instead of feeling helpless, we must realise that we can’t do everything to resolve the situation, but can continue to do what we do best.”
And Kavery’s decision to spend her life writing about and aiding the rural folk in villages, where healthcare is deemed a luxury, is a clear example of that. “It was partly the influence of my father and my teachers, who instilled in me the sense of purpose, of why you do something. And being born and brought up in a village, I realised this is what I should do, because this is what I do best,” she says.
source: http://www.deccanchronicle.com / Deccan Chronicle / Home> LifeStyle> Books/Art / DC / Amrita Paul / August 30th, 2014
