Category Archives: Arts, Culture & Entertainment

Nidhi Subbaiah: Ajab Gazabb Love taught me patience

A bundle of talent, a trained sailor , a natural singer, actor Nidhi Subbaiah is trying to make her foothold in Bollywood. Recently in Varanasi to shoot for her second film , Direct Ishq Ho Gaya, the pretty actor is keen to be part of good cinema , cinema which ten years down the lane she is proud to be associated with.

Nidhi Subbaiah
Nidhi Subbaiah

The Gold Rush

A gold medalist in sailing, Nidhi represented her state, Karnataka twice at competitions held in Chilka Lake and Vizag. “I was the helmsman of the team. My love for sailing began in school where I joined the naval wing of NCC, that had sailing as part of the training . For two years I underwent training and even wanted to make a career out of it, but my Commanding Officer, who despite being very happy with my skills, dissuaded me, as there was no future in the sport. Issues like lack of sponsors did not make it a lucrative career choice so I had to give it up. It is unfortunate that in our country sports as a career has limited options.Only cricket for men and tennis for women are viewed as the right career choice , which should change and other sports should also be encouraged, ” she says. I shocked my parents.

Her passion for the sport ensured Nidhi admission in an Engineering college in Mysore, to pursue civil engineering, in the sports quota category. With most of my friends joining the same college, was the reason for getting myself enrolled . I dropped out of the college after the first year as I started getting modelling offers and soon some prestigious assignments came my way . This decision did not go well with my parents as they had some pre conceived notion about the entertainment industry . Being the only child of my parents, my father , a coffee planter and my mother , a lawyer, always wanted me pursue higher studies from US .This came as a shocker to them but later things changed and now they support all my efforts. While exploring possibilities on the silver screen I preferred moving to Bangalore due to it’s familiarity rather than to Mumbai which was an altogether new city for me. I started getting offers for Kannada films ,” she says.

Ajab Gazabb Love taught me patience The actor who forayed into Bollywood with Ajab Gazabb Love with Jackky Bhagnani , says that the film not doing well at BO did bother her initially . “It took me a while to get my second film but it taught me patience which I lacked earlier . I pondered over a lot of things and learned to love my craft .The reason I could shoot for a long stretch of time, even eighteen hours at a time, despite temperatures cross 45 degrees in Banaras for Direct Ishq, when some members of the crew fainted due to heat,” she says. Essaying the role of Dolly Shukla in the film, who is a theth Banarasi, Nidhi feels, that it is a coincidence that the UP connect remains even in her second film . “In Ajab Gazabb Love I portrayed a Luckhnawi girl and now a Banarasi , perhaps it has something to do with my previous birth , “she says with a laugh.

I can scream my lungs out when provoked The character of Dolly, walks in boots and is a rockstar who screams at the slightest pretext and bashes boys with ease .Some crew members were apprehensive whether I will be able to get into the skin of the character since I appear as a soft person at first glance but I told them that you did a good job by selecting me since I can yell my lungs out if provoked,” she adds mischievously.

Want to do cinema that connects with the audience Keen to work with directors like Imtiaz Ali, the actor says that it is the script and her role in the film that is vital to her . “This, along with the director I am working with, has been the criterion so far in my selection of the films. I don’t want to be typecast and wish to do the kind of cinema that connects with the audience, so the boundaries of serious or commercial cinema does not bother me, as five years from now I want to be seen as a self made girl with a space of my own in Bollywood,” she says.

source: http://www.timesofindia.indiatimes.com / The Times of India Home> Entertainment> Hindi> Bollywood / Meera Vohra, TNN / August 05th, 2014

Now, DISCOVER COORG on YouTube

Mysore :

A video reflecting the various facets of Kodagu has been put up on Youtube. The video titled ‘Discover Coorg — Land of the Brave and the Beautiful’ has been produced by freelance journalist and author P.T. Bopanna.

Bopanna’s efforts so far were confined to his books and websites. Now, for the first time Bopanna has used the medium of video to capture the various facets of Kodagu.

The Discover Coorg video features tourist spots, homestays, Coorg jewellery, the Kodava family hockey festival, and the golfing culture in Kodagu. It also captures the traditional tribal folk dances and even a colourful Kodava wedding.

The video has been scripted and made under the creative supervision of Pattamada Sundar Muthanna, an advertising copywriter, who is passionate about Kodagu.

The content for the video has been sourced mainly from Bopanna’s four websites: www.coorgtourisminfo.com, which was started in 2005, www.coorgrecipes.com, www.coorgjewellery.in and www.coorghomestays.co.in

A section of the video on ‘How to wear a Coorg sari’ was produced earlier by Bopanna for his website www.coorgjewellery.in. The video was directed by fashion guru Prasad Bidapa.

One can view the latest video by visiting the website www.coorgtourisminfo.com or through the Youtube link https://www.youtube.com/watch?v=eXN3aer12HY.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / August 05th, 2014

There’s Something for Everyone in This Town

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Kavery Nambisan’s poised surgical fingers cut through the heart of rural India in her charming seventh novel, A Town Like Ours. Yes, you read that right. When most people struggle with writing one book (full time), Nambisan has deftly churned out little more than half a dozen books while juggling her day job as a surgeon. If that doesn’t make you envious, then perhaps this will: her last book The Story That Must Not Be Told was shortlisted for the Man Asian Literary Prize and the DSC Prize.

In her latest offering, A Town Like Ours, you get the feeling that Nambisan has been mulling over the idea for years—lodged in her subconscious—before writing it all down in one swift sweep. It is a quiet book with an assured, elegant voice. Set in the fictional small town of Pingakshipura, the novel’s narrator is Rajakumari, a retired whore past her prime, who at one time serviced everyone and the local temple priest. This is a town where water runs black—all thanks to the temple priest—and every child’s head is white. Poignant and aching in parts, Nambisan’s motley crew of characters weave a story of love and loss and the desire to succeed in a ferocious world.

There is Saroja and Sampathu who flee a murder most morbid only to land up in Pingakshipura and raise Gundumani and Rukmini (Rukma) in a battered old taxi. No matter how odd this may seem, the two hold onto this semblance of a home. Then there is Gundumani, the boy with the crooked leg, whose can’t seem to understand his love for the woman whom he has treated as his sister, until well…let’s leave that for you to discover. Then there is Lectric Manu, who is a little too keen on Saroja; Kripa and Manohar, the childless couple who discover something unusual about each other after years of marriage.

A Town Like Ours is a sad tale that negotiates all those uncomfortable emotions gurgling underneath. Here is a little sampling of Rajakumari’s thoughts: ‘The very pith of marriage is carnal, you will do it with your husband or wife and no other. The manliness and womanliness with which couples accept this situation while attempting to imitate happiness is enough to make me weep. So it begins, this wedded happiness which is sometimes also a curse. Couples tire of each other’s bodies without realising it. They proceed to make children who grow up and go to school, the bidi factory or brothel, they live normal lives while their vague disenchantment cooks away and bounces off the walls of their cage like tired moths that slowly-slowly wither to dust.’

The writing is measured and the story unravels itself beautifully as you nudge each page. Nambisan’s book is a slow, lilting little gem that is ought to be relished on a long, monsoon-dappled train journey.

A Town Like Ours
By: Kavery Nambisan
Pages: 256 / Price: Rs 395 / Publisher: Aleph Book Company

source: http://www.newindianexpress.com / The New Indian Express / Home> LifeStyle> Books / by Supriya David / August 10th, 2014

Harshika Poonacha, darling of audiences, back to Bigg Boss

harshikaKF06aug2014

Sandalwood actress Harshika Poonacha who was recently eliminated from the house of popular Kannada reality show Bigg Boss is all set to make her comeback on the show. The reason behind Harshika’s re-entry to Bigg Boss was because audiences have been demanding her comeback on the show.

And the makers of the show had no other choice, but to relent to the audiences demand. She will be once again seen on the TV show from Sunday onwards.

Hope her re-entry will be a pleasant one, and she remains in the show for long.

Recently we saw Sandalwood director Guruprasad making a wild card entry into the controversial reality show currently on air on a popular Kannada TV channel. The show, in its second season, is being hosted by Kannada superstar Sudeep.

Director Guruprasad is mostly known for portraying realistic stories on screen. Thus we wonder whether the filmmaker will be able to fight back against all the allegations and backbiting that happen on the show.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> Entertainment> Kannada / TNN / August 03rd, 2014

THE SUNDAY INTERVIEW : ‘Life can be a fairy tale… or a mess’

Author Kavery Nambisan / by Special Arrangement / The Hindu
Author Kavery Nambisan / by Special Arrangement / The Hindu

Kavery Nambisan talks to the writer about her book A Town Like Ours, and juggling the roles of writer and surgeon.

Pingakshipura — where the hair on children’s head has turned white and the water runs black — is the town Kavery Nambisan created in her latest book, A Town Like Ours. Though a fictional account of a fictitious place, Nambisan’s words resonate with a dark, uncensored truth that brings to mind the fate of hundreds of villages across the country. Known for her highly perceptive and emotive style, Nambisan talks about her writing and her dual life as author and surgeon.

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Excerpts from an interview:

Tell us a little about how you created Pingakshipura.

It grew around the character of Rajakumari. When I created this endearing, coarse-tongued prostitute and tried to imagine her life, the place that came to mind was a shapeless, noisy pell-mell town. I worked backwards from the town to what it must have been a decade or two earlier. I thought I had created Pingakshipura but, in actual fact, it was like the villages of Karnataka where I lived in my childhood that, over the decades, transmogrified into towns. The lopsided modernisation that we so timidly endorse in our greed for wealth leads to a distortion of the intrinsic fabric of society. The deep and abiding wisdom that is a part of village life is forever lost.

You choose to use Rajkumari to tell the story?

She is derived from a real characterYou know how you come across a person and she stays in your mind and cooks away in your imagination until she is no longer a strangerThe important thing about Rajakumari is not her beauty but her ability to think, and to believe in herself. Her unique position as a harlot gives her the fearlessness and the freedom to retain her dignity at all times.

As for using her voice to tell the story, who better than a whore to give an honest account of the goings-on in any place, who better to tease out the absurdities of life and people? Her voice is like the drumbeat of Pingakshipura, the collective voice of the town. She speaks in her language, namely Kannada which is also the language I grew up with in school.

Not every character’s story is resolved. This seems to be deliberate.

It is Rajakumari who speaks. She is keenly interested in the lives of four people; two couples and two children. My own experience is that the lives of seemingly disparate people come together due to the strangest of circumstances. And a novel is only a peeping-hole into something that happens somewhere. Life can be a charming fairy-tale but more often it is a mess. I look in and show what I see.

I am also very interested in the way we keep secrets from each other, the way we speak half-truths and get away with it all the time. We try to shield our own ‘imagined’ dignity or shield that of others. But see what dilemmas we can end up with. Would it not have been easier for Manohar to tell his wife about his longing for children instead of doing what he did? Or for Saroja to be utterly honest with Sampathu?

A Town like Ours seems to underline your own worries about where rural India is headed.

I guess that runs like a theme through the book, although it is not talked about much. Yes, I am depressed about the destruction, the thinning away, of our link with Nature. It is like humanity is steadily losing blood, getting more anaemic by the day and, instead of treating the cause, is trying to pep itself up by using the magic tablet of modernisation.

Is this the kind of fiction you believe in writing, one that reflects on and mirrors reality?

I did not plan anything. When I started, all I knew about writing was that you had to tell a story. I like stories that make me smile or laugh (sometimes with bitterness). But what really moves me is the grand canvas of living. We humans have a greater capacity for grief than for joy, don’t you think? At least, that is the case with me. I try to be honest, that’s what I do when I write. Everything flows from there. Injustice of all sorts fills me with disbelief about our future and I write so I can change that disbelief into something more hopeful.

Are there any similarities/overlaps in the two facets of your life: writer and surgeon?

Surgery is all about knowledge, skill and team-work. Writing, on the other hand, is done in isolation; it is a bizarre mix of observation, experience, memory and imagination, a chipping- away until something comes out on the page. But both writing and surgery require a certain confidence and the ability to take risks. Who knows what your novel will turn out to be like? In surgery, the risk is that each human body behaves differently and, although you think you know it well, it always throws up surprises. When I open an abdomen, or take on something else, I should be prepared to handle the innumerable variations. Especially in a rural area where you cannot cry for help. You succeed by staying abreast of progress, by keeping your faculties sharp and your mind open to learning. Once you say, “Yes, I can do this for you,” to a patient, you go all the way in the best way possible. By nature, I’m a risk-taker. That’s how I’ve survived as a writer and a surgeon.

source: http://www.thehindu.com / The Hindu / Home> Features> Sunday Magazine> The Sunday Interview / by Swati Dastur / August 02nd, 2014

Nanaiah to head panel on women’s safety

The 26-member committee has to submit its report within three months

The government has set up a 26-member expert committee, headed by the former Law Minister M.C. Nanaiah, to suggest amendments to the law related to sexual assault cases and enhancement of punishment for the crime.

According to a government release on Wednesday, Mr. Nanaiah will have the Cabinet Minister status. As the chairman of the committee, he enjoys powers to invite opinions and suggestions from experts and officers concerned. The committee is expected to submit its report along with its recommendations within three months from the date of its formation, the release said.

Increase in the incidents of sexual assault on women and children, followed by protests both inside and outside the House, prompted the government to constitute the expert committee comprising legislators, representatives of social organisations and women and children’s organisations, and legal experts.

Legislators Shakuntala Shetty, Y.S.V. Datta, Motamma, Jaimala, Tara, V.S. Ugrappa, Basavaraj Horatti, K.B. Shanappa, Govind Karjol, Tanveer Sait and Vinisha Nero, the former Minister Rani Satish, the former MLC Prafulla Madhukar, Leela Sampige, retired IPS officer Jija Hari Singh, writer Suchitra Rao, journalist Gouri Lankesh, Sangeetha Saxena, Krupa Alwa, Chandramouli and M.R. Hegde are members of the committee apart from four government officials from the departments of Home, and Law and Parliamentary Affairs.

source: http://www.thehindu.com / The Hindu / Home> News> National> Karnataka / Special Correspondent / Bangalore – July 31st, 2014

‘Entrust rafting at Dubare to Jungle Lodges’

MLC M C Nanaiah has demanded the district administration and the government to hand over the complete operation of river rafting in Cauvery river at Dubare to the government owned Jungle Lodges.

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In the letters written to Kodagu Deputy Commissioner Anurag Tewari and State government Chief Secretary Kaushik Mukherjee, he has requested to stop the dangerous rafting and harassment of tourists in Dubare. Permission has been granted by the forest department, tourism department and port and inland department to operate six boats for rafting purpose in Dubare. However, over 30 boats are operating here illegally.

“I have visited the place twice and have witnessed the illegal river rafting taking place in Cauvery river in Dubare. The permission given to private firms for operating this dangerous and adventurous sports has to be withdrawn immediately and hand over the operation to government owned Jungle Lodges for the safety of tourists,” he has said.

Further, he has mentioned that there is an unhealthy competition between the private water sports operators. Lack of safety equipment is another cause of concern.

Thus it will be a good decision to hand over the responsibility to Jungle Lodges, Nanaiah has said.

He has requested the DC to take a decision after discussing with the secretaries of the forest and tourism department.

source: http://www.deccanherald.com / Deccan Herald / Home> District / Madikeri, DHNS – July 30th, 2014

GROUND ZERO – Lessons only a mother can teach

GROUND ZERO
Lessons only a mother can teach
The understanding of our existence is a lifelong quest on a path strewn with flowers and thorns. Urbanisation and materialism have seen many of us lose our moral compass. My mother taught us to stay connected to those around us and Nature even as we travelled far and wide.
Raj Chengappa

RajChengappaKF31jul2014My mother went gently into the long night last week. She had lived a full life of 85 years. We had known that the end was near for the past couple of months. She herself had wanted to go ever since she had lost her life’s companion, my father, a decade ago but her spirit and body would not give up. She had prided herself that she had never visited a hospital for treatment and she was determined not to do so in her twilight years. We respected that, and though her last couple of months were tough as her body wilted, she coped with it in the familiar surroundings of her children’s houses.

When I got the call just before midnight from my sister, whom my mother had been staying with in Bangalore, the finality of her passing away hit me. As I prepared to take the flight to Bangalore from Chandigarh, the memories sped by in staccato frames with no particular narrative or continuity. There was a feeling of immense gratitude and love for someone who along with my father had ensured that each of her four children was sufficiently equipped to face life’s struggles and had the freedom to pursue their dreams.

Uppermost among them was the fact that she opted to say alone in Bangalore for five years when my father, who was in the Army, was posted in Kashmir, so that we would get the best of education. All of us were below eight years of age and she would bundle us every day to school, our uniforms starched and ironed and tiffin boxes packed. On our return, a hot snack would be waiting for us. She made sure we had our baths in the evening and prayed before going to bed. It was only when I became a parent I truly appreciated the effort.

Her village nestled among the verdant Coorg hills gave her the love for her roots and Nature.
Her village nestled among the verdant Coorg hills gave her the love for her roots and Nature.

As I got on in life, my mother’s primary question till the very last was, “How is your health — hope you are taking care of yourself?” She rarely asked me questions as to how successful I was in terms of my career, how much money I had saved or what kind of house I was living in. She only wanted to know if I was maintaining my health. The old saying ‘health was wealth’ still held good for her.

Perhaps an equally important lesson she taught us was never to forget our roots or humble beginnings. Though educated in Bangalore and Delhi and having lived in Jammu, Ferozepur (where I was born) Kolkata, Deolali, Hyderabad and Nellore, my mother never ever forgot the village in Kodagu (Coorg) where she lived in the formative years of her life.

When my maternal grandfather was alive, she ensured that we spent many holidays in her village. To reach her ancestral house we had to walk over 5 km from the bus stop, past hills clad in thick forest, valleys with verdant paddy fields and the swift flowing Cauvery river that originated not far from her village.

It taught us to love nature and understand how most of India lived then and many do even today — no roads, tap water, toilets or electricity. We learnt to wake up to the call of the rooster in the morning, to milk the cows, help plough the fields, call cattle back from the meadows in the evening and read under oil lamps or listen to grandpa’s experiences.

My mother’s last wish was that part of her ashes be strewn in the Cauvery river flowing near her house, a part buried near the house where her parents’ ashes were interred and the remaining buried next to those of my father in the fields in his village some 30 km away.

Heavy monsoon rain lashed Kodagu when we took the urns carrying her mortal remains. We were warned that the river was in spate and the roads leading to her village were inundated. But Mother Nature obliged and the rain abated just enough for us to fulfil her last wish of being forever back among the people and place she loved the most.

Her final journey was a lesson too. The search for our roots and the understanding of our existence is a lifelong quest on a path strewn with flowers and thorns. Rapid urbanisation has seen many of us lose our moorings and moral compass. The pursuit of materialism as an end itself has only made emptiness and disquiet grow.

My mother taught us the importance of staying connected to nature, family, friends and those who worked or lived around you. Never to forget your roots even as your body and mind took you far and wide. So that when the bell tolled, Nature would welcome you with open arms and to limitless warmth, as it did her.

raj@tribuneindia.com

source: http://www.tribuneindia.com / The Tribune Online edition / Sunday, July 27th, 2014

Ashwini urges fans to adopt homeless dogs in new PETA campaign

Ace India shuttler Ashwini Ponnappa has teamed up with PETA India for a brand-new ad campaign that shows her relaxing with rescued dog ‘Shifu’ next to her racket with the caption reading, “Love All. Adopt a Dog or Cat From an Animal Shelter!”

Just before heading to the ongoing Commonwealth Games at Glasgow, Ashwini took time out of her busy schedule to team up with People for the Ethical Treatment of Animals (PETA) India for this brand-new ad that encourages her fans to open up their homes to a homeless cat or dog.

“Stray dogs don’t have anywhere to go, and they’re chased a lot by people. They’re beaten up. They also get run over by cars,” she says.

“Instead of buying a dog, please go and adopt stray dogs and cats who need a home. And it will help them out and help you out, because you will have a companion at home.”

The ad was shot by ace photographer Sam Mohan, while Ashwini’s hair and make-up was done by Ralph Daniels.

“Pedigree” cats and dogs, who have been bred for certain exaggerated physical traits such as squashed-in noses and long ears, are more susceptible to developing medical problems, including cancer, kidney disease, joint ailments, hip dysplasia, heart defects, epilepsy and eye and ear infections.

Ponnappa won the gold medal in women’s doubles in the 2010 Commonwealth Games. She also won the bronze medal in the women’s doubles competition in the 2011 BWF World Championships.

source: http://www.business-standard.com / Business Standard / Home> PTI Stories> National> News / Press Trust of India / Mumbai – July 27th, 2014

Visitors flock to picturesque spots along the Cauvery

The Gaganachukki waterfalls in Mandya district is one among the tourist spots along the Cauvery that has been attracting visitors every day for the past two weeks / . Photo : Special Arrangement / The Hindu
The Gaganachukki waterfalls in Mandya district is one among the tourist spots along the Cauvery that has been attracting visitors every day for the past two weeks / . Photo : Special Arrangement / The Hindu

The outflow from the reservoir was at the rate of just 350 cusecs on July 8. However, it rose to 8,052 cusecs on July 15 as the Irrigation Department began discharging water to Tamil Nadu.

With the Irrigation Department releasing water from the Krishnaraja Sagar (KRS), tourism spots along the Cauvery have been witnessing a steady rise in the number of tourists for the past couple of weeks.

Catchment areas of the Cauvery in Kodagu district and areas upstream of the reservoir received good spells of rainfall in recent days and therefore, the inflow rate into the reservoir has increased significantly. The authorities have increased the outflow from the reservoir, owing to which, these tourism spots now look vibrant and picturesque.

Tourism spots
Visitors are flocking to KRS, Balamuri waterfalls, Ranganathittu Bird Sanctuary, Srirangapatna, Paschima Vahini, Gende Hosahalli Bird Sanctuary, Mahadevapura, Muthathi, Bheemeshwari fishing camp, Shivanasamudra and Gaganachukki waterfalls in the district.

The outflow from the reservoir was at the rate of just 350 cusecs on July 8. However, it rose to 8,052 cusecs on July 15 as the Irrigation Department began discharging water to Tamil Nadu. It continuously increased till Sunday, when it was 11,475 cusecs at 6.30 a.m. The CNNL then reduced the outflow rate to 446 cusecs on Sunday night. It was, however, increased to 3,100 cusecs on Tuesday morning.

At least 20,000 tourists — domestic and foreign nationals — have been visiting these places every day for the past two weeks. Many of them come from Bangalore and other parts of south India to take in the beauty of nature, a senior officer of the Department of Tourism told The Hindu here on Tuesday.

He said that the number of people thronging these tourism spots was expected to increase in the coming days.

Meanwhile, the Mandya police have deployed additional policemen at Muthathi, Gaganachukki and Balamuri, KRS and other places to prevent loss of life and property.

source: http://www.thehindu.com / The Hindu / Home> News> National> Karnataka / by M. T. Shiva Kumar / Mandya – July 23rd, 2014