Category Archives: Arts, Culture & Entertainment

‘Sodaru’: Light On Journalism

Title : “Sodaru: A journey of a journalist”

Price : Rs. 140

Publisher : Adiraaj Prakashana, 245/F, 5th West Cross, Uttaradhi Mutt Road, Mysuru. For book contact: 98445-76429. E-mail: ananth.alpinia@gmail.com

This is an age of information. Thanks to the quantum development in the area of information technology like never before. Books, newspapers, radio, telephone, internet etc., enable this revolution with speed and spread of information. But behind all these media blitzkrieg and bombardment is a journalist who provides the content. Smile please!

Being a journalist, it is natural for me to evince interest in the area of journalism and all that is related to that activity.

A few days back I learnt that B.G. Anantha Shayana, the senior journalist and the consulting editor of Kannada daily ‘Shakti’, Kodagu district, who is also the correspondent of United News of India (UNI), has written a book about his experience as a journalist.

Kodagu being my home district and having done my SSLC in Madikeri Government Central School and then the graduation there, the book interested me much, coming as it was from the editor of Kodagu’s first and only favourite Kannada newspaper even today. It was started in 1957 when I was in the second intermediate (1957-58). I was a witness to its founder-editor B.S. Gopalakrishna, a fair complexioned person with rotund visage, working at the slanting composing table, standing head bent over the wooden type-setting board. The press was at the landmark (for those days) “chowki”, where four roads converged. His was a gradual growth as a publisher and writer against all odds.

When I left Madikeri after graduation in the year 1959, Shakti had become a noted local paper in Madikeri spreading its wings across Kodagu. Now 65 years on, it is still an iconic newspaper in Kodagu. This was possible because of B.S. Gopalakrishna’s three sons who took over the reins and responsibility to keep the flag of success flying high. One of  the sons is B.G. Anantha Shayana, the author of the book “Sodaru”. “Sodaru” in old Kannada means light, lamp.

This book of 98 pages is all about the author’s experience as a journalist, executive and tourist abroad. He also speaks of ethical values to be followed in the profession and about the personal risk a reporter-journalist unwittingly faces in his over-enthusiasm. His every  experience is illustrated in detail and this makes the book  unputdownable for any journalist. I finished reading it in one sitting and then decided to  write this column.

Let me share some of his experiences here with my own remarks as an intervention! Anantha Shayana has in a way delivered a sermon and also given a road-map for aspiring journalists. Therefore, this book may be recommended as an optional reader for students of journalism in their graduate or post-graduate classes. I am sure many working or retired journalists, including myself, would have had similar experience if not the exact ones.

The author speaks of the importance of correct information a journalist collects and gives the example of Sri Jayendra Saraswathi Swamiji of Kanchi Kamakoti Mutt, Tamil Nadu. That on August 23, 1997, the Swamiji had suddenly and clandestinely left the mutt and disappeared. That naturally made national and even international news. Those days telephone communication was outdated and difficult. Author Anantha Shayana got a phone call in the morning from his friend in Talacauvery (birth place of river Cauvery) in Kodagu. The call was made by his friend after walking 8 kms from Talacauvery to the nearest telephone booth in Bhagamandala, a township. By now an all India search for the Swamiji was launched on a war-footing. The caller said, “Anantha, three days back at midnight some Swamiji has come here with a small group. When asked who he was, nobody opens mouth. Must be a very famous Swamiji.”

uthor says when he went there immediately, the Swamiji’s followers did not allow him to meet the Swamiji. However, when he said he was from UNI, he was allowed on assurance that it would make all India news! So it was, he was the first person to break this news.

By the way, I too reached there with our Mysuru journalists and met him at Talacauvery. But, what is important here is that UNI did not publish the news of finding the Swamiji IMMEDIATELY. The UNI Bengaluru and Delhi Office had called Anantha Shayana over 10 times to urge him to check, check and check again and confirm. They even asked him to go to Talacauvery once again. Further, UNI sent its Mysuru correspondent to Anantha Shayana in Kodagu to go again to Talacauvery. It was only then the UNI flashed the news, though many hours late, as “Sri Jayendra Saraswathi traced.”

This is called responsible journalism and responsible journalist on the spot. Which is why the motto of Star of Mysore  printed on the second page declares: “We believe comment is free, but facts are sacred.” Sadly, these days we find more arm-chair journalists looking into a cellphone in hand, sometimes purveying fake news.

Be that as it may, I found in his one observation about the truth all the local newspaper editors and journalists come face-to-face with unlike the State and National newspapers. His observation is that what appears in those big newspapers do not embolden the reader, about whom a negative news has appeared, to directly go and attack the editor or the journalists. But the local, small-town or rural newspaper editors and journalists become direct targets of attacks and protests. Since I am a victim of this behaviour of readers, criminals, the corrupt and anti-socials, I can vouch 100 percent for what Anantha Shayana has written.

Writing about paparazzi and the British Princess Diana, the author refers to the famous photograph of her boyfriend Dodi Fayad and herself in a kissing pose under the caption “The Kiss.” He says the photographer was paid millions of dollars for this picture. However, sadly it was this obsession to take her photographs that led to the accident killing both of them. The moral Anantha Shayana says is that though a journalist should be a news hound, he should not intrude upon another person’s privacy.

We have seen on TV and read in newspapers some of our opposition leaders going abroad to Harvard, Oxford and elsewhere and giving lectures and interviews to the media criticising India, its government, its democracy and shaming India in foreign countries. But I was delighted to read in the book how the editor of a small district vernacular paper “Shakti” Anantha Shayana dealt with a delicate, despicable situation in a foreign country, Australia, where he went with seven of his friends. Anantha Shayana writes that in Australia they visited a primary school where he asked the group of six students what they knew about India. To his shock, instead of an answer he got a question from a student: Are you not afraid to live in India?

“Why should I?” said Anantha Shayana and asked, “Why do you ask me that question?” Then it became a kind of free-for-all. One said, India was a land of snakes and snake-charmers. “Do you know how to catch snakes?” another wanted to know. “Are there too many beggars? Do you have good houses to live? Do you have cars?” etc., etc. He then asked them if they had read any books on India. No, was the answer. Their opinion of India was hearsay.

Then Anantha Shayana took a class on India to them dropping famous names of politicians, Gandhiji, Generals, educationists, philosophers, space research, the heritage, culture etc. After he finished, one boy said, “I want to visit India.” When some of our opposition  leaders visited England and Europe, nobody said “I want to visit India” because they were told by our own opposition politician that India is not a good place where democracy is dying or dead.

Anantha Shayana also writes about his meeting with two spiritual persons. One was Dalai Lama at Dharamshala in Himachal Pradesh.

Question: Will you wage a war against China?

Answer: Many nations in the world support us. One day we will win.

Question: But your youth organisations feel it is not possible to win back Tibet by peaceful means. What do say?

Answer: I am not in administration. I am engaged in matters spiritual. There is an elected government here in exile. They will look into it.

Question: Buddha gave up his palace and after meditating under a tree got enlightened. But you crossed Himalayas, came here and built golden temples, leading luxurious life with cars and palace-like residences.

Anantha Shayana says, Dalai Lama did not have an answer but brushed it aside saying, “These are the mischief played by monks. I don’t know anything.”

Another spiritual person Anantha Shayana mentions is one who became famous for teaching the art of living. Anantha Shayana met him when he visited Kodagu. The spiritual master told, “For propagating spiritual education I have trained 5,000 teachers. They will go to different parts of the country and teach art of living.”

According to Hindu Sanatana Dharma, only the enlightened souls can teach spiritual matters to the seekers. So Anantha Shayana asked: Are all these 5,000 teachers you have trained enlightened?

He did not like the question and he did not answer either.

Moral: Though unpalatable, the journalist must ask intelligent, probing questions.

e-mail: voice@starofmysore.com

source: http://www.starofmysore.com / Star of Mysore / Home> Abracadabra> Columns / by K.B. Ganapathy / May 08th, 2023

Film Actress Rashmika Mandanna Is ‘Coorg Person Of The Year-2022’

Mysore/Mysuru:

Pan-India actress and ‘National Crush of India’ Rashmika Mandanna is ‘Coorg Person of the Year-2022.’

Rashmika, hailing from Virajpet in Kodagu (Coorg) district, was selected ‘Coorg Person of the Year’ in a poll conducted by www.coorgtourisminfo.com, Kodagu’s first news portal promoted by journalist and author P.T. Bopanna.

Rashmika Mandanna, who achieved phenomenal success in the pan-India movie ‘Pushpa-The Rise,’ has brought focus on the tiny hill district of Coorg, a popular tourist destination inhabited by the Kodavas, who have a unique culture.

Rashmika, who has become a household name through her acting and dancing skills, has emerged as an unofficial ‘brand ambassador’ for Kodagu culture. She has thrown the spotlight on the Kodava (Coorg) saree which involves tucking the pleats at the back of the waist, instead of the front. She has also popularised Coorg cuisine through her media interactions.

On the professional front, she is the reigning queen in the Telugu film industry and made her debut in Bollywood through ‘Goodbye’ starring Amitabh Bachchan.  Rashmika-starrer ‘Mission Majnu’ is set for a January 20 release on Netflix.

Rashmika, who made her acting debut in the Kannada film ‘Kirik Party’ in 2016, has been associated with commercially successful films that include ‘Anjani Putra’ (2017), ‘Geetha Govindam’ (2018), ‘Yajamana’ (2019), ‘Sarileru Neekevvaru’ (2020), ‘Pogaru’ (2021) and ‘Sita Ramam’ (2022). Rashmika made her Tamil entry with ‘Sulthan’ opposite Karthi.

Born on April 5, 1996, she is the daughter of Mundachadira Madan Mandanna and Suman.

She did her schooling at the Coorg Public School (COPS), Gonikoppal, Kodagu.  She studied for a Bachelor’s degree in Psychology, Journalism and English Literature at the M.S. Ramaiah College of Arts, Science and Commerce in Bengaluru.

Along with her studies, she took up modelling. Rashmika got a break after she won the ‘Times Fresh Face’ title in 2014. There has been no looking back ever since.

source: http://www.starofmysore.com / Star of Mysore / Home> News / January 03rd, 2023

The emerald lands of Kodagu

Footloose in Kodagu, where the mercury still hovers around 20° Celsius.

The emerald lands of Kodagu - Frontline
Coffee is one of the mainstays of the local economy. | Photo Credit: Getty Images/iStock

While temperatures go up in the rest of south India with the advent of summer, in Karnataka’s Kodagu district the mercury still hovers around 20 degree Celsius. I sip my delicious freshly brewed, locally grown coffee. Coffee is one of the mainstays of the local economy: the rolling plantations stretch over a quarter of the district, not only up and down the hillsides of the Western Ghats, but also in tiny coffee gardens or even as the isolated backyard shrub.

Over 40,000 coffee growers in Kodagu have holdings below 10 hectares. A major portion of the coffee produced in India, both Robusta and Arabica, is grown in Kodagu. With its pretty white flowers and cherry-red berries, the coffee plant has brought prosperity to the district.

The emerald lands of Kodagu - Frontline
Flowers of Arabica in a Kodagu plantation. | Photo Credit: Getty Images/iStock

Sitting in the garden, I try not to be distracted by the anthuriums, peace lilies, Malabar rhododendron, and splendid roses that grow so well in this emerald-green landscape. I am reading a new translation of the short stories of the feminist writer Kodagina Gowramma by Deepa Bhasthi. Gowramma wrote in the early 20th century and her collection was published posthumously. Bhasthi’s translation has been published by the independent Indian publisher Yoda Press.

Kodagu’s Gowramma

In one of the short stories, a young man dreams about going to England to study further. “When I was a little boy, my neighbour’s son went to England to sit for some exam and came back after touring Europe. Then, the respect the villagers gave him, his car, his new fashionable clothes, the way he walked, the way he spoke, all this made me long to go to England and come back like him…. It was because of this fierce longing to go to England that I did not fail even one year in school. I was the class topper; I was a model student in school.”

Bhasthi, who is from Gowramma’s hometown in Kodagu, has written about her unusual life. On a trip to Kashi as a child, Gowramma had the traumatic experience of getting lost in the city before she was reunited with her family at the police station. As a young woman, Gowramma played tennis, loved swimming, and had independent views. As news of the freedom movement spread, she became deeply influenced by the ideas of Mahatma Gandhi and began wearing khadi. Bhasthi describes how, during Gandhi’s visit to Kodagu in 1934, Gowramma reportedly went on a fast and insisted Gandhi should come to her house. She then gifted all her jewellery to the cause.

Gowramma died tragically young, at 27, in a swimming accident. A photograph of the young writer hangs on the wall of the rural library in Ponnampet, located close to the statue of Mahatma Gandhi that marks his visit to the town.

Kodagu’s libraries

Kodagu’s rural libraries are attractive and child-friendly spaces. Library walls often commemorate Kodagu heroes, such as Field Marshal Kodandera Madappa Cariappa, India’s first Army Chief after Independence, and another legend, General Kodendera Subayya Thimayya. The library walls also have pictures of Karnataka’s distinguished Jnanpith Award-winning writers. And in Hoddur village, a tiny rural community located some distance away from the panchayat headquarters has set up a library of its own in an old anganwadi building. It is called the Savitri Bai Phule Community Library.

The emerald lands of Kodagu - Frontline
A monk in a Bylakuppe monastery   | Photo Credit: Ramesh Meda/ Flickr

In Thithimathi, a tiny village on the outskirts of the Nagarhole forest, the rural library has bright blue benches in its yard. Two schoolboys play chess in a corner. I learn that one of them attends a private school; the other boy is from a tribal community and attends a government school. Here in the village library, it is a small moment of great happiness to see them playing chess together.

No weekend in Kodagu is complete without a few moments of calm in the nearby town of Bylakuppe, which is home to two Tibetan settlements dating back to the 1960s, Lugsung Samdupling and Dickyi Larsoe. The beautiful Namdroling Monastery is also located here. It is lined with prayer wheels and intricate, colourful murals that contrast with the deep red robes of the monks. The monastery reverberates with deep musical chanting, transporting visitors to places not dreamt of in philosophies.

Uma Mahadevan Dasgupta is in the IAS.

source: http://www.frontline.thehindu.in / Frontline / Home> Others> Travel – Diary / by Uma Mahadevan Dasgupta / May 04th, 2023

Model and actor Vishwa part of a record making event

Model and actor Vishwa part of a record making event | Tamil Movie News -  Times of India

Model and actor Vishwanath Uthappa , who has acted in films like Mysskin’s Mugamoodi and Gautham Menon’s Achcham Yenbadu Madamaiyada, was recently part of a record making event in Chennai.

The event happened on December 2018, when there was an attempt for Guinness World Record for the most number of designers present in a single continuous fashion show. The number of designers present on the occasion were 357. And Vishwa was one of the models who took part in it.


The big news for the model and actor is that he recently received a certificate from the Guinness World Record and Unique World Records for taking part in it. Vishwanath has been a model for two decades and has done ramp shows both at national and international level.

source: http://www.timesofindia.indiatimes.com / The Times of India – E-Times / Home> Entertainment> Tamil> Movies> News / by TNN / August 24th, 2019

Reeshma Nanaiah will portray Queen Macchlakshmi in ‘KD – The Devil’

Spread the love

Reeshma Nanaiah will portray Queen Macchlakshmi in ‘KD – The Devil’

Bengaluru: 

Breaking the lingering suspense over the lead actress in Sandalwood’s pan-India offering ‘KD – The Devil’, the makers have finally introduced the leading lady of the film. Reeshma Nanaiah will be seen opposite Dhruva Sarja as Queen Macchlakshmi.

As Reeshma enters KD’s vintage fold, she looks every bit feisty.

The actress has previously been noticed for her work in movies like ‘Ek Love Ya’, ‘Raana’ and ‘Vamaana’.

Talking about her character, Reeshma said: “The best part about Queen Macchlakshmi is her larger-than-life persona. From the poster you know that she is strong-headed, she is feisty, and playing her role was indeed great. It was challenging but thrilling. What was exciting was to also share the frame with action Prince Dhruva Sarja. I am very excited.”

A period action entertainer based on true events from 1970s Bangalore, ‘KD – The Devil’ also stars Shilpa Shetty Kundra, Sanjay Dutt, and V. Ravichandran.

KVN Productions presents ‘KD-The Devil’ directed by Prem and also produced by Suprith. The pan-India multilingual is all set to release in Tamil, Kannada, Telugu, Malayalam, and Hindi.

source: http://www.mangalorean.com / Mangalorean.com / Home> Fie & Fun> Entertainment / by IANS / April 28th, 2023

Air Marshal Nanda Cariappa Releases ‘War – The Ugly Mistress’ In City

Mysuru/Mysore: 

Air Marshal (Retd.) K.C. Cariappa (Nanda) released Dr. Lata Muthanna’s novel “War – The Ugly Mistress” at a programme organised by Mysuru Book Clubs-2015 at Sri Kanteerava Narasimharaja Sports Club (Mysore Sports Club) on Lalitha Mahal Road here last evening.

Speaking on the occasion, Air Marshal Nanda Cariappa said that his profession is related to the book. Pointing out that the book has focussed on Indian Navy, he said that it reminds one of the turbulent  times of the war period over 50 years ago.

Noting that the author has vividly explained war scenarios, he said that the book has also highlighted the post-war scenarios.

Recalling his younger days when he dreamt of becoming a pilot, which he realised by joining the Air Force, he said that he was fortunate to get an opportunity to serve the Nation. He further said that everyone should read this book for a better understanding of the serious consequences of war.

Prof. K.C. Belliappa, former Vice-Chancellor of Rajiv Gandhi University, Itanagar, Arunachal Pradesh, who was the chief guest, said one can get a real war experience by reading the book and lauded the author’s contribution to literature though she is a doctor by profession.

Dr. Lata Muthanna, a well-known Consulting Physician,  said the book owes a lot to serendipity. She stated that when she started to draw the outlines of the narrative, the civil war in Sri Lanka was still on. After the civil war ended, she went to Sri Lanka and spent time with the main character of her book, Angeline, a Singaporean, who as a child, had survived the Second World War. The book literally carries her (Dr. Lata) to different places and various periods of time. It was as though she lived through the wars and felt the fear, anger and desperation of all those who were involved in it, she said. Maintaining that no Government has the right to throw its people into the jaws of death, she said that the world citizenry should never allow that to happen.

The book release was followed by a panel discussion, in which retired Statistician Boverianda Nanjamma and retired engineer Boverianda Chinnappa took part. Both are translators and scholars of Kodava studies

Sharada Chengappa, a multifaceted personality, received the first copy of the book. Her husband Chengappa was a well-known freedom fighter, who had the good fortune of caring for Mahatma Gandhi when he visited Kodagu.

Mysuru Book Clubs-2015 Founder-President Shubha Sanjay Urs, Chinimamba Desraj Urs, Sita Bhaskar, Nalini, Kavita Bopaiah and others were present at the event.

source: http://www.starofmysore.com / Star of Mysore / Home> News / February 12th, 2020

This coffee estate property is now a holiday home in Coorg that promotes sustainability

Studio 4A builds a serene escape amidst natural landscaping with an undeniable old-world quality.

This coffee estate property is now a holiday home in Coorg that promotes  sustainability | Architectural Digest India
Divya R

The clients approached Studio 4A co-founders Vijay Narayanan and Appachu Nanjappa to build an estate house that would also double as a vacation home in Coorg. Located amidst a coffee estate with the views of the distant elk hills, the structure is barely visible from the driveway, which is at an elevated plane. This single-storied gable-roofed 4,000 square-foot house sits where an old house once stood.

This coffee estate property is now a holiday home in Coorg that promotes  sustainability | Architectural Digest India
View of the house from the coffee estate. Divya R

“One enters the planar entry pavilion with a low floating roof. A forty-feet-long Kota cladded linear wall directs movement, creates an entry court and prepares one for the dramatic reveals of views yet to be experienced,” says Vijay. “We designed a house that celebrates the natural landscape and local climate. In a tropical setting , covered semi-open spaces allow one to be with nature while being protected. The house is designed as a response to its climatic context and organised into two distinct parts,” adds Appachu.

Court at the entry framed by the Kota wall.
Court at the entry framed by the Kota wall. Divya R

Selecting materials and creating the inner courtyard and spaces integrated with the surrounding landscape have been key to modern design. They also focussed on upcycling pieces, such as the antique wooden column in the court that was salvaged from the old house that once stood on this site. The form and finishes of the structure are bare and simple hence in total harmony with the surroundings, celebrating the tropical weather and landscape.

This outdoor court is adjacent to the gallery and connects the two parts of the house.
This outdoor court is adjacent to the gallery and connects the two parts of the house. Divya R
The spectacular view of the hills and the starlit night skies get mirrored onto the infinity pool.
The spectacular view of the hills and the star-lit night skies get mirrored onto the infinity pool. Divya R

The tropical architecture, with long verandahs, courtyards, high ceilings, breezy folding doors and interconnected areas around the courtyard, create various outdoor spaces between the primary volumes including an exterior infinity swimming pool, a stepped sunken seating and a deck opening from the living area.

All private spaces such as the bedrooms are organised around a skylit internal court. The common spaces are in a...
All private spaces, such as the bedrooms, are organised around a skylit internal court. The common spaces are in a separate wing. Divya R
A pitched wooden roof imbues character and frames the view while ensuring ventilation. All the furniture is either...
A pitched wooden roof imbues character and frames the view while ensuring ventilation. All the furniture is either repurposed from the old house or customised by Studio 4A. Divya R
A wooden dining table with three pendant lights reinforces the charm of the era bygone.
A wooden dining table with three pendant lights reinforces the charm of the era bygone. Divya R

The large windows from the bedroom open to the pool and the view beyond. High-pitched ceilings and expansive windows keep the bedrooms well-ventilated and negate the need for air-conditioning. All bathrooms have recessed ceiling lights which are concealed in the rafters of the roof. The surface finishes are dominated by cement oxide, repurposed dark wood ceilings and white-rendered walls to create contrasts between light and dark, thus creating a pared-back aesthetic.

The washrooms are wellventilated with glazed skylights that help keep the moisture away in humid weather. The wet and...
The washrooms are well-ventilated with glazed skylights that help keep the moisture away in humid weather. The wet and dry areas have been defined using granite partitions. Divya R

Rafters from the old house, door frames and furniture have been upcycled and reused in the new structure. Rainwater from the gables descends to a gravel path at the ground level; the water then gets channelled away through the drains in the periphery. As a result, planter boxes border the edges instead of metal fencing.

source: http://www.architecturaldigest.in / Architectural Digest / Home> Decorting / by Rashmi Haralalka / April 21st, 2023

Coorg: Stories and Essays

Coorg: Stories and Essays by CP Belliappa. Rupa. Pages 264. Rs 395

‘Coorg: Stories and Essays’ draws from and builds on CP Belliappa’s earlier works on Coorg (officially known as Kodagu).

The book begins by tracing the progress of the land and its people during the rule of the Haleri rajas; the British annexation and their administration of the territory and the events that culminated in Coorg becoming a part of the Kannada-speaking state of Karnataka.

The essays and stories also offer the fascinating illustrated story of Princess Victoria Gowramma, the lost princess of Coorg.

Belliappa delves deep into antiquity, covering a wide range of topics relevant to understanding the ethos of Coorg. 

source: http://www.tribuneindia.com / The Tribune / Home> Backflap> Book Reviews / April 23rd, 2023

Tales of temple festivals

Boys in sari and girls in traditional male attire at the Puthu Bhagwathy temple. Photo courtesy Nellira Ananya

The months of March, April and May witness many annual village temple festivals happening in Kodagu. The temple idols called ‘thadamb’ are carried by a priest on the head, in processions. ‘Therays’ (shaman dances), where performers wear colourful red costumes and imitate deities or ancestors, are organised in temples and ancestral homes of some clans. 

The main festivals are the Bhagwathi Namme and the Boad Namme, which are held in honour of village deities. Two such temple festivals were held in the second week of April this year. One was at the Puthu Bhagwathy temple in Birunani village. The other was at Pannangalatamme in Yavakapadi village.

During the Puthu Bhagwathy festival, the people of Birunani make vows to the goddess in order to fulfil their wishes, often for the good health of their children. The celebrations include a ceremony similar to a wedding ritual, with the boys dressed as brides and the girls as grooms.

Legend has it that once five sibling gods — two brothers and three sisters — came to South Kodagu from Kerala. The eldest brother Mattlappa settled in Mathur near Ponnampet. The eldest sister Puthu Bhagwathy settled in Birunani. The younger brother Ogerelappa settled in the forests of Ogerelappa. The youngest sisters, twins, settled in Rudraguppe near the Kammaratappa temple and hill. They were known as Rudraguppelamme or Jodi Bhagwathy. 

Members of the Kembatti, Kodava, Airi, Kudiya, Kaniya and other communities participate in the Pannagalatamme festival. They bring ‘bolle kall’ (toddy), umbrellas and other articles to the festival. A few members of the Kembatti community wear red or white ‘kuppyas’ (native coats) and perform ‘thirale’ or go into a trance.

The tale behind this festival goes as follows. Long ago, seven sibling gods — six brothers and one sister — lived in Kerala. The eldest brother settled in Tali Parambu and built a famous temple there. He sent his younger siblings eastward towards Kodagu to establish temples. Today, three of these other temples are in Kodagu, while the other three are in Kannur and Wayanad.

Four siblings came to Kodagu. The farm they were camping in belonged to the Pardanda joint family in Kunjila. The sister milked a cow belonging to the family which was grazing there. She used the milk to cook the rice. The rice was placed in a clay pot and buried in the hot sand beside a stream.

There were banana trees growing on the farm. The siblings cut a few leaves to use as plates. Ummavva of the Pardanda family saw this and scolded them. The sibling gods then cursed the family that no bananas would thereafter grow on their farm. 

Muthanna, the head of the Pardanda family, then came and sought their forgiveness. But the curse took effect. However, the Pardanda were made the ‘deva thakka’ (hereditary temple managers) of the Igguthappa temple which was built in the nearby Padi hamlet.

Another brother settled in Palur and became known as Palurappa. The last brother settled in Thirunelli across the Kodagu border in Wayanad and is called as Pemmaiah.

source: http://www.deccanherald.com / Deccan Herald / Home> Spectrum / by Mookonda Kushalappa / April 20th, 2023

Art and Artists’ Galore

The second Art Shastra event is being held by Evolve Back Resorts at the Coorg property Chikkana Halli Estate. Evolve Back is returning with Art Shastra to showcase Indian art and artists from all over the nation after a successful first edition in 2016 at Hampi.

The event will feature engaging discussions about modern stylisation, contemporary art, and printmaking workshops, followed by excursions to the Dubare Elephant Camp and the Tibetan hamlet in Bylekuppe.

The event will feature artwork by renowned artists from across the country like S.G. Vasudev, R.M. Palaniappan, Indrapramit Roy, Shipra Bhattacharya, among 16 others.

Date: April 2 to 6, 2023

Venue: Evolve Back Chikkana Halli Estate, Coorg, Karnataka, India

(IANSlife can be contacted at ianslife@ians.in)

source: http://www.daijiworld.com / Daijiworld.com / Home> National-World / by IANSlife / April 19th, 2023