Category Archives: Arts, Culture & Entertainment

Daughters Of Talacauvery Chief Priest Reach Kodagu

TemplePriest01KF12aug2020

Madikeri:

As rains have abated in Kodagu, rescue operations have been initiated in full swing and over 150 personnel from National Disaster Response Force (NDRF), State Disaster Response Force (SDRF) and Madras Engineering Group (MEG) are carrying out search for the priest family that was washed away at Talacauvery on Wednesday midnight.

Five persons of a family including the Chief Priest of Sri Cauvery Temple T.S. Narayanachar are buried alive as a portion of the Brahmagiri Hill collapsed on two houses where the priests lived. Along with Narayanachar, his wife Shantha Narayana, Narayanachar’s brother Anandathirtha Swamiji and relatives Ravikiran Bhat and Pavan Bhat are feared to be dead.

In the search carried out on Saturday, the body of Anandathirtha was found. Search is on to find other missing persons. Meanwhile, daughters of Narayanachar-Shantha couple Sharada and Namitha who are settled in Australia and New Zealand have reached Talacauvery and are discussing with the rescue personnel about the rescue operations.

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Rains have abated in the hilly district but areas where River Cauvery flows are still deep under water. Flood situation at Balamuri and Kottamudi remains to be grim as water level has not receded. The connection between Murnad and Napoklu continues to be disrupted. Flood waters have receded in Kushalnagar and the residents have begun cleaning their houses to make them fit for living.

source: http://www.starofmysore.com / Star of Mysore / Home> News / August 10th, 2020

Anandatheertha, the sage who lived for Kaveri, dies

Anandatheertha lived a life of intense commitment to the Kaveri. He died in landslide in Talakaveri on August 6.
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Regular trips to Talakaveri, located near Bhagamandala in Kodagu district, Karnataka, are fond for river Kaveri. A temple to Goddess Kaveri, also dedicated to Shiva as Agasthyeswara and Ganesha, overlooks the ancient tank that collects water from a nearby wild spring there.

For the devotees, the tank was the origin of the east-flowing river of peninsular India. According to the legends, the river disappears in its birthplace — only to take rebirth at Bhagamandala located a little away at the foothills.

I met Swami Anandatheertha (died at 76) for the first time one September evening about a decade ago. The meeting was followed by a long conversation about the mighty river, the lifeline of vast stretches of Karnataka and Tamil Nadu.

Several conversations followed over time — and each one of them gave me the impression that he was no less than a living encyclopaedia — not just on the Kaveri but all the rivers on Earth.

It was this school teacher-turned-sage who showed me the exact origin of the river. Anandatheertha lived in Mumbai for long and taught at a school there, but returned to his native place three decades ago to become the traditional trustee and administrator of the temples in Talakaveri and Bhagamandala.

He lived a spartan life in a small house in Talakaveri, located in the Brahmagiri range of Western Ghats at an elevation of 1,341 metres. His brother-in-law was the chief priest of the temple. He lived with his sister and her husband.

A scholar with strong social and political concerns, Anandatheertha was a secular person. Between sacred and profane, he lived a life of intense commitment to the river and the surrounding forests.

In the 1980s, he was among the members of the Save Western Ghats March — a major environmental protection initiative involving scientists, anthropologists, sociologists, activists, journalists and local communities.

He marched together with others for 100 days along the length of the ghats, highlighting the socio-ecological challenges the area grappled with. He had actively engaged with almost all attempts to save the Western Ghats and the Kaveri from human encroachment and destruction.

He travelled extensively across the length and width of the river, urging local communities to save the river. He found comfort in the role of a low profile environmentalist with extreme devotion to the cause.

Journalist and filmmaker O K Johnny, who authored Kaveriyodoppam Ente Yathrakal (Journeys Along Kaveri), pointed out that Anandatheertha was always anxious about the fate of the Kaveri.

Except for the little stretch in his small locality, the river is on its deathbed. For Anandatheertha, Western Ghats and the river were integral to his existence. In a way, he always spoke in the river’s voice.

It was the place where sage Agasthya was blessed by Brahma, Vishnu and Ganesha while meditating under the ashwaththa tree. Saptarishis, or the seven great sages, had performed their yajna or ritual sacrifices at the Brahmagiri peak.

He also spoke about Lord Brahma’s daughter Lopamudra, who was rechristened as Kaveri later. Kaveri eventually turned herself into a river to serve the humankind.

Everything is a fond memory now. On August 6, 2020, Anandatheertha failed to turn up at Talakaveri temple along with the chief priest to conduct the morning rituals. One of the security guards at the temple went to check the priest and found the priest’s house buried in mud.

According to available information, the development officer of the local Grama Panchayat had issued a notice to Anandatheertha, directing him and the family of the head priest to move away from the place for the hill was prone to landslides; Anandatheertha was living at the foothills.

However, Anandatheertha refused to move away. Even the cowshed he had with over 20 bovines was buried deep in mounds of mud and rubble. The area surrounding the priests’ houses is now inaccessible, according to Kodagu district commissioner Anies Kanmani Joy.

A portion of the Brahmagiri Hill collapsed on the two houses where Anandatheertha and the priest were living. At least five people are missing as of August 7.

Other than Anandatheertha, his sister Shantha Narayana (68), her husband and temple’s head priest T S Narayanachar (70) and relatives Ravikiran Bhat and Pavan Bhat are missing.

Mud came crashing down on the two houses Wednesday midnight; around 30 acres of the mountain range collapsed. The Geological Survey of India (GSI) had predicted possibilities of landslides in Talakavery, in the close vicinity of the temple, after detecting surface cracks during last monsoon.

It had conducted extensive field study in Kodagu following the two subsequent floods since 2018 and discovered slope modification without proper precautions as the major cause of landslides.

Unbridled construction of houses by carving hill slopes resulted in land destabilisation in the region. Unsupported slope cuts for road widening also contributed to the tragedy.

A spiritual leader who always expressed concern over change in land use patterns in Brahmagiri hills and the mushrooming illegal constructions has now turned its victim.

He was always against large-scale capital investments to convert Talakaveri as a concrete jungle in the name of spiritual tourism. The encyclopaedia on rivers is no more.

source: http://www.downtoearth.org.in / Down To Earth / Home> Environment / by K A Shaji / August 07th, 2020

Jothe Jotheyali: Here’s What Anu And Arya Have To Tell You About The Kodava Attire

Anu and Arya in the Kodava attire
Anu and Arya in the Kodava attire

As we know, Anu and Arya recently dressed up for their ethnic day in the beautiful Kodava attire. Speaking of which, we all know how Kodagu is a travel destination and the most beautiful place to be. However, here’s a little about their outfits!

Kodagu or Coorg is the smallest district in Karnataka, is perched on the Western Ghats at a height of about 1000m above sea level. It is known for its hills and tropical forests along with wild animals and lush coffee plantations on hill slopes. About a third of the district is covered by forests fed by monsoon rains that lash the region for nearly four months in the year.

The first thing that comes across as ‘different’ about Kodavas is their traditional dress. The Kodava women drape their sarees in a distinctive style with the pleats tucked at the back of the waist and the pallu drawn under her left shoulder as it is considered more convenient for agricultural and other work. The traditional jewellery worn by Kodava women is also distinctive and is inspired by nature – the moon, flowers, fruits, snake to name a few.

The Kodava man’s attire is a kupya which is a long black or white wrap-around tunic along with a red gold-embroidered silk chele that is a sash with a peeche kathi (dagger made of silver, gold, ivory and wood). A white mande thuni (turban) or a red chouka (checked scarf) is tied around his head while an odikathi (war knife with a broad blade) is fixed to a thodang (silver girdle) at the back of his waist.

Catch all the episodes of Jothe Jotheyali exclusively on ZEE5!

source: http://www.zee5.com /ZEE5 / Home> Zee5News> Entertainment / August 08th, 2020

The Tamara Coorg ranked No.1 Romantic Hotel in India

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The Tamara Coorg has once again been ranked #1 on Tripadvisor Travelers’ Choice Awards List of Top 10 Romantic Hotels in India for the year 2020.

Tripadvisor is the world’s largest travel platform and the Travelers’ Choice Awards is considered one amongst the most prestigious in the travel industry as it is rated by the travelers themselves. This coveted award program celebrates travelers’ favorite hotels, restaurants and airlines around the world, honoring unique businesses every year. The Tamara Coorg has also been ranked #16 on the list of Top 25 luxury hotels in India while The Tamara Kodai launched in 2018 has also made it to the list and has been ranked #20 amongst the Top 25 luxury hotels in India.

The Tamara Coorg is a luxury experience nestled in the heart of the hills, where you can rediscover the joy of being in nature; where your quest for serenity ends. The Tamara Coorg spans 180 acres where you will experience nature and luxury at its best as you wake up to the breathtaking view and the calming silence of the hills, disturbed only by the chirping birds and the rustle of leaves. The unique nature based experiences at The Tamara Coorg includes Forest Therapy, Trekking, Plantation Tours, Blossom to Brew, Bird Watching amongst others.

The exquisite cottages at The Tamara Coorg are designed to provide guests with a rustic, luxurious space to unwind, and enjoy an unmatched view of the hills in the distance, while suspended in nature. Relaxation gets even better at the award-winning spa and wellness centre, The Elevation Spa. It offers signature spa treatments, while the fitness centre includes a steam & sauna, a state-of-the-art fitness center, and a Yoga Temple

Ms. Shruti Shibulal, CEO and Director, Tamara Leisure Experiences Pvt. Ltd, said “We are very proud that The Tamara Coorg has been voted #1 in the Best Romantic Hotels in India category for the year 2020. To have the public recognize us for our commitment to providing unforgettable experiences is very meaningful. This recognition is dedicated to our team who are our biggest asset and who have worked passionately to ensure our guests receive warm, personalized and memorable service”.

Travelers’ Choice Best of the Best and Travelers’ Choice winners are calculated based on the millions of reviews and opinions collected in 2019 from travelers and diners around the world on Tripadvisor. The awards take into account the quality and quantity of traveler reviews and ratings specific to each award category. The hallmark of winners continues to be remarkable service and quality experiences for travelers and diners.

Winners are calculated based on the quality and quantity of the millions of reviews, opinions and ratings collected on Tripadvisor in 2019, prior to the pandemic. With over 8.7 million businesses listed on Tripadvisor, these awards are a testament to the service and quality that winners consistently provide to their guests.

source: http://www.voyagersworld.in / Voyager’s World / Home> Hospitality / by Voyager’s World Bureau / August 07th, 2020

Arebase: A dialect rooted in cultural harmony

Karnataka teems with different versions of Kannada. There are more than 30 dialects of the language, which contribute to the linguistic richness of present-day Karnataka.

Kavirajamarga, the earliest available work on rhetoric, grammar and poetics in Kannada, from the 9th century CE, speaks of the two major dialectic divisions of Kannada: Dakshina and Uttara. Sri Vijaya, the author of Kavirajamarga alludes to many varieties of Kannada, hinted at by the use of the phrase “Kannadangal”.

Today, traditional linguists broadly classify Kannada into four geographical regions: Mysuru, Mangaluru, Dharwad and Kalaburagi Kannada. In these regions, various communities use a specific dialect as their mother tongue, whether it is Halakki Kannada, Havyaka Kannada, Kota Kannada, Rama Kshatriya Kannada, Badaga Kannada (spoken by the Badaga community in the Nilgiri region in Tamil Nadu) or even Arebase.

Arebase is a dialect of Kannada spoken by the Gowda community in the Kodagu and Sullia regions of Dakshina Kannada, and also in the eastern parts of Kerala’s Kasaragod district.

Arebase is also known as ‘‘Gowda Kannada”, a term first coined by the late Prof Mariappa Bhat, a renowned Kannada scholar.

In 15th century CE, the Gowdas from the ‘Aiguru Seeme’ of Hassan district migrated and settled down in different regions of Dakshina Kannada and Kodagu. However, over the centuries, those who settled amidst the Tulu-speaking communities in Puttur, Belthangady, Karkala, Vitla of Dakshina Kannada adopted the culture of Tulu Nadu, picking up the local language and worshipping deities in the tradition of ‘Daivaradhana’ of coastal Karnataka. In Kodagu, they picked up aspects of Kodava culture.

Purusha bhootha, the Kannada speaking deity of Arebase communities. Photos by Lokesha Kunchadka
Purusha bhootha, the Kannada speaking deity of Arebase communities. Photos by Lokesha Kunchadka

However, the community also developed its own distinct identity, preserved through its language. For instance, the community worships the daivas (spirits) in Arebase.

Arebase shows differences in phonetics, syntax and morphology when compared with standard Kannada. Some of the vowels not present in the Kannada alphabet are considered phonetic in Arebase. The meaning of a word also changes with a change in pronunciation, an aspect of Arebase that is difficult to capture using standard Kannada font.

There are three major variations within Arebase: Subrahmanya, Peraje/Sampaje and Madikeri/Bhagamandala Arebase.

In literature and theatre

Today, there are earnest efforts to ensure the representation of this dialect in literature and theatre. Prof Kodi Kushalappa Gowda, who was a Kannada professor in Madras University, has written Ramayana in Arebase called Manasa Ramayana. Academician K R Gangadhar had prepared a lexicon for Arebase. Then there are Dr Purushothama Bilimale — who has studied the Gowda community, Dr Vishvanatha Badikana — who studied the folk tales of the language, Dr Poovappa Kaniyuru, A K Himakara, Sanjeeva Kudpaje, Kaveramma and Vidyadhara Baddadka who are prominent writers, poets and scholars in Arebase.

Lokesh Urubailu is a young theatre artist who directs Arebase dramas like Mayaka. ‘Mudupu’ is a popular monthly magazine in Arebase run by Vinod Mudugadde.

“Most of the minor languages like Arebase have been restricted to specific communities or caste. These languages should come out of that frame. All the minor languages in India which have been listed in 2011 census should be empowered. India should develop a proper language policy for that,” says Dr Purushothama Bilimale, Professor of Kannada and Kannada Language Chair at Jawaharlal Nehru University, New Delhi.

However, it would be a mistake to limit this dialect to a particular caste; in Sullia, for instance, almost all the merchants communicate in Arebase.

The best example of this exchange of cultures, perhaps comes from a Yakshagana Prasanga written in Arebase by Kepu Ajala, who is a non-Gowda.

The World Arebase Literary Meet (virtual) scheduled on August 3 is expected to give a push to language enhancement and cultural exchange.

source: http://www.deccanherald.com / Deccan Herald / Home> Spectrum> Spectrum Top Stories / by DHNS / August 01st, 2020

Rashmika’s Kannada Pickup Line To Woo Mahesh Babu

Rashmika Mandanna, Mahesh Babu
Rashmika Mandanna, Mahesh Babu

Tollywood actress Rashmika Mandanna may he a household name in Telugu right now. But essentially, she’s a Kannadiga. This coorgis beauty made her debut in Kannada with Rakshit Shetty who she later got engaged to and broke up too. But that’s a story for another day.

Rashmika was seen in hit Telugu movies like Vijay Deverakonda’s Geetha Govindam and Dear Comrade, Nithiin’s Bheeshma and recently in Mahesh Babu’s Sarileru Neekevvaru. While the movie hit upon soldier sentiment, another parallel plot was a love story even though it was one-sided.

Rashmika plays a girl who falls head over heels with Mahesh and tries several means to win his heart. Those who watched the movie must be familiar with Rashmika’s song for Mahesh ‘He’s so sweet, hot and handsome’.

Now, what if we told you Rashmika was even heard using a Kannada pick up line to woo Mahesh?

source: http://www.thehansindia.com / The Hans India / Home> Entertainment> Sandalwood / by Manjula / Hans News Service / July 25th, 2020

Tiger headcount in Karnataka highest in Bandipur, Nagarahole

Other forests and sanctuaries where tiger presence has been found in significant numbers include MM Hills Wildlife Sanctuary and Madikeri Wildlife Division.
Other forests and sanctuaries where tiger presence has been found in significant numbers include MM Hills Wildlife Sanctuary and Madikeri Wildlife Division.

In terms of density, Nagarahole has 11.82 big cats per 100 sq.km and Bandipur has 7.7

Bandipur and Nagarahole lead in tiger numbers in the State followed by BRT Tiger Sanctuary, Bhadra and Kali tiger reserves, as per the ‘Status of Tigers, Co-predators, and Prey in India’ released on Tuesday.

In terms of density, Nagarahole has 11.82 tigers per 100 sq.km, while Bandipur has 7.7 tigers per 100 sq.km. BRT has 4.96 tigers per 100 sq.km and Bhadra has a relatively low tiger density pegged at 2.86 in the same area.

Other forests and sanctuaries where tiger presence has been found in significant numbers include M.M. Hills Wildlife Sanctuary, Madikeri Wildlife Division, Madikeri Territorial Division, Virajpet Territorial Division, Koppa Wildlife Division, and Haliyal Forest Division which is part of Joida taluk of Uttara Karnataka district, among others.

Based on the camera trap images, 127 individual tigers were identified in Nagarahole followed by 126 tigers in Bandipur, 52 in BRT, 30 in Bhadra, and four in Kali (Anshi-Dandeli) tiger reserve. Officials in the Forest Department, however, said these refer to the minimum numbers only as a sizeable number of tigers from the adjoining habitats utilise the reserve too.

Based on the 2018 tiger enumeration exercise, the summary of which was released last year, the new report released by Minister for Environment, Forest and Climate Change Prakash Javadekar in New Delhi ahead of the International Tiger Day to be observed on Wednesday, also evaluates vulnerable areas that require conservation attention.

While the summary of the Status of Tigers in India-2018 released last July pegged the number of tigers in Karnataka at 524 (with a minimum of 474 and maximum of 573), the new report analyses the status of habitat corridors connecting major tiger populations apart from providing information about the prey base and their density.

The density of prey animals including chital, sambar gaur, wild boar, and barking deer were also analysed and were found to be high enough to sustain the predator population in good numbers. The chital density was pegged at 51 per sq.km in Bandipur where 36 other species of ungulates, carnivores, omnivores, and even domestic animals were photo captured. Pangolin was the rarest species photo captured, followed by leopard cat, as per the report.

Giridhar Kulkarni, wildlife activist, said the increase in tiger numbers both within and outside the reserves augurs well for conservation. But such habitats and corridors are under serious threat due to linear projects like railways, highways, transmission lines etc. and called for notifying potential wildlife habitats as sanctuaries or national parks in Shivamogga, Uttara Kannada, Belagavi, and other districts.

A case in point is the analysis pertaining to the Cauvery Wildlife Sanctuary, where the report airs apprehension of the proposed Mekedatu dam and calls for critical re-examination as the project threatens to inundate a sizeable portion of the sanctuary.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by R Krishna Kumar, Mysuru / July 28th, 2020

Retain Architectural Design During Renovation Of Madikeri Fort: MLA

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Madikeri:

With the State Cabinet on Thursday sanctioning Rs. 8 crore for the renovation of the historical Madikeri Fort, the works on which has been taken up by the Archaeology Department, Madikeri MLA Appachu Ranjan has batted for retention of old architecture and heritage characterisitics of the structure, while also giving a modern touch to it.

Speaking to presspersons after inspecting the ongoing renovation works of the Fort located in the heart of Madikeri City, Appachu Ranjan, who is also a former Minister, said that as an MLA earlier too, he had raised the Fort renovation and development issue a number of times in the Assembly..

Pointing out that the renovation works has been taken up following a High Court order, he said that now the State Government has sanctioned Rs. 8 crore for the works and it is satisfactory to note that the works have been taken up at last.

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Asserting that Madikeri Fort and the associated Palace is symbolic of Kodava tribe, he said that it was important to develop the Fort as a Museum, while retaining the original architectural characteristics of the structure.Underlining the need for installation of Sound and Light system in the Fort premises once the renovation works are completed, he said that the richness and uniqueness of Kodava culture, customs and traditions must be portrayed through this system, just as being done in the case of freedom fighters such as Veer Savarkar and Bhagat Singh at Andaman Jail.

Earlier, Appachu Ranjan received inputs on the progress of works from the Department Engineer, who said that 5mm metal sheet has been cemented to the roof of the Fort. Expressing displeasure at the quality of the sheet, he asked the authorities to ensure quality of tiles, wood and other construction materials being used for renovation.

Earlier, Appachu Ranjan received inputs on the progress of works from the Department Engineer, who said that 5mm metal sheet has been cemented to the roof of the Fort. Expressing displeasure at the quality of the sheet, he asked the authorities to ensure quality of tiles, wood and other construction materials being used for renovation.

source: http://www.starofmysore.com / Star of Mysore / Home> News / July 28th, 2020

Old Kodava weddings stage a comeback

A kodava bride and groom being wished by relatives during muhurtha.
A kodava bride and groom being wished by relatives during muhurtha.

Weddings are perhaps the grandest celebrations in any community. This is especially true of the Kodava wedding which is strikingly unique in the fact that the weddings are not solemnised by priests but by family elders.

While the modern-day weddings are typically held in convention halls, the current restrictions due to Covid-19 have led to people reverting to simpler ceremonies, offering a glimpse of how Kodava weddings, called mangala, took place a few generations ago.

In the earlier days, the wedding would be conducted at ainmanes – the ancestral homes of the groom and the bride – and was purely a family affair. Unlike common perception, there is more to Kodava weddings than just merriment, and each ritual is invested with a deeper meaning.

The wedding ceremonies are held for two-days. On the day before the wedding, Karik Muripa, Punda Pani and Oor Kooduvo ceremonies are held separately at the groom’s and the bride’s homes. It is interesting to note that, Karik Muripa means cutting vegetables for curry; Punda Pani means erecting bamboo stumps as pandal and Oor Kooduvo means gathering of villagers.

On this day, all the villagers and family members of the groom and the bride gather at their respective homes and make all the arrangements for the wedding to be followed the next day.

The bride and the groom offer prayers to the gods and the ancestors before the nellakki bolcha (sacred lamp) at their ainmanes and seek blessings from their parents and all the elders assembled there. The groom’s mother then puts a pavala (coral) mala around his neck, and similarly the bride’s mother ties a pathaak (necklace) around her neck, to solemnise the wedding.

While people pitch in to help during the day, the evenings are reserved for festivities. There’s good food, liquor, music and dance.

On the day of the wedding, the groom dressed in traditional white Kupya Chele goes to the bride’s home, along with other family members, where the Baale Kethuva ceremony is held. In this ceremony, maternal uncles of the groom and the bride cut a row of nine or more banana stumps (in multiples of three) symbolising the obstacles that had to be conquered and the ultimate victory of the groom over other suitors.

The groom is then led inside the bride’s home by the bojakara (the best man), and the bride draped in Kodava sari is accompanied by the bojakarthi (bridesmaid). They offer prayers, are blessed by the elders and exchange garlands during the muhurtha.

The bride is granted all the rights at the groom’s home by the elders. The groom also gives her a bag containing gold, silver and copper coins to symbolise the sharing of his wealth with her.

A bride fetches a pot of water from a well during the 'neer edpo' ceremony.
A bride fetches a pot of water from a well during the ‘neer edpo’ ceremony.

The bride then embarks on a journey to her new home with the groom and his relatives. There, as part of the Ganga Pooja or Neer Edpo ceremony, which literally means fetching water, she has to draw water from the well. As a symbol of becoming a part of her husband’s family and taking up the household work, she carries two pots of water from the well to the kitchen. However, the path is blocked by members of the groom’s family, to imply that as a married woman she may have to face hardships. Meanwhile, the youths dance to volaga (traditional music) in merriment.

After her way is cleared, she enters the house and places the pots near the sacred lamp. She is now formally the lady of the house.

source: http://www.deccanherald.com / Deccan Herald / Home> Spectrum> Spectrum Statescan / by Dhanyata M Poovaiah / July 25th, 2020

Water, soil from Kodagu sent to Ayodhya

Water and soil collected from Talacauvery. DH Photos
Water and soil collected from Talacauvery. DH Photos

Soil from Kodagu and water from River Cauvery were sent to Ayodhya, on Thursday.

The soil and water from the district will be used while performing ground breaking for Sri Ram Mandir on August 5.

Workers of Bajrang Dal, Vishwa Hindu Parishat and Hindu Jagarana Vedike collected the soil and water from River Cauvery at Talacauvery Kshetra.

Meanwhile, special pooja was offered at Talacauvery, praying for the timely completion of the Ram Mandir in Ayodhya.

Talacauvery Kshetra Chief Priest Narayana Acharya said that justice had been made in Ayodhya issue, which had efforts of many people behind the same.

Speaking on the occasion, MLC Sunil Subramani said that the dream of constructing the Ram Mandir was getting realised. He recalled that he had visited Ayodhya in 1992.

Leader Chakkera Manu said that the long cherished dream of Ram Mandir in Ayodhya was being fulfilled.

Vishwa Hindu Parishat leader Chi Na Somesh, Bajrang Dal District Convener Chethan, VHP Madikeri taluk President Suresh Muttappa and VHP district Secretary Pudiyokkada Ramesh were present.

source: http://www.deccanherald.com / Deccan Herald / Home> State> Karnataka Districts / by DHNS, Madikeri / July 24th, 2020