A Naga grower is putting Nagaland on specialty coffee landscape

Coffee pickers at Tsiese Coffee Estate sort freshly harvested ripe cherries before fermentation

Tsiese Coffee Beans claims back-to-back titles at Coffee Board of India’s flagship competition.

For decades, India’s coffee landscape, both commercial and specialty, has been dominated by established estates from the South. But Nagaland’s Lhouvilie Yhor, proprietor of Tsiese Coffee Beans, is steadily altering the picture by placing the state on India’s specialty coffee map.

The self-taught grower from Tsiesema village, Kohima, who is an architect by profession, won at the Coffee Board of India’s Know Your Kaapi (KYK) competition this year, marking one of the most significant recognitions yet for a Northeastern coffee producer.

In a field traditionally led by plantations from Karnataka, Kerala and Tamil Nadu, Yhor emerged among the top performers, securing the Arabica Naturals title for his Tsiesema-grown beans. His 2025 win follows last year’s performance, when Tsiese Coffee Beans won the Arabica Washed category.

The KYK competition, held annually by the Coffee Board of India, evaluates entries across Arabica washed, naturals and experimental categories, as well as Robusta washed, naturals, experimental and alternative species. This event is regarded as the country’s most demanding cupping competition. Beans undergo multiple blind cupping rounds, scored for clarity, sweetness, complexity, processing discipline and consistency.

Lhouvilie Yhor, Proprietor of Tsiese Coffee Estate.  

“Competing against century-old plantations from Karnataka and Kerala and still winning is a major achievement for a grower from the North-East,” Yhor said. “Recognition from the Coffee Board and the CCRI tells you your coffee meets the highest scientific standards in the country.”

Yhor began cultivating Arabica in 2015 with 10,000 saplings from the Nagaland Land Resources Department. Coffee cultivation in the state had failed in the 1980s, but he said government support, technical guidance from the Coffee Board of India and his persistence kept him going.

Yhor operates under the brand Tsiese Coffee Beans. Apart from his own estates in Tsiesema and Zhadima, he sources cherries from smallholders in Touphema, Chiechama, Nerhema, Tseminyu, VK Town (Zunheboto) and Yimchalu (Mokokchung). He trains partner farmers in each village to produce specialty-grade beans, emphasizing careful picking, fermentation and drying.

Nagaland’s high-altitude terrain and virgin soils naturally give beans an edge, Yhor said. “Our land gives 60 to 75 percent of the quality by default. With 20 to 25 percent sincere effort, the coffee becomes world-class.”

Naga traditional barrel fermentation 
While many producers rely on scientifically manufactured bacterial or yeast cultures and use stainless-steel or food-grade plastic tanks for controlled anaerobic fermentation, Yhor follows a method rooted in Naga tradition. He ferments his coffee in wooden log-drum barrels historically used for preparing thuthse, a local rice beer. These barrels contain naturally occurring bacteria and wild yeast that drive a slower, more complex fermentation.

“Commercial microbial cultures can sometimes make the coffee overly sweet. The wooden barrel gives a more balanced microbial environment,” he said, adding that the indigenous technique, now being replicated in Japan for liquor fermentation, originates from Naga food culture.

His anaerobic naturals involve continuous pH monitoring, round-the-clock checks, selective picking of fully ripe cherries, strict moisture control and extended resting periods. After processing, the beans are milled in Chennai and supplied to specialty roasters in India and Japan, which he regards as the most demanding market. “Once Japan accepts it, every other buyer will accept it,” he said.

Market at your doorstep 
Yhor describes coffee as one of the few sustainable, long-haul income sources for Nagaland’s geography. Unlike perishable crops, which suffer from poor market access and lack of cold storage, coffee attracts buyers directly to the farms and villages.  “If you work hard for four years, by the fifth year you break even,” he said. 

But Yhor acknowledges that the first four years are hard, requiring labour and patience. “People expect quick returns. Coffee does not work like that. It needs commitment,” he said. 

One of the overlooked strengths of Naga coffee, Yhor pointed out is its market pull. Buyers travel directly to remote farms and villages to secure produce even before the harvest begins.

“In Nagaland, you don’t have to chase the market. The buyers come to your doorstep,” he said. Specialty buyers from across India and occasionally abroad, visit estates in places like Shamator, Noklak, Mon, Touphema and Tsiesema to negotiate advance purchases. Many of them arrive during the harvest season to assess cherries on the trees, taste previous lots and reserve entire micro-lots well ahead of processing. “That’s the beauty of coffee here–if the quality is good, the market will find you,” he added.

source: http://www.morungexpress.com / The Morung Express / Home> Morung Exclusive / by Imti Longchar / December 08th, 2025

Centre says it cannot intervene as SARFAESI allows auction of Karnataka coffee estates

The Centre said it cannot stop banks from auctioning defaulting coffee estates under SARFAESI, as plantations aren’t exempt as agricultural land, even as thousands of Karnataka growers face auctions.

A coffee plantation Photo | Special Arrangement

Shivamogga :

The Union government has clarified that it cannot intervene in banks’ recovery proceedings against defaulting coffee growers under the SARFAESI Act, calling it a commercial decision. It reiterated that coffee plantations are not treated as agricultural land for SARFAESI exemption and said affected borrowers can only seek relief through Debt Recovery Tribunals.

The Union government’s clarification comes at a time when thousands of planters in Karnataka are staring at the imminent auction of their plantations.

Replying to an unstarred question in the Lok Sabha, Minister of State for Finance Pankaj Chaudhary said that recovery action under the Securitisation and Reconstruction of Financial Assets and Enforcement of Security Interest (SARFAESI) Act is a commercial decision of banks and financial institutions, and the Centre does not interfere in such matter.

The reply came in response to a question by Udupi-Chikmagalur MP Kota Srinivasa Poojary, who sought details on whether public sector banks were auctioning coffee plantations of overdue borrowers and whether the government planned to stop online auctions, considering the distress faced by growers.

The Finance Ministry clarified that coffee plantations are not treated as ‘agricultural land’ for the purpose of exemption under Section 31(i) of the SARFAESI Act, based on a Karnataka High Court judgment. The court had ruled that plantation crops such as coffee, tea, rubber, pepper and cardamom do not fall under the definition of agricultural land for SARFAESI protection, thereby allowing banks to proceed with enforcement action.

The government further informed that recovery proceedings initiated earlier by Union Bank of India and Indian Bank against coffee estate owners were upheld by the Karnataka High Court in January 2021. While one of the affected borrowers later withdrew his Special Leave Petition before the Supreme Court in August 2023, another petition is still pending. However, there is no stay on the SARFAESI action, enabling banks to continue auctions.

On demands from growers to halt online auctions due to delayed repayments caused by market volatility and rising input costs, the Centre maintained that it does not intervene in individual recovery cases. “The government is not involved in commercial decisions or recovery proceedings of banks or financial institutions,” the minister said in his reply.

Addressing allegations that traders from Dubai were exploiting coffee plantations in Chikkamagaluru district by obtaining licences online, the government said the Coffee Board has not received any such information. As for relief to distressed growers, the Centre pointed out that the only remedy available to borrowers facing enforcement action is to approach the Debt Recovery Tribunal under Section 17 of the SARFAESI Act. No separate policy relief or auction moratorium has been announced for coffee growers.

The parliamentary reply comes as Karnataka’s coffee growers’ associations seek urgent government support amid shrinking margins, labour shortages and climate pressures. Karnataka remains India’s top producer, contributing 248,020 MT in 2022–23, ahead of Kerala and Tamil Nadu.

Karnataka Growers’ Federation president H Shivanna told the TNIE that coffee growers will meet Union Minister of Commerce and Industry Piyush Goyal, who is visiting Chikkamaluru district this month. “We will apprise him of the need to come to the rescue of growers to present our core demands,” he said.

source: http://www.newindianexpress.com / The New Indian Express / Home> Karnataka / by Marx Tejaswi / December 09th, 2025


ASR Plans Coffee Rythu Bazaars

Legal action would follow in cases of non-compliance. The quality of Araku coffee would not be compromised under any circumstances, he stressed. The administration would ensure stable pricing for Araku coffee and strengthen its presence in international markets.

With berry borer pest issues expected to surface in the Araku and Dumbriguda mandals, the collector advised farmers to take proper precautions during collection, pulping and drying.—DC

Visakhapatnam:

The ASR district administration is encouraging coffee farmers to sell their produce directly, without middlemen, and would set up coffee Rythu Bazaars to support the farmers. District collector Dinesh Kumar said farmers who join the initiative would receive machinery and equipment at a 30 per cent subsidy on the unit cost. He said, “All traders involved in the coffee business must hold a valid coffee trade registration certificate.”

Legal action would follow in cases of non-compliance. The quality of Araku coffee would not be compromised under any circumstances, he stressed. The administration would ensure stable pricing for Araku coffee and strengthen its presence in international markets. Directions to these effects were issued during an awareness and interaction programme held on Monday with coffee farmers, traders, FPOs, and NGOs.

The collector said, “If all coffee traders in the district form an association, it will be legalised, enabling them to conduct business collectively.” Such an association would help maintain stable pricing for quality produce, he said, and called for the supply of parchment that meets international standards. He stressed the need for high-quality practices from fruit collection to processing. With berry borer pest issues expected to surface in the Araku and Dumbriguda mandals, the collector advised farmers to take proper precautions during collection, pulping and drying. He directed the Coffee Board to share pest-control videos regularly.

Check posts, he said, will be set up to curb the movement of illegal crops. Agriculture staff, ITDA teams and revenue officials would conduct continuous monitoring. Government-issued permission documents are mandatory for transporting coffee crops.

He warned that consignments with out proper permissions would be seized.

The collector asked the Paderu ITDA project officer to install digital weighing machines in coordination with the GCC and ITDA to prevent fraud at markets and procurement centres. He asked the officer to complete the construction of two eco-pulping units in G Madugula and GK Veedhi mandals by next year.

A food processing park would be established in Chintapalli to support FPOs and interested enterprises. During the meeting, ITDA project officer Thirumana Sripooja said coffee fruits would be procured through the GCC. He urged farmers to approach the purchasing centres.

source: http://www.deccanchronicle.com / Deccan Chronicle / Home> Southern States> Andhra Pradesh / by DC Correspondent / December 09th, 2025

Uthappa, Steyn, Morgan Join SA20’s Commentary Panel For Season 4

Joburg Super Kings: SA20 is preparing to enhance its renowned broadcast for Season 4, introducing a prestigious commentary team with leading figures in international cricket. Robin Uthappa, a highly regarded voice in Indian T20 cricket, rejoins the panel, joined by global cricket legends Dale Steyn and Eoin Morgan.

As SA20 prepares for another exciting season, audiences can expect expert analysis, compelling storytelling, and detailed insights from a team of analysts with decades of international experience in the commentary booth.

Adding Steyn, regarded as the top fast bowler of his era, and Morgan, the visionary leader behind England’s transformation in white-ball cricket, greatly enhances the analysis of all 34 matches. Their inclusion offers fans an unmatched perspective on fast-bowling techniques, leadership choices, team strategies, and crucial match moments.

Uthappa, who previously served on the broadcast panel, remains involved with SA20. His insights, developed through extensive experience in the IPL, international cricket, and various global T20 leagues, provide a valuable perspective during critical batting moments, pressure scenarios, and momentum swings.

Leading the global effort are prominent figures such as former England captain Kevin Pietersen, the skilful Indian batsman Robin Uthappa, and cricket voice Mark Nicholas. They are complemented by a legendary panel of Proteas icons who are deeply familiar with local conditions. At the forefront is AB de Villiers, widely recognised as one of the most potent and destructive T20 hitters ever. He is supported by JP Duminy’s strategic insight, Ashwell Prince’s batting skill, Chris Morris’s all-round ability, and Vernon Philander’s precise bowling.

Season 4 will once again showcase a mix of world cricket legends, popular South African stars, and experienced broadcasters, ensuring that every aspect of the game, from strategic insights to boundary-side energy, is presented with depth and style.

Keeping the action lively and full of energy are the likes of Natalie Germanos, Mpumelelo Mbangwa, Kass Naidoo, Mark Butcher, Nikhil Uttamchandani, Lesego Pooe, Motshidisi Mohono, and Kriya Gangiah.

Together, this vibrant and diverse line-up guarantees fans worldwide receive top-notch analysis, engaging stories, and unrivalled entertainment throughout the competition.

The SA20 continues to grow as one of the most thrilling T20 leagues globally, delivering elite cricket to fans across six vibrant host cities: Durban, Johannesburg, Cape Town, Paarl, Centurion, and Gqeberha.

The six competing teams will showcase their sporting skill and entertainment in a spectacular battle.

• Durban’s Super Giants

• Joburg Super Kings

• MI Cape Town (Season 3 – 2025 Champions)

• Paarl Royals

• Pretoria Capitals

• Paarl Royals

Fans in India can watch every moment of SA20 Season 4 live on JioHotstar and Star Sports Network, starting from December 26.

source: http://www.cricketnmore.com / CricketnMore / Home> Latest News / by IANS News / December 09th, 2025

Annual Sports Fiesta at Kodagu Model School

Mysuru:

The Annual Sports Fiesta was held at Kodagu Model School on Kaveri Road in Vidyashankara Layout, Mysuru, recently.

Dr. C. Venkatesh, Chairman and Director, Department of Studies in Physical Education & Sports Sciences, Sports Pavilion, University of Mysore, inaugurated the meet by lighting the sports torch, followed by a symbolic cycle ride to officially open the sports events.

In his inaugural address, Dr. Venkatesh emphasised that sports not only promote physical fitness but also strengthen mental well-being.

He inspired the students by sharing the life journeys of sports icons such as Dhanraj Pillay, Arunima Sinha and many others. He motivated the young athletes with powerful messages such as “Don’t fail without trying,” “No gain without pain,” and “Strength is life; weakness is failure.”

He highlighted that both education and sports are essential for their overall growth and success.

Sri Kaveri Kodava Association, Mysuru East and School President K.M. Belliappa spoke about the importance of celebrating Sports Day to foster sportsmanship, teamwork and holistic development among students.

The two-day celebration concluded with a valedictory and prize distribution. Ajjikuttira C. Subbaiah, Management Member of Sri Kavery Kodava Association, Mysuru East, an Army veteran, a National-level sportsperson and a recipient of several medals in veteran category, was the chief guest. Secretary P. A. Devaiah presided.

source: http://www.starofmysore.com / Star of Mysore / Home> Sports / December 09th, 2025

Planning to watch the Geminids meteor shower? Starscapes announces camps in Kausani, Mukteshwar & Coorg — here’s all you need to know

Experience the Geminids Meteor Shower this December with Starscapes! Join exclusive camps in Kausani, Mukteshwar, and Coorg for expert-led stargazing, cozy winter comforts, and breathtaking meteor views. Perfect for astronomy lovers, families, and photographers.

Witness the dazzling Geminids Meteor Shower at Starscapes camps in Kausani, Mukteshwar & Coorg this December—an unforgettable night under the stars!

Astro-tourism is on the rise in India, with destinations across the country enhancing the stargazing experience. From the Himalayas to the Aravallis, privately owned observatories are encouraging travellers to stay in cosy hotels and homestays, making the magic of the night sky accessible to all.

This December, India’s skies are set to dazzle like never before. The Geminids Meteor Shower, one of the brightest and most dependable celestial events of the year, will peak on December 13–14, 2025. Astronomy enthusiasts, adventure travellers, families, and photographers alike won’t want to miss this spectacular show.

To celebrate, Starscapes, India’s leading astro-tourism company, is hosting immersive two-night meteor-shower camps across Kausani, Mukteshwar (Uttarakhand), and Coorg (Karnataka).

If you’ve ever dreamed of lying beneath a sky filled with stars while multicoloured meteors streak overhead, these exclusive dark-sky camps promise an unforgettable winter escape—perfect for creating memories that last a lifetime.A Celestial Show Unlike Any Other

The Geminids are famous for producing up to 120 colourful meteors per hour under ideal dark skies. This year, the shower arrives on a moonless, crisp December night—perfect conditions for uninterrupted viewing.

Imagine watching meteors blaze across the heavens with the Himalayas as your silhouette in Kausani and Mukteshwar, or the lush Western Ghats as your backdrop in Coorg. Far from city lights and digital noise, these camps offer a rare chance to reconnect with nature and the cosmos.What Awaits You at the Starscapes Geminids Camps

Each camp blends scientific exploration, cosy winter comforts, and the thrill of celestial magic:

Expert-Led Meteor Watching: Knowledgeable StarGuides will walk you through the night sky using sky maps, constellation pointers, and fascinating stories about the Geminids and their origins.

Telescopic Stargazing: Before the meteor shower peaks, powerful telescopes will unveil spectacular deep-sky objects—star clusters, nebulae, Jupiter, Saturn, and more.

Cosy Winter Vibes Under the Stars: Enjoy hot chocolate, warm snacks, and peaceful silence, wrapped in blankets and crisp mountain or hill air.

Handpicked Dark-Sky Viewing Zones: Each group will be driven to a carefully selected, zero light-pollution spot—ensuring a front-row seat to the night sky’s most spectacular performance.Why These Locations Are Perfect for Meteor-Watching

When it comes to catching the Geminids at their brightest, location matters—and these three destinations offer some of the clearest, darkest skies in India. From Himalayan heights to the lush Western Ghats, each spot creates the perfect natural stage for a spectacular meteor show.

Kausani & Mukteshwar (Uttarakhand): High altitudes, dry winter air, and minimal light pollution make these Himalayan destinations ideal for observing faint meteors and star fields.

Coorg (Karnataka): Known for its misty hills and sprawling forests, Coorg offers wide, open horizons and stable winter weather—excellent for southern-sky viewing.When to Watch the Geminids

The meteor shower peaks on the night of December 13–14, 2025.

Best viewing time: 12:00 AM to 4:00 AM, when the radiant is highest in the sky.

During this window, the sky comes alive with a steady burst of glowing meteors—some slow, some bright, and many leaving long, colourful trails.The Experience: A Night You’ll Remember Long After It Ends

Step away from screens. Breathe in the cold winter air. Listen to the quiet.  Under a sky filled with stars, you’ll:

  • Sip steaming hot chocolate.
  • Share stories with fellow sky-watchers.
  • Capture long-exposure shots of meteors.
  • Watch the sky transform into a celestial fireworks display.

Whether you’re travelling solo, with friends, or with family, it’s a wholesome, grounding experience—one that takes you back to the simple joy of looking up.Temperature Guide for December 2025: What to Expect at Each Location

A night under a meteor-lit sky sounds magical—just remember, the winter air will be part of the experience too. If you’re travelling to Kausani, Mukteshwar, or Coorg for the Geminids, expect the kind of crisp, soul-stirring cold that makes hot chocolate taste even better.

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In Mukteshwar, the sun offers a gentle warmth with daytime temperatures hovering between 14–17°C, but once night falls, the mercury dips to a chilly 3–7°C—perfect for a snuggly jacket and a warm fire.

Kausani is just as wintry, with 15–17°C during the day and a sharper 3–5°C after dark—ideal for stargazing but definitely jacket weather.

Further south, Coorg trades Himalayan chill for a softer southern breeze. Days stay comfortably warm at 22–27°C, but nights cool down to 10–16°C, giving you the perfect balance between cosy and crisp.What to Pack

A magical night under the stars feels even better when you’re prepared. Here’s everything you’ll want to carry for a comfortable and unforgettable Geminids experience:

  1. Warm clothing: Thermals, a fleece jacket, gloves, and a scarf to stay cosy during late-night and pre-dawn meteor watching.
  2. Comfortable footwear: Trekking or closed shoes for walking across uneven or dimly lit terrain.
  3. Photography gear: A DSLR or phone camera along with a tripod to capture long-exposure shots of meteors and star trails.
  4. Light source: A torch or headlamp—preferably with a red filter—to preserve night vision during stargazing sessions.
  5. Essentials: Water bottle, lip balm, and moisturiser to stay hydrated and comfortable in the crisp winter air.

How to Register

Eager to experience the Geminids Meteor Shower firsthand? Find all camp details, registration information, and the full itinerary here.

source: http://www.moneycontrol.com / MoneyControl / Home> Travel / by Priyanka Roshan / December 08th, 2025

AICRP on Sorghum & Small Millets & ICAR–IIMR, Hyderabad empower Tribal Farmers with Millet Bakery and Roti Unit

The AICRP on Sorghum and Millets & ICAR–Indian Institute of Millets Research, Hyderabad, in collaboration with the College of Forestry, Ponnampet, UAS, Mandya, established a Millet Bakery and Millet Roti Units at the Kodagu Agribusiness Incubation Centre of the campus. An awareness cum Millets training program organized to women members to enhance the millets utilisation. This initiative under TSP component of AICRP- Sorghum & Millets, is an innovative step toward promoting the consumption of nutritious millet-based foods among forestry college students, farmers while demonstrating practical millet value-addition technologies through an incubation-driven entrepreneurial environment.

The unit was initiated to integrate millet-based diets into hostel kitchens and provide students with healthier and nutrient-rich alternatives as part of their daily meals. With the efforts of Dr. Laxmi Balaganoormath, Assistant Professor & Principal Investigator of the project began by supplying Jowar rotis to hostel students during lunch. Encouraged by the positive response and increasing popularity among students, the initiative rapidly expanded its product portfolio to include finger millet cakes, millet biscuits, millet chikkis, and a variety of millet-based baked snacks. These products are made using millets, ensuring high nutritional value, freshness, and support for regional agriculture.

Beyond the hostel community, the Millet Bakery and Roti Unit at the Kodagu Agribusiness Incubation Centre has added broader value to the campus ecosystem. It provides hands-on training opportunities and skill development in millet processing, baking, and entrepreneurship for students and aspiring agripreneurs. The initiative also ensures a steady demand for local millet growers, thereby strengthening the local value chain and supporting climate-resilient agriculture. Furthermore, this incubation-based model serves as a demonstration platform for schools, community organizations, FPOs, and enterprises interested in adopting millet-based food systems.

Through the strong partnership between AICRP on Sorghum & Millets, ICAR–IIMR, Hyderabad, and the College of Forestry, Ponnampet, this initiative has become a role model for nutrition-focused and sustainability-driven food interventions in educational institutions. The Millet Bakery and Roti Unit is not only nourishing young minds and bodies but also fostering a culture of innovation, self-reliance, and community well-being powered by the simple strength of millets.

(Source: ICAR–Indian Institute of Millets Research, Hyderabad)

source: http://www.icar.org.in / ICAR

Puthari Namme: Harvest festival celebrated in Mysuru, Kodagu

Madikeri/Mysuru:

Puthari Namme,’ the harvest festival of Kodagu that marks the season’s first paddy harvest, was celebrated with grandeur across Kodagu and Mysuru last night.

The celebrations began with a puja to Lord Igguthappa and Goddess Cauvery, followed by the symbolic harvesting of the new paddy crop (kadiru) and the customary firing of gun shots into the air to herald prosperity.

Major festivities began at Sri Omkareshwara Temple in Madikeri, the Kodava Samaja, Gowda Samaja and several other venues, where people offered prayers and performed time-honoured rituals.

Families chanted “Poli Poli Deva…” as they symbolically welcomed the Dhanya Lakshmi — goddess of grain — into their homes. Kodava men wore the distinctive ‘kupya-chele’, ‘peechekathi’ and ‘mande-tuni’, while women adorned traditional sarees and ‘vasthra.’

Members of the Kodava Samaja, accompanied by ‘taliyatakki bolcha’ and traditional ‘valaga’, marched in a grand procession to the temple.  The freshly harvested paddy was then taken to the Samaja, worshipped and later distributed to devotees. Special ‘thambittu’ made from fried kusubalakki mixed with ripe banana was distributed to all.

A Samaja member symbolically harvesting the paddy crop at a small field in School premises.

At Gowda Samaja

The Kodagu Gowda Samaja celebrated ‘Puthari’ with equal fervour. A symbolic paddy field was created on the premises where the ritual harvest was performed, followed by the distribution of the festive delicacy.

Members of Kodagu Gowda Samaja celebrating harvest festival at its premises in Railway Layout, Vijayanagar Fourth Stage, last night.

At the historic Sri Mrutyunjaya Temple in Badagarakeri, villagers celebrated ‘Puthari’ on a grand scale collectively. Led by village elders and the temple management committee, the ritual cutting of paddy was followed by a vibrant procession. Villagers walked 2 kms to the traditional fields, burst crackers, danced to the valaga and returned to the temple with the harvested crop.

Festival in Mysuru

In Mysuru, ‘Puthari Namme’ was celebrated at Sree Cauvery School premises in Kuvempunagar, where hundreds of Kodava community members, led by Mysuru Kodava Samaja office-bearers, gathered in  traditional attire.

The event featured a wide range of Kodava cultural performances. Devotees took home the new paddy sheaves, chanting “Poli Poli Deva,” as they prayed to Lord Igguthappa and Goddess Cauvery, welcoming Dhanya Lakshmi into their homes.

Kodagu Gowda Samaja also marked the festival at Railway Layout in Vijayanagar Fourth Stage, where they harvested paddy crop after performing the rituals.

The cultural highlight of the evening was the spirited performances by youngsters who had trained diligently in traditional dances and songs, earning applause from the community.

source: http://www.starofmysore.com / Star of Mysore / Home> News / December 05th, 2025

Earthlore band: Tribal musicians from Wayanad and Coorg bring indigenous music to the mainstream

Young Jenu Kuruba (honey-gatherers), Paniya and Kurichiya artists use Arpo–Tata Trusts Fellowship to reinvent tribal music.

The Earthlore fellows rehearsing; Parvinder Singh (in black T-shirt) is one of the two non-tribal fellows in the band. | Photo Credit: Courtesy Arpo

On a November evening, at Nisarga Art Hub in Angamaly, Kerala, as a bunch of indigenous musicians from Wayanad and Coorg sang of the forest, of people’s struggles, in their native tongue, the audience joined in, clapping hands and tapping feet. That day, the newly formed Earthlore band made their stage debut.

The band comprises 12 members from the Jenu Kuruba tribe, six from the Paniya tribe and one from the Kurichiya tribe, of Kerala’s Wayanad and Karnataka’s Coorg regions. A part of the not-for-profit Archival and Research Project’s (Arpo) flagship programme, Earthlore the band is the result of a year-long fellowship. Funded by Tata Trusts, the fellowship was announced last year, to form and professionally train a collective of indigenous musicians.

Of over 70 applications, 18 young musicians were selected by a panel which included members from tribal communities. “We work closely with marginalised and underrepresented artists to keep regional artforms alive, protect traditions, and create spaces for them to thrive. The Arpo Earthlore Fellowship is an example of this vision in action. It reflects our commitment for inclusive cultural empowerment,” says Paroma Sadhana, programme manager, arts and culture, Tata Trusts. To make it an inclusive programme, two slots were kept open for members from non-tribal communities — filled in by Parvinder Singh, an instrument maker and handpan artist, and Rishab, a keyboard player and composer, from AR Rahman’s KM Music Conservatory. The fellowship provided a stipend of ₹15,000 a month. 

Saving the artistic heritage 

The Jenu Kurubas, or honey gatherers, also known as Kattunayakars in Kerala, are a reclusive forest-dwelling community, recognised as a Particularly Vulnerable Tribal Group, with a deep-rooted culture of music and percussion. Living along the Kerala-Karnataka border, their dialect is a mix of Kannada and Tamil. “The Jenu Kuruba are a largely neglected group, which has been battling poverty, displacement and the resultant loss of cultural heritage,” says Sruthin Lal, co-founder of Arpo. “A few tribal artists such as Ramesh J.B. have been reviving the Jenu Kurubas’ music and composing songs in their dialect, with an aim to help younger people from the tribe to get re-acquainted with their heritage.”

Tribal musician Bala with Jenu Kuruba music instruments kai gajje and kal gajje from Arpo’s earlier documentation project.

Tribal musician Bala with Jenu Kuruba music instruments kai gajje and kal gajje from Arpo’s earlier documentation project.

Last year, Arpo facilitated a few senior artists from the community, including Ramesh, to participate in the second edition of the Mahindra Percussion Festival in Bengaluru. There was born the idea of a fellowship for young tribal artists, says Lal. 

Voices from the margins

While many of these youngsters have been actively involved in singing and are part of musical collectives within the community, few could showcase their talent to a larger, diverse audience. Lal adds, “They were extremely keen to do mainstream numbers. ‘Why should our music be limited to traditional songs?’ they would ask.” 

That the youngsters endured hours of travel by buses, in unrelenting rain, from their homes in various parts of Wayanad to the training centre in Mananthavady town, just to be able to learn and perform was inspiring, says Charu Hariharan, percussionist, singer and composer, and one of the mentors of the fellowship. The others were playback singer Sreekanth Hariharan, Mumbai composer and percussionist Viveick Rajagopalan and Bengaluru’s folk-rock musician Vasu Dixit.

Charu Hariharan, percussionist, singer, composer and a mentor in a training session with the fellows. | Photo Credit: Courtesy Arpo

Mentor-musician Charu Hariharan (left) on stage. | Photo Credit: Courtesy Arpo

Charu, who co-designed the programme curriculum, says, “we left the design of the programme to the tribal artists. They know their music the best. We offered suggestions and introduced them to some instruments, such as the konnakol. The words they write and the songs they sing are powerful and rich with meaning.” The mentors took the fellows through the technical aspects of a performance, advising them on “how to overcome voice strain” and “how to finetune shruti and tempo”.

Composer, percussionist and a mentor Viveick Rajagopalan. | Photo Credit: Courtesy Arpo

The young musicians built a repertoire of 10 songs, which included a bit of storytelling, theatrical elements, and rap. Ajithlal Sivalal, theatre practitioner and founder of Space of Act Theatre Collective, helped choreograph the performance movements. A mix of indigenous drums were used, such as thudi (used by the Paniya tribe), kottadhatta, a kind of drum made from bamboo, and the gajje, an anklet worn by the Jenu Kurubas, the djembe, and plastic drums the tribal youth use.

Ajithlal Sivalal (left, in floral shirt), theatre practitioner and founder of Space of Act Theatre Collective, in a choreography session with the fellows.

The fellowship further provided training in language and music production, on IPR (intellectual property rights), POSH (Sexual Harassment of Women at Workplace [Prevention, Prohibition and Redressal]) Act, and the SC/ST (Prevention of Atrocities) Act. Such programmes, Lal says, “can bring about a huge change” and hone the tribal youth’s “potential to grow into cultural leaders”.

Tunes of resistance and homecoming

Band member Shyni M., 35, from Chembakamoola in Mananthavady, and an ASHA (Accredited Social Health Activist) worker, says “Jenu Kurubas are generally a shy group; education is still a problem and we have been robbed of our land. The forest was our home and farming was our profession. Our ancestors grew ragi, corn and rice among other things. But today, we are landless and forced to become daily-wage labourers. I now live in a small house amid several other houses.”

Band member Shyni M,. 35, from the Jenu Kuruba tribe, from Chembakamoola in Mananthavady is an ASHA worker. | Photo Credit: Courtesy ARPO

Many of their songs are fiercely political, speaking of the forest, nature, discrimination and colourism. “Our music is inextricably linked to the land of our ancestors. We are the children of the forest,” she adds, as Suraag S., 24, who’s pursuing his B.com at St Mary’s college, Mananthavady, says, “People may not understand our language, but the emotion they would get.”

A talented vocalist, Suraag has participated in several festivals and events such as Gothrathalam, held to preserve tribal artforms in Kerala. His own collective, Thidambu Gothra Kala Sangham Group, platforms tribal musicians. “I have been part of ganamelas too, which focus purely on film songs, but I love singing naadan paattu (folk songs) the most; I love the way the notes rise and fall,” he adds. Shyni, who says, “we see this (the fellowship) as a great opportunity to sing about our lives, our realities,” dreams of returning to the forest someday.

Earthlore band is next performing in Bengaluru on December 21 at Courtyard Koota and December 23 at Sabha.

source: http://www.thehindu.com / The Hindu / Home> Society / by Anasuya Menon / December 05th, 2025

‘Ummathat – The Rhythm of Kodava,’ a celebration of culture

A striking insight was how Kodava culture beautifully balances energies – men perform warrior dances with swords and guns, while women perform Ummathat, celebrating the life-giver.

‘Ummathat – The Rhythm of Kodava’, was screened in the ‘Indian Panorama Non-Feature’ section of the 56th edition of IFFI in Goa. (Supplied)

Synopsis: 

Purely a passion project by director Prakash Kariappa K, and produced by his wife, K Yeshoda Prakash, the documentary was supposed to be just an archival project, but later they decided to send it to festivals, starting with IFFI.

One of UNESCO’s “definitely endangered” world languages, so much so that even natives of Karnataka, to which this eponymous language and culture belong, are principally unaware of it, Kodava, had its debut at the ongoing 56th IFFI Goa, via a documentary, ‘Ummathat – The Rhythm of Kodava‘, in the ‘Indian Panorama Non-Feature’ section.

Purely a passion project by state award-winning director Prakash Kariappa K, and produced by his wife, K Yeshoda Prakash, herself a National Best Kannada film awardee, under their home banner, Swasthik Entertainment, it was supposed to be just an archival project, but later they decided to send it to festivals starting with IFFI.

“We’re both surprised and sad to find out that no such previous documentary, let alone comprehensive or not, exists at all,” Prakash and Yeshoda said, when South First caught up with them for a chat.

Q. How significant is this milestone for both the Kodava film industry and its culture?

A: We are immensely happy that our Kodava documentary has found a place in this prestigious section. We’re hoping that showcasing our specific indigenous tribe and culture will lead to healthy conversations among those keen to learn about unique cultures, especially about Kodagu, the smallest district in Karnataka, which is the land of Kodavas, who have contributed nationally variously to sports, defence, arts, etc.

Yeshoda and Prakash Kariappa K. (Supplied)

We hope this movie will interest relevant film personnel, technicians, and researchers. The 53 years of the Kodava film industry have produced 30 movies so far. This entry might encourage more.

Q. Both you and your wife are state and national film awardees, respectively. Why bring in a co-director?

A: Bollajira Yamuna Aiyappa is an MA specialising in Kodava language with a deep understanding of the culture, and also a Ummathat dancer herself. Our project required communicating and coordinating with over 100 female dancers, and we felt it would be best served to onboard her as co-director.

Q: Are the origins of Ummathat, mentioned as symbolising “the divine feminine”, explained in the film?

A: The name is widely believed to come from ‘Uma’ – another name for Goddess Parvati – and ‘aat’, which means dance in the Kodava language. It’s also thought to come from “Ummath Poov“ aka, ‘Angel’s Trumpets’ (Brugmansia) used by our ancestors as an instrument during the dance, which was later replaced with copper/silver cymbals. The dance begins by invoking Kaveriamma’s (Mother Kaveri) blessings, sun and moon, before every performance; the circle formation represents the womb and the cycle of life. The dance is a worship depicted through the feminine body.

Q: The film begins with a symbolic Ummath Poov leaf shot. Was it scripted or improvised later? Was it in accordance with ‘Kodavame‘, the Kodava sacred text, that promotes harmony with nature and respects ancestral values?

A. I had lived and breathed this project for 1.5 years of its making, since its inception. Yes, Kodavas love and respect nature since ancient times, and it was also a factor. The opening leaf-shot was in accordance with our original storyboard.

Q. What resources did you use for research to reach the authenticity? Did you refer to the Pattole Palame?

A. We did indeed begin with Pattole Palame. Compiled by Nadikerianda Chinnappa by 1922, it, after all, is the most authoritative and extensive ever written record of Kodava folklore, songs, and customs. And right from the initial stage, we consulted with Rani Machaiah, the only Padma Shri Kodava dancer and a living ‘Ummathat’ legend.

Cast and crew of ‘Ummathat – The Rhythm of Kodava’. (Supplied)

We also roped in M Shilpa Nanjappa, a state awardee in Bharatanatyam, who doubles up as the narrator of the dance forms. She focused on the authentic portrayal of ‘abhinayas’. Both their presences themselves being the authentication, refined our film by further correcting pronunciations, explaining mudras and demonstrating forgotten sequences, to maintain actuality of the dance forms, all throughout.

Q: Why was there no on-screen interview of Rani Machaiah?

A: We’d have really loved to, but her advancing age; she’s almost 80 and health concerns were a deterrent.

Q: In the process of researching and filming the 13 Ummathat dance forms, were you surprised by any historical or cultural revelations?

A: A striking insight was how Kodava culture beautifully balances energies – men perform warrior dances with swords and guns, while women perform Ummathat, celebrating the life-giver. While filming, we were moved by the community’s deep passion for preserving our ancient dance form. Both are equally sacred and essential to any Kodava gathering. We also discovered how the dance reflects the community’s famed hospitality, largely led by women. Many of its gestures mirror the grace, warmth, and dignity with which Kodavas welcome guests, making Ummathat not just a dance but a living expression of their identity.

Ummathat is widely believed to have derived from ‘Uma’ – another name for Goddess Parvati – and ‘aat’, which means dance in the Kodava language. (Supplied)

Q. Why were the dances staged and not based on live footage?

A: There were two brief actual footage, including one in front of a temple. We staged the dances mainly for logistics purposes, including the availability of dancers.

These dances take place in certain festivals and celebrations, at different times of the year, amidst a huge, uncontrollable crowd, and we knew it would be difficult to shoot them the way we wanted, without any distractions.

Q: You shot in the interiors amidst nature. How did you choose the sites? What were they, and what were the challenges of filming there?

A: Being a Kodagu native, born and raised, I was already aware of all the locations suitable for our documentary. We filmed at Kutta, Mutlu, and Thanthipala and the like places. Challenges chiefly were in coordinating over 150 dancers from across Kodagu and other places to get them to the spot. We also navigated sudden rains, inaccessible routes, which stretched our schedule a bit.

Q. Did your army background help you with the discipline?

Bollajira Yamuna Aiyappa, M Shilpa Nanjappa and Prakash Kariappa K. (Supplied)

A: I’m primarily a man of discipline, which I’ve been able to maintain thus far.

Q: Being a Kodava Sahitya Academy Awardee for Best Novel in 2024 and with a total of 11 novels in Kodava and Kannada languages, has this experience given you any literary ideas?

A. Yes, it has given me an idea for a novel which highlights the deep roots of Ummathat. That will be the best justice I can do post this project.

Q: How are you planning to get a return from this film? How is the Karnataka Government supporting your endeavours? What are your distribution plans?

A: IFFI is our debut screening. We’ll try to leverage the opportunity as best as possible by interacting with national and international delegates to discuss distribution or collaboration possibilities.

We also have full faith in the Karnataka government as we have received support from them in the past and are sure will receive the best support in future as well. As said earlier, it’s a passion project, and we’re happy to be in the service of our culture.

source: http://www.thesouthfirst.com / South First / Home> Community & Culture / by Sudipto Mallick / December 04th, 2025