Indian tennis ace Rohan Bopanna says he is looking forward to the Olympics this year and has devised his schedule this year based on the Tokyo Games. Speaking to the Olympic Channel, 39 year old Bopanna says, “It’s another exciting season (with the Olympics involved).
It’s a great honour to represent India at an event as big as the Olympics. I am happy to get the title in Doha at the start of the year. But having said that, we have a lot of big events like not only the Grand Slams but also the Masters Series before going into the Olympics.
But I am happy and I am looking forward to it.” Bopanna continues, “I think the calendar is already planned in such a way that it’s between two Grand Slams (Wimbledon and US Open). And you know, in tennis, we have so many big events scheduled in our season that we constantly are playing the best players in the world.
So that really helps in making you a better player and make you ready for a big event like the 2020 Olympics.” The qualification for the Olympics will be based on the rankings of Bopanna and Divij Sharan. The two are playing with different partners currently in order to improve their ranking and hope to pair up closer to the Games once their rankings are high enough to enter the ATP tournaments.
“At this juncture, Divij and I are the only two players who are high enough (on the ATP Rankings) to try and qualify for the Olympics. We played a few events (as a pair) last year and we did end up winning the title in Pune.
Really excited to be playing with him. We had the gold medal at the Asian Games. I think we gel well as a team.”
source: http://www.tennisworldusa.org / Tennis World / Home> Tennis News> Indian Tennis / by Harish / February 16th, 2020
The annual fruit and flower show which began at Raja Seat in Madikeri on Friday has been attracting tourists and nature lovers in large numbers.
The traditional ‘Ainmane’ house made out of flowers, is the main attraction in the fruit and flower show in Raja Seat, Madikeri.
Artifacts featuring Virat Kohli, Wing Commander Abhinandan, Kuvempu, Atal Bihari Vajpayee, Narendra Modi, B S Yediyurappa, A P J Abdul Kalam, Mahatma Gandhi, Siddaganga seer, Dr B R Ambedkar, Field Marshal K M Cariappa, General Thimmaiah and Pejavara seer— all carved out of watermelons, mesmerise visitors, at the entrance of Raja Seat.
6,000 flower pots
A total of 6,000 flower pots have been arranged in the park. Flowers exhibiting a wide spectrum of colours and species, arranged in artistic patterns, have been providing a visual treat.
Raja Seat, which had lost its sheen owing to lack of flower-bearing plants, is now wearing a refreshed look.
The main attraction, however, is the traditional ‘Ainmane’ (house), designed with lakhs of flowers. A lot of visitors were seen taking selfies in front of the Ainmane.
Rocket
The heart made out of roses, rocket launching station of ISRO, coffee pot and the cup, Mickey Mouse, Swami Vivekananda and other artefacts made out of flowers are making the people spellbound.
Cultural programmes will be held in the evenings, as a part of the fruit and the flower show. Food festival is being held in Gandhi Maidan. People have been relishing their taste buds with sugarcane juice from Mandya and other delicacies. Stalls have been put up by the Horticulture Department and private nurseries, featuring the sale of various flower-bearing plants.
MLA’s praise
Speaking after inaugurating the fruit and flower show, Madikeri MLA Appachu Ranjan called upon the people to come to Raja Seat in large numbers to see the show.
The show is being organised by the Department of Horticulture at a cost of Rs 20 lakh. Cultural programmes are being organised by the Department of Kannada and Culture and Karnataka Kodava Sahitya Academy, he said.
Deputy Commissioner Annies Kanmani Joy said it has been a tradition to organise fruit and flower show in the month of January or February every year. The show will be on till Monday.MLC Veena Acchaiah, MLC Sunil Subramani, Kodagu Zilla Panchayat President B A Harish, Vice President Lokeshwari Gopal, Hopcoms President Biddatanda Ramesh Changappa and Horticulture department Deputy Director Chandrashekhar were present.
source: http://www.deccanherald.com / Deccan Herald / Home> State> Mangaluru / by DHNS, Madikeri / February 07th, 2020
Sree Cauvery Educational Institutions, Kuvempunagar, conducted a one-day University-level workshop on “Business Research Methodology” at the College auditorium in city recently.
University of Mysore (UoM) Registrar (Evaluation) Prof. K. Mahadevan inaugurated the workshop. UoM Commerce Faculty Dr. K. Nagendra Babu was the guest of honour. Institutions Chairman M.K.Kuttappa presided.
The workshop was conducted in three sessions. First session was handled by Dr. R. Jagadeesh, Professor and Head, Department of Studies in Business Administration (MBA), SBRR Mahajana First Grade College (PG Wing), Mysuru; 2nd session by Dr. B. Mahadevappa, Professor of Commerce, Post Graduate Centre, Hemagangothri, UoM and 3rd session by Dr. S.J. Manjunath, Faculty, B.N. Bahadur Institute of Management Sciences, UoM.
The workshop had 300 participants including academicians, research scholars, PG and UG students.
Institution Hon. Treasurer M.B. Aiyappa, Vice-Chairman M.M. Ponnappa, Special Advisor Prof. K.C. Belliappa, Kodava Samaja President K.M. Belliappa and Cauvery First Grade College Principal K.M. Padvamavathi were present.
source: http://www.starofmysore.com / Star of Mysore / Home> News / February 03rd, 2020
First off is the Amazon Prime Video series ‘Afsos’, in which he plays a suicidal writer who is simply unable to die.
Gulshan Devaiah
Gulshan Devaiah moved to Mumbai from Bangalore more than a decade ago to become a “good leading man who’s also a good actor, or even a great and legendary leading man, who’s a great and legendary actor”. Will he get there, as he hopes?
Devaiah’s latest effort is Amazon Prime Video’s series Afsos, which is out on February 7. Written by Dibya Chatterjee and Anirban Dasgupta, Afsos follows Devaiah’s Nakul, a clinically depressed writer who hires an assassin (Heeba Shah) to kill him after 11 failed suicide attempts. Things go awry when Nakul wants to abort the mission after developing feelings for his therapist (Anjali Patil).
“Sometimes, you suffer more in your imagination than reality,” the 41-year-old actor said about Nakul. The insecure, middle-class writer is similar to his sexually obsessed character Mandar Ponkshe in Harshvardhan Kulkarni’s Hunterrr (2015). Both are what he calls the “average Ramu”. Devaiah added, “What made Mandar special was him sleeping around to feel good about himself. What makes Nakul special are the circumstances he gets into for his glum outlook on life.”
Afsos (2020).
Devaiah is coming straight off from praise for his role of a village strongman-turned-alpha zombie in Dibakar Banerjee’s installment in Netflix’s anthology horror film Ghost Stories. Despite being in the movies since 2011, the 10-minute role, of which nine minutes are spent under unrecognisable make-up, has earned him some of the best reviews of his career. Devaiah had no expectations from the film and wasn’t sure he would be recognised at all, but he now wonders why the role has drawn so much attention.
“Perhaps, though everything seems very sudden, what I had been doing for so many years created a positive impression in people’s minds, so the effect was cumulative,” he said. “I would keep getting messages from my audience, that I am underrated and underutilised. Perhaps, with Ghost Stories, people thought I have got what I deserve.”
Off the top of his head, Devaiah remembers Karan Johar and Reema Kagti praising him for his ghoulish act. At least one of those handshakes materialised in a role: Devaiah is playing a policeman in Kagti’s Rajasthan-set web series Fallen, alongside Sohum Shah and Sonakshi Sinha.
Gulshan Devaiah in Ghost Stories (2020). Courtesy Netflix.
Devaiah’s career began with morally grey or outright negative roles in low-to-mid-budget productions such as That Girl in Yellow Boots (2011), Dum Maaro Dum (2011), Shaitan (2011), and Hate Story (2012). He played similar roles in commercial projects such as Goliyon Ki Raasleela Ram-Leela (2013) and Commando 3 (2019).
In between, he played diverse characters, including the double role of a don and a martial arts teacher in Vasan Bala’s Mard Ko Dard Nahi Hota (2018) and a serial womaniser in Hunterrr, a role that his fans still keep talking about.
Despite leading-man ambitions and an impressive resume, he didn’t quite hit the sweet star-actor spot. Devaiah attributes this to being clueless about converting the attention he received “between 2011 and 2013” to “hustle”.
“The only thing I knew to do was good work,” Devaiah said. “The others after me were better at hustling like Ayushmann Khurrana, Vicky Kaushal, Rajkummar Rao. I am learning from them.”
Is being good not good enough? “Idealism has its place but you also have to be practical,” Devaiah explained. “I don’t want to be dragged down thinking I am so good and hardworking but I didn’t get the chances I deserve. I see disappointment and disillusionment in veteran actors who’ve been around for 30-40 years. I constantly think about what am I not doing, where am I missing out. Sometimes, in an interview, I might have the right answers, but not the right attitude. That might be enough for someone to not choose me for a role. I keep these things in mind.”
Gulshan Devaiah as Jimmy and Karate Mani in Mard Ko Dard Nahi Hota (2019).
Unlike his Afsos character, Devaiah is neither overtly bogged down by missed opportunities nor is he chasing big-banner productions. Most of his films have been made on limited budgets.
“Small banner, big banner is secondary for me,” Devaiah said. “My goal in life is to do roles through which I can challenge myself, surprise audiences. I don’t look for validation from a big director or big production house. The legacy I want to leave behind is of me being a versatile actor. Hunterrr or Mard were not big banner projects. But the connection I made with the audience with those roles is what I aim for.”
Some of Devaiah’s projects have either not been released or have gone straight to streaming platforms, which are not the best places for small movies to find audiences. There’s still no release date for Bala’s eight-year-old Peddlers. Kanishk Varma’s Hindi-Marathi bilingual thriller Daav/Haadsa, which stars Devaiah as a policeman, remains in the cans. The much-delayed Cabaret went straight to Zee5, while CandyFlip was released on Netflix.
But he cannot pick films based on the ability or willingness of their makers to release them, Devaiah said. He cited the example of Tarun Mansukhani’s Drive. “Did anyone expect a Dharma film to go straight to OTT?” he said. “Shit happens man, I can’t worry about it. I can’t even put it in my contract that the film must be released. I can only tackle things I have control of, like my film choices or performances.”
Gulshan Devaiah in Goliyon Ki Raasleela Ram-Leela (2013). Courtesy Bhansali Productions/Eros International.
Besides Fallen, Devaiah has nothing on his plate that he can talk about except a thriller Hinterland, announced long ago but yet to be shot. The film, also starring Manoj Bajpayee, “is about a man chasing another man, and how the system is rigged in a way that a conflict between two parties helps a third party”, he said.
Devaiah prefers to work on one project at a time. “Be it a three-day shoot or a 300-day shoot, if I can, I only eat, sleep, think one thing at a time,” he said. “I would say my work ethic of putting 100% attention to something is my biggest strength.”
Many acclaimed roles, a few commercial successes, and yet his best role didn’t even make a blip on the radar. “Hunterrr is the only brand value I have actually,” he said. “People were attracted to the nostalgia of the film. Everyone had one friend, brother, or cousin, who was like Mandar. Everyone, post-puberty, tried the sort of things Mandar did in the film. I definitely related to the things happening in his life, if not him exactly. Many women told me that they also related to the events in the film.”
Chori Chori, Hunterrr (2015).
source: http://www.scroll.in / Scroll.in / Home> The Reel> On the Actor’s Trail / by Devarshi Ghosh / February 05th, 2020
UCLA’s Center for the Art of Performance (CAP UCLA) presents Fly Higher: Charlie Parker At 100 on Thursday, March 26 at 8 p.m. at Royce Hall. Tickets starting at $28 are available now at cap.ucla.edu, 310-825-2101 and the Royce Hall box office.
Charlie “Bird” Parker was a legendary Grammy Award-winning jazz saxophonist who, with Dizzy Gillespie, invented bebop. This year marks the 100th year since the legend’s birth and therefore is cause for celebration. Acclaimed co-musical directors Rudresh Mahanthappa and Terri Lyne Carrington honor Charlie Parker’s centennial year by showcasing his uncompromising musical joy, humor and beauty, mining his deep repertoire and showcasing new, modern compositions.
Hailed by Pitchfork as “jaw-dropping” and saxophonist of the year for seven years running in Downbeat, Rudresh Mahanthappa is a 21st-century voice of jazz. Since his emergence in the late ’90s, Mahanthappa harnesses the power of the horn to create a rhythmic urgency and showcases an astonishing facility. In addition to creating Fly Higher with Carrington, Mahanthappa is the Director of Jazz at Princeton University.
Carrington returns to the Royce Hall stage for the second CAP UCLA season in a row. A three-time Grammy Award-winning drummer, Carrington has performed on over 100 recordings and just released Waiting Game this past November with her band Social Science. Last year, Carrington was acknowledged for her contributions to jazz with the Doris Duke Artist Award. Fly Higher is no exception as a significant contribution.
This performance concludes CAP UCLA’s Jazz series for the 2019-20 season. For more shows, please visit cap.ucla.edu/calendar.
CAP UCLA presents
Fly Higher: Charlie Parker at 100
Thursday, March 26 at 8 p.m.
Royce Hall, UCLA
10745 Dickson Court, Los Angeles, CA 90095
Program:
Fly Higher: Charlie Parker at 100 celebrates one of the most innovative and influential artists in modern musical history and examines his impact on pop, hip hop, rap, rock and jazz. Rather than imitating the original, Fly Higher strives to forward the art form by developing new perspectives on tradition.
Credits:
Fly Higher: Charlie Parker At 100 features:
Seminar, biopic release to mark the centenary year of scholar Dr. I.M. Muthanna
Bengaluru:
Kodagu’s most acclaimed poet, Appachcha Kavi’s 150th birth anniversary celebrations will be held in New Delhi.
This decision was taken by members of Kendra Sahitya Academy, which had convened a meeting recently at its regional office in Bengaluru under the Chairmanship of Kannada writer Dr. Chandrashekar Kambar.
The Academy, in association with Delhi Karnataka Sangha, Delhi Kodava Samaja and Jawaharlal Nehru University (JNU), will jointly organise the 150th birth anniversary celebration of Appachcha Kavi.
On this occasion, to mark the centenary year of Dr. I.M. Muthanna, noted Indian writer and scholar, a seminar will be held and a biopic on the great writer will also be released.
Dr. I.M. Muthanna was a noted Indian writer, scholar and translator who wrote in English, Kannada and Kodava languages and had translated four plays of Appachcha Kavi to Kannada.
During the meeting, Academy member submitted a proposal to publish the biopic and plays of Dr. Muthanna.
Academy Convenors Dr. Siddalingaiah, Dr. Sarooj Katkar, Prof. H.S. Shivaprakash and others were present at the meeting.
source: http://www.starofmysore.com / Star of Mysore / Home> News / January 29th, 2020
The days of March 1841 spent at Chikka Veerarajendra’s modest haveli in Benares were glazed thick with warmth, summer mangoes, and the colored rice flour that danced in the air in celebration of Holi. And for the first time in a long time, the unseated Rajah of Coorg felt a semblance of pride, after a degrading conflict with the British, while observing his favorite daughter Gowramma gurgling in the courtyard. As the mansion’s entrance gates unexpectedly rusted open, interrupting festivities, Veerarajendra was reconnected with Alamanda Somayya, an old ally to his family, who came with word of anglicized Coorg. When introduced to six-month old Gowramma, Somayya studied her tiny paint-smudged palms, prophesizing that ‘this Rajkumari will one day cross the seas’.
Although Princess Victoria Gowramma and her father were the first Indians to reach British turf in 1852, her somewhat diasporic narrative is little-known, forgotten within a bulky history of colonisation and foreign affairs. Perhaps the most articulate source on the royal is C.P. Belliapa’s novel Victoria Gowramma: The Lost Princess of Coorg, which constructs a meticulous timeline that draws on the prospective importance she held in Britain’s colonial system and the Indian religious landscape.
Being christened as the ‘lost princess’ seems fitting in respect to Gowramma’s position in contemporary Kodagu cultural dialogue – she bears our name, a rather ambiguous notability, and a beauty considered ‘exotic’ by outsiders, but upon closer exploration, was alienated from her people and heritage having been raised under the wing of Queen Victoria, and may even be considered a paradigm of what the British hoped for India.
From Benares To Britain
Gowramma’s journey begins with her father’s loss of Kodagu to the East India Company, leaving him bitter and distrusting of the ferenghis (foreigners). The pastoral simplicity of a kingdom fleshed out by generations of his ancestors now seemed fragile in the hands of the British. After being exiled to Benares, Veerarajendra began nurturing a pipe dream of his own, wherein he could restore himself to affluence by filing a legal suit against the East India Company, which would require his physical presence in London.
PERSISTENT COLOURISM SEALED GOWRAMMA’S FUTURE AS A BRITISH ROYAL – A FAIR COMPLEXION DISTINGUISHED HER FROM VEERARAJENDRA’S OTHER CHILDREN.
With the help of British doctor and close friend Dr. William Jeaffreson, Veerarajendra began crafting a trip to world’s most powerful social, economic, and technological center, under the desirable pretense of enabling a Christian education for his daughter. According to the Illustrated London News report in July 1852, persistent colourism sealed Gowramma’s future as a British royal – a fair complexion distinguished her from Veerarajendra’s other children, seeing as he’d dubbed her a “pigeon among crows”.
Image Source: Wikiwand
Grooming Of The Princess
Before their arrival, Dr. Jeaffreson offered a piece of advice to an anxious Veerarajendra saying, “Don’t be too hasty in taking up the legal issue on reaching London. Wait until Gowramma is well accepted by British society. A favorable public opinion is very important. I have received intelligence that the queen herself is eager to meet you and your daughter”. Governor-General at the time, Lord Dalhousie, also hoped for a publicised conversion of Princess Gowramma, which could possibly rescue the British regime’s stagnating reputation among its people.
Another motivating factor was young, recently-deposed Maharaja of Punjab Duleep Singh, who had expressed compliance in converting to Christianity after his state was annexed. The belief that a future marital alliance between Gowramma and Singh, two Christian Indian royals, could be a tool for proselytising the Indian population, had already begun gaining momentum within the monarchy. According to Belliappa, the Logins, guardians to Duleep Singh, were champions of this mentality, strongly believing in the European responsibility to spread the word of the Bible among pagan worshippers of India.
Queen Victoria, a spokeswoman for familial values, industrialisation, and social welfare herself, showed interest in Princess Gowramma’s story of passage from one of the humblest provinces of the British colony in India. Gowramma’s baptism on 30th June 1852 is remembered as an elegant occasion in which the young princess showed poise and grace.
On that day, Queen Victoria gifted Gowramma with her name, and a leather-bound bible with gold embellishments. She then entrusted the newly-christened Princess Victoria to the care of Major and Mrs. Drummond, who were to groom her in Western thought. From learning curtsying to using cutlery, Victoria grew into English ideals, and her consequent popularity in social circles and overall joie de vivre has been heavily-recorded.
Final Years
Overtime, the prospect of marriage between Duleep Singh and Victoria Gowramma began to fall out of the works, due to a lack of attraction, although they remained close friends. It was at this point in Gowramma’s timeline that royal disillusionment began to swell, as she realised her nights spent at royal balls with glasses of wine and attractive Englishmen weren’t the answer to what she wanted: a family and home to call her own.
SHE REALISED HER NIGHTS SPENT AT ROYAL BALLS WITH GLASSES OF WINE AND ATTRACTIVE ENGLISHMEN WEREN’T THE ANSWER TO WHAT SHE WANTED.
An obstacle that came in the way of Gowramma and eligible suitors was actually her father, who’d begun to earn himself the reputation of an ‘old reprobate’ in high society. It’s reasonable to conclude that Victoria’s consistent fear of upsetting the queen and consort contributed to her sad lack of autonomy, and also a naïve willingness. She ultimately married the nearly fifty-year-old Colonel Campbell, a charming friend of Duleep Singh, who was mostly attracted to her fine jewelry and 400-pound sterling allowance.
On 2nd July 1861, Gowramma gave birth to a baby girl, christened Edith Victoria Gowramma Campbell. However, this was only followed by a life of isolation in London, as Campbell was an indifferent husband, often only making contact to ask her for money – but Gowramma was not without great strength, and kept a brave face as a single mother.
In March 1864, Princess Victoria Gowramma succumbed to tuberculosis, just a few months before her 23rd birthday. Unsurprisingly, it’s suspected that Campbell disappeared shortly after her death, but not without her jewels.
Ultimately, Duleep Singh and Victoria Gowramma fell short of the grand scheme envisioned by the queen and British royalty. Perhaps India’s religious history would have shifted if a successful marriage between the Christian Indians had been fulfilled, as historians have realised the greater importance of religious propaganda as a tool of control for those colonised, rather than plain force. In respect to Gowramma herself, it’s impossible to trace her intricate lifetime of tragedy and romance without understanding the people and politics that governed her fate and sense of self.
References
1.Victoria Gowramma – The Lost Princess of Coorg by C.P. Belliappa
2. The Hindu
3. Coorg Jewellry
4. Evolve Back
5. Uk Asian
Featured Image Source: UK Asian
source: http://www.feminisminindia.com / Feminism In India – FII / Home> History / by Anoushka / December 12th, 2018
Deputy Commissioner Annies Kanmani Joy pays floral tributes to the statue of Field Marshal K M Cariappa in Madikeri on Tuesday.
Air Marshal (Retired) K C Cariappa said, “We, the people, should live as Indians first, ignoring the barriers of caste, creed and religion.”
He was speaking at the 121st birth anniversary programme of Field Marshal K M Cariappa, organised by the Department of Kannada and Culture, Karnataka Kodava Sahitya Academy and Field Marshal Cariappa and General Thimayya Forum at Field Marshal Cariappa Circle here on Tuesday.
MLA Appachu Ranjan said Cariappa used to reiterate the slogan that the nation comes first. “Cariappa believed in the values of punctuality and honesty. He was known for patriotism. All must cultivate his ideologies,” he said.
Ranjan said that he has requested the chief minister to move a proposal to the Central government to declare Cariappa’s birth anniversary as a national birth anniversary.
Deputy Commissioner Annies Kanmani Joy said that she is proud to work in the homeland Cariappa. Apart from being a land of natural resources and tourist attractions, Kodagu is also known as the land of brave soldiers, she added.
The dignitaries paid floral tributes were paid to the statue of Cariappa. Former minister M C Nanaiah, MLC Sunil Subramani, MLC Shanteyanda Veena Acchaiah, General Thimmaiah Forum President Col (retd) K C Subbaiah, convener B A Nanjappa, Karnataka Kodava Sahitya Academy chairperson Dr Ammatanda Parvathi Appaiah and Zilla Panchayat CEO K Lakshmi Priya were present on the occasion.
source: http://www.deccanherald.com / Deccan Herald / Home> State> Mangaluru / by Adithya K A / DHNS, Madikeri / January 28th, 2020
While stylish hats were the traditional favourite among the women, the other fashion statements, which was a refreshing treat for the eyes, were monochrome colours, jumpsuits and pants.
Floral prints, bright colours and summery looks were the highlight at the Bangalore Derby on Sunday. (Photo| Meghana Sastry, EPS)
Bengaluru :
While the city’s temperature soared to 30° C on Sunday, the excitement for Shree Meenakshi Sundereshwara Bangalore Derby 2020, which took place at The Bangalore Turf Club, also amped up. More than 5,000 people attended the event but the showstoppers were the eight handsome horses who participated in the race.
While stylish hats were the traditional favourite among the women, taking inspiration from Royal Ascot, the popular derby in London, the other fashion statements, which was a refreshing treat for the eyes, were monochrome colours, jumpsuits and pants.
Nishita Sivappa, daughter of Vinod Sivappa, chairman of Bangalore Turf Club, says when it comes to attending a derby, she has to go for something comfortable, in which she can enjoy the thrill of the race. “I have always loved breaking tradition. While ladies prefer dresses or skirt, which is lovely, I prefer comfortable pants and shirt, accessorised with a statement belt,” says Sivappa, who went for a co-ordinated pure white set, with a black and gold statement belt along with oversized sunglasses.
While Sivappa chose all-white, actress Shubra Aiyappa decided to got for a body-fitting jumpsuit. “I have been in that jumpsuit phase so went ahead with the instinct,” said Aiyappa, who picked the jumpsuit from a designer boutique in Dubai.
Derby without some harmless betting sounds incomplete. But actress-model Sanjjanaa Galrani says she usually does not gamble and moreover, she is working towards reducing one vice of her in a year. She was wearing a purple velvet dress, which she paired up with classy shoes, a fashionable watch and a trench.
“I added the trench so that people don’t get distracted from the race,” the actress added playfully. Celebrity fashion designer Delna Poonawalla, who comes from a famous family of horse breeders, gave a glimpse of her new collection too.
While women put on the fashion game so high, men didn’t hesitate to play along too. They showed off tapered pants, chequered suits and printed blazers. However, it was the race and good spirit that took all their attention.
source: http://www.newindianexpress.com / The New Indian Express / Home> Lifestyle> Fashion / by Monika Monalisa / Express News Service / January 27th, 2020
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