Tag Archives: Kodavathi

How Smitha Kuttayya’s Kodava Dishes Bridge The Past And Present With Sustainability And Innovation

This pop-up at the Marriott had more than just the popular pandi curry or Coorgi pork curry. Drawing inspiration from yesteryear and her grandmothers’ kitchen in Coorg, home chef Smitha Kuttayya has made it her mission to keep Coorgi cooking traditions alive.   

In a world where fast food and standardised meals dominate, the value of traditional recipes and cooking methods with a focus on sustainability often seems overshadowed. Yet, for home chef Smitha Kuttayya, these traditions are more than just culinary practices; they are a bridge to the past, a way of preserving memories and cultural identity.

A native of Kodagu now residing in Chennai for 24 years, Chef Kuttayya has excelled in multiple roles throughout her career.

She is a celebrated Bharatanatyam dancer, a compelling writer, a dedicated teacher, an engaging storyteller, a successful entrepreneur, and a passionate home chef.

Each of these roles reflects her commitment to preserving her heritage while enriching her community with diverse talents. She has been a vibrant part of Chennai’s culinary landscape for over a decade and draws deep inspiration from her roots in Coorg and her grandmothers, who not only passed on their skills and recipes but also greatly influenced her passion for baking and cooking, which reflects in her brand, the Global Theeni.

Her journey from a humble baker to a champion of Coorg cuisine reflects a deep commitment to preserving culinary heritage while adapting to modern ecological needs. Drawing inspiration from yesteryear and her grandmothers’ kitchen in Coorg, Chef Kuttayya has made it her mission to keep these traditions alive. “In our family, cooking was always more than just a task—it was a form of storytelling,” she reflects. This storytelling aspect was evident in her recent Coorg cuisine pop-up at the Marriott Hotel Whitefield in Bengaluru, where Smitha Kuttayya showcased traditional Kodava dishes that included seasonal produce and were prepared adhering to sustainable practices.

Traditional Cuisines In A Modern World

Traditional recipes, she believes, are more than just instructions for making food; they are a tapestry of memories, methods, and values passed down through generations. “These recipes are a bridge to our past,” she says. “They connect us to our ancestors and their way of life, which is why they carry such unique and irreplaceable flavours.” This pop-up at the Marriott had more than just the popular pandi curry (Coorgi pork curry). The buffet had a wide array of dishes like the koli barthad (chicken fry), fish fry (mackarel marinated in spices and kachampuli vinegar), mutton pulav, Kodava chicken curry, and, of course, the pandi curry.

That’s not all. The vegetarians also had a wide selection of dishes that could confuse a Kodava too, as the community is well-known for their non-vegetarian fare. There was raw banana fry, which was made with the same marinade that was used for the fish fry. The baimbale curry or the bamboo shoot curry paired beautifully with the paaputtu (coarse rice semolina cake).

The seasonal kaad maange pajji, the bollari gravy (mangalore cucumber gravy), and the raw jackfruit pulav were a total hit among the diners. For her, maintaining traditional methods means adhering to the authentic ways of preparing and cooking dishes, even when modern shortcuts are available. “In Coorg cuisine, for instance, we don’t use tomatoes in our traditional recipes,” she explains. “We rely on natural souring agents like kachampuli (vinegar made from a fruit called Panapuli) or tamarind, which have been used for generations.”

Local Ingredients: The Heart Of Authenticity

Central to Chef Kuttayya’s approach is her unwavering commitment to local ingredients. For her, these ingredients, like wild mangoes, mushrooms, bamboo shoots, jackfruit, honey, jaggery, etc., are not merely components of a dish but symbols of a region’s cultural and ecological identity. “Local sourcing respects the origin and community, ensuring that what we prepare is a true reflection of our heritage,” she explains.

This philosophy aligns perfectly with her aim to offer an authentic culinary experience. In Chennai, where she has spent a significant part of her career, Chef Kuttayya found a unique demand for traditional Coorg cuisine. “Initially, people in Chennai didn’t have easy access to Coorg dishes like pandi curry, mange pajji, etc., unlike in Bangalore, where the Kodava presence is greater,” she notes. This gap led her to introduce Coorg dishes to a broader audience, not just the Coorg community but also Tamil locals eager to explore new flavours.

Seasonality And Innovation

A profound respect for seasonality guides Chef Kuttayya’s menu planning. She emphasises the use of ingredients at their seasonal peak to enhance flavour and ensure ecological balance. “Seasonal cooking supports local agriculture and ensures that what we eat is both delicious and sustainable,” she asserts. By aligning her cooking with the natural rhythms of the seasons, she fosters a deeper connection between the food and its source. “Most of our special ingredients are available only during the monsoon,” she explains. “We adapt our menu to make the most of these ingredients when they are freshest and most flavourful.”

Her wisdom of traditional cooking and baking with seasonal ingredients, intricately woven with sustainable practices, has evolved her style of cooking over the years. This time around, she presented a few dishes that could qualify as modern Kodava cuisine, like the coffee-infused chilly chicken dish, the monkey oranges and bird’s eye chilli sauce from her farm, or the coffee mayonnaise made with avocado and coffee, which was a pairing for one of the meat tarters. In her buffet, there was neer dose paired with organic jaggery and coconut, which is a classic combination. But during her pop-up tour at Marriott, she introduced neer dose alongside figs and bird’s eye chilli preserve that she prepared herself from the figs that grew plenty at her home.

While preserving tradition, Chef Kuttayya also embraces evolution in her culinary practices. She believes that traditional dishes can evolve while maintaining their core essence, making them appealing to contemporary tastes. “It’s about balancing tradition with innovation,” she notes. “You can introduce new flavours and techniques without losing the soul of the dish.” Her innovative takes include adapting traditional Coorg dishes with locally available ingredients when necessary. “Innovation doesn’t mean discarding tradition; it means enhancing it,” she asserts.

Sustainability In Tradition

The sustainable practices inherent in traditional cooking are another aspect that Chef Kuttayya values highly. “Traditional cooking relies on local, seasonal ingredients and minimal waste practices, showcasing a way of life that modern kitchens can learn from,” she states. This approach not only reduces the carbon footprint but also supports local agriculture and ecosystems, making it a model for sustainable cooking in today’s world. This dedication extends to her personal cooking practices as well.

“Every vegetable or meat that we use for cooking, I make sure it is completely utilised. Nothing goes to waste and if there is something that can’t be used, it always composts. That’s a farmer’s way. We barely use oil in our cooking. When it is meat, especially, it cooks in its own fat. I do not waste anything and there is no other way that I can do it. “I buy only organic ingredients and test everything myself. I don’t even delegate it to the help in the house,” she says with a smile.

“I’m very particular about my ingredients and the way I prepare my dishes,” she notes. “Whether it’s a pop-up event or a one-on-one cooking class, I ensure that the methods and ingredients reflect the true essence of traditional cuisine.” Her commitment to sustainability extends beyond the kitchen to her packaging choices. “I use only tin and tiffin boxes for packaging, avoiding plastic entirely; even the baking sheets I use are organic,” she says. “It may cost more, but it aligns with my values of sustainability and respect for the environment.

source: http://www.slurrp.com / Slurrp / Home> Article / by Meghana Dayananand / June 13th, 2024

HCL National Squash Championship: Abhay Singh, Velavan Senthilkumar, Joshna Chinappa clinch gold

Chennai :

Abhay Singh and Velavan Senthilkumar clinched a gold medal in the men’s doubles category with a commanding 2-0 victory in the HCL Nationals Doubles Championship here on Wednesday (May 15).

In the women’s doubles category, Pooja Arthi and Rathika Seelan secured the top spot with a thrilling 2-1 win. Abhay Singh teamed up with Joshna Chinappa to clinch gold in the mixed doubles category.

The HCL Nationals Doubles Championship, a collaborative effort between HCL and the Squash Rackets Federation of India (SRFI), concluded with resounding success at the Indian Squash Academy in Chennai from May 13th to May 15th, 2024.

Marking a significant milestone in India’s squash history, this event, part of the HCL Squash Podium Program, revived the Doubles Squash Championship after a hiatus of 17 years.

The winners were honoured by esteemed dignitaries, including Chief Guest Dr Atulya Misra, the Additional Chief Secretary of the Tamil Nadu Government, and Thulasimathi Murugesan, the gold medalist from the Asian Para Games 2022, who graced the finale ceremony as the guest of honour.

India’s recent success in doubles squash on the international stage, particularly at the Asian Games, served as a catalyst for HCL to reintroduce the Doubles Squash Championship. This initiative aimed to inject renewed enthusiasm into the sport and provide a platform for emerging talents to showcase their skills in doubles play.

Rajat Chandolia, AVP and Head of Brand at HCL, expressed delight at the enthusiastic participation of squash players in the championship. He congratulated all the winners and participants, highlighting HCL’s commitment to supporting Indian players and elevating squash to new heights through initiatives like the Squash Podium Program.

Cyrus Poncha, Secretary General of SRFI, hailed the resurgence of doubles squash in India, attributing it to the collaborative efforts of SRFI and HCL. He stressed upon the significance of nurturing talented players and expressed confidence in the bright future of Indian squash.

“I am truly excited to see the renaissance of doubles squash in India, thanks to the mutual efforts of SRFI and HCL. It was truly thrilling to see the clashes between the double pairs. I believe that Indian Squash has a bright future and the stars of tomorrow will emerge from these events. Our association with HCL has been monumental for the sport and our combined efforts will continue to nurture talented players,” said Poncha.

Abhay Singh, who emerged victorious in both the men’s and mixed doubles categories, expressed his gratitude to HCL and SRFI for organising the championship. Looking ahead, he expressed determination to excel at the Asian Doubles Championship in Malaysia.

Abhay Singh, said, “I have always been interested in playing in the doubles category. I thank HCL and SRFI for organising this championship after a long time in India. I have played with Velavan in Commonwealth but this was my first time playing doubles with Joshna. It is such an honour to team up with her. I was sure that I would win in both categories but now it’s time to win gold at the Asian Doubles Championship in Malaysia.”

The championship showcased gripping matches, including the finals contested by pairs such as Abhay Singh & Velavan Senthilkumar, Rahul Baitha & Suraj Chand in the men’s category, Pooja Arthi & Rathika Seelan, and Janet Vidhi & Nirupama Dubey in the women’s category, and Abhay Singh & Joshna Chinappa, and Harinder Pal Singh Sandhu & Rathika Seelan in the mixed doubles category.

The HCL National Doubles Championship not only celebrated sporting excellence but also marked a significant step forward in the resurgence of doubles squash in India, promising an exciting future for the sport and its talented athletes.

Its game time – play now!

source: http://www.mykhel.com / MyKhel.com / Home> MyKhel Sports / by MyKhel Team / May 15th, 2024

Preparing for third Olympics at 34, Ashwini Ponnappa in no mood to slow down

The badminton star says that she is grateful to have an opportunity to aim for an Olympic gold at this point in her career.

Team game: Ashwini said that the partnership with Tanisha has been exciting. | Photo Credit: RITU RAJ KONWAR

Ashwini Ponnappa has been around for a long while now but the 34-year-old has no plans of slowing down. Preparing for her third Olympics in a sport as demanding as badminton can be gruelling. To do so in doubles, with a partner almost 15 years younger, is unheard of. Ashwini isn’t bothered.

Ashwini missed the Tokyo Olympics but with Tanisha Crasto, is currently the highest-ranked Indian women’s doubles pair in the world and on top of the race to the World Tour Finals.

Having burst into the limelight after winning a historic gold at the 2010 Commonwealth Games in front of home crowds (with Jwala Gutta) for her maiden senior international title, it’s been an eventful career for Ashwini.

“I think having the CWG in India was the biggest game-changer because there was media and public attention on all sports, not just one or two. And winning in front of the home crowd put doubles in the spotlight because till then, it used to only be about singles. People started viewing doubles as a specialised event after that,” she acknowledged.

“It’s been quite a journey, having started alongside Jwala who was already an established player then and well-known on the national and international scene as a specialised doubles player. I think I got lucky because partnering with her meant that I got to play in the big league at a very young age. I have had different partners along the way and now am with someone who is 14 years younger – I never would have thought back then that something like this would happen. But it’s been an exciting journey since we got together,” she added.

Challenges

The longevity has not been without challenges but a bout of dengue in 2016 triggered a complete turnaround in her training ethos and methods.

“Even though I have had physical ups and downs, I have always been motivated. Being physically fit is most essential to be playing at this level but being mentally motivated is equally important. You cannot have one without the other. That’s something I am very stubborn about – I will not listen to just anyone, I am very fussy about my training.

“I have been training with Deckline Leitao since 2016 and that’s been a game-changer. As you get older, your approach to physical fitness is very critical. It also means that if my coach says back off or slow down, I will listen. When you are younger, you can have the hardest workouts throughout the year. But as you get older, it is important to know when to back off and not keep pushing” she explained.

And while they are equal partners on the court, Ashwini admits it took time to build an understanding with Tanisha. “It’s definitely evolved because initially there was a barrier because of the fact that I am super senior and she is up and coming, the comfort level did take time to get to and, to be honest, there is still a lot of space for improvement but it’s work in progress. I don’t think there is any other pair with this level of age gap on the circuit.

“It’s nice to play with someone who has got a really long way ahead of her. I love her enthusiasm and the curiosity of going for big tournaments,” she admitted.

The senior pro in her does come rear up occasionally, she laughed but insisted she tries to avoid being a nag.

“I don’t think there is pressure of being a senior but I just end up being kind of a mentor. It’s not like I go out and try to be a senior or didi as Tanisha calls me – I don’t want to be – but I end up being one because of what I have seen over the years and can’t help but guide here and there when you see certain things. Fortunately, she has been open enough to listen to me giving her advice now and then,” she said.

source: http://www.thehindu.com / The Hindu / Home> Sport> Other Sprots / by Uthara Ganesan / April 19th, 2024

Crunchyroll Anime Awards 2024: Rashmika Mandanna Set To Create History As 1st Indian Presenter

crunchyroll anime awards 2024: rashmika mandanna set to create history as 1st indian presenter© Provided by Times Now

The anime universe is about to get a touch of Indian cinema flair as Rashmika Mandanna gears up to make her mark at the prestigious Crunchyroll Anime Awards 2024. Scheduled to take place on March 2 in Tokyo, Japan, the event will see Rashmika as a presenter.

In a historic feat, the Animal actress will be the first Indian to represent India at the Crunchyroll Anime Awards. Rashmika will join an illustrious lineup of presenters at the event, including American pop sensation Megan Thee Stallion, Dallas Cowboys star DeMarcus Lawrence, and wrestling phenomenon Mercedes Varnado, known as Sasha Banks.

Meanwhile, Rashmika was spotted at the airport as she jetted off to Tokyo to attend the coveted awards ceremony. Dressed in a green-coloured top which she paired with black pants, Rashmika acknowledged the paparazzi as she rushed to catch her flight.

The news of Rashmika’s representation at the Crunchyroll Anime Awards has sent waves of excitement through her fanbase and the anime community alike. Rashmika has often expressed her love for anime, citing Naruto Shippuden as her personal favourite.

The Crunchyroll Anime Awards is an annual extravaganza that celebrates the best of the anime world, from series to films and voice actors. It serves as a platform to honour the creativity and artistry behind this beloved genre, attracting fans and industry professionals from across the globe.

The Crunchyroll Anime Awards 2024 will be held on Saturday, March 2.

On the work front, Rashmika has been shooting for Dhanush’s DNS (D51) in Hyderabad. She also has Pushpa 2 in her kitty.

source: http://www.timesnownews.com / Times Now / Home> Entertainment News> Web Series / by Times Entertainment Desk / February 29th, 2024

Career spanning over three decades has been recognised: Joshna Chinappa on Padma Shri honour

Squash star Joshna Chinappa was awarded the Padma Shri, India’s fourth-highest civilian honour, in recognition for her contribution to the sport and to India.

Joshna Chinappa (Instagram/@joshnachinappa15)

Recognition– both national and international– isn’t elusive to sports star Joshna Chinappa. A Commonwealth Games gold medalist, a WSF World Doubles Champion, a two-time Asian Individual Champion, and the winner of five Asian Games medals… the list goes on. Adding another feather to her cap, squash player has now been awarded India’s fourth-highest civilian honour, the Padma Shri, in recognition for her contribution to the sport and to India.

One of Indian squash’s most successful players, Chinappa was ranked world number 10 in the professional squash circuit. The 37-year-old is also the first Indian to win the British Junior Squash Championship in 2005 in the Under 19 category. Chinappa has won the national squash championship for a record 18 times, which is the highest by an Indian player.

With so many achievements in hand, Chinappa is a proud ambassador for her sport and for India. While one may wonder if the Padma Award was long due, Chinappa humbly responds with, “I think the timing is just right.” Now that squash is being included in the 2028 Los Angeles Olympic Games, Chinappa is excited about the possibilities that await.

In an email interaction Joshna Chinappa gets candid with South First about the award, what it means, and preparing for LA28.

Excerpts from the interview.

You have had a fabled career, and you are one of the most prominent faces of squash in the country. Do you think the Padma award was long due?

I feel extremely humbled and honoured to be given the Padma Shri. I think the timing is great! It feels nice that my career spanning over three decades has been recognised and appreciated. 

What role has Chennai played in your growth as an athlete?

Chennai has been a big catalyst for me to pursue squash professionally. My dad introduced me to the game. He was my coach for a very long time. Besides, the squash federation is based in Chennai. That helped me to have access to good coaches and a structured training program.

Joshna Chinappa is looking forward to playing at the LA28. (Instagram/joshnachinappa15)

Could you give us a peek into the role of your coach in shaping your career?

My dad was my main coach for many years. I have worked with some solid coaches throughout the last two decades and all have contributed significantly in their own way.  

How are you preparing for LA28? 

It’s wonderful that squash is in LA 2028! I look forward to being fit and injury free!

Squash has finally made it to the Olympics, what does it mean for veterans like you? Do you think your career would have been different had it been included as an Olympic sport earlier?

Obviously. When it’s an Olympic sport, the financial support and encouragement is completely different from the government as well as the corporates. I do feel it would have made a huge difference especially in motivating more kids to take up squash and consider it as a career.

How are you preparing to compete with top seed players who are younger? 

Squash is already a challenging sport physically. So, competing with the younger lot makes it exciting and harder on the body. I think training smart is the key. 

How do you feel about the popularity of squash in India? What can be done to attract more people to the game?

The sport has definitely gotten a lot more popular in the last few years. We have been consistently winning medals at the CWG and Asian games. We need to have more infrastructure, qualified coaches and financial support given to the younger kids, so that they can focus on playing and training comfortably.

insta

Almost all sports persons talk about focussing on the process, and not the outcome, while playing the sport. And yet, when the outcome is not favourable, there is a natural disappointment. How do you pick yourself up after a not-so-great game?

I personally enjoyed the grind of training and preparing for an event. But it’s with the purpose to win a medal , so it is incredibly disappointing to not be able to pull that off on certain days. That’s what sport is, you won’t have your way all the time despite all the work you put in, but you have to find a way to come out of it and keep working harder, never giving up and eventually the wins will come. 

What runs in your mind while in the heat of a game? How do you train your mind to face both healthy and unhealthy competition?

I try to focus on my game plan with each opponent. Sometimes when that doesn’t happen, I focus on the basics, one shot at a time.  I do a lot of mental work too which is equally important as the physical aspect. Also surrounding yourself with the right people and team can help cut out the unnecessary noise. 

How do you unwind?

Since my day is scheduled with training and recovery. On my off days, I really like to do nothing. I do play a lot of other sports which I enjoy and also, I read a bit. 

source: http://www.thesouthfirst.com / South First / Home> Community & Culture / by Fathima Ashraf / February 15th, 2024

Varsha Bollamma builds excitement on ‘Ooru Peru Bhairavakona’

Varsha Bollamma builds excitement on ‘Ooru Peru Bhairavakona’

HIGHLIGHTS

Prepare to be captivated by the upcoming fantasy thriller, ‘Ooru Peru Bhairavakona,’ promising an edge-of-the-seat experience

Prepare to be captivated by the upcoming fantasy thriller, ‘Ooru Peru Bhairavakona,’ promising an edge-of-the-seat experience. Renowned actress Varsha Bollamma, who is seen as female lead in the film alongside Sundeep Kishan, recently shared insights into the project, building excitement ahead of its worldwide release on February 16. Directed by VI Anand and produced by Rajesh Danda under the banner of Comedy Movies, ‘Ooru Peru Bhairavakona’ boasts a magical and adventurous narrative. The film stars Sandeep Kishan in a lead role, supported by the talented actresses Kavya Thapar and Varsha Bollamma as heroines. Co-produced by Balaji Gutta, the film is proudly presented by Anil Sunkara on AK Entertainments.

Varsha Bollamma expressed her enthusiasm for joining the project, recalling how the director, VI Anand, narrated a story that felt refreshingly new and unique. She was intrigued by the unconventional storyline and the unexplored character dynamics, leading her to eagerly accept the role of Bhumi, a tribal girl with self-education, courage, and strength.In describing her character, Varsha shared that Bhumi, the tribal girl, exudes innocence while displaying remarkable courage and resilience. Having grown up in a hill station herself, Varsha found a personal connection to the character’s affinity with nature, making the role all the more relatable.

Working alongside Sandeep Kishan, Varsha commended her co-star’s warmth and respect for everyone on set. She praised him as a kind and considerate co-star, contributing to a positive working environment. Varsha’s decision to take on the role was influenced by her admiration for VI Anand’s previous work, particularly the movie ‘Where are you going, little one?’. Excited about the project, she was thrilled to learn that her name was specifically chosen for the role of Bhumi, solidifying her commitment to the film.

‘Ooru Peru Bhairavakona’ promises to be an exhilarating entertainer, offering a thrilling experience with supernatural elements. Varsha assured the audience of an enjoyable ride filled with suspense and a powerful message. As she praised the producers at AK Entertainments for their passion for comedy movies and their commitment to delivering a grand production, Varsha concluded the conference by reaffirming her dedication to prioritizing impactful roles, irrespective of their length. With the film’s release just around the corner, anticipation continues to build for this magical adventure.

source: http://www.thehansindia.com / Hans India / Home> Entertainment> Tollywood / by Hans News Service / February 07th, 2024

Coorg The Vanishing World Of The Kodavas

Kodagu's rich oral tradition was used to hand down the history, culture and social practices of the people. From the book The Vanishing Kodavas (Eminence Designs, Rs 7,500). Text by Kaveri Ponnapa. 
Four dudipatkaras (bards) sing the history of the clans
Kodagu’s rich oral tradition was used to hand down the history, culture and social practices of the people. From the book The Vanishing Kodavas (Eminence Designs, Rs 7,500). Text by Kaveri Ponnapa. Four dudipatkaras (bards) sing the history of the clans

A new book chronicles the cultural history of an enigmatic hill people.

The Kodavas, an agricultural and martial hill community known for their oral cultural traditions, are thought to have migrated to and established themselves in the Western Ghats region of Kodagu.

Despite numerous theories about their origins, none have been conclusively proven.

Organised into patrilineal descent groups, they engaged in agriculture and warfare. They were governed by local chieftains who pledged allegiance to various larger kingdoms during their early history.

Later, a dynasty of Lingayat kings, supported by a council of chieftains, assumed control. In her book “The Vanishing Kodavas”, Kaveri Ponnapa chronicles her observations on field excursions throughout Kodagu, meticulously recording village festivals across several cycles, actively engaging in and observing ancestor propitiations, as well as documenting the significant life events within the community.

The Coorg valley is also referred to as the Scotland of India for it's ethereal beauty
The Coorg valley is also referred to as the Scotland of India for it’s ethereal beauty
In the area of Coorg (Kodagu), terracotta tradition may be traced from the Megalithic
period. A few terracotta figurines are known from the dolmen site of Moribetta (Cole
1868 and 1869)
In the area of Coorg (Kodagu), terracotta tradition may be traced from the Megalithic period. A few terracotta figurines are known from the dolmen site of Moribetta (Cole 1868 and 1869)
The person performing 'bhuta kola', a traditional dance wears special makeup, jewellery and costumes. He dances to very unique tunes of music
The person performing ‘bhuta kola’, a traditional dance wears special makeup, jewellery and costumes. He dances to very unique tunes of music
In the olden days, a simple white length of cloth, tied around the head was worn as a headdress, or mande tuni as referred to in the Coorg dialect. On ceremonial occasions, this was replaced by a cream and gold mande tuni
In the olden days, a simple white length of cloth, tied around the head was worn as a headdress, or mande tuni as referred to in the Coorg dialect. On ceremonial occasions, this was replaced by a cream and gold mande tuni
Pariyakali harks back to the days when war was a constant reality in Kodava life and men were expected to display their fitness and prowess on many social occasions
Pariyakali harks back to the days when war was a constant reality in Kodava life and men were expected to display their fitness and prowess on many social occasions
Along with the Saree, Coorgee women wear a piece of cloth on their head similar to the saree known as ‘the vastra’, and they adorn themselves with gold beaded jewellery to add to the beautiful attire
Along with the Saree, Coorgee women wear a piece of cloth on their head similar to the saree known as ‘the vastra’, and they adorn themselves with gold beaded jewellery to add to the beautiful attire
The ‘Kodava costume’ for men is called ‘Kupya’ which is a collar less half sleeve knee length jacket secured at waist with a maroon sash with gold embroidery called as ‘Chela’ and a knife is tucked into the ‘Chela’ that is referred to as ‘a peechekatti’ which represents their culture
The ‘Kodava costume’ for men is called ‘Kupya’ which is a collar less half sleeve knee length jacket secured at waist with a maroon sash with gold embroidery called as ‘Chela’ and a knife is tucked into the ‘Chela’ that is referred to as ‘a peechekatti’ which represents their culture
Puthari, Kodagu’s annual harvest celebration, is the most important festival across Kodagu, a landmark in the agricultural and social calendar
Puthari, Kodagu’s annual harvest celebration, is the most important festival across Kodagu, a landmark in the agricultural and social calendar

source: http://www.outlooktraveller.com / Outlook Traveller / Home> India / by OT Staff / January 20th, 2024

Measuring Coorg in coffee spoons: Review of Kavery Nambisan’s book, ‘Cherry Red, Cherry Black: The Story of Coffee in India’

Kavery Nambisan traces the history and geography of the brew in India in her book ‘Cherry Red, Cherry Black: The Story of Coffee in India’.

At the Nellikad Coffee Estate in Pollybetta, Coorg | Photo Credit: Special arrangement

When did coffee arrive in India? How did Coorg, a rice-growing area initially, take to growing coffee in large quantities? Where does India stand as a coffee planter and exporter? Kavery Nambisan writes the history of one of the country’s most popular beverages in her new book, Cherry Red, Cherry Black: The Story of Coffee in India. In an interview, she says the history of coffee in India is closely interwoven with global history.

The story goes that an Indian merchant who went on a pilgrimage to Mecca is said to have brought some coffee seeds back with him in the early 17th century, and thus began the backyard cultivation of coffee in parts of then Mysore province, mainly Chikmagalur, Hassan and Coorg. The British saw its potential and expanded the growth of the cash crop. Having worked in the industry — she tried at her hand at berry picking when she was 15 and realised what a tough thing it is — Nambisan also outlines the challenges the industry faces.

Author Kavery Nambisan | Photo Credit: Special arrangement

You say history has everything to do with the story of coffee in India. Why?

The history of coffee is closely interwoven with global history, particularly from the 18th to the 20th century. It is believed that the stimulant effects were first discovered in Abyssinia when a goatherd noted how his goats frolicked non-stop after eating coffee berries growing in the wild. This led to its cultivation and coffee became something of an energy drink of those days. Its popularity spread to many parts of Arabia and from there to parts of Europe. An Indian merchant who went on a pilgrimage to Mecca is said to have brought some coffee beans back with him and so started the back-yard cultivation of coffee in parts of the Mysore Province, mainly, Chikmagalur, Hassan and Coorg.

By the mid-19th century the British had recognised the potential for growing coffee (and tea) on a large scale. They cut down thousands of acres of forests in these regions for this purpose. The British government which got revenue from its production and export, played a key role in regulating the sale of coffee. The two World Wars challenged the prospects of export and profits while competition from other coffee-growing countries ensured that our own plantations had to work on improving quantity and quality.

Wasn’t Coorg a rice-growing area before the prospect of expanding coffee growth brought the British to the region in large numbers?

The people of Coorg were hunter-peasants right up to the early 19th century when it was annexed by the British. Livelihood was closely tied to paddy cultivation which in turn was dependent on the monsoons. Paddy is a labour-intensive crop and needs workers prepared to work in difficult weather conditions. So the local tribespeople worked in the fields for daily wages. Coffee growing was initially very challenging, and disease often destroyed the crops. But with effective planning, research on the cause of disease, treatment and plant selection, it turned out to be very profitable.

Though the first coffee estate was set up near Mercara, why did coffee growth proliferate in southern Coorg? And what was the variety grown there?

North Coorg where coffee was initially grown receives heavy rainfall which can damage the blossoms and the young berries. Moreover, the area is mostly hilly and so coffee is grown on steep terrain. Within a few decades of cultivation, hundreds of acres of coffee plantations were thus destroyed. Many plantations closed down and some of the British planters went back to England. In Southern Coorg on the other hand, the land is gently sloping, or flat and the rains are not so severe. It is better suited for coffee cultivation. The two varieties of coffee grown are Robusta and Arabica.

A coffee picker with a sack of harvested beans | Photo Credit: GRJGM

Please share your experience of plucking coffee berries when you were 15. How tough was it?

That was foolish bravado on my part. Perhaps also, the fact that I was of an age when I romanticised manual labour. Coffee plucking itself appears easy when a skilled worker does it. Actually, It is hard work. There are nettled shrubs and creepers that get in the way, abrading palms and scratching the arms and shins. The many insects that creep, crawl and fly will often sting. Dried coffee twigs can poke the eyes for good measure when the picker crouches beneath the bushes to pluck the berries. I was not able to pick as much as I thought I could. But the workers? They talked and laughed all day and plucked enough berries to fill a few sacks each.

Was the rapport between the local Kodavas and the British a happy one? What did they learn from each other?

I guess you could say it was a good rapport. You need to go back in history in order to understand why. Coorg (or Kodagu) was ruled by the Haleri kings for 250 years before the British annexed Coorg in 1834. Coorg was better off under the British. They got schools, dispensaries, apothecaries, etc. Importantly, there was more peace and harmony which came with better administration. Within a few decades, many of the Kodavas became literate. The British found them to be hard-working, honest and trustworthy.

___________________________

Cherry Red, Cherry Black: The Story of Coffee in India

 Kavery Nambisan Bloomsbury

 ₹699

_________________________

What are some of the concerns about the modern coffee industry?

There are several concerns: Coffee plantations are the result of the felling of large areas of forest land, particularly in and around the Western Ghats. It is also a crop that uses pesticides and chemical fertilizers which denude the soil of its health and vigour. Organically grown coffee is a possibility, but economically it is not viable in large plantations. The climate catastrophes experienced in the last few years has led to destruction and loss of lives. We need to look at alternate ways of producing coffee so the end result is not deleterious to the environment. There are many individuals, groups and a few corporates who are experimenting with new methods. Coffee growing is no longer as lucrative as it once was and there is a need for innovation and the use of methods that are not harmful to the ecosystem.

A farmer in Coorg picks riped coffee beans for pulping | Photo Credit: Sampath Kumar G.P.

From Steeping to the French Press there are many ways to make coffee and you describe them in the book, which is your favourite way to make and drink coffee?

I have been a coffee drinker all my life, naturally. I cannot start the day without coffee. I like it strong, hot and full flavoured. I use a mix of Robusta and Arabica beans, roasted at a mill nearby and powdered at home. I have three methods that I use to make coffee, depending on my mood. The Moka pot coffee, filter coffee or the simple brew, in which you heat fresh water and when it comes to boil, add the coffee powder, cover and let it steep for 2 minutes, strain and serve with hot milk and jaggery.

source: http://www.thehindu.com / The Hindu / Home> Books / by Sandipta Datta / December 09th, 2022

AGM Of Pombolak Kodava Koota

Mysore/Mysuru:

The first Annual General Body Meeting (AGM) and get-together of Pombolak Kodava Koota, Mysuru was  held at Kodava Samaja premises in Vijayanagar here recently.

Koota President Mundottira Jaya Chengappa presided.

Theetharamada Dr. Devaki rendered the invocation. Vice-President Thathira Bheemaiah condoled the death of Koota members in the past one year.

Koota’s annual report was read out by Joint Secretary Guddanda Rashmi Uday while the accounts was presented by Treasurer Kullachanda Vinutha Kesari.

The names of new members was read out by Annarkanda Prathima Thimmaiah, who also  compered the programme. 

Committee Member Boppanda Appaji proposed the vote of thanks.

Various sports and games were conducted for the members present by Sports Committee Member Adikera Sajjan Cariappa.

Cash prizes were presented to meritorious students while the Ph.D awardee Dr. Theetharamada Dr. Devaki was felicitated on the occasion.

Hon. Secretary Chottanda Chengappa, Mallengada Sharanu Somaiah, Theethira Beena, Ammanda Somaiah, Mullanda Vinu Cariappa and others were present.

source: http://www.starofmysore.com / Star of Mysore / Home> News / November 02nd, 2023

Ooru Peru Bhairavakona’s Humma Humma: Sundeep Kishan tries hard to charm Varsha Bollamma

Ram Miriyala has crooned Ooru Peru Bhairavakona’s Humma Humma song that is composed by Shekar Chandra

Ooru Peru Bhairavakona’s Humma Humma: Sundeep Kishan tries hard to charm Varsha Bollamma
Sundeep Kishan and Varsha Bollamma

Sundeep Kishan, who was earlier seen in the gangster saga Michael this year, is all set to entertain audiences with the mystical thriller Ooru Peru Bhairavakona soon. Kavya Thapar and Varsha Bollamma play the female leads in the thriller produced by Razesh Danda under Hasya Movies, while Anil Sunkara is the presenter. VI Anand, who worked with Sundeep in Tiger, is the director.

A new single from the film, Humma Humma, was launched today. Shekar Chandra scores the music for the thriller. Ram Miriyala has crooned for the number, jointly lyricized by the composer and Tirupathi Jaavana. The catchy fusion track focuses on how the protagonist is smitten by the woman of his dreams and goes all out to woo her. The quirky lyrics, composition capture his enthusiasm.

Image

‘Naa Valla Kade Bomma..Nee Kallu Chuste Amma..Inta Kalamu Lede..Vinta Lokamu Ente..Jaari Paddade Manase,’ the song’s opening lines read. The simple lyrics showcase the plight of a youngster who’s desperate to express his feelings to a loved one. Ram Miriyala’s laidback rendition, Sundeep Kishan’s expressions and Vijay Binni’s vibrant choreography enhance the appeal of the number.

The song has been shot at popular locations in Hyderabad and cinematographer Raj Thota’s aesthetic sense lets you explore the charm of the city while driving the story forward. The music video introduces viewers to the team behind the song, from the singer to the composer, lyricist and director as well. Humma Humma could be your ideal companion for a car ride to lift your spirits during a lazy evening.

The teaser of Ooru Peru Bhairavakona, released a few months ago, earned encouraging responses from audiences. Besides the mystical thriller, Sundeep Kishan is associating with actor Dhanush for two of his upcoming projects: Captain Miller and D50.While the former hits screens this December, D50 is directed by Dhanush himself.

source: http://www.ottplay.com / OTT Play / Home> News / by Srivathsan Nadadhur / October 28th, 2023